Duster w/ Widowspeak
– ALL AGES- STANDING ROOM ONLYDUSTERGather your loved ones, Together is here. Duster’s fourth album is a 13-song exploration of comfortable, interplanetary goth. A sonic vaseline of submerged guitars, solder-burned synths, and over-driven rhythm tracks. “I know people say, ‘Oh Duster music so sad, we’ve even said it ourselves before,” Clay Parton said. “But it’s a lot more like absurdism than nihilism.”WIDOWSPEAKToday, Widowspeak announce their sixth studio album, The Jacket, to be released March 11 via Captured Tracks. Along with the announcement, the duo (singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas) share a propulsive, spirited song about shifting perspectives in increasingly complicated situations. In the music video directed by OTIUM, Hamilton croons “learned to love the ropes when you were caught, see they could be braided a better way and sinking into nothing – you learn to stay” fittingly in front of bulls being wrangled at a rodeo. Watch the “Everything is Simple” video here. Quote from Widowspeak on “Everything is Simple” – At the beginning of something (a relationship, a project, a job, a new place) you have this very pure feeling toward it. Everything feels less complicated because you’re oriented wholly toward that potential. It’s undefined, and that makes it easier to understand, because you can’t see the problems yet. As time goes on, you learn more, you experience more, and you see where the limitations exist: not even necessarily ones imposed upon you, but where you draw your own lines. Maybe you can’t see what was holding you back until it’s in the past, and by then others’ perspectives contradict your own. Everyone is constructing their own versions of reality. The song was originally going to feed into the drama of the imaginary band, but it’s about our own band too. I was thinking about how I’m an inherently unreliable narrator about my own life, and at the same time maybe there are no “true” stories.
Vancouver Sleep Clinic
– ALL AGES- STANDING ROOM ONLYVANCOUVER SLEEP CLINIC Vancouver Sleep Clinic is the lustful, ambient guise of 26-year-old singer-songwriter and producer Tim Bettinson. Across his catalogue, elements of anthemic indie rock, intimate R&B, and sophisticated folk provide a sweeping film soundtrack for Bettinson’s gentle vocal and expansive storytelling. Emerging from his native Brisbane, Australia on the strength of a series of singles including “Someone To Stay,” “Middle of Nowhere,” “The Wire,” and the bedroom-produced viral cover of “As It Was,” Vancouver Sleep Clinic is poised to shift from under the radar success story to 2023 global headline mainstay.GHOSTLY KISSESMusic has always been around Margaux SauveĢ, born in Quebec to a family of musicians; she picked up the violin at the tender age of five. Moving on to the Conservatoire in Quebec, she quit due to“missing the fun part of it” but still loved music so started to play violin in local bands. Singing came a bit later as she thought that “to be a singer you had to have a powerful voice and be loud”, something that doesn’t come naturally to her as a quiet, thoughtful person. Alongside this, the pop music on the radio whilst growing up in Quebec wasn’t connecting with her, so it wasn’t until she started to write music whilst studying psychology at University that the creativity and desire to express revealed itself: “it just opened a completely new path for me”. Writing music as Ghostly Kisses arrived at a moment where Margaux was in “a living situation I was not able to get out of. A toxic relationship where I had a hard time understanding what was happening.” With this knowledge, it is understandable that most of her early music has a sorrowful but exploratory mood; knowing there were things she needed to express, but not understanding quite how instinctively she was writing until years later it became apparent what she was singing about. And now, with ‘Heaven, Wait’, her mesmeric debut album ready for release, her songwriting has developed to the point that this is the first time she has written and felt like she was part of the conversation. Able to view herself with an external eye, the album reflects transitions and rebirth – still talking about difficult situations, but with the ability to cast someone else in the lead role, giving the music a deeply personal yet starkly universal appeal. One which Margaux feels has come from “a more mature, adult way of looking at it.”Identifying key themes of the album, Margaux frames the album artwork within the context of the songs as being “from water towards the air, there’s a lot of dark around me and I’m just going through to the light.” And that feels like the crux of the album, that nothing is perfect – there are always difficult situations, but it is about trusting the process and working hard towards something positive.
