PATIO SHOW: Ashley Chambliss & Friends
– ALL AGES- PATIO SEATING IS FIRST COME FIRST SERVEDASHLEY CHAMBLISS Originally from Merritt Island, FL, Ashley Chambliss has been part of Asheville’s music scene since 1996, with ebbs and flows as life happens, including some time at ‘Berklee College of Music’. She’s performed at Bele Chere, LEAF, Thomas Wolfe Auditorium, and ‘The Grey Eagle Music Hall’ where she’s opened for acts including Ben Taylor, Duncan Sheik, and Ari Hest. Regionally, she’s made musical moments happen at ‘Eddie’s Attic’ (shootout top 3),and Charlotte’s ‘The Evening Muse’. Her songs have an audience on Spotify, YouTube, and other streaming services and have been placed in popular TV shows such as ‘Skins’ UK series, ‘The Hills’ ‘One Life to Live’, and ‘So You Think You Can Dance/Canada’, among others. Chambliss plays solo and as a group with River Guerguerian, Chris Rosser, and Jake Wolf. She describes her current work as 70’s inspired keyboard grooves, intimate vocals with blue notes.
PATIO SHOW: Half Gringa
– ALL AGES- LIMITED PATIO SEATING IN FIRST COME FIRST SERVEDHALF GRINGA Emerging from Chicago’s flourishing indie music scene, Half Gringa creates music informed by contemporary indie-rock and Latin American and midwestern folk. “When you grew up in the Midwest really into alternative rock, but heard a lot of country music in the supermarket,” offers Isabel Olive, the songwriter and multi-instrumentalist at the core of Half Gringa, when asked to place her music in a specific genre. “Or when your mom loved Bruce Springsteen and Maná and sometimes your brain starts playing them at the same time.” The name Half Gringa is both a tribute to and study of her legacy, stemming from a childhood term of endearment as “la Gringa” in her Venezuelan family and her bicultural experience growing up in the United States. Olive’s work seeks to narrate her tireless pursuit as a pupil of both her origins and her experiences. Force to Reckon is the Chicago-based artist’s second full-length album, following her locally acclaimed debut, Gruñona, which landed on Chicago Magazine’s “10 Best Chicago Albums of 2017” and Chicago Reader’s “Best Chicago Albums of the Decade.” On the self-produced 9-song set, Olive is joined by her full-time band members — Nathan Bojko (drums), Sam Cantor (guitar), Andres Fonseca (bass), Lucy Little (violin) — as well as Ivan Pyzow on trumpet, with occasional harmonies and piano from fellow Chicago singer/songwriter Gia Margaret. But Force to Reckon has the intimacy of a solo project, and engaged listening feels like a glimpse into Olive’s journals of the last three years. “I’m very goal-oriented, but I’m also a very anxious person,” she says. “And I always need to have a plan or a process and try to predict every outcome so I’m prepared with my next move. When I started writing these songs I was feeling emotionally upended, a bunch of things came at me that I did not predict, and instead of feeling and responding in the moment, I swallowed all of it. These songs feel like little eruptions as a result, they’re all trying to reach a point of catharsis, but you can’t force catharsis.” Vocally forward and instrumentally full, the songs on Force to Reckon have a quality that feels personal, yet meant to be shared. Olive’s poetry background is prominently displayed, with carefully selected words used to craft narratives grounded in various different textures, and each part feels intentional and precise. It’s meticulously composed but not cautious. “I was trying to figure out how to express my own vulnerability, my love towards other people, in a way that felt like I was giving myself permission to do so, while accepting that loss and estrangement are inevitable,” she goes on to say. Each song reaches a climactic peak in its own way and even slower tracks on the album capture something that feels expansive, both sonically and emotionally. “I don’t know your feelings by their first name,” Olive sings emphatically on “Afraid of Horses,” an apology punctuated by a pizzicato violin echo and soft harmonies from Gia Margaret. And although the record is steeped in heavy-hearted themes, Olive often dissects those subjects using tongue-in-cheek humor: “1991 was good to you and I,” the 28-year-old deadpans at the start of upbeat opener “1990,” which traces the anxieties of adulthood back to oft-forgotten childhood memories.
