Matt Heckler w/ Vaden Landers
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEMATT HECKLERMATT HECKLER is a solo multi-instrumentalist that barely fits into any ordinary musical category. He tends to keep to the darker side of Appalachian mountain music and early bluegrass but listen long enough and you’ll soon be transported to the mountains of Eastern Europe or a dimly lit bar in Ireland where they honor those who have passed with a gently swaying a cappella ballad.After touring almost nonstop for years in support of bands like Devil Makes Three, Lost Dog Street Band, Flogging Molly, and others, HECKLER, like the rest of us, got sidelined by the ongoing global pandemic. With the newfound time off, he set to pushing creative boundaries in his home recording studio as far as his mind would allow. Each fiddle, banjo, and guitar track carefully put in place all the while retaining the grit and energy reflected in his live shows. Paired perfectly as the sequel to After The Flood, the Blood, Water, Coal album is a defining release in his career.Blood, Water, Coal was performed and recorded by MATT HECKLER with upright bass and backing vocals provided by Jeff Loops (Lost Dog Street Band). While recording Blood, Water, Coal, MATT HECKLER released The Magnolia Sessions outdoor live set – the maiden release for the now popular series – which made it to #9 on the Bluegrass Billboard Charts. The Magnolia Sessions was still charting upon the release of Blood, Water, Coal, which debuted at #3, leaving HECKLER with two albums running on the Billboard Charts simultaneously.HECKLER writes, “I started working on this album over a year ago in my home. Ran into a lot of snags and problems inherent in self-recording, but being alone, just a mic and my instruments, was the only way to capture the raw emotions this collection of songs holds for me. Some of these tunes were written over a decade ago, most of them in more recent years. Others took years to write. But now that it’s done, I can confidently say this album is the perfect sequel to After The Flood.”VADEN LANDERSVaden Landers is a 28-yr-old emerging artist from East Tennessee, penning songs that evoke the golden era of country music. With a voice often compared to Hank Sr, this former train-hopper/street-busker has gained a reputation in Asheville NC as one of the city’s finest performers. Billed as “The Yodeling Country Bluesman”, he possesses a rare authenticity that carries on the classic tradition.
SUSTO
– ALL AGES- STANDING ROOM ONLYSUSTOMuch like stars across the night sky, our souls dot this plane of existence, flaring brighter over time. As one fades out, another flickers into focus—and so the cycle continues into eternity and beyond.For SUSTO, the joy of birth, the closure of death, the warmth of true friendship, and the promise of the future rotate on the axis of the band’s fourth full-length and debut for New West Records, Time In The Sun. Frontman Justin Osborne distills this ebb and flow into eleven tracks underpinned by lyrical eloquence, unpredictable dynamics, and a thoroughly alive rock ‘n’ roll spirit. “We’re all just products of the sunlight, revolving around a big ball of fire,” observes Justin. “I was thinking of the meaning of life as I’m sure many of us were in 2020. I’ve come to believe life is all one big chance happening with no deeper meaning other than what we make of it. Every album is like a timestamp, and Time In The Sun was about trying to express this moment in my life. I was stuck in the middle of losing my father and also becoming a father myself. Through these songs, I’m expressing what it felt like and how it’s changed me.”Along the way, the collective opened up for everyone from The Lumineers and Band of Horses to The Head and The Heart in addition to gracing the bills of festivals such as Hangout, Stagecoach, Austin City Limits, and more. SUSTO also made their television debut on CBS This Morning: Saturday. In the middle of this whirlwind, Justin became a father in the summer of 2019 as he started compiling ideas. He officially entered the studio with producer and engineer Wolfgang Zimmerman [Band of Horses] at the top of 2020. After a February tour, the world shutdown and Justin retreated into his next body of work. A revolving cast of collaborators, friends, and members of the Charleston musical community rolled through and contributed to the recording. “It takes a village to make a record,” he smiles.In the end, SUSTO launches a new cycle in their journey, and it’s bolder and brighter than ever. “I was exorcising a lot of emotions,” he leaves off. “I hope people connect to Time In The Sun enough that I can keep doing this again and again. I’m just excited to make another record and keep going. Maybe it will help someone work through their emotions. This was my dream at 12-years-old. It’s still what I want to do.”THE HOLLER CHOIRClint Roberts is the founder and lead singer of Holler Choir, a string band known for their tight harmonies and heartfelt songs. Roberts, whose songs often explore themes of heartbreak and existential query, started the band in Asheville, North Carolina. With their blend of folk, Appalachian, and Americana influences, Holler Choir is turning heads quickly in the roots music scene. Following well received performances at IBMA and Americana Fest, Holler Choir is performing throughout the south East in 2023.
