SHAWN JAMES w/ CHRISTIAN LOPEZ
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF VIP MEET & GREET PACKAGES AVAILABLESHAWN JAMES Hey there, this is Shawn James. I’ve had way too many writers think they could sum me up & relay what I’m about from an hour long conversation so they could write my “bio” but I’ve had it. Screw that. I’ll tell it in my own words. I was born & raised In Chicago, Illinois. I grew up on the south side of the city where I attended a gospel church. I was always around a lot of heartfelt soulful music & hardworking, real, down to earth people. Although I no longer abide by any religion, I value the times I had and how they shaped me to be what I am now. I’ve moved around quite a bit living in all different parts of the US. While absorbing all sorts of different cultures from here & around the world, I’ve developed my own sound. I started releasing my own music in 2012 and haven’t stopped since. I play a wide range of music from folk to blues, r&b, Gospel to rock, metal & alotta things in between. The main constant amongst all the genres would be that it’s all done with emotion, feeling, heart & a lotta soul. I mean what I say & deeply feel what I play. I play covers of songs I dig sometimes and although some people may only know me because of those, I’m hardly just a cover artist. If you come see me play live and expect just one style or aspect of what I do, you may be disappointed to learn that our shows are a roller coaster of emotions, musical styles, intensity & energy. I get bored easily & love to mix things up. Be ready & bring your ear plugs just in case.. I’ve always been the underdog so to speak since I’ve never had the backing of a large record label, big marketing firm or massive PR company & I truly like it that way. I feel as though I’ve earned what I have through hard work, determination, a good bit of luck & the great relationships with people I’ve made along the way. I’ve learned a lot of lessons the hard way being in this “music business industry” and that’s alright by me. I’ve seen that with your support (the listeners out there) I can make my wildest dreams come true. If you want to listen to an artist that’s authentic, genuine & original then you’ve come to the right place. I hope you enjoy the music & will join me on this journey that I’m so extremely grateful to be on. Thank you all so very much. Love, Shawn James CHRISTIAN LOPEZ Christian Lopez isn’t merely riding the wave of Americana, the West Virginian native is bending it to its knees. As the son of a music teacher, he was learning piano and guitar by the time he was in kindergarten, and he recorded his debut album, produced by Americana super-producer Dave Cobb (Jason Isbell, Chris Stapleton), when he was just 18. But on his new album The Other Side, Lopez transcends all of those hot-shot titles to emerge a well-rounded and experienced artist.
Chris Duarte Group
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLECHRIS DUARTE GROUP To classify Chris Duarte simply as a Blues Man is an understatement. In his own words, “rockin’ blues” or ”punk blues” describes him best. “Ferocious blues” also fits. Legend has it that Chris will play so hard that his fingers bleed in a set. The legend is true. Photos attest. Chris Duarte is a road warrior playing more than 150 dates a year. As well, Chris has headlined major festivals and clubs throughout the US, Canada and Europe. Chris is a savant, a sorcerer of tone, a master at channeling the spirits and sounds of great musicians of our past, while remaining completely recognizable in his own sound. He has shared his stage with many of the greatest musicians of our time as well as the multitude of “young lions” and local musicians he meets on the road. From his many years as a side man in Austin, he easily changes roles from front to side, graciously allowing all to share the conversation of the jam. Chris Duarte’s music is ever changing. In many interviews, he has said “Music must evolve.” His own early offerings often become magical journeys into changing tempo and jazzy interludes before returning to their core. With such a vast catalog of recordings, there are no two shows alike. Every set list is different, and each song may be offered distinctly, based on the feel of a show and the audience. For those reasons, loyal fans often return to a Chris Duarte show again and again, and always walk away awed and satisfied to have witnessed such a legendary, but humble guitarist.The Chris Duarte Group emerged on the scene out of Austin, Texas in the early 90’s and gained notoriety after wowing a packed room of industry insiders at the South X Southwest convention. In the wake of Stevie Ray Vaughan’s passing, Duarte quickly gained a National reputation as young man imbued with a playing style comparable at times to the late guitarist. After fielding interest from a number of labels, Duarte signed to Silvertone Records and his debut album “Texas Sugar/Strat Magik” reportedly sold in excess of 100,000 units in the United States, no small feat for a blues/rock guitarist. This coupled with Duarte’s strong commitment to touring, was the impetus for Chris’ winning the “Best New Talent” in Guitar Player’s 1995 Reader’s Poll. He also finished fourth in the magazine’s “Best Blues Guitarist” category that year behind legends Eric Clapton, Buddy Guy and B.B. King.
