Bombargo w/ The Dirty Turkeys

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ALL AGESSTANDING ROOM ONLY   BOMBARGO Bombargo is a Canadian based international touring band that drops a vibrant splash of soul over their distinctive ‘vintage-pop’ sound. Well known for bringing unrivaled energy to the stage with sing-along anthems, double-brother harmonies, and a powerful message that combined make for one of the most captivating live shows ever! Frontman Nathan Thoen’s passionate conviction and ‘Jagger-like’ dance moves even impressed billionaire and music industry icon Sir Richard Branson, quoting “I haven’t seen this type of energy since The Rolling Stones!” – and he would know, having personally signed The Rolling Stones to Virgin Records. The band began with lead singer Nathan Thoen and guitarist Spencer Chilliak after the two spontaneously met and drove 16 hours to attend Sasquatch Music Festival where they became inspired to start a band. The duo wrote their debut single “Let It Grow” during their very first writing session and as part of Bombargo’s debut EP Back on Main which would go on to be included in “The Top 10 Best Saskatchewan Albums of 2015” by SaskMusic. This further inspired them to continue writing, touring, and release their first full-length album titled We Are Bombargo. The group has since evolved into a 7-piece touring band adding Nathan’s brother Anthony Thoen on guitar, additional brothers Matt and Sammy Folkersen on keys and bass respectively, Connor Newton on saxophone, and Niall Cubbon on drums.   Bombargo went on to receive massive acclaim when pop star icon Taylor Swift added their 2018 single “Mr. No Good” to her Spotify Playlist titled “Songs Taylor Loves” alongside mega artists including Ed Sheeran, Camilla Cabello, and Kendrick Lamar. Being the only unsigned band on this star-studded playlist saw Bombargo featured on CBC’s the Q, NME, Exclaim, Fashion, Noisey, People, and Billboard. This success was followed up by the release of their most successful single to date – “Oxygen” which pushed Bombargo into the Canadian Hot AC Top 40 Charts for the first time in the fall of 2019. The band also made its US touring debut in late 2019 with their 33 date “North American Dream Tour” which kicked off with Bombargo playing the sold-out Roughriders Labour Day Classic Half-Time Show to over 33,000 people. The band’s highly anticipated US debut at Hotel Cafe in Hollywood, CA gained heavy press coverage including a raving article in Billboard Magazine.Bombargo has opened for legendary acts including John Butler Trio, Michael Franti & Spearhead, Joel Plaskett and most recently performed on the Okeechobee festival main stage in Florida with over 40,000 in attendance. They have surpassed 4.5 million streams on Spotify, received over 715,000 views on YouTube, and were nominated for the Saskatchewan Music Awards “Pop/Rock Artists of the Year” in both 2018 and 2019. In August of 2020 the band landed a ‘most excellent’ cameo in the hollywood blockbuster “Bill & Ted 3: Face The Music”. There’s no doubt Bombargo will continue spreading The Goodtime Guarantee™ long into the future with the release of their new album ‘nubula.’ (released in May of 2022), and upcoming “Goodtime Guarantee Tour” this coming fall.   THE DIRTY TURKEYS

Vision Video w/ TREASVRE

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ALL AGESSTANDING ROOM ONLY   VISION VIDEO Vision Video is a post-punk goth rock band from Athens, Georgia that injects modern malaise into classic sounds of the late 70’s and 80’s. The band pays homage to classics like the Chameleons and The Cure, while also bringing a refreshing modern element to the genre. Thematically their music explores the effects of trauma on the human psyche and finding stability and agency in an insane world. Having served in Afghanistan with the army and as a firefighter in the civilian world, lead singer and guitarist Dusty Gannon is no stranger to the darker proclivities of humanity and death itself. “I wanted to write music that helped people remember that it’s okay to not be okay, but that also doesn’t shy away from taking a stern look at the darker aspects of our flawed human existence.” says Gannon. The band’s first two records were met with much critical praise, such as that from Pitchfork stating they create “dreamy tune tailor-made for the sort of wallflower who sprints to the dancefloor the instant the DJ drops “Age of Consent” or “Primary” at Goth Night.” Their debut LP “Inked in Red” and second LP “Haunted Hours”, were recorded and mixed by Tom Ashton of The March Violets at his Sub Von Studios in Athens, Georgia. Vision Video will soon record their next LP “Modern Horror” at Maze Studios in Atlanta headed by Grammy award winning producer Ben Allen.   TREASVRE  