Love Bubble Meets The Beatles
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLELOVE BUBBLE Love Bubble Meets the Beatles “Love Bubble” is the name of the freshest harmony-driven trio in WNC! Made up of 3 of our areas finest and most sought after singers, you’re in for a dreamy, nostalgic, heartwarming and whimsical time! Debuting in December 2018 at the Eagle and selling out their freshman CD release show (Love Revolution) here in 2021 as well, you’re in for another uplifting ride into the throwback pop vibe of this delightful trio. Hank Bones who is affectionately referred to as “the man of 1000 songs” is also a master on guitar, arranging and songwriting. Peggy ‘Blues Chanteuse’ Ratusz has been a staple in WNC for nearly 20 years. In 2016 she swept the Mountain Express Readers poll with honors in Best in Blues, Best Vocalist and Artist that Gives Back. Along with the brilliant and scintillating vocal abilities of performance and session’s singer to the stars, Paula Hanke, these 3 create a quintessential musical ménage e trois! Your favorite harmony driven psychedelic rock, soul, jazz and pop trio will be performing a mix of Beatles hits and their own captivating originals at the Grey Eagle!
An Evening With The Dancing Fleas
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETHE DANCING FLEAS The Dancing Fleas, aka America’s Premier Ukulele Party Band, are a ten piece combo, heavy on the ukes but light on the attitude. Their uplifting originals and covers have been known to make even the most jaded hipsters smile unselfconsciously. The Fleas bring their high energy, big fun approach to a genre-bending set of tunes with styles ranging from classic country to sassy funky. Expect dueling ukuleles, blistering pedal steel licks, and big harmonies from the band’s five vocalists. The band’s debut album, The Dancing Fleas Play the Music of Don Gibson, is streaming on all platforms along with a handful of tasty original singles. Once you’ve seen them live, you’ll join the ranks of the #fleabitten! “Sometimes the only thing standing between you and a good time are your own reservations. These are the times when the jaded music critic in you should just let your hair down, get up out of your seat and shake your groove thing. These are the times for The Dancing Fleas to liberate your inner geek and let you remember what it was like to not be so dang self conscious about what people might think. Music fans often use the term “guilty pleasure” to refer to music that they keep to themselves even though it makes them smile. The Dancing Fleas are here to relieve you of this guilt. Go ahead, lay that burden down, brothers and sisters. Jump up out of that pew and come down front where we all can shout and sing! But here’s the other thing: The Fleas are actually very good. Like, tasty licks. Original songs that are instantly memorable. And an unlimited supply of that joyous, nerdy charisma. If you don’t believe me, just drop in on their set and you will understand. No reservations necessary. “ -Joe Kendrick, WNCW
Shawn Mullins + Larry Campbell and Teresa Williams
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLESHAWN MULLINSAfter a series of indie record releases, Shawn Mullins’ critical breakthrough came when 1998 Soul’s Core album shot him to fame on the strength of its Grammy-nominated No. 1 hit, “Lullaby” followed by AAA/Americana No. 1 “Beautiful Wreck” from 2006’s 9th Ward Pickin Parlor. His song, “Shimmer” was used in promotion of the 2000 Summer Olympics in Sydney and was included on the Dawson’s Creek soundtrack. He co-wrote “All in My Head” which was featured in episode one of the hit TV sitcom “Scrubs.” Mullins also co-wrote the Zac Brown Band’s No. 1 country tune “Toes.” In early 2002, he formed super group The Thorns with Matthew Sweet and Peter Droge. Mullins’ most recent album My Stupid Heart, was released in 2015, the theme of which, Mullins says, can be summed up most succinctly by the song title, “It All Comes Down To Love,” the guiding force behind just about every song on the album. Mullins is currently embarking on a recording project in conjunction with the 20th anniversary of the release of his album Soul’s Core, which came out July 17, 1998. He always performs songs