Eddie 9V
ALL AGESSTANDING ROOM ONLY EDDIE 9V Eddie 9V has an endless stockpile of cool stories – and you’ll find twelve of them on his most recent studio album Saratoga, released in November 2024 on the fabled Ruf Records label. A thrilling mix of Southern soul, blues, rock, and funk, Saratoga proved to be a gamechanger: a road trip-ready record filled with razor-sharp observations, vintage textures, and raw humanity. It also marked a major career milestone: Eddie 9V’s soulful sound began reaching hundreds of thousands of new fans across the globe. Now signed to Easy Eye Sound — the Nashville-based label founded by Dan Auerbach of The Black Keys — Eddie 9V is preparing to release a brand-new album in 2026. And the momentum keeps growing. Since Saratoga dropped, Eddie’s monthly listeners on Spotify have exploded from 8,000 to peaking at over 800,000.. Songs like “Halo,” “Saratoga” and “Love Moves Slow” have become SiriusXM Spectrum-certified tracks, gaining steady spins and major audience love. But this rise is years in the making. From the day he first slung a guitar on a local Georgia stage, Eddie 9V (born Brooks Mason) has been an artist to watch. First cutting his teeth in cover bands and regional blues circuits, he made the leap to full-time frontman with a name that couldn’t be ignored. “I wanted to start from scratch – and I ain’t never heard of no bluesman named Eddie 9V.” That leap paid off. His early albums Left My Soul In Memphis (2019) and Little Black Flies (2021) turned heads for their wild energy and vintage flair. 2022’s Capricorn was a breakout moment, earning rave reviews from Classic Rock, The Guardian, and more. It debuted at #1 on the blues charts before being dethroned by Bonnie Raitt — “a cool story to be able to say,” Eddie laughs. By the time Saratoga arrived, Eddie 9V had evolved into a full-spectrum songwriter, tapping into deep wells of soul and storytelling alongside his brother and longtime collaborator Lane Kelly. Much of the album was recorded at their Echo Deco Studio in Atlanta, with some sessions at Denver’s Crown Lanes Studio. From the disco-tinged horns of the title track to the fuzzed-out dreamscape of “Delta,” it’s a record that widened the lens without losing the grit. Now with a major label partner, national tours, SiriusXM airplay, and streaming growth that shows no signs of slowing, Eddie 9V is poised for the next chapter. A new album is on the horizon. The band is sharper than ever. And if Saratoga was the ignition, what’s coming next is the open highway. “I’m already writing new songs,” he says. “You never stop.”
Jake Blount
ALL AGES FULLY SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE JAKE BLOUNT Jake Blount is a performer and scholar of Black folk music based in Providence, RI. Initially recognized for his skill as a string band musician, Blount has synthesized his scholarly and artistic pursuits into a diverse performance practice that has taken him to Carnegie Hall, Newport Folk Festival, NPR’s Tiny Desk, and beyond. His albums, released on Free Dirt Records and Smithsonian Folkways Recordings, have been featured in best-of lists from NPR, The New Yorker, and Rolling Stone. His scholarly publications include “Jail the Zombie: Black Banjoists, Biopolitics, and Archives,” published in Modern American History. He also served as a music consultant for the movie Sinners, and performed on the soundtrack of Ken Burns’s The American Revolution. Blount holds an A.M. in Musicology and Ethnomusicology from Brown University, where he is working toward a Ph.D. in the same and a second master’s degree in Anthropology. A new string band record is forthcoming in September 2026.