Yonder Mountain String Band (NIGHT ONE)
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF DISCOUNTED TWO NIGHT PACKAGES AVAILABLE CLICK HERE TO PURCHASE “2-NIGHT PACKAGE” INSTEAD!YONDER MOUNTAIN STRING BAND With their latest album, “Get Yourself Outside,” Colorado-based Yonder Mountain String Band once again echoes out into the universe its place as not only a pioneering jam-grass act, but also one of the most innovative groups in the live music scene — something the groundbreaking ensemble has proudly held high for the better part of a quarter-century. “The whole thing has always been about the energy and the connection between all of us onstage and everyone out in the audience,” says guitarist Adam Aijala. “And with this iteration of Yonder Mountain, we’re really tapping into that onstage connection once again.” Aside from the obvious nature of the new album, it’s a complete restart for the live music industry. Internally, it’s also a fresh start for the group in welcoming its newest member, mandolinist Nick Piccininni. “Nick is an incredibly talented multi-instrumentalist. He’s brought a whole new vibe and dynamic to the band,” Aijala says. “But, at the same time, he’s such a natural fit. Recorded during the shutdown at Cinder Sound Studio (Gunbarrel, Colorado) co-produced by Yonder Mountain and John McVey, “Get Yourself Outside” (Frog Pad Records) is a musical odyssey of string instruments and sonic textures. There’s the usual foot-stomping melodies and sorrowful ballads that reside at the core of the Yonder Mountain signature tone. But, there’s also a deep, honest sense of renewal and rejuvenation running through the heart of the record. And, by being back on the road, Yonder Mountain has been taking note of its long, bountiful journey from its foundation in 1998 to the here and now — with its 25th anniversary just around the corner. Looking back on those early days, the members of Yonder Mountain can’t help but shake their heads in awe — of where it all originated from, and what the live music landscape looked like at that time. “When we started, we were the only example of what we were trying to do,” Kaufmann notes. “You can see a bluegrass band at a rock festival now. But, there was a time where something like that was incomprehensible.”And it’s the fearlessness of youth — of being present within the serendipitous whirlwind of artistic collaboration and musical discovery — that remains a thick thread of inspiration and ambition within Yonder Mountain. “I’ve never doubted for a second that this band wouldn’t work,” Kaufmann says. “That’s a wonderful experience to have known that early on — to not have fear or doubt in the creative experience. And when you think of it, how unlikely of a journey has this been?
Yonder Mountain String Band (NIGHT TWO)
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF DISCOUNTED TWO NIGHT PACKAGES AVAILABLE YONDER MOUNTAIN STRING BAND With their latest album, “Get Yourself Outside,” Colorado-based Yonder Mountain String Band once again echoes out into the universe its place as not only a pioneering jam-grass act, but also one of the most innovative groups in the live music scene — something the groundbreaking ensemble has proudly held high for the better part of a quarter-century. “The whole thing has always been about the energy and the connection between all of us onstage and everyone out in the audience,” says guitarist Adam Aijala. “And with this iteration of Yonder Mountain, we’re really tapping into that onstage connection once again.” Aside from the obvious nature of the new album, it’s a complete restart for the live music industry. Internally, it’s also a fresh start for the group in welcoming its newest member, mandolinist Nick Piccininni. “Nick is an incredibly talented multi-instrumentalist. He’s brought a whole new vibe and dynamic to the band,” Aijala says. “But, at the same time, he’s such a natural fit. Recorded during the shutdown at Cinder Sound Studio (Gunbarrel, Colorado) co-produced by Yonder Mountain and John McVey, “Get Yourself Outside” (Frog Pad Records) is a musical odyssey of string instruments and sonic textures. There’s the usual foot-stomping melodies and sorrowful ballads that reside at the core of the Yonder Mountain signature tone. But, there’s also a deep, honest sense of renewal and rejuvenation running through the heart of the record. And, by being back on the road, Yonder Mountain has been taking note of its long, bountiful journey from its foundation in 1998 to the here and now — with its 25th anniversary just around the corner. Looking back on those early days, the members of Yonder Mountain can’t help but shake their heads in awe — of where it all originated from, and what the live music landscape looked like at that time. “When we started, we were the only example of what we were trying to do,” Kaufmann notes. “You can see a bluegrass band at a rock festival now. But, there was a time where something like that was incomprehensible.”And it’s the fearlessness of youth — of being present within the serendipitous whirlwind of artistic collaboration and musical discovery — that remains a thick thread of inspiration and ambition within Yonder Mountain. “I’ve never doubted for a second that this band wouldn’t work,” Kaufmann says. “That’s a wonderful experience to have known that early on — to not have fear or doubt in the creative experience. And when you think of it, how unlikely of a journey has this been?”
ADULT PROM w/ Neon Queen (ABBAsolutely Fabulous Tribute Show)
– ALL AGES- DANCING ROOM ONLY- ADULT PROM!! A MOST REGAL COUPLE will be crowned!THE NEON QUEEN: ABBAsolutely Fabulous Tribute Show The Neon Queen formed in 2018 out of a desire to do something unique to honor the timeless songwriting of ABBA. Our high-energy, female-fronted show covers the hits like “Dancing Queen” and “Mamma Mia,” but also lesser-known, highly danceable singles like “Summer Night City.” Woven throughout the show you will also hear the music of other icons like Madonna, Donna Summer, and even Dolly Parton. Due to the enduring popularity of ABBA, our performances appeal to a wide audience. From fans of the musical and movies, to folks who remember grooving to ABBA in the 1970s—there’s something for everyone in our show.