from Soul’s Core in his live sets including “Lullaby” (Rockabye), “Gulf of Mexico,” “Twin Rocks Oregon,” “Shimmer” and “Anchored in You”. The song arrangements have evolved through the years as he continues to perform them live and grow as an artist.LARRY CAMPBELL AND TERESA WILLIAMS Multi-instrumentalist-singer-songwriter Larry Campbell and singer-guitarist Teresa Williams’ acclaimed eponymous 2015 debut, released after seven years of playing in Levon Helm’s band – and frequent guesting with Phil Lesh, Little Feat, Jorma Kaukonen and Jack Casady, brought to the stage the crackling creative energy of a decades-long offstage union. A whirlwind of touring and promo followed, and when the dust cleared, the duo was ready to do it all again. Which brings us to Contraband Love, a riskier slice of Americana. Larry, who produced Contraband Love, says, “I wanted this record to be a progression, bigger than the first one. That’s all I knew. I wanted the songwriting to be deeper, the arrangements more interesting, the performances more dynamic. Specifically how to get there, I didn’t know. I did know the songs were different. The subject matter was darker than anything else I’ve written.” “More painful!” Teresa says, and laughs. “Yeah,” Larry says with a smile. “I’m proud of our debut, but I felt like the songs were lighter than what I’m capable of doing. As a songwriter, I aspire to a sense of uniqueness: this is a great song and it could only have been written by me. I want to get there. It’s a journey, a goal, a pursuit. The mechanics of that pursuit are figuring out what you need to do to surpass your last body of work.”
NIGHT TWO: Watchhouse (Special Duo Set) at Asheville Masonic Temple
– ALL AGES- SEATED SHOW- AT ASHEVILLE MASONIC TEMPLEWATCHHOUSE Over a year after Andrew Marlin and Emily Frantz of Watchhouse (formerly known as Mandolin Orange) reintroduced themselves on their 2021 self-titled LP, the pair shared a special surprise release: Watchhouse (Duo), a self-produced recording of Marlin and Frantz performing the most elemental possible arrangements of all nine songs from Watchhouse. It’s a project that captures the fundamental power of Watchhouse: Two singers and musicians with profound chemistry, performing earnest yet masterfully crafted songs that encompass the unknowable mysteries, existential heartbreak, and communal joys of modern life. Starting over a decade ago playing coffee shops and local restaurants around North Carolina, Watchhouse is a grassroots success story that’s been driven by Marlin’s poignant songwriting. They’ve sold out iconic venues (Red Rocks, Ryman Auditorium) and attract hundreds of millions of streams while producing exploratory music that “redefines roots music for a younger generation” (Washington Post). 2022 was filled with many endeavors including the American Acoustic Tour with Punch Brothers, headlining shows across the US, collaborating with Planet Bluegrass on Mabon, an autumn equinox concert series, and of course Watchhouse (Duo). In 2023, Marlin and Frantz will celebrate the release of Watchhouse (Duo) with a short run of shows that will feature just the two of them, harkening back to their earliest days of performing.SAMANTHA CRAINSamantha Crain is a Choctaw singer, songwriter, poet, producer, and musician from Oklahoma. She is a two-time Native American Music Award winner and winner of an Indigenous Music Award. Her genre spanning discography has been critically acclaimed by media outlets such as Rolling Stone, SPIN, Paste, No Depression, NPR, PRI, The Guardian, NME, Uncut, and others. She has toured extensively over the past 15 yearsnationally and internationally, presenting ambitious orchestrated shows with a band and intimate folk leaning solo performances. She has toured with First Aid Kit, Neutral Milk Hotel, Gregory Alan Isakov, The Avett Brothers, The Mountain Goats, Brandi Carlile, Langhorne Slim, The Staves, and many other bands and artists. With her new album, “A Small Death”, and newer EP, “I Guess We Live Here Now”, she continues her traditionof keeping things close to the heart and the ground by leaning into the fulfillment of affinity with an audience and the satisfaction of a song with a memorable melody and an honest story.