EARLY SHOW: Sean Patton
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE SEAN PATTON Sean Patton is a comedian based in New York, by way of New Orleans. He began doing stand-up in the Crescent City and has since performed in comedy clubs and festivals across the world, including The Melbourne International Comedy Festival (2011, 2018), The Glasgow Comedy fest (2016), the Dublin Comedy fest (2017), and The Edinburgh Fringe (2017, 2019). Other festivals appearances include SXSW (2016, 2017, 2018, 2022), The Moontower comedy festival (2012, 2013, 2014, 2019), Just for Laughs Chicago (2013), Just for Laughs Toronto (2013) and Just for Laughs Montreal (2008, 2010, 2012, 2016, 2018). He’s performed on Comedy Central’s Live at Gotham (2009), Late Night with Jimmy Fallon (2010), Conan (2011, 2013), and Comedy Central’s The Half Hour (2013). More recently, He’s been on @midnight (2014, 2015), The Meltdown with Jonah and Kumail (2015), This Is Not Happening (2015, 2017, 2019), Showtime’s Live from SXSW (2017), TruTv’s Comedy Knockout (2016, 2017, 2018), and This week at the Comedy Cellar (2018, 2019, 2020). As for acting, He’s appeared on IFC’S Maron, Comedy Central’s Inside Amy Schumer and TruTV’s Those who can’t. In 2019 he released his second album Scuttlebutt on Helium Records. His next album King Scorpio was released on Christmas Eve 2021 and as a special on Youtube in August 2022. His special Number One is currently streaming on Peacock.
OUTPOST: Chloe Kimes
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEChloe KimesNashville based singer-songwriter Chloe Kimes is actively defining the next generation of folk-singing troubadours with an old-soul sensibility for storytelling in a spirited alt-country outfit. Born and raised on the lakeshores of northern Michigan, Kimes remains unbound by genre and consistently navigates a delicate balance between poignance and charm with vocals wrung out and steadfast as any before her. Named one of NPR’s 2022 Slingshot Artists to Watch, her debut album is ambitious and strikingly live. Reviewed as “reminiscent of contemporary roots heroes like Lucinda Williams,” Kimes’ self-titled debut is a raw reflection of the artist, and with music as homegrown as its penman, Kimes and her band are not to be missed.Jackson Grimmand his band marry folk pop melodies with the lonesome sound of traditional Appalachian music. In a region with a strong music culture, it is no surprise that Grimm’s songwriting is representative of his musical birthplace: Asheville, NC. A modern string band leader, songwriter, and multi-instrumentalist, Grimm is a talent on the rise.
