shame
– ALL AGES- STANDING ROOM ONLYshameshame were tourists in their own adolescence – and nothing was quite like the postcard. The freefall of their early twenties, in all its delight and disaster, was tangled up in being hailed one of post-punk’s greatest hopes. In 2018, they took their incendiary debut album Songs of Praise for a cross-continental joyride for almost 350 relentless nights. They tried to bite off more than they could chew, just to prove their teeth were sharp enough – but eventually, you’ve got to learn to spit it out. Then came the hangover. shame’s frontman, Charlie Steen, suffered a series of panic attacks which led to the tour’s cancellation. For the first time, since being plucked from the stage of The Windmill and catapulted into notoriety, shame were confronted with who they’d become on the other side of it. This era, of being forced to endure reality and the terror that comes with your own company, would form shame’s second album, 2021’s Drunk Tank Pink, the band’s reinvention.If Songs of Praise was fuelled by pint-sloshing teenage vitriol, then Drunk Tank Pink delved into a different kind of intensity. Wading into uncharted musical waters, emboldened by their wit and earned cynicism, they created something with the abandon of a band who had nothing to lose. Having forced their way through their second album’s identity crisis, they arrive, finally, at a place of hard-won maturity. Enter: Food for Worms, which Steen declares to be “the Lamborghini of shame records.”For the first time, the band are not delving inwards, but seeking to capture the world around them. “I don’t think you can be in your own head forever,” says Steen. A conversation after one of their gigs with a friend prompted a stray thought that he held onto: “It’s weird, isn’t it? Popular music is always about love, heartbreak, or yourself. There isn’t much about your mates.” In many ways, the album is an ode to friendship, and a documentation of the dynamic that only five people who have grown up together – and grown so close, against all odds – can share.BEEN STELLAR Been Stellar is what you get when you leave the youth alone in a metropolis; they grow up. They make noise. Their songs are formed and lived somewhere on Broadway, on Hester, on 34th, in Union Square, on the bridge, in the gutter, and under your shoe. The trivial street scenes lipsticked by well-loved decades are fully recognized in Been Stellar’s hail of guitar tones and insistent lyrical earnesty. Crackly, bright and distorted – stories of violence, love, and a new, un-glamorous, New York City. Hailing from metro-Detroit, the beaches of Los Angeles, and Brazil by way of Sydney, Nando Dale (guitar), Laila Wayans (drums), Sam Slocum (vocals), Nico Brunstein (bass) and Skyler St. Marx (guitar) have positioned themselves at the glimmering rotten center of tonight’s rock and roll. Each member so distinctly themselves, it must be assumed that such a diverse and unlikely gang were drawn tight together in their first year of university by nothing short of serendipitous fortune and a shared, waggish sense of humor, reflected at the heart of their lyrics and hardened over years of shared experience in the city’s lavish rigidity and urban decay.
Bit Brigade performs “Mega Man II” + “DuckTales” LIVE
– ALL AGES- STANDING ROOM ONLYBIT BRIGADEBit Brigade performs rock covers of full NES game soundtracks as their gamer speedruns the game live on stage.”When was the last time you attended a live music performance with a genuine element of risk involved? And no, going to a Gwar show with a white t-shirt on doesn’t count. When Bit Brigade takes the stage your mind will frantically oscillate between “Oh! Agh!! Please don’t die!!” and “YES! He’s doing it!!” Combining the dread and daring of a live video game speed run with the spot-on technique of a live band covering the musical accompaniment to everything you’re seeing on-screen in real time, Bit Brigade will have you swinging between the two mediums. From thrashing about to live renditions of your favorite stage themes, fingers yearning to the sky in a rock ‘n roll parody of sea anemones seeming to silently plead, “Please, feed us more fretboard pyrotechnics!,” to being locked in stock-still rapture as the infallible maestro of the d-pad, Noah McCarthy, takes on the final boss and risks his video game life under the threat of intense peer scorn (or the reward of night-long glory and a credits score). No matter the outcome, Bit Brigade must play on until the deed is done – which it always is – on the first (and last) try. Once Noah’s NES buzzes on, there’s no turning back.” – Metalhead Mike of The Shizz, summer 2011.CARTRIDGE FAMILYfour who grew up on the same console video games that you did are now applying their combined musical experience and training to recreating some of your favorite songs from those very games. using electronic instruments, the cartridge family performs deep cuts and time-honored classics alike, taking you back to the days of soda-chugging and button-mashing.