Copeland: Beneath Medicine Tree 20th Anniversary Tour
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF VIP MEET AND GREET PACKAGES AVAILABLE, INCLUDING: – One (1) general admission ticket to see Copeland live- Early Entry – 3 song pre-show acoustic performance and Q&A Session- Meet and Greet / Photo with Copeland- One (1) exclusive poster, signed by Copeland- Crowd-free merchandise shoppingCOPELANDLongevity in music comes through pushing yourself and expanding the possibilities of your sound. This has never been more true for Copeland on their latest effort Blushing, a collection of 11 new tracks that advance and evolve everything the trio of musicians has done up until now. The band,which originally formed in Lakeland, Florida in 2001, has unveiled six albums, spanning from their 2003’s debut Beneath Medicine Tree to 2016’s Ixora. While they began as a rock band, Copeland’s music has explored multiple genres and pulled in various stylistic influences like electronic and symphonic. In the past the musicians have aptly melded these styles, creating a unique amalgam of sounds. This time they wanted to take each sound and style and push it to its logical extreme.KEVIN GARRETT Kevin Garrett is a singer-songwriter, multi-instrumentalist and producer from Pittsburgh. Best known for his flawless soulful vocals, lush instrumentation, and post-modern alternative adventurousness, he’s an GRAMMY® Award-nominated artist that is ever evolving. With a back catalogue of releases that sits at over 100 million streams and over one million monthly listeners, Kevin’s sound is a captivating example of musicianship that translates seamlessly into a mesmerizing live experience. With a reputation for songwriting that precedes him, Kevin’s past collaborators include Beyonce, James Blake, Cynthia Erivo and more recently Lennon Stella, Maths Time Joy and rising indie-pop group Dizzy. Influenced by the likes of Sam Cooke, Stevie Wonder and Joni Mitchell, Kevin Garrett has crafted a unique style of soulful alt-pop that has received much critical acclaim (The Fader, Complex, American Songwriter). Now embarking on his next chapter Kevin Garrett is certainly an artist to keep all eyes on.
Bass Drum of Death
– ALL AGES- STANDING ROOM ONLYBASS DRUM OF DEATH The point of an odyssey is to return home changed—still the same person, but deepened somehow, wiser and better, wearing your traveling scars proudly. Bass Drum of Death’s new album Say I Won’t is the end result of a journey that took singer and bandleader John Barrett from a small town in Mississippi and sent him across the world and back home again. The music still rips, with blown-out guitars and drums that sound like bombs going off, and the melodies are catchier than ever, hollered in Barrett’s trademark yelp. But the music hits differently now, more at peace with itself, propelled by a new swagger. Say I Won’t is the record of a veteran band finding its stride and leaning into it, stripping back the excess and finding the raw core of their sound. Say I Won’t, the band’s fifth record, comes at a time of massive change for Barrett, having relocated from New York to his hometown of Oxford, Mississippi during the pandemic. The record is also a homecoming of a different sort, with the band rejoining the ranks of Fat Possum, also in Oxford, the label that released their first record GB City in 2011. Say I Won’t is the first Bass Drum of Death album written, demoed, and recorded with the touring band instead of Barrett doing everything on his own. He found a freedom in working with collaborators that wasn’t available to him before, opening different aspects of the songwriting. It was a process of live recording, layering on different parts and overdubs, and then stripping it all back to the bones of the song, keeping the raw wild heart of the music intact. The result is a groove-oriented, 1970’s-indebted collection of rock songs, with tempos set for cruising and scuzzy guitars galore. There’s an energy and vitality to the music that feels in line with the best of the Bass Drum songs, but with an added boost that comes from new bandmates and a new perspective.DEAD TOOTHAfter an early stint drumming and singing in Haybaby (Tiny Engines), Zach James began writing and self-producing folk records in his bedroom, donning the name The Silver Spaceman. The project evolved into a post-punk band featuring Andrew Bailey (DIIV) on lead guitar. It snarled and simmered around darker textures, miles away from its early folk roots. James looked to his darkened smile and rechristened the project Dead Tooth. They gained momentum opening for bands like Hand Habits, The Space Lady and Current Joys.TONGUES OF FIREMost bands fit cleanly within a genre, but Tongues of Fire don’t. At their heart, they are a punk band; their shows are unhinged; the music is straightforward and hard hitting; there is no trace of excessiveness, but they are accessible, and there is a well-crafted feel to what they do. The production is clean, and the instrumentals deceptively complex. There aren’t bands out there that are like Tongues of Fire. They are themselves and intent on moving the scene forward.