Bum Monk w/ Paprika + Safety Coffin

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ALL AGESSTANDING ROOM ONLY   BUM MONK Bum Monk focuses on composition, musicality, and vibes. Blending different indie/rock/riff heavy music w lush vocal harmonies, Jack Markwordt, Laura Clayton, Curtis Killian, and Micah Stewart collectively embody the essence of long form, hooky, prog rock   PAPRIKA Expressionist rock. The pains of love, life and desire through a dust-speckled lens. Our music is written, recorded, and cut to vinyl by ourselves in Asheville, NC   SAFETY COFFIN Rock n Roll blues duo from Asheville formed in 2019. 

Jacoozy Album Release Show

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ALL AGESSTANDING ROOM ONLY   JACOOZY Jacoozy is a band that thrives on connection, both with their audience and each other. Formed in 2021, the band emerged from the underground house show scene in Boone, North Carolina, blending Southern rock, jam traditions, and modern sensibilities. Their sound is built on live energy, with each performance capturing the raw spirit of their music—no studio tricks or polished layers. Jacoozy’s songwriting is deeply rooted in introspection, capturing moments of time and self-reflection while celebrating their Southern roots and the communities that have shaped them. The band’s approach to music is collaborative, shaped by their basement jams and experimental spirit. With a unique blend of influences and a clear mission to create authentic, live-driven music, Jacoozy’s future looks as promising as the stories they are telling. BLINGUS TRIO Jay Sanders is a guitarist, bassist, composer, producer, and bandleader based in Asheville, N.C. An avid musical explorer with an insatiably curious mind, his music seamlessly fuses jazz, rock, blues, metal, and African influences with years of improvisational study.   Quinn is originally from Bloomington, Indiana, where he began playing professionally as a teenager and quickly became a staple of the region’s music scene before graduating from Indiana University’s Jacobs School of Music with a degree in Jazz Studies.   Jeff Sipe (born January 31, 1959, Berlin, Germany) is an American drummer. He is a rock and jazz fusion drummer, however, he is proficient in many other styles which he has demonstrated in his decades of drumming. He is a founding member of Aquarium Rescue Unit along with Col. Bruce Hampton.

Dogpark

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ALL AGESSTANDING ROOM ONLY   DOGPARK Dogpark got their start performing at University of Richmond (their alma-mater), before launching into sell-out shows across the country. The band consists of Eamon Moore (lead vocals), Chris Conte (drums), Declan Harris (lead guitar), and Billy Apostolou (bass/guitar)). Infectious stage presence and an homage to the indie-rock of the 90s have kick-started their career from a backyard band to a mainstage group. The band’s EP, ‘Breaking in Brooklyn,’ proves that they are here to make a mark, and with the release of their upcoming second EP, they’re just getting started. EDGEHILL Edgehill is an alternative rock band from Nashville, consisting of Chris Kelly (lead vocals/guitar), Jake Zimmermann (lead guitar/vocals), Andrei Olaru (bass), and Aidan Cunningham (drums). They formed in the fall of 2021 and have released singles like “Shooting Glances” and “Jonny’s Friend”. The band is known for their energetic live performances and is working on an EP.    LUA FLORA Creating in a state of constant adventure, Asheville, NC-based Lua Flora has successfully unified sounds that typically don’t go together. The electrifying passion and introspective lyrics of songwriter Evan Button, meet a mesmerizing blend of Caribbean, Eastern, and American music to create a previously undefined genre; “Beach Folk.” This cultural phenomenon lends itself to easy listening from the perfect barrels of the Pacific Ocean to the hollers of Appalachia. In three quick years, the project has gone from backyard parties to national stages across the U.S. supporting Satsang, Franc Moody, Of Good Nature, and Kendall Street Company in addition to festival appearances at Front Porch Fest, Kentucky Yoga Festival, Between the Trails, and others.

