ELLA VOS: The Microdose Tour
– ALL AGES- STANDING ROOM ONLYELLA VOSAcclaimed for her dreamy soundscapes and psychedelic anthems, Ella Vos arrived on the scene with her 2017 single “White Noise,” which became an overnight sensation, debuting at #1 on Spotify’s Viral Charts. Her debut album, Words I Never Said, shortly followed to critical praise from Rolling Stone, HuffPost, Nylon, Coveteur and more. In 2019, Vos shared her Watch and Wait EP to acclaim from The New York Times, UPROXX—who called it “cathartic and confessional”— Earmilk and more. She has consistently sold out shows across North America, and with more than 300 million streams amassed independently, her songs have soundtracked hit series on ABC, MTV, E!, The CW and more. Vos’ songwriting is celebrated for exploring modern women’s lives in their totality, from motherhood, postpartum depression, reproductive rights, a lymphoma diagnosis, her divorce, to navigating lockdown with a new partner. With SUPERGLUE, her latest album written and recorded with husband Tommy English (Kacey Musgraves, Noah Cyrus), Vos expands on the complexities of womanhood after a year of intractable life shifts.
OUTPOST: Anuraag Pendyal
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE “Anuraag Pendyal is a piano player and songwriter based in New Orleans and originally from Carrboro, NC. His solo show combines his original songs, which often address contemporary political and culturally-relevant themes through storytelling and satire, with stride piano, New Orleans R&B, traditional standards, improvisation, and colorful instrumental compositions. New Orleans piano is all about coherently synthesizing the wide range of musical expressions that were born in the city—you have to “play all the styles.” Funk, second line rhythms, “rhumba boogie,” rock & roll, swing, and more will be covered—from Jelly Roll Morton to Allen Toussaint to Ellis Marsalis, and plenty more in between. Check out a review of his solo album from the New Orleans cultural magazine AntiGravity: https://antigravitymagazine.com/reviews/reviews-79/ And more on the New Orleans Public Library’s online Crescent City Sounds music database: https://crescentcitysounds.org/artists/anuraag-pendyal His music is available for streaming on Bandcamp, Spotify, and all other major streaming services.”
Emerald Rae
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEEMERALD RAEEmerald Rae is an American Fiddler & Folksinger based in Nashville. Hailing from the seaside town of Gloucester, Massachusetts, Rae began her musical journey deep in the world of traditional Celtic music. With her 2018 self-titled release, Rae broke the boundaries of fiddle-singing with a wide palate of experimental techniques. With her powerhouse vocals, groovy percussive fiddle and eclectic songwriting style, she has delighted audiences at legacy folk festivals and concert stages across North America.
PATIO: Kathryn O’Shea (WTF Artist)
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEKATHRYN O’SHEAThe Grey Eagle in partnership with WTF week (Women to the Front) presents Kathryn O’Shea! Kathryn O’Shea is an Asheville-born singer/songwriter mostly known for her unmistakable voice and soul-stirring original songs. Riding on a hypnotic current of soft electric banjo picking, O’Shea’s confessional lyricism and powerful, winding melodies collide to create something of a “country fried Florence Welch,” as Blue Ridge Outdoors magazine puts it. If you’d like to keep in touch (or you’re just in the market for a good cry), say hi @kathrynoshea on socials.
OUTPOST: Louise Page
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE “Louise Page is an independent singer/songwriter based in Memphis, TN. She is a classically trained pianist with a degree in Creative Writing from Rhodes College. Her raw vocals, intricate lyrics, and piano prowess create a genre-bending musical chamber punk experience. She released her first EP “Salt Mosaic” in 2017, and her follow-up EP ”Simple Sugar” in 2018, followed by an east coast tour. Her first full-length album “Silver Daughter”, recorded at Young Avenue Sound in Memphis, TN, was released in 2019. Page released her first solo album “Play Nice” in 2021, which highlights the strength of her lyrics and piano playing. Page has achieved recognition for her artistry several times in Memphis, TN – receiving a Best of Memphis accolade in 2019 for “Best Singer”, having multiple music videos featured in the Indie Memphis Film Festival including winning an audience favorite award for “Paw in the Honey” (directed by Laura Jean Hocking) in 2020, and being honored in the Memphis Flyer’s “20 under 30” class of 2022. Page performs both as a solo pianist and also with a full band backed by a classically trained eclectic group of musicians that includes violin and horns. For fans of Fiona Apple, Regina Spektor, and Lana Del Rey.”Guy Roswell is a Psych rock power trio out of Asheville, NC. First playing a string of shows in early 2020 they have since been honing in their sound. Melding influences of 60s psych and folk rock, early punk DIY aesthetic, and 90s- 00s garage rock and shoegaze sensibilities. Inspired by all things magickal and esoteric, lyrical themes explore psychedelic revelations, telepathy, dreams and extra-terrestrial contact.