The Heavy Heavy
– ALL AGES- STANDING ROOM ONLYTHE HEAVY HEAVY The Heavy Heavy create the kind of unfettered rock-and-roll that warps time and place, immediately pulling the audience into a euphoric fugue state with its own sun-soaked atmosphere. Led by lifelong musicians Will Turner and Georgie Fuller, the Brighton, UK-based band began with a shared ambition of “making records that sound like our favorite records ever,” and soon arrived at a reverb-drenched collision of psychedelia and blues, acid rock and sunshine pop. As revealed on their gloriously hazy debut EP Life and Life Only, The Heavy Heavy breathe an incandescent new energy into sounds from decades ago, transcending eras with a hypnotic ease.SHANE GUERRETTEIt’s the old way of doing things that inspires a new sound for upstate NY based artist, Shane Guerrette. Drawing influence from classic soul and roots rock genres, Shane has only just begun to craft his own retro flavored sound. With a recent self-released debut album called “Here’s Hoping” and plans of touring in the near future, you’ll want to keep an eye out for what’s to come from this rising star.
Joshua Ray Walker w/ Vandoliers
– w/ VANDOLIERS- ALL AGES- STANDING ROOM ONLYJOSHUA RAY WALKEROn his new album See You Next Time, Texas-bred singer/songwriter Joshua Ray Walker shares an imagined yet truthful portrait of a brokedown honky-tonk and the misfits who call it home: barflies and wannabe cowboys, bleary-eyed dreamers and hopelessly lost souls. His third full-length in three years, the album marks the final installment in a trilogy that originated with Walker’s globally acclaimed 2019 debut Wish You Were Here and its equally lauded follow-up Glad You Made It (the #5 entry on Rolling Stone’s Best Country and Americana Albums of 2020 list).“The whole idea with the trilogy was to use the honky-tonk as a setting where all these different characters could interact with each other,” says Walker, who drew immense inspiration from the local dive bars he first started sneaking into and gigging at as a teenager growing up in East Dallas. “In my mind, this album’s taking place on the night before the bar closes forever—the songs are just me taking snapshots of that world, and all the moments that happen in it.”VANDOLIERSVandoliers are a uniquely Texas band, distilling the Lone Star State’s vast and diverse musical identity into a raucous, breakneck vibe that’s all their own. After spending much of the last three years furiously writing and recording music, this Dallas-Fort Worth six-piece is back with The Vandoliers, a new album that proves these rowdy, rollicking country punks are tighter, more cohesive and more sonically compelling than ever.OLD HEAVY HANDSOld Heavy Hands is a Southern Rock band from Greensboro, NC. The band name pays tribute to their roots and conception. Many of their songs started on acoustics at Legacy Irons Tattoo in downtown Greensboro where three of the members earn their living. They blend together nostalgia from the golden era of Muscle Shoals and their adolescent years of punk rock influence to create a unique brand of Rock music for the modern age. The upcoming record “Small Fires” was tracked at The Fidelitorium and Earthtones Recording studio.
An Evening With Ben Sollee + Scott Mulvahill
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE BEN SOLLEE Over the last two decades, Kentuckian Ben Sollee has distinguished himself as multi-faceted creative, blurring the lines between music, tech, and activism. A graduate of the Univeristy of Louisville School of Music, he holds a BFA in cello performance. Since his debut record in 2008, Mr. Sollee has released 6 studio records and nearly 10 EPs garnering praise from the New York Times and NPR. His music has been featured in tv shows such as Weeds and Parenthood. In addition, Sollee has a growing career as a composer for film, tv, and interactive media earning a Emmy Award in 2018 for his score on the ABC special Base Ballet. Beyond music, Mr. Sollee is known for his social and environmental advocacy working with organizations like Oxfam America, The Nature Conservancy, and Canopy KY to protect people and the land. He currently lives in Louisville, KY with his wife and three children.SCOTT MULVAHILL Frontman. Singer-songwriter. World-renowned upright bassist. Multi-instrumentalist. Scott Mulvahill is leaving his unique mark on the intersecting worlds of Americana, bluegrass, folk, jazz, rock & roll, and roots music. Raised in Houston, Mulvahill cut his teeth as a member of Ricky Skaggs’ acclaimed band, Kentucky Thunder. The group toured internationally for five years, backed by the bottom-heavy pulse of Mulvahill’s upright bass. Along