Tommy Prine
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETOMMY PRINETommy Prine’s debut album “This Far South” coming June 23, 2023 is not only a long awaited introduction but a testimony to Prine’s 20’s and the loss, love, and growth that has defined them. Co-produced by close friend and kindred musical spirit, Ruston Kelly, and beloved Nashville engineer and producer, Gena Johnson, the album is rich and dynamic from cathartic jams to nostalgic storytelling.The son of late songwriting legend, John Prine, Tommy Prine grew up in Nashville surrounded by music, art and writing. As a child, he thought all parents were musicians, as his father “going to work” meant performing shows for adoring fans and writing songs. Tommy learned to play guitar by watching his father play, copying the ways his fingers moved and inadvertently developing his own singular style. Summers in Ireland lent their own inspiration, as did 10 straight years camping at Bonnaroo. Prine’s musical tastes grew to become decidedly eclectic, spanning John Mayer, Outkast, Bon Iver, the Strokes and more.It wasn’t until Prine reached his mid-twenties, though, that he considered a career of his own in music and began to share with others the songs he wrote in private. His songs were quickly met with excitement and enthusiasm, which sonically brings together a colorful patchwork of musical influences and lyrically explores existential questions and emotional experiences.JORDAN SMART Jordan Smart is a singer-songwriter currently based in Ludlow, KY. His songs echo between the prominent fingerpicking patterns of John Fahey and the Dylanesque vocal style of The Tallest Man on Earth. He flows with the current of the folk revival movement, which continues to course through the mainstream and underground channels today. But below the superficial labels lay the heart of the matter that distinguishes Smart from the bulk of other aspiring folk musicians. Smart, 31, is a father. He grew up with humble beginnings, hitchhiked across the United States and slept under bridges. His life flashed before his eyes on a few occasions, but lives to tell the tale by the grace of good luck. Smart even found himself as a musical guest for Bernie Sanders during his presidential race in 2016. Through it all, Smart offers a remarkable level of sincerity and clarity that is few and far between.
OUTPOST: Stone Jack Ballers
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Stone Jack Ballers are Spiro Nicolopolous (guitar, vocals), Paul DeCirce (drums, vocals), Jack Mascari (guitar), Bryan Solleveld (keys, vocals), Eric Swanson (bass guitar, vocals) and Keith Held (percussion). Dirty Dead melds with local rockers for the FINAL WORD in Grateful Dead inspired music. This is their first official show with their new name, having previously appeared as “Dirty Dead & Friends” their sound and show is now fully realized!
OUTPOST: Drip a Silver
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
Dawn Landes Bluebird 10th Anniversary Tour
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDAWN LANDES Dawn Landes is the North Carolina based singer-songwriter whose music you might have heard if you watch The Good Wife, House or Gossip Girl. Along with releasing six albums since 2005 (and an EP inspired by yé-yé, ‘60s French pop music), she’s a frequent collaborator with contemporaries such as Sufjan Stevens, Norah Jones and composer Nico Muhly. She has appeared with the Boston Pops, the NYC Ballet and on the TED main stage performing songs from her musical ROW about fellow Louisville native Tori Murden McClure’s quest to become the first woman to row across the Atlantic Ocean. Her latest release is a 10th Anniversary Reissue of her album Bluebird of which Spin described as “..refreshing..” NPR “…compelling…” and Blackbook described it as “…haunting…”DOSS CHURCH & THE UNHOLY NOISE (DUO)Doss Church is an Asheville-based songwriter whose unique brand of ‘Americana’ draws influences from 80’s glam, indie folk and early country, fusing soulful vocals with deeply storied, personal lyrics filled with hope found and love lost. Jay Moye, of The Unholy Noise, will join Doss on keys and guitar for this special duo performance
The Wildmans + Sad Daddy
– ALL AGES- SEATED SHOW- LIMIITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETHE WILDMANS The Wildmans come from the hills of Floyd, Virginia, in the heart of the Appalachian mountain music tradition. From campsite jamming at festivals and fiddler’s conventions and a college level music education comes the foundation for musical exploration that sets this group apart, taking the audience on a musical journey that reflects the growth and passion of these talented musicians. The band features award winning players: Eli Wildman, first place winner in mandolin at the Galax Old Fiddler’s Convention, 2018 and 2019, first place winner at the Mount Airy Fiddler’s 2017, 2018, 2019 Aila Wildman, first place winner in Old Time Fiddle and Best All Around Performer at the 83rd annual Galax Old Fiddlers convention in 2018 Victor Furtado, winner of the 2019 Steve Martin Prize for Excellence in Banjo, and first place Old Time Banjo at Galax 2015, 2016 and 2019 The group has appeared on stages large and small, performing in festivals such as Red Wing Roots, Chantilly Farm’s Bluegrass and BBQ festival, Grey Fox Bluegrass, Floyd Fest, and The Steep Canyon Rangers’ Mountain Song Festival. They also regularly represent young talent along the Crooked Road in regional fiddler’s conventions. Having shared the stage with talents such as Bela Fleck, The Steep Canyon Rangers, The Steel Wheels, Danny Knicely, Sammy Shelor, Sierra Hull, Billy Strings, and more., these young musicians are making their way in the American stringband scene.SAD DADDY Since 2010, Sad Daddy, whose members are based in Arkansas and in Texas, has traveled down many a road–together and separately–at times focusing on their solo projects and then reuniting for a band project. The four members, Brian Martin, Joe Sundell, Rebecca Patek, and Melissa Carper, all conspired and united in the sudden spare time of 2020 to create their third album, Way Up in the Hills. With a long and dedicated history of making their audiences happy, Sad Daddy is emerging rejuvenated with Way Up in the Hills. With a more down-home and old-timey feel than their previous albums, they all stretched themselves a bit to create a common theme and new songs together. Unique to Sad Daddy, all of the members sing lead and write original tunes–the convergence of influences and interpretation of feeling into sound is a stylistic blend of the very best elements of American Roots Music. From the sounds of early blues, jazz, and jug bands to early country, folk, old-time, bluegrass, soul, and funk, they combine many influences, creating an indefinable genre of their own.