PATIO SHOW: Taylor Knighton
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEDTAYLOR KNIGHTONRaised on the Alabama Gulf Coast, Taylor has been singing since before she could talk, so when she picked up a guitar for the first time, it felt like the last piece of the puzzle falling into place. Since then, she’s found a true musical companion in the ukulele, after being given one as a surprise from a gracious group of friends and musicians that had come together for the open mic she ran for years in her hometown of Mobile. That little uke has now seen the world with her, and delighted listeners from Istanbul to Medellín. These travels are reflected in her music, as Taylor, an amateur linguist, frequently sings in languages other than her own.These days, she calls Western NC home, and loves to implement elements of the special Appalachian sound within her musical stylings. Her originals blend jazz, pop and folk, and her covers are thoughtfully selected and often quite nostalgic. She loves to play with unique compositions that really let her voice shine, especially after a fight with thyroid cancer in 2021 nearly robbed her of her ability to sing forever. Thankfully it did not, and the joy she feels in having it back is obvious and radiant whenever she performs.
CANCELED: Nine Treasures
Due to unforeseen travel complications, this tour has been postponed until further notice. We apologize for any inconvenience and the refund process for ticket holders is underway via ETix now. – ALL AGES- STANDING ROOM ONLYNINE TREASURES Few bands can claim to have an identity and sound as remarkable as Nine Treasures. The folk-metal heroes, whose members derive from the autonomous region of Inner Mongolia in China, formed in 2010. Three albums, millions of streams and several European tours and festival shows (Wacken Open Air, Woodstock Poland) later, Nine Treasures are well on their way to accomplishing their goal of a Mongolian metal revolution. For vocalist/guitarist and founding member Askhan Avagchuud, it’s the way the band harnesses their distinctive and characterful take on heavy music that sets them apart. “It’s always been about the music with us,” he says. “When I started this band I had no idea how things worked, and I thought it was all about marketing, promotion and fancy videos, but after 10 years of doing this, I’ve realised that everything revolves around the music itself. That’s why our focus is on making our music as great as it can be – we’re constantly progressing.” The music Askhan speaks of is a unique combination of old school heavy metal and traditional Mongolian folk which sees Nine Treasures utilise both conventional vocals and Mongolian throat singing. Likewise, guitars, bass and drums collide with traditional string instruments such as the balalaika and the morin khuur, resulting in a sonic kaleidoscope that follows no set template. Unlike much of contemporary rock and metal, there are no rules when it comes to Nine Treasures, and that makes the quality of the band’s output all the more impressive. “It’s not as simple as just putting a guitar chord behind some Mongolian melodies,” Askhan explains. “Our music is so much deeper than that. We don’t follow a model, and we work to ensure the two distinct facets of our sound complement one another. I’ve changed the way I play the guitar in order to accommodate the Mongolian elements, and vice-versa. To do this takes a lot of analysis and experimentation”HAISHENFRACTURED FRAMES
Ramblin’ Jack Elliott + Tyler Ramsey
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATS AVAILABLERAMBLIN’ JACK ELLIOTT One of the last true links to the great folk traditions of this country, with over 40 albums under his belt, Ramblin’ Jack Elliott is considered one of the country’s legendary foundations of folk music. Long before every kid in America wanted to play guitar – before Elvis, Dylan, the Beatles or Led Zeppelin – Ramblin’ Jack had picked it up and was passing it along. From Johnny Cash to Tom Waits, Beck to Bonnie Raitt, Ry Cooder to Bruce Springsteen, the Grateful Dead to The Rolling Stones, they all pay homage to Ramblin’ Jack Elliott. In the tradition of roving troubadours Jack has carried the seeds and pollens of story and song for decades from one place to another, from one generation to the next. They are timeless songs that outlast the musical trends of any given day. He wrote one of the first trucking songs-Cup of Coffee-recorded by Johnny Cash, championed the works of new singer-songwriters such as Bob Dylan, Kris Kristofferson and Tim Hardin; and became a founding member of Bob Dylan’s Rolling Thunder Revue. He continued the life of the traveling troubadour influencing Jerry Jeff Walker, Guy Clark, Tom Russell, The Grateful Dead and countless others. Ramblin’ Jack is a two-time GRAMMY winner, National Medal Of Arts recipient, and in 2016, received a Folk Alliance Lifetime Achievement Award. Featured in the recent Rolling Thunder Revue film by Martin Scorcese and also in the early 2019 PBS release of the Woody Guthrie All Star Tribute Concert Center, Ramblin’ Jack is an icon of American roots and folk music. A lover of storytelling and veteran troubadour style musician, on tour he is in his element and known for telling the tales gathered along his magnificent journey through the roots of Folk, Blues, Americana and Cowboy music and poetry. His permanently enshrined seat at Woodie Guthrie Center Theater in Tulsa, OK., sits among other greats, including Lead Belly, Cisco Houston and Pete Seeger. “Nobody I know—and I mean nobody—has covered more ground and made more friends and sung more songs than the fellow you’re about to meet right now. He’s got a song and a friend for every mile behind him. Say hello to my good buddy, Ramblin’ Jack Elliott.” -Johnny Cash, The Johnny Cash Television Show, 1969.TYLER RAMSEY For Ramsey, living deliberately and with a little space, removed from distractions and the allure of needless consumption, is how he feels most creative and at ease. Ramsey grew up absorbing the country-blues guitar players who used to roam the mountainous region of his Carolina home, including Mance Lipscomb, Mississippi John Hurt and renowned pickers like John Fahey and Leo Kottke. Equally adept at playing guitar, keyboards, bass and percussion, he has distinguished himself as a gifted songwriter, a sublime vocalist and an inventive, influential musician. While Ramsey’s writing has been compared to Neil Young, Gram Parsons, Bon Iver and Sufjan Stevens, his songs smartly blends elements of rock, Americana and folk, taking the listener on their own meditative, soulful and rewarding journey.