the way, he also composed music of his own, shining a light on the genre-jumping influences — Paul Simon’s sophisticated pop, James Taylor’s folk, Jaco Pastorius’ innovative jazz, and more — that would eventually inspire the material on his 2018 solo debut, Himalayas. His performances as part of Skaggs’ nightly shows laid the brickwork for Mulvahill’s transition from hotshot sideman to compelling frontman. Encouraged by musical mentor Bruce Hornsby, Mulvahill developed a unique approach to his songwriting — one that mixed his chops as an upright bassist with hook-heavy melodies and compelling narratives. A true “musician’s musician,” Mulvahill fills his solo debut with complex fingerwork and innovative progressions. At the same time, Himalayas is a song-driven record that focuses its attention not upon Mulvahill’s virtuosity, but upon the sheer listenability of his material. This is acoustic-leaning roots music of the highest caliber, shot through with elastic vocals, dobro, fiddle, and the honest, biographical lyrics of a songwriter who gave up an enviable position in Skaggs’ band to pursue his own muse. “I wanna go over where I’ve never been,” he sings during the sparsely-decorated title track, one of several tracks to deal with the universal themes of facing one’s fears, taking leaps, and chasing down new horizons. Those messages are reflected in Mulvahill’s own career, as he pioneers a sound centered upon his voice and upright bass. “As important as the bass is to the sound of my music, it’s not a crutch,” he says. “To me, the songwriting, the voice, and the message are what really matter. 2020’s “Creative Potential” and 2021’s “Surrounded” EPs have found him taking those leaps while keeping true to the core of his musicianship, songwriting, unique concept of artistry. For a lifelong musician like Scott Mulvahill, the climb is never over.
John Craigie at Asheville Masonic Temple
– w/ GRACE ROWLAND (OF THE DEER)- ALL AGES- SEATED SHOW – AT ASHEVILLE MASONIC TEMPLE – 80 BROADWAY ST (downtown AVL) JOHN CRAIGIEPortland, OR-based singer, songwriter, and producer John Craigie adapts moments of solitude into stories perfectly suited for old Americana fiction anthologies. Instead of leaving them on dog-eared pages, he projects them widescreen in flashes of simmering soul and folk eloquence. On his 2022 full-length album, Mermaid Salt, we witness revenge unfurled in flames, watch a landlocked mermaid’s escape, and fall asleep under a meteor shower. After selling out shows consistently coast-to-coast and earning acclaim from Rolling Stone, Glide Magazine, No Depression, and many more, his unflinching honesty ties these ten tracks together. The album comes from the solitude and loneliness of lockdown in the Northwest. Someone whose life was touring, traveling, and having lots of human interaction is faced with an undefinable amount of time without those things. So, he began writing new songs and envisioning an album that was different from his past records. The sound of everyone playing live in a room together was traded for the sound of song construction with an unknown amount of instruments and musicians—a quiet symphony. Rather than steal away to a cabin or hole up in a house with friends, Craigie opted to set up shop at the OK Theater in Enterprise, OR with longtime collaborator Bart Budwig behind the board as engineer. A rotating cast of musicians shuffled in and out safely, distinguishing the process from the communal recording of previous releases. The core players included Justin Landis, Cooper Trail, and Nevada Sowle. Meanwhile, Shook Twins lent their signature vocal harmonies, Bevin Foley arranged, composed, and performed strings, and Ben Walden dropped in for guitar and violin plucking parts. “Instruments were scattered around the theater and microphones placed in various spots,” he recalls. “It’s hard to say who all played what exactly.” Craigie had reached a series of watershed moments in tandem with Mermaid Salt. Beyond headlining venues such as The Fillmore and gracing the stage of Red Rocks Amphitheater, his 2020 offering Asterisk The Universe earned unanimous tastemaker applause. Rolling Stone noted, “tracks like ‘Don’t Deny’ and ‘Climb Up’ bridge a Sixties and Seventies songwriter vibe with the laid-back cool of Jack Johnson, an early supporter of Craigie,” while Glide Magazine hailed it as “one of his best records.” Perhaps, No Depression put it best, “For many weary and heavy- listeners hearted, the album might be exactly what they need.” Along the way, he generated over 40 million total streams and counting, speaking to his unassuming impact. In the end, Craigie offers a sense of peace on Mermaid Salt.