Duster w/ Widowspeak
– ALL AGES- STANDING ROOM ONLYDUSTERGather your loved ones, Together is here. Duster’s fourth album is a 13-song exploration of comfortable, interplanetary goth. A sonic vaseline of submerged guitars, solder-burned synths, and over-driven rhythm tracks. “I know people say, ‘Oh Duster music so sad, we’ve even said it ourselves before,” Clay Parton said. “But it’s a lot more like absurdism than nihilism.”WIDOWSPEAKToday, Widowspeak announce their sixth studio album, The Jacket, to be released March 11 via Captured Tracks. Along with the announcement, the duo (singer-songwriter Molly Hamilton and guitarist Robert Earl Thomas) share a propulsive, spirited song about shifting perspectives in increasingly complicated situations. In the music video directed by OTIUM, Hamilton croons “learned to love the ropes when you were caught, see they could be braided a better way and sinking into nothing – you learn to stay” fittingly in front of bulls being wrangled at a rodeo. Watch the “Everything is Simple” video here. Quote from Widowspeak on “Everything is Simple” – At the beginning of something (a relationship, a project, a job, a new place) you have this very pure feeling toward it. Everything feels less complicated because you’re oriented wholly toward that potential. It’s undefined, and that makes it easier to understand, because you can’t see the problems yet. As time goes on, you learn more, you experience more, and you see where the limitations exist: not even necessarily ones imposed upon you, but where you draw your own lines. Maybe you can’t see what was holding you back until it’s in the past, and by then others’ perspectives contradict your own. Everyone is constructing their own versions of reality. The song was originally going to feed into the drama of the imaginary band, but it’s about our own band too. I was thinking about how I’m an inherently unreliable narrator about my own life, and at the same time maybe there are no “true” stories.
Copeland: Beneath Medicine Tree 20th Anniversary Tour
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF VIP MEET AND GREET PACKAGES AVAILABLE, INCLUDING: – One (1) general admission ticket to see Copeland live- Early Entry – 3 song pre-show acoustic performance and Q&A Session- Meet and Greet / Photo with Copeland- One (1) exclusive poster, signed by Copeland- Crowd-free merchandise shoppingCOPELANDLongevity in music comes through pushing yourself and expanding the possibilities of your sound. This has never been more true for Copeland on their latest effort Blushing, a collection of 11 new tracks that advance and evolve everything the trio of musicians has done up until now. The band,which originally formed in Lakeland, Florida in 2001, has unveiled six albums, spanning from their 2003’s debut Beneath Medicine Tree to 2016’s Ixora. While they began as a rock band, Copeland’s music has explored multiple genres and pulled in various stylistic influences like electronic and symphonic. In the past the musicians have aptly melded these styles, creating a unique amalgam of sounds. This time they wanted to take each sound and style and push it to its logical extreme.KEVIN GARRETT Kevin Garrett is a singer-songwriter, multi-instrumentalist and producer from Pittsburgh. Best known for his flawless soulful vocals, lush instrumentation, and post-modern alternative adventurousness, he’s an GRAMMY® Award-nominated artist that is ever evolving. With a back catalogue of releases that sits at over 100 million streams and over one million monthly listeners, Kevin’s sound is a captivating example of musicianship that translates seamlessly into a mesmerizing live experience. With a reputation for songwriting that precedes him, Kevin’s past collaborators include Beyonce, James Blake, Cynthia Erivo and more recently Lennon Stella, Maths Time Joy and rising indie-pop group Dizzy. Influenced by the likes of Sam Cooke, Stevie Wonder and Joni Mitchell, Kevin Garrett has crafted a unique style of soulful alt-pop that has received much critical acclaim (The Fader, Complex, American Songwriter). Now embarking on his next chapter Kevin Garrett is certainly an artist to keep all eyes on.