Satsang
– 7PM DOORS / 8PM SHOW- ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF SATSANG PRE-SHOW VIP EXPERIENCE TICKETS AVAILABLE, INCLUDING: One general admission ticket Early venue entry Intimate soundcheck performance by Satsang (Solo) Q&A session with Satsang Collectible 2023 tour poster, signed by Satsang Commemorative pre-show tour laminate Limited availability SATSANG “I just want to write and perform songs that touch the heart and help others”. Letting go of genre, expectation, and boxes, Satsang has leaned into the power of songwriting to drive their forthcoming release, Flowers From The Fray (the band’s 5th album in 6 years) due out Fall 2022. Recorded and self-produced with the help of bandmate and longtime collaborator Parker Brown, this record finds the duo tucked away in a secluded cabin in Southwest Montana digging back into the foundation on which Satsang was founded on. “These songs were all so personal to me” says Drew McManus. “Whether it was really sifting through the stage of life I had found myself in which was a kind of dark night of the soul, or leaning into the love of my wife. This record is truly me bearing my heart. I needed to seclude myself to find out where these songs wanted to go, and having Parker’s musical guidance had a big hand in that.” This record, coupled with the band’s last release All. Right. Now. is a maturing. A growing into the songwriter and musicians that the band was destined to be. A settled and firm foundation of influences and sound that brings every external aspect in and finds it internalized and distilled into “Flowers From the Fray”. GRAHAM GOODGraham Good is hailed as the Messiah of Modern Rock (Nick Stock, jambands.com) due to his infectious energy and classic song writing. Specializing in Feel-Good//Funk-Folk-Rock, this group touches on a plethora of genres that help make them an easy band for any new fan to instantly connect with. The band has played iconic Denver venues such as Red Rocks, The Ogden, The Gothic, and The Bluebird opening up for acts such as Caamp, Andy Frasco, Satsang, and Joe Hertler & The Rainbow Seekers. The Painters are a band of trained musicians who aim to pull the heartstrings of their audiences to step up and live life fully. This band is the ultimate feel good experience.
Soulside w/ J. Robbins (Band)
– ALL AGES- STANDING ROOM ONLYSOULSIDESoulside formed in Washington, DC, in 1985, split up in 1989, then reformed in 2014 and has continued playing and writing music since then. After releasing their debut album on Sammich/Dischord, they recorded Trigger (Dischord, 1988) and Hot Bodi-Gram (Dischord, 1989), which were combined on the Soon Come Happy CD in 1990. The band toured extensively in the US and Europe during these years, including groundbreaking shows in Poland and East Berlin shortly before the Berlin Wall fell in 1989. In 2020, Soulside put out a new 7-inch, This Ship, their first release in 30 years, which was recorded in Prague. Happy”, released in 1990 and re-mastered in 2003.J. ROBBINS (BAND) J. Robbins has been the guitarist/singer and primary songwriter (or pushiest collaborator) in several bands since the early ’90s, including Jawbox, Burning Airlines, Channels, and Office of Future Plans. For the bulk of that time, he has also been active as a recording engineer/producer, working with musicians from around the world at his Baltimore-based studio, The Magpie Cage.