Todd Sheaffer (Railroad Earth) & Chris Thompson (Coral Creek)
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATS AVAILABLETODD SHEAFFER (RAILROAD EARTH) & CHRIS THOMPSON (CORAL CREEK) Esteemed songwriter and Railroad Earth front man, Todd Sheaffer, hits the road playing a run of solo shows along with Colorado songwriter Chris Thompson of CORAL CREEK. These intimate shows feature the songs that have made Railroad Earth one of the hottest tickets on the Newgrass and Jamband festival circuit, presented by Sheaffer in a solo format with instrumental accompaniment by Thompson on guitar & bass. The show includes two sets of original music, with Thompson kicking off the evening followed by Sheaffer performing solo and with accompaniment. As any Todd fan would expect, every show is different and each performance takes the audience for an ride down the Railroad Earth and From Good Homes catalog.
Gangstagrass
– ALL AGES- STANDING ROOM ONLYGANGSTAGRASS“Suppose, just suppose, you could take a little of everything that’s great about this country and distill it. The creativity, the ingenuity, the strength of the struggles of so many of its people — indigenous, enslaved or otherwise. And then take that distilled energy and creativity and transform it to musical form. What would you say if I told you that it’s being done?” – R-SON the Voice of Reason Gangstagrass brings together two kinds of American music and creates a third, greater than the sum of the parts. Developed as a studio project 15 years ago by Brooklyn-based producer Rench, Gangstagrass grew into a dynamic and spontaneous live band of Americans — from Omaha Nebraska, Pensacola Florida, Philadelphia Pennsylvania, Washington DC — who have become close friends. Several work hard at other jobs (one teaches computer programming, another works at a comic book shop) to support their passion for making music, and four are dads, with kids ranging in age from baby through starting college. The band has released six full-length albums with dozens of appearances on the Billboard Top 10 bluegrass chart. Gangstagrass tracks have featured Nitty Scott MC, Dead Prez, Demeanor, Kaia Kater, and legendary rap team Smif-N-Wessun among others. Rench, the Brooklyn-based country and hip-hop producer who is the Mastermind behind Gangstagrass, crafted the instantly-recognizable Long Hard Times to Come featuring T.O.N.E-z that opened every episode of FX show Justified and earned Gangstagrass a 2010 Emmy nomination for Best Theme Song – more proof that Gangstagrass “paved the Old Town Road.” Putting down roots and branching out across never-before-bridged genres, Gangstagrass has delighted crowds and has blown minds across the world, garnering a reputation among fans for dynamism and spontaneity. From SXSW to Grey Fox to the Americana Festival to music festivals abroad, these live performances explode the boundaries between genres generally thought to be incompatible. Howie Mandel described Gangstagrass as “the recipe that America has been looking for until now” and “what America needs right now!”Taking full advantage of the improvisational aspects and virtues of both hip-hop and bluegrass, including frequent three-part harmonies, MCs Dolio the Sleuth and R-SON the Voice of Reason trade verses and freestyle alongside the unparalleled skills of fellow vocalists Dan Whitener on banjo, B.E. Farrow on fiddle, and Rench on guitar and beats. The new Gangstagrass album No Time for Enemies was released in August 2020 and quickly rose to #1 on the Billboard bluegrass charts, as the band continues to explore new sonic territory while showing how amazing the sound of America is when it all comes together.