Bass Drum of Death
– ALL AGES- STANDING ROOM ONLYBASS DRUM OF DEATH The point of an odyssey is to return home changed—still the same person, but deepened somehow, wiser and better, wearing your traveling scars proudly. Bass Drum of Death’s new album Say I Won’t is the end result of a journey that took singer and bandleader John Barrett from a small town in Mississippi and sent him across the world and back home again. The music still rips, with blown-out guitars and drums that sound like bombs going off, and the melodies are catchier than ever, hollered in Barrett’s trademark yelp. But the music hits differently now, more at peace with itself, propelled by a new swagger. Say I Won’t is the record of a veteran band finding its stride and leaning into it, stripping back the excess and finding the raw core of their sound. Say I Won’t, the band’s fifth record, comes at a time of massive change for Barrett, having relocated from New York to his hometown of Oxford, Mississippi during the pandemic. The record is also a homecoming of a different sort, with the band rejoining the ranks of Fat Possum, also in Oxford, the label that released their first record GB City in 2011. Say I Won’t is the first Bass Drum of Death album written, demoed, and recorded with the touring band instead of Barrett doing everything on his own. He found a freedom in working with collaborators that wasn’t available to him before, opening different aspects of the songwriting. It was a process of live recording, layering on different parts and overdubs, and then stripping it all back to the bones of the song, keeping the raw wild heart of the music intact. The result is a groove-oriented, 1970’s-indebted collection of rock songs, with tempos set for cruising and scuzzy guitars galore. There’s an energy and vitality to the music that feels in line with the best of the Bass Drum songs, but with an added boost that comes from new bandmates and a new perspective.DEAD TOOTHAfter an early stint drumming and singing in Haybaby (Tiny Engines), Zach James began writing and self-producing folk records in his bedroom, donning the name The Silver Spaceman. The project evolved into a post-punk band featuring Andrew Bailey (DIIV) on lead guitar. It snarled and simmered around darker textures, miles away from its early folk roots. James looked to his darkened smile and rechristened the project Dead Tooth. They gained momentum opening for bands like Hand Habits, The Space Lady and Current Joys.TONGUES OF FIREMost bands fit cleanly within a genre, but Tongues of Fire don’t. At their heart, they are a punk band; their shows are unhinged; the music is straightforward and hard hitting; there is no trace of excessiveness, but they are accessible, and there is a well-crafted feel to what they do. The production is clean, and the instrumentals deceptively complex. There aren’t bands out there that are like Tongues of Fire. They are themselves and intent on moving the scene forward.
Soulside w/ J. Robbins (Band)
– ALL AGES- STANDING ROOM ONLYSOULSIDESoulside formed in Washington, DC, in 1985, split up in 1989, then reformed in 2014 and has continued playing and writing music since then. After releasing their debut album on Sammich/Dischord, they recorded Trigger (Dischord, 1988) and Hot Bodi-Gram (Dischord, 1989), which were combined on the Soon Come Happy CD in 1990. The band toured extensively in the US and Europe during these years, including groundbreaking shows in Poland and East Berlin shortly before the Berlin Wall fell in 1989. In 2020, Soulside put out a new 7-inch, This Ship, their first release in 30 years, which was recorded in Prague. Happy”, released in 1990 and re-mastered in 2003.J. ROBBINS (BAND) J. Robbins has been the guitarist/singer and primary songwriter (or pushiest collaborator) in several bands since the early ’90s, including Jawbox, Burning Airlines, Channels, and Office of Future Plans. For the bulk of that time, he has also been active as a recording engineer/producer, working with musicians from around the world at his Baltimore-based studio, The Magpie Cage.