PATIO SHOW: Morgan Geer
ALL AGES – LIMITED PATIO SEATING IS FIRST COME FIRST SERVEMorgan Geer of Drunken Prayer Drunken Prayer transcends the bounds of Americana music. Morgan Geer writes songs that could emerge from a highly blissed-out biker bar or a swampy ashram. The new Drunken Prayer record, Thy Burdens, is an homage to the fiery music of the church. Partnering with Drive-By Truckers’ Bobby Matt Patton, the pair recorded this album in North Mississippi with some of their friends from Appalachia and the Delta including members of MJ Lenderman’s band, Band of Heathens, Jimbo Mathis’ group, and Wednesday. In 2026 The Deslondes from New Orleans included Geer’s “Cordelia” on their covers album of influential songs. Alongside like minded artists as Johnny Cash, Swamp Dogg, and Clifton Chenier, Glide Magazine says ”That song alone justifies this album’s existence.” Morgan Geer’s poignant and wickedly funny music is revered across the fringe of Americana. Rennie Sparks of The Handsome Family said “Morgan Geer is the real thing – a songwriter with a heart as deep as the Marianas Trench and sensitive as the wet hands of a raccoon.” Geer also plays guitar in the pioneering alt-country band Freakwater and collaborates with members of Butthole Surfers, Melvins and Ween. He started using the moniker “Drunken Prayer” after a chance conversation about rats with Tom Waits. Drunken Prayer is now a stalwart of the burgeoning scene in Asheville, NC. Morgan Geer has recorded and toured with some of the cornerstones of what we call modern Americana music.
COUNTRY BRUNCH w/ Jackson Grimm
ALL AGES – LIMITED PATIO SEATING IS FIRST COME FIRST SERVEJackson Grimm Asheville songwriter, multi-instrumentalist, Holler Choir + Susto Stringband
Patio Show: Aaron Molhoo
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEFuture Aaron is an American singer-songwriter andsinger for The Spiritual Machines. As a solo artist, Aaroncreates modern songs rooted in the golden age ofsongwriting. Drawing inspiration from artists like PeterGabriel, Crowded House, Sunny Day Real Estate, JohnDenver, and Nick Drake, his music blends rich vocals,percussive acoustic guitar, infectious melodies andthoughtful lyrics into a sound that feels both old andnew. After honing his craft on the West Coast and inAustin, Texas, Aaron is happy now to call Ashevillehome, where the musical spirit resonates with hisformative folk roots.
PATIO SHOW: The Log Noggins
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE The Log Noggins are a 3 piece progressive southern rock band based in Asheville, NC. Embedded in their southern roots are strains of fusion, blues, progressive rock, and much more. Their take on composition, melody, and chord structure contains hints of everything from The Allman Brothers to John Scofield. The Log Noggins’ dynamic, high-energy performances spotlight each players strengths; chicken pickin’ electric guitar, melodic bass, thunderous drums, soulful keys, and screaming harmonica bring audiences to their feet! The band released their debut, self-titled EP on all streaming platforms in June 2017. They are now recording new material at Sedgwick Studios in Flat Rock, NC; expected to be released in the first quarter of 2019. Vocals, Guitar /Adrian BrinkleyBass / Cole LaughterVocals, Drums / Wayne Redden
Songwriters Roller Derby Showcase
ALL AGES SEATED SHOW SONGWRITERS ROLLER DERBY SHOWCASE The Songwriters Roller Derby Showcase, presented by the Asheville Songwriters Association, is a quarterly music show with no roller skates included – just four performers “rollin’ out the songs, elbows-n-all.” Curated and hosted by Thomas Kozak and Jodi John Pippin, each “Derby Night” at The Grey Eagle will showcase the craft of songwriting in an intimate and welcoming setting. As an added element of the Songwriters Roller Derby Showcase, a surprise guest will join the performers on stage for interactive, on-the-spot commentary ~ a “look under the hood of the songwriting process” of sorts. The audience will have a chance to share comments as well, if they are inspired to do so. For most of the evening, the songwriters will perform finished songs, but they will also each share a brand new song that has not yet been performed on stage. Come support the songwriters as they show their vulnerable side and help nurture the art and craft of songwriting in the region and beyond. The performers for this first Derby will be: Old Sap: Old Sap. Poet from Chicago, rambled out to Montana, cut a banjo from a tamarack, strings across the country, foot like a freight train, voice rushing down over lush Appalachia, sings a thrush tune through the rush hour and into your long-forgotten prairie dreams. Folk. Folk Rock. Americana. Silk and Stone: Silk and Stone is an Ohio-grown duo writing honest