PATIO: Ben Balmer
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME, FIRST SERVEDBEN BALMER Born and raised near Ann Arbor MI, Ben Balmer is an Austin and Asheville-based singer songwriter whose talent and way with words has taken him touring all over the world. Binding roots-y Americana with contemporary twists, Ben has been influenced by a wide range of musicians, including Tom Waits, Fiona Apple, Taj Mahal, and Paul Butterfield. He has released three full-length albums, as well as multiple EP’s and singles, and has released his newest album, Honky-Tonk Macbeth, in October of 2021. Ben’s songs speak of the road, love, loss, and revisits archaic themes that work towards a poetic narrative of folklore all on its own. Ben is currently working on writing as well as performing with other esteemed artists as a harmonica player.
Chris Pureka
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLECHRIS PUREKA It’s rare for an artist to bridge the divide between critical acclaim and dedicated fan engagement. Chris Pureka is a Portland-based singer-songwriter whose body of work has resonated deeply with these seemingly disparate milieus. Her music has straddled the folk, americana and indie rock genres over the course of her 20 year career, and over that time, her bold vulnerability in processing the intimacies of life in song has struck a chord with those listeners who crave authenticity and depth. Chris’s elegant emotionality as a vocalist and her flair as a lyricist have garnered her favorable comparisons to Chan Marshall, Bruce Springsteen, and Patty Griffin. Over many years of touring on both sides of the Atlantic, she has shared the stage with such diverse and esteemed artists as The Lumineers, Gregory Alan Isakov, The Cowboy Junkies, Haley Heynderickx, and Ani DiFranco. She has had her songs featured on such television shows as Brothers and Sisters, Covert Affairs and Shameless and well as a song featured in the Sundance featured indie film, The Royal Road. Along the way, Chris has remained truly independent, selling nearly 50,000 albums through her own label, Sad Rabbit Records.KYM REGISTER (OF MELTDOWN RODEO) Sometimes the process of mining for melody in words eviscerates the raconteur, gutting them like a tornado through a trailer park. Sometimes, “the truth” is a revival of shit rather forgotten, igniting a coward’s desire to look away. With “Meltdown Rodeo,” Kym Register foregoes such consolatory diversions for visceral scrutiny and unbroken stares. The result is a body of tunes that forages the American south, dislodging its ducked bullets from pearly white sand. According to Register, “Scottsboro,” the album’s opener, was years in the making. It recounts the little known history of “The Scottsboro Boys,” nine Black men falsely accused of raping a pair of white women in hyperpyrexic 1930’s Alabama. One accuser eventually admitted the allegations were bullshit, but, for Black men in the Jim Crow south (as it is now), any assumptions of guilt are soon proven a permanent brand. Register wails against America’s foremost refrains –jury and peers and whole truths– in lyrics hefty with reconciliation and metaphor. “A blind eye, A blind eye is all justice knows/ Of the truth of what happened in Scottsboro/ Come on now, this story’s not that old.” Contrary to Register’s demand for account, the American south knows no shame.Whether grappling with the constrictions of gender expressions on dating apps (“How Do You See Me”), evoking the semi-autobiographical loneliness of Dorothy Allison’s Carolina bastards (“Maureen”), or daring white folks to “get right with their history of compliance in racial capitalism” (“Loamlands”), Register affirms that songwriting, at its best, is a gross but necessary confrontation.Ultimately Register and Meltdown Rodeo (both the newly named band and album) have achieved in eleven songs something the south has only half-heartedly attempted – undoing generational curses by retiring “bless your heart” lip service.Damn if we can’t all benefit from a little melting down.
An Evening with Ivy Eld + Friends: Remembering Our Roots
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEIVY ELD & FRIENDS This evening with Ivy Eld, her band, and other special musical guests is sure to be a heart-expanding and soul-nourishing show for listeners. It will be a cross-cultural musical experience that invites us all to get curious about our own ancestral roots. At this show, Ivy and her band will play some folk rock tunes from her debut album. She is also delighted to host and perform with some wonderful guest artists who hail from a variety of cultural identities and heritages–Eastern Band Cherokee, Mexican/Aztec, African American, Scandinavian, Celtic, and more. This evening will be about celebrating our diversity, cherishing our shared humanity and commonalities, and experiencing the healing that can come from music, stories, and honest reflection and connection. Ivy Eld’s music dances in the land of paradox. Her voice is simultaneously angelic and rawly human, fiery and red-wine smooth. Her evocative and tender songwriting invites listeners to dive in quickly and deeply, piercing weary hearts and enshrouding them with the fierce love and witnessing they desire and deserve. Her vulnerable, heartfelt lyrics soar through the air on the wings of her transcendent, soulful voice. A psychotherapist for over a decade and a half, Ivy has been privy to the sacred inner worlds of thousands of souls (while navigating her own inner hallways, dark attics, and sun-lit living rooms). This rich interpersonal and intrapersonal experience and her curiosity about the internal landscape saturates her indie folk pop music. Her artist moniker is a part of her remembering, her reconnecting to her own ancestry (“Ivy” based on her Scandinavian great grandmother’s name, “Eld” being the Swedish word for “fire”). And her self-titled 2022 debut EP album follows suit with that remembering. It documents her journey of coming home to her inner artist, her voice, her wildness, her power, her roots. The songs dance with mystical, nature-filled language through themes such as love (of self and others), speaking up, setting boundaries, grief, generational healing, and the transformative power of art. The album was specifically dedicated to her beloved little brother (also a musician) who passed away just a few months prior to her entering Drop of Sun studio in West Asheville, NC, to record. Ivy longs for her music to be an oasis of healing and beauty, a call to deeper respect and compassion for ourselves and for humanity. She considers her music to be another facet of how she shows up in the world in authentic and passionate service— as a singer-songwriter, a therapist, a mom, a partner, an advocate, a friend, a human. She hopes her thoughtful, earthy, poetic songs will inspire others to look inside – light, shadows, and all – and come home to their deeply worthy selves.