Built to Spill
– ALL AGES- STANDING ROOM ONLYBUILT TO SPILL Built to Spill is an indie rock band from Boise, ID, formed in 1992 by guitarist/vocalist Doug Martsch. In September 2022 they released their most recent album, through SubPop – “When the Wind Forgets Your Name”. Known as well for its rotating line up, the band currently counts with Melanie Radford on bass and Teresa Esguerra on drums. DISCO DOOMORUÃORUÃ is a child of downtowsn, was born at night and attends the parties at dawn. A poor man’s jazz. Working-class’ krautrock. They play in Baixada Fluminense and in the United States, do not travel on tourism and have never been on an exchange program.
Os Mutantes
– ALL AGES- STANDING ROOM ONLYOS MUTANTESOs Mutantes (“The Mutants”) are an influential Brazilian psychedelic rock band that were linked with the Tropicália movement of the late 1960s. When Os Mutantes was formed, it combined influences from psychedelic acts from the English-speaking world like The Beatles, Jimi Hendrix, and Sly & the Family Stone with bossa nova, tropicália, samba and the cultural legacy of the Brazilian art vanguards from the modernist movement. One of the most well-known and influential rock bands in Brazil, Os Mutantes are cited as a major influence to many contemporary underground or independent bands in the United States and Europe. Beck paid tribute to the group with his single “Tropicália” from the album Mutations. The Bees (UK band) covered “A Minha Menina” on their first album, Sunshine Hit Me. Red Hot Chili Peppers bass player Flea has stated on his Twitter account that he is a fan. Kevin Barnes of Of Montreal cites Os Mutantes as an important influence. Talking Heads frontman David Byrne has worked to publish and promote the group’s music through his Luaka Bop label. Kurt Cobain publicly requested a reunion tour from the trio in 1993, writing a letter to Arnaldo Baptista, but the bands first live performance since 1978 was at London’s Barbican Arts Centre on May 22, 2006 – (though without Rita Lee, who was replaced with Zélia Duncan on vocals). This performance was followed by shows in New York City, Los Angeles (with the Flaming Lips), San Francisco, Seattle, Denver, Chicago, and Miami. However in September 2007, both Arnaldo Baptista and Zélia Duncan left the band, each expressing wishes to continue with their respective solo projects.Sérgio Dias, however, vowed to keep the reformed band alive, not wanting to let “the giant sleep again”, as he put it. And so, led by Dias with Esmeria Bulgari on vocals, Henrique Peters on keyboards, Vinicius Junqueira on bass and Claudio Tchernev on drums the band toured extensively enjoying some great highlights such as “A Minha Menina” featuring as the audio track for the McDonald’s commercial “Victory” in June 2008, their first new release in 35 years, “Haih Or Amortecedor” (ANTI- Records) in September 2009. Extensive tours in support of the album including Glastonbury Festival in June 2010. In 2011, they collaborated with Of Montreal on the song “Bat Macumba” for the Red Hot Organization’s most recent charitable album “Red Hot+Rio 2.” and in 2013 the release of their album “Fool Metal Jack”. In 2017, Sergio Dias collaborated with the English singer-songwriter, Carly Bryant and subsequently she was put into the band’s line up on vocals, guitars and keyboards. Tres Olhos Music Festival quoted after her debut performance “”Packed with the new vocals, Carly Bryant took the audience to ecstasy, showing she’s here to stay.” The six piece release the single ‘Black and Grey’ in late 2017 and are currently working on a new studio album.ESME PATTERSON Ray Bradbury’s 1950 sci-fi short story collection The Martian Chronicles takes place between 1999 and 2057. Life on earth is crumbling post-nuclear war. The robots are thriving, carrying out the duties set before them, while the humans are forced to flee to Mars. Esme Patterson’s fourth studio album, There Will Come Soft Rains, is named after the Sara Teasdale poem of the same name which inspired the Bradbury collection’s penultimate tale.