Balu Brigada

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ALL AGESSTANDING ROOM ONLY   BALU BRIGADA Balu Brigada craft multi-dimensional alternative pop layered with levels of lush live instrumentation, cinematic production, and festival-ready hooks. Henry and Pierre Beasely—the Auckland, NZ-born duo of brothers, co-vocalists, co-writers, and co-producers Balu Brigada—effectively step through a sonic doorway with their music. Since high school, they independently honed their chops for years until landing a deal with Warner Music Australia, Atlantic Music Group and ARRO Records in the United States. The group cultivated their signature sound with the I Should Be Home EP [2022] and Find A Way EP [2023]—highlighted by the fan favorite “Designer” which amassed 26 million Spotify streams and counting. Along the way, they also incited the applause of everyone from Rolling Stone, Coup de Main, i-D, and OnesToWatch to People who christened them “Best New Artist.” Twenty One Pilots even notably selected Balu Brigada as special guests on their massive “Clancy Tour” across North America, Latin America, Australia, New Zealand, Europe, and the UK. The duo reached critical mass with their track “So Cold.” It not only gathered 34 million total streams and counting, but it also notched their very first #1 at radio in the US, claiming the top spot at Alternative. They made their late-night television debut on ABC’s Jimmy Kimmel LIVE! with a stunning performance of the song. Plus, it claimed a coveted spot on the FIFA 2025 Official Soundtrack, and SiriusXM spotlighted it as a “Critical Cut.” After piling up hundreds of millions of streams and selling out shows, the band elevate to another stratosphere altogether on their full-length debut album, Portal, introduced by the single “Backseat.” HARPER FINN Harper Finn has arrived with his highly anticipated debut album, Silo Park – a kaleidoscopic soundscape emerging from the gritty beauty of his time in New York City and a subsequent period of personal growth, each track a distinct chapter in the unfolding story of an artist finding his voice amidst one of the loudest cities on earth. Produced by the acclaimed Sam Evian in the storied upstate New York region near Woodstock – an area resonating with the ghosts of musical legends – Silo Park marks a significant breakthrough for the New Zealand artist. Evian, known for his work with artists like Big Thief and Cass McCombs, provides a sympathetic and organic sonic landscape for Harper’s introspective songwriting.

TOPS: Bury the Key Tour

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ALL AGESSTANDING ROOM ONLY   TOPS has partnered with PLUS1 so that $1 per ticket goes to Chez Doris and their work supporting and empowering any woman in precarious situations to achieve her full potential.   TOPS TOPS — musicians David Carriere, Jane Penny, Marta Cikojevic, and Riley Fleck — write timeless music that reliably threads immediacy and depth. Bury the Key, their first full-length since 2020 and with new label home Ghostly International, is a captivating reintroduction for the Montréal band: ever refined, undoubtedly masters of their melodic craft yet unafraid of evolving and testing themselves against different, at times darker tones. The album faces feelings once locked away, engaging the give-and-take between happiness, hedonism, and self-destruction. While often inhabited by fictional figures, their glowing, grooving, self-produced songs draw from personal observations: intimacy (both inside and outside the band), toxic behavior, drug use, and apocalyptic dread. When recording started, they noticed a shift and leaned in, jokingly dubbed “evil TOPS,” says Penny. “We’re always kind of seen as a soft band or like naive or friendly in a Canadian way, but we made it a challenge to really channel the world around us.” Through the lens of a looming epoch and the clarity that comes with age, TOPS dip into a more sinister disco realm with Bury the Key, giving their soft-focus sophisti-pop a sharpened edge. STARCLEANER REUNION New York City-based Starcleaner Reunion is a new band of old friends. Singer Jo Roman, guitarists Pat Drummond & Neil Torman, and bassist Adam Kenter have been making music together in various configurations since they were high school students together in New Jersey, but never all together in the same group. After Drummond moved back to New York from Montreal and connecting with drummer Sam Unger through a mutual friend, the band solidified and began rehearsing in 2022. Their new EP, Café Life, is the result of a newfound home-recording and production process, an inspired project in which the band felt they could explore and experiment for the first time. Listen closely and you’ll hear samples of rain and thunderstorms, rumbling 808 sub-bass, digital synthesizers ripped from a decade old copy of GarageBand, and ghostly spoken poetry buried deep in the mix of the 4 tracks. Café Life is indebted and dedicated to not hurrying and taking your time. ANDY BOAY (Tonstartssbandht)  Primary psychedelia; hard pop; heartache hymns. Headset vocals, sheets of shimmering guitar, self-oscillating alchemy, looped pulse percussion. Andy Boay has been the solo moniker of Andy White since 2011. He has played in the duo Tonstartssbandht with his brother Edwin since 2007. He spent six years playing guitar in the touring band for Mac DeMarco. Andy Boay’s music taps the euphoric and the sorrowful, both onstage amongst friends and strangers, and tracking alone at his 8-track in the studio. These days he lives and works in the East Village neighborhood of New York City.