PATIO: Sara Jean Kelley
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME, FIRST SERVEDSARA JEAN KELLEYA lover of wild things— plants, animals, people, and music— Nashville native Sara Jean Kelley crafts songs that combine upbeat, pop-inspired country hooks with thoughtful, often philosophical lyrical themes that explore our human connection to the natural world. Due to her dark sensibility and slightly melancholic sense of humor, Kelley’s particular brand of alternative country is multidimensional, with one foot firmly rooted in her Nashville Country/Americana background, another foot exploring the realms of alternative rock, rock and roll, pop, and even hip hop influences. Her voice, at times husky, dark and sultry, at times floating light-as-a-feather, has been compared to celebrated female country stars Brandi Carlisle, Patti Griffin, and Lucinda Williams. She’s opened for country music icons Emmylou Harris and Rodney Crowell, and her songwriting reveals a clear, intuitive understanding of what makes a song work. Her latest EP Black Snake, is about life and death, transformation and rebirth, strength and resilience; all the things you experience in your early thirties that you wish you had known a decade earlier.
Foy Vance – Regarding The Joy Of Nothing Tour
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEFOY VANCEFoy Vance is a singer and songwriter hailing from the land of Bangor, Northern Ireland. Deeply rooted in the rich musical history and aesthetic of the Southern United States, Foy independently released his debut album Hope in 2007, quickly garnering acclaim from fans and fellow musicians alike. Foy released his second full-length album, Joy of Nothing, in 2013 on Glassnote Records which led to further critical praise and star-studded invites on tours worldwide from the likes of Ed Sheeran, Bonnie Raitt, Marcus Foster, Snow Patrol and Sir Elton John.Foy was only the second artist signing to Gingerbread Man Records, Ed Sheeran’s label division within Atlantic Records. Foy’s debut recording on Gingerbread Man Records, The Wild Swan, was Executive Produced by Sir Elton John and released in 2016. His music video for the lead single “She Burns” featured “Pretty Little Liars” and People’s Choice Award winner Lucy Hale. His music video for “Coco” featured the inspiration for the song title, Coco Arquette, the daughter of Courteney Cox and David Arquette, and was directed by Cox as well.Foy’s recent collaborations include “Moonshine” with Kacey Musgraves, the end credits track from Ben Affleck’s film “Live By Night,” four tracks including “Galway Girl” on Ed Sheeran’s latest album ÷, as well as cuts on recent releases by Miranda Lambert, Plan B and Rudimental.Foy has headlined globally to sell-out crowds and splits his time between London and the hills of Aberfeldy, Scotland with his family.BONNIE BISHOP The first thing that registers about Bonnie Bishop’s stirring album The Walk is that the seasoned Grammy winner is no longer trying to outrun herself; she owns whatever has come her way, good wind or ill. It’s an uplifting confessional that she dedicates ‘to all who wander’ – laying down searing, emotionally-charged variations to award-winning producer Steve Jordan’s (Robert Cray, John Mayer, Buddy Guy) powerhouse production. She does so in a voice that aches and arches and grabs and never lets go. Blessed with an authentically resounding range, a blistering lyrical gift, and OK – she admits it – a couple of inherent vices that any God-fearing Americana/country/soul artist must wrestle with after years of bringing it live and in-color, Bishop has now broken free from the bust-boom mentality of Nashville to walk a line of her own making. The recipe may sound oversimplified, but it’s a frank, funny, ferocious, insightful Bonnie Bishop we encounter on this path; a recharged singer/songwriter full of grace. Her determination to put one foot in front of the other and find the road to reclamation shifted into overdrive when she left Nashville for her native Texas in 2017. Since then, she’s never looked back. The Walk soars as her most honest effort to date. It’s a groove-laden, lyrical lightning bolt from which the tonic of self-revelation pours forth on songs such as the grateful “Every Happiness Under The Sun” and the gut-wrenching “I Don’t Like To Be Alone.” The album’s euphoric closer, “Song Don’t Fail Me Now,” is Bonnie’s most heartfelt testament to date that music absolutely can still heal the spirit.