Zach Brock, Bob Lanzetti & Keita Ogawa (of Snarky Puppy)
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEZACH BROCKCritically acclaimed as the “pre-eminent improvising violinist of his generation,” Zach Brock is an American jazz violinist and GRAMMY Award-winning member of Snarky Puppy. He has toured, recorded, and performed with artists such as Stanley Clarke, Aaron Goldberg, Wycliffe Gordon, Matt Ulery, Michelle Willis, Banda Magda, Bill Laurance, Sirintip, Phil Markowitz, Jon Bellion, Martha Redbone, Frank Vignola, and many more. Zach has also released eight solo albums and was named “Rising Star Violinist” of 2013 by Downbeat Magazine. A passionate educator, Zach has coached hundreds of musicians from workshops to conservatories worldwide. Zach remains a perennial coffee fanatic and skateboard enthusiast, and currently lives with his wife and daughters in the NYC area.BOB LANZETTIBob Lanzetti is a Charleston, SC based professional guitarist, composer, producer, and educator. Bob is an original member of the GRAMMY Award-winning jazz/funk collective, Snarky Puppyand has performed in over 40 countries and played on every recorded release to date. In addition to Snarky Puppy, Bob has performed and recorded with many artists including Tommy Sims, Jerry Granelli, Robben Ford, Bokanté, Michelle Willis, Becca Stevens, Cory Henry, Ghost-Note (Robert “Sput” Searight/Nate Werth), Lucy Woodward, Banda Magda, and many more.KEITA OGAWAHailing originally from Sasebo city, Nagasaki, Japan, Keita Ogawa is a two-time GRAMMY nominee and Award-winner and one of the most versatile and sought-after percussionist and drummer in New York City. Since his 2005 arrival in America, Keita has worked with some of the biggest names in modern music including Yo Yo Ma, the Assad Brothers, Maria Schneider, Romero Lubambo, Clarice Assad, Jaques Morelenbaum, Osvaldo Golijov, Les Nubians, Charlie Hunter, Benny Green, Eric Harland, the Boston Symphony Orchestra, Chicago Symphony Orchestra and more. Currently he works several projects including Snarky Puppy, Bokanté, Banda Magda, Bokantè, Cécile McLorin Salvant, Charlie Hunter, JSquad, Camila Meza and the Nectar Orchestra, Clarice Assad and more.
Willi Carlisle
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEWILLI CARLISLEWILLI CARLISLE is a poet and a folk singer for the people, but his extraordinary gift for turning a phrase isn’t about high falutin’ pontificatin’; it’s about looking out for one another and connecting through our shared human condition. Born and raised on the Midwestern plains, Carlisle is a product of the punk to folk music pipeline that’s long fueled frustrated young men looking to resist. After falling for the rich ballads and tunes of the Ozarks, where he now lives, he began examining the full spectrum of American musical history. This insatiable stylistic diversity is obvious in his wildly raucous live performances, where songs range from sardonic trucker-ballads like “Vanlife” to the heartbreaking queer waltz “Life on the Fence,” to an existential talkin’ blues about a panic attack in Walmart’s aisle five. With guitar, fiddle, button-box, banjo, harmonicas, rhythm-bones, and Willi’s booming baritone, this is bonafide populist folk music in the tradition of cowboys, frontier fiddlers, and tall-tale tellers. Carlisle recognizes that the only thing holding us back from greatness is each other. With a quick wit and big sing-alongs, these folksongs bring us a step closer to breaking down our divides.”Willi Carlisle is an absolute force of nature. From the moment he walks on stage you can’t take your eyes off of him and the minute he opens his mouth you can’t help but hang on every word. Even if the songs weren’t there, the showmanship alone would be worth the price of admission, but the scary part is the songs are just as good as the stories.” — BJ BarhamWILLY TEA TAYLOR There is no question that Willy Tea Taylor’s life as a singer/songwriter was predetermined – his role realized the moment he wrote his first song. With inspiration drawn from two separate wells. Living the life of a cattleman’s kid while experiencing true visionaries music Greg Brown, …, watching Guy Clark and friends sitting around the kitchen table loaded with ashtrays full of butts and half-smoked cigarettes, food, and booze on one Christmas Eve in 1975. Those guys, swapping songs without pretense, lit Willy Tea’s fire. And ever since, it’s led purpose with passion – finding a hang by curating relationships through musical friendships that get him closer to his own Clark style kitchen table. From his early days co-fronting The Good Luck Thrift Store Outfit, to singing solo in countless cowboy bars, to pitching countless wiffle ball games, Willy Tea has never lost the vision. Now Willy Tea Taylor has taken his vision of the “hero hang” on the road. and his talented traveling band The Fellership is made up of his fantastically talented buds who play Willy’s songs with a brand of reckless abandon and utter humility that spits in the face of pretense. The way The Fellership plays Will’s songs is the way they demand to be played and, in their short time together, they have been aweing every audience lucky enough to see them.