The Sadies
– ALL AGES- STANDING ROOM ONLYTHE SADIES Without doubt or qualification, The Sadies are one of this continent’s greatest extant rock ’n’ roll bands — just as they have been for the last quarter-century. Versatile and imaginative, they skip from astral psychedelia to shuffling bucolics and leap from puckish pop to righteous garage-rock without losing momentum or mastery. Their albums deliver masterclasses on pointed songwriting, lockstep harmonies, and a devil-may-care attitude to expectations and past successes. With their new album – Colder Streams – out now, check out what Shindig Magazine calls “a stone-cold masterpiece”. JULIANNA RIOLINO Julianna Riolino knows how to capture and highlight beauty before it fades. On her debut LP, ‘All Blue,’ Riolino reflects on her own past, the memories of pain, healing, and love strewn through it. The songs focus morality and the stretch of time, seeping naturally into Riolino’s Americana-indebted songwriting, resulting in a golden and fluid debut. Blending past and present musically represents Riolino’s own experience as well, the songs written over a period of years, their meanings picking beyond that stretch and pulling lessons forward. And in that process, her philosophical lyrics bring that complexity forward to the listener in surreally sweet melodies, pouring growth and healing directly through the ear and into the heart. ‘All Blue’ is out now on You’ve Changed Records.
GA-20 + LadyCouch
– ALL AGES- STANDING ROOM ONLYGA-20 GA-20 clearly is on to something big. It’s a movement, a new traditional blues revival. The dynamic, throwback blues trio are disciples of the place where traditional blues, country and rock ‘n’ roll intersect. “We make records that we would want to listen to,” says guitarist Matt Stubbs. “It’s our take on the song-based traditional electric blues we love.” Stubbs, guitarist/vocalist Pat Faherty, and drummer Tim Carman have been at the forefront of this traditional blues revival since they first formed in 2018. It’s no wonder they skyrocketed to the top of the Billboard Blues Chart.According to Stubbs, “Since we started the band we’ve focused on the story, the melody, and on creating a mood. Playing live as much as we do, we’re finding more and more that people are discovering how cool it all is. Traditional country, soul and funk music have all had these massive recent revivals, but traditional blues so far has not.” With their new Colemine album, Crackdown, and an intensive tour schedule, that’s all about to change.On Crackdown, GA-20’s third full-length release, the band creates an unvarnished, ramshackle blues that is at once traditional and refreshingly modern. Expanding on their previous releases (2019’s Lonely Soul and 2021’s Try It…You Might Like It! GA-20 Does Hound Dog Taylor) GA-20 finds inspiration on the edges of the genre, where early electric blues first converged with country and rock ‘n’ roll. The album’s nine original songs include the loping, Louisiana-flavored Dry Run, the dirty, and bare-bones Easy On The Eyes and the melodic, garage-tinged Fairweather Friend. With tight, propulsive performances and a brevity and punk energy reminiscent of The Ramones, Crackdown is rowdy and fun, filled with instantly memorable, and well-crafted songs.LADYCOUCH “Everybody’s dancing, y’all — it’s about that time,” Allen Thompson sings during the first minute of LadyCouch’s ‘Future Looks Fine,’ setting the tone for a debut album rooted in groove, soul, and the family-like bond of the musicians. A southern-rock jam band fronted by Thompson and co-founder Keshia Bailey, LadyCouch brings together a lineup of songwriters, horn players, harmony singers, and first-rate instrumentalists. The result is a larger-than-life sound inspired by the revue bands of the 1970s, bringing a contemporary approach to the timeless influence of Delaney & Bonnie, Little Feat, and Joe Cocker’s Mad Dogs and Englishmen. Funky and fiercely loyal, LadyCouch’s members are a community unto themselves, writing optimistic songs about the struggles and triumphs that connect us all. “We choose to make it through hard times by being together,” says Bailey, who previously cut her teeth in the throwback soul group Magnolia Sons. “There will always be struggle. You can sit and bask in it, or you can keep moving forward. For me, the best option is bond together and sing it out. That’s what this band does for me. LadyCouch heals me.”