Night Tapes

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ALL AGESSTANDING ROOM ONLY   NIGHT TAPES Night Tapes’ debut album portals//polarities is a deeply immersive, genre-blurring journey shaped by place and emotion. Created by London trio Iiris Vesik, Max Doohan, and Sam Richards, the album weaves global field recordings—from Estonian swamps to Mexican mountains—into dreamy, electronic soundscapes. Originally recording quietly in a shared house, the group embraced their constraints, crafting music that became time capsules of their surroundings.   Their process blends traditional instruments with laptop production, drawing from synth-pop, shoegaze, trip-hop, and ambient music. Songs often shift unpredictably, blurring the line between band and studio project. Much of the album was made on the road, in Airbnbs and hotels between gigs, emphasizing creativity within limitation. Their use of tapes and spontaneous sampling adds raw, human imperfections that digital methods lack. For Vesik, the album explores inner dualities and personal freedom, with emotional depth conveyed more through sound than lyrics. portals//polarities is a bold debut—personal, political, and vibrantly alive.   The band’s previous releases have been supported by DIY, Clash, NME, Future Music, Gorilla vs Bear, BBC Radio 1, BBC 6 Music and many more.      CULT OF VENUS Cult of Venus is a multi-disciplinary performance artist who has played MOMA PS1, Fotografiska’s Chapel Bar for David LaChappelle’s “FAITH”, and The Women’s March NYC. Her music is the meeting point of art and activism with powerful songs that critique the impending environmental collapse, Disaster Capitalism and social media as a surveillance tool.
                 

Sextile + Automatic

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ALL AGESSTANDING ROOM ONLY   SEXTILE Some bands find their groove and stick to it while others choose to reinvent themselves and keep on moving. Sextile can attest to the thrill of an ever-changing road map. The LA duo comprising Melissa Scaduto and Brady Keehn ply their trade with a lust for life and a love of everything from no wave to hardstyle, having merged some of these influences on their striking 2023 debut for Sacred Bones, Push. The group’s new LP, yes, please., fuses anarchic electro fire with raw personal recollections —and enough beefed-up bass to bust a speaker or two. yes, please. is an album of contrasts: a vulnerable record that bares its soul as much as it revels in excess, showing just how far you can push your sound when you shake off your inhibitions. Together, the pair betray a confidence that never wavers, making a bold splash on the speedy intro with a rave siren cut from a ‘00s New York house party. Seemingly by the same token, the unruly spirit of electroclash stalks the yes, please. building, flashing its ID on the cowbell-peppered thunderbolts of “Freak Eyes” and “Rearrange”, and turning in a scuzzy dancefloor bomb with “Women Respond to Bass.” High on endorphins, “Push-ups”—which features vocals from Jehnny Beth—is pure muscle music, fortified by hoover bass and fleshed out by synths that hammer as hard as lumps of hail on a glass roof. AUTOMATIC With their second album ‘Excess’, Automatic — Izzy Glaudini (synths, lead vocals), Lola Dompé (drums, vocals) and Halle Saxon-Gaines (bass) — synthesizes a new strain of retrofuturist motorik pop. It’s often said yesterday’s science fiction reads like today’s grim reality. On their new album ‘Excess,’ Automatic channel both. The LA trio’s second album for Stones Throw rides the imaginary edge where the ‘70s underground met the corporate culture of the ‘80s; or, as the band puts it, “That fleeting moment when what was once cool quickly turned and became mainstream all for the sake of consumerism.” Using this point in time as a lens through which to view the present, Automatic takes aim at corporate culture and extravagance, weaving deadpan critiques into cold wave hooks. The album’s overarching themes of alienation and escapism emerged as Automatic wrote ‘Excess’ together, fleshing out songs before decamping to the studio for sprint recording sessions with producer Joo Joo Ashworth (Sasami, FROTH).On “New Beginning”, they reject the false hope of leaving behind a scorched planet in search of “a better place”, at a moment when the ultra-rich are eyeing manned space travel: “In the service of desire / We will travel far away”. Imagining the “nihilism and loneliness” of attempting to escape the planet once unchecked consumerism has reached its logical conclusion, the song pictures being “stranded in a space-void with no connection to Earth or humanity.”