songs about lifeand the emotions that come with it. With acoustic guitar, closeharmonies, and a shared love of storytelling, their music is rooted inconnection and authenticity.At the heart of their songwriting is love, in all its forms. Fromfalling in love and heartbreak to friendship, family, andself-discovery, they believe love is the thread that ties together thehuman experience. Their songs explore the moments that shape us. Lillie Syracuse: Pulling from a well of folk-rock, soul, and jazz inspiration, Lillie Syracuse has formed a genre bending artistry and writing style deeply and uniquely her own. With a voice often likened to Norah Jones, Bonnie Raitt and Brandi Carlile, Lillie sings to the fullness that is being alive with a razor sharp focus on the heart of each person in the room with her. Lillie has just released her self produced sophomore album Big New Heart and lives in Blue Ridge mountains of Asheville, NC. Ryan Furstenberg: Ryan Furstenberg has been an active member of the Asheville music scene for almost two decades. His main project The Moon and You, a chamber-folk duo with his wife Melissa Hyman, has spent the last decade touring the US and Europe. Ryan also performs his songs under his own name and with his roots rock group Phantom Clutch.In addition to his role as a bandleader, Ryan enjoys collaborating and performing as a sideman with the long-time Asheville groups Tina and Her Pony, the Dulci Ellenberger band, and The Dark Turn of Mind band, a spooky October collaboration between The Moon and You and local songwriter Hannah Kaminer.
PATIO SHOW: Brody Hunt & the Handfulls
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE BRODY HUNT & THE HANDFULLS Asheville’s Hot Hobo Honky Tonk. Day Of Tickets available at the box office.
Boot Scootin’ Boogie Nights
ALL AGESSTANDING/DANCING ROOM ONLY BOOT SCOOTIN’ BOOGIE NIGHTS Experience 90’s country music like never before! Boot Scootin’ Boogie Nights is a party hosted by the supergroup Neon Rainbow, a collective of some of the best musicians in Tennessee. The band takes fans on a raucous journey through all the biggest 90’s country hits for a night of line dancing, singing along, boot stompin’, and ice cold beer – we’re talkin’ Garth Brooks, Shania Twain, George Straight, Billy Ray, and so many more of your country favorites!
Hayes Carll
ALL AGESSTANDING ROOM ONLY CLICK HERE TO PURCHASE VIP MEET & GREET TICKETS, INCLUDING: Acoustic performance and Q&A with Hayes Photo and signing opportunity with Hayes Limited edition tour poster & laminate 10% off merchandise at the show Early access to the venue HAYES CARLL Hayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life, quieting the noise, and sitting with his real voice – the one that’s candid, consistent, and often inconvenient. We’re Only Human is Carll’s tenth album. Like his best lyrics, it is also an understated masterpiece, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to, well, ourselves, in the midst of confusing, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself. “I’ve lived outside of myself for so long,” Carll admits. “Distractions, fear, anxiety, insecurity, and the complexity of being human in this world have so often pulled me away from being present or at peace.” “I feel like there’s been a voice riding shotgun all my life, pushing me to do better, but I’ve struggled to listen to it,” Carll says. “The idea behind this record was to do the personal work I needed to do, then codify those lessons in song to serve as sort of breadcrumbs to get me back on the trail if, and inevitably when, I get lost again.” Carll is more than two decades into a celebrated career. Praise from places such as Pitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle tough issues with wry humor to Bob Dylan––punctuate a resume that includes Americana Music Awards and a Grammy nomination. His songs aren’t safe, but many of Nashville’s stars have recorded them, including Kenny Chesney, Lee Ann Womack, and Brothers Osborne. As a solo recording artist, Carll has long-since established himself as one of Americana’s most-played––and most loved––voices. His warm but crackling vocals, wit, and heart dance through wordplay that’s always clever, and never too precious. Through it all, whenever Carll points a finger, it’s most often at himself. As We’re Only Human collects moments of Carll figuring out how to be with himself, the songs feel forthright, hopeful, and timely. In today’s onslaught of instant gratification, rage-baiting headlines, glorified intolerance, and falling empathy, the record is a startling outlier: an artist’s raw, real-life effort to live well—both with himself and others. Carll embraces private epiphanies, and shares them with the world, allowing them to unfold for all to see and share.