Austin Meade
– ALL AGES- STANDING ROOM ONLYAUSTIN MEADE On Black Sheep, Austin Meade delivers songs and stories that, like the young singer/guitarist himself, are contradictory yet cohesive. His influences—musical and otherwise—are as varied and rich as the small-town Texas soil that nurtured his talent, yielding 12 stellar songs ranging from the insinuating multi-layered musicality and storytelling of “Déjà Vu” to the dark alt-pop of “Happier Alone,” and on further to the new-age, Sabbath-inspired “Dopamine Drop.” Thanks to his metal- and classic-rock loving dad, Meade got to see bands like Judas Priest and worshipped Whitesnake. In junior high he related to the intense emo-rock of Paramore and Fall Out Boy, and the power of songwriters like John Mayer. Yet, thanks to plainspoken but deep heartland songwriters like Tom Petty, and cutting his teeth touring in the Texas and Oklahoma Red Dirt scene, Meade’s music overflows with wide-open soulfulness. He was a drummer for years, even teaching to pay the bills, but Meade found his true voice when he began playing guitar as a teen in his pastor-father’s church. Those experiences lend both a gravitas and rebelliousness to Meade’s songs and self. The songs on Black Sheep, produced by Taylor Kimball (Koe Wetzel, Read Southall, Kody West) are instantly memorable, but far from simplistic. Meade challenges the status quo, both musically and lyrically. “I like to question those standard math formulas,” he explains. “What if we just add two more lines and make somebody feel uncomfortable here,’ because the song itself is about being uncomfortable?” And within a song—and video—like “Déjà Vu,” Meade explores the cyclical, Groundhog Day-like nature of a month—or lifetime—of Sundays. Throughout school, “I was one of the weird kids who actually liked writing class. I would describe ridiculous stuff, and in elementary school I was a Harry Potter nerd. I’d get lost in those books,” he remembers. Soon, though, records became his new sanctuary. “I started to hear songwriters that were telling stories in three to five minutes; concepts and ideas that were not only spanning just that one song. One of my favorite lyricists is Alex Turner of Arctic Monkeys; the way he describes things, you can almost touch it or smell it.” Likewise, on Black Sheep, Meade’s vivid descriptions are palpable and immersive. They paint a picture the listener can step into, like taking a journey through “two-lane highways and speed-trap towns” that Meade traverses in “Déjà Vu.” “That’s my goal,” he explains. “To make people feel like they’re in the room with the stories in my songs; they’re within that experience.” Meade’s carefully crafted songs manage to be profound and provocative, sonically suited for both dive bars and arenas. From the seismic guitars and painfully honest lyrics of a song like “Dopamine Drop” to the mournful, lilting nostalgia and hard reality of “Settle Down” and on through the fantasy of “handwritten letters, candle-wax seal, Midwest American feel” in “Cave In,” it is clear Meade’s ambitions and dreams are weighty.THE JARED STOUT BAND