U.S. Girls

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ALL AGESSTANDING ROOM ONLY   U.S. GIRLS Originally from Illinois, Meg Remy is established as one of the most acclaimed songwriters and performers to emerge from Toronto’s eclectic underground music scene where she currently lives. As the creative force behind the musical entity U.S. Girls, her celebrated discography spans 15 years from early experimental works released on the Siltbreeze label and includes three Polaris Prize shortlisted albums on 4AD: Half Free (2015), In A Poem Unlimited (2018), and Heavy Light (2020). All three albums also garnered Juno nominations for Best Alternative Album. Remy has toured extensively through Europe and North America, establishing a reputation for politically astute commentary and theatrical performances with her extended U.S. Girls band, leading her to be named the best live act of 2018 by Paste Magazine. During this time, she has maintained a visual arts practice, exhibited collage work and directed several music videos and other video art works including her short film Woman’s Advocate (2014), in which she also performed. Recently, Remy published her first book, a memoir called Begin By Telling (2021), and she also made her first foray into film-scoring this year, having been tapped for filmmaker (and fellow Torontonian) Grace Glowicki’s surreal horror-comedy Dead Lover (which world-premiered at Sundance Film Festival and featured at SXSW). As a platform and persona, U.S. Girls operates on a uniquely out-of-time wavelength, alternately wronged and rueful, classic but contemporary, bruised vignettes of poetic Americana through a feminist lens. Her most recent album, Bless This Mess (2023), marked both a divergence from and deepening of Remy’s songbook, more at peace with her restless truths and moods. New music is set to follow in 2025. FAUN FABLES Troubadours of animist, avant-folk since 1998, FAUN FABLES are known for exquisite, visceral adventures in songwriting, live shows and theater. Their work became internationally widespread by 2004 with their Drag City Records debut ‘FAMILY ALBUM’ (2004).  For over two decades, the group has seasonally toured grass roots, night club, theater & festival circuits in the USA and Europe (including stints in the UK & Oceania.)  Dawn McCarthy’s voice (which THE NEW YORKER described as “one of the more compelling instruments in contemporary music”) opens hearts and minds from a whisper to a rallying battle cry into her mythical world, animated by the adventurous musicality and vocals of partner Nils Frykdahl (Sleepytime Gorilla Museum).  Their new album ‘COUNTERCLOCKWISE’ marks their eighth release with Drag City;  the songs and production offer the most encompassing, richly lived-in sonic world of all their releases. Their timeless ‘songtelling’ practice is entwined with a holistic view of a life in music – celebrating the mundane details of home and family, elevated by a mystical and fantastical perspective. Their daughters- growing up alongside the writing, recording and touring since infancy- now join them with vocals, flutes, keyboard, bass, percussion & dance.  Guitarist/singer Arild Hammerø joins them from Norway with his elemental guitar work featured on their new album. FAUN FABLES are currently based in Nevada County, California.