David LaMotte
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDAVID LAMOTTEDavid LaMotte is an award-winning songwriter, speaker and writer. He has performed over 3000 concerts and released thirteen full-length CDs of primarily original music, touring in all of the fifty states, as well as five of the seven continents. The Boston Globe writes that his music “pushes the envelope with challenging lyrics and unusual tunings, but he also pays homage to folk tradition,” while BBC Radio Belfast lauds his “charm, stories, humour, insightful songs, sweet voice and dazzling guitar ability.” His most recent album, Still, was at #4 on the Folk Charts as of August, 2022. LaMotte has appeared as a featured performer at the Kerrville Folk Festival, the Doc and Merle Watson Festival, the National Folk Festival of Australia, and the Auckland Folk Festival in New Zealand, among many others. His dense speaking and workshop calendar has included presenting at the PC(USA) Mission to the United Nations, keynoting peace conferences in India, Australia, Germany and at the Scottish Parliament, as well as offering the baccalaureate for 2016 graduates of Columbia Seminary. His TEDx talk on what music can teach us about peacemaking is featured on TED.org LaMotte suspended his eighteen-year music career at its peak in 2008 to pursue his other primary vocation by accepting a Rotary World Peace Fellowship to study International Relations, Peace and Conflict Resolution at the University of Queensland in Brisbane, Australia. As part of that study, he also spent time in rural Andhra Pradesh, India working with a Gandhian development organization.As a touring artist with an over thirty-year career, LaMotte has developed a large and loyal following. His music has been honored with numerous awards and artist grants, and has been featured on dozens of artist compilations. Notably, his song Dark and Deep was included on Songs Inspired By Literature, Chapter One, a benefit CD to raise money for adult literacy. Other artists on that CD include Suzanne Vega, Grace Slick, Aimee Mann and Bruce Springsteen. Several independent films feature David’s music, and it has been heard on the Today Show and the Showtime television series This American Life.As a result of his work with schools in Guatemala, he was named a “Madison World Changer” by his undergraduate alma mater, James Madison University, and in 2019, he was awarded an E-chievement Award by the syndicated radio show E-town. David makes his home in Black Mountain, North Carolina, with his wife Deanna and son Mason. He is currently touring again, post-pandemic, hosting a digital community on Patreon.com, writing songs, and writing his next book, tentatively titled, “Harmony: What Music Can Teach Us About Peacemaking In a Troubled Time.”GABE LEENashville-based songwriter Gabe Lee is becoming increasingly known for his ability to detail the intricacies of everyday life, the small distinctions that leave some on the fringe and others in the mainstream, and the particulars that stick around long after a lover leaves.
Gone Gone Beyond – I Hope To See You Tour
– ALL AGES- STANDING ROOM ONLYGONE GONE BEYOND Gone Gone Beyond is the synergy of David Block, Danny Musengo, Kat Factor, and Mel Semé, delivering a potent message of hope and the desire to return to humanity. The band seems to capture the story of beautiful uncertainty in an ever-changing world. Their music pays homage to the traditions of folk-americana songwriting while bringing together a myriad of influences from electronica, jazz, soul, and world music. Gone Gone Beyond is painting a new kind of sonic landscape, and it sits between the roots of the California redwoods and the vastness of the Pleiades constellation. Their music has been described as “mesmerizing future folk” (Consequence of Sound) that blends organic and electronic music. Since their debut EP in late 2016, they have played a range of events and festivals including Coachella, Lightning in a Bottle, the UN General Assembly, Red Rocks, and many others.LAURA ELLIOTTLaura Elliott is a twenty-two year old singer-songwriter from a small suburb of upstate New York. Her thoughtful lyrics and soulful melodies bring strangers together into a room filled with similarity. Aided by her folk influenced guitar melodies, Laura’s songs voice a sad truth to the way she shares her stories on her 2022 debut project, People Pleaser.
