An Evening With Willis Alan Ramsey
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE WILLIS ALAN RAMSEY Over 50 years after the release of his wildly influential self-titled album on Leon Russell’s Shelter Records, Willis Alan Ramsey returns to touring. Ramsey’s debut in 1972 earned scores of accolades from arti-sts ranging from The Allman Brothers to Lyle Lovett. The album was mined by many artists for their o_wn recordings including Jimmy Buffett’s “The Ballad of Spider John”, Jimmie Dale Gilmore’s “Goodbye Old Missoula”, Shawn Colvin’s “Satin Sheets”, Captain & Tennille’s “Muskrat Candlelight/Love”, Jerry Jeff Walker’s “Northeast Texas Women”, Waylon Jennings’ “Satin Sheets”, New Grass Revival’s “Watermelon Man”, and many more. Since that landmark first release, Ramsey has toured only occasionally, spending time instead with his family, honing his craft in Austin, Nashville and London, educating himself in the science of audio recording and composing new songs. His new material has received critical acclaim, including Lyle Lovett’s recordings of “Sleepwalkin”‘, “North Dakota” and “That’s Right (You’re Not From Texas”), as well as Eric Clapton’s recording of”Positively”. Ramsey’s infrequent personal appearances always gamer excitement among some of the top critics in the country as well as from his fellow artists: “His cozy, orderly, tiny-detail songs express a willful turnabout from hippie chaos, a visceral reaction particular to the early 1970’s. His songs are sweet, emotionally guarded and often musically complex, fitting strains of melody together that seem as if they ought not connect, expertly using rhythmic displacement as the words and chords unspool …. Perfection is terrifying, and some of these songs felt spooky.” – Ben Ratliff, The New York Times “You might have not seen him lately, but if you’ve listened to Shawn, Lyle or Jimmie Dale, you’ve heard him.” – John T. Davis, The Austin American Statesman “Even if Ramsey had made a dozen more albums, this would still be the record that no home should be without.” – No Depression “When I got his record, I loved everything on it. I heard some Flannery O’Connor and William Faulkner in there. It was a little more literary than most of the Texas stuff.” -Jimmy Buffett “Everybody owned his record when I lived in Austin. That’s because it’s great and them Texans knew it. I think Lyle’s great, but tell me he didn’t learn something from Willis.” – Shawn Colvin “I learned every song off his record. I went to see him every time he played, got tennis shoes like his. I wanted to be Willis Alan Ramsey.” -Lyle Lovett
Empire Strikes Brass: 12th Annual Mardi Gras Party
ALL AGESSTANDING ROOM ONLY EMPIRE STRIKES BRASS “Their shows are high energy and driven – powerful affairs that carry the audience through a full-range of emotions and often force the fans to look inward throughout – while still filling the building with love, acceptance, and hope.” – Caleb Calhoun, Ashvegas.comEmpire Strikes Brass is a dynamic BrassFunkRock band hailing from Asheville, North Carolina. Their music resonates with a powerful message delivered through a captivating and larger-than-life sound. Fueled by a thumping rhythm section that sets the groove, the band’s rich horn arrangements, performed by a robust horn section, add an extra layer of depth to both their original compositions and compelling covers, showcasing the evolution of ESB.Formed in 2012, Empire Strikes Brass started as a group of friends who loved playing New Orleans-inspired second-line and funk tunes infused with elements of rock and jam. Over time, they have transformed into a collective of incredibly talented musicians, singers, songwriters, and producers. The result is a fresh and authentic sound that seamlessly combines their diverse musical influences while staying true to their roots.The band boasts a remarkable lineup of artists, each bringing their own unique contribution to the table. From the rich vocals, and harmonious saxophone of Grammy Award-winning artist Debrissa McKinney (known for her work with Secret Agent 23 Skidoo) to the masterful keyboard and production skills of Lenny Pettinelli, the thunderous beats of drummer Nik Hope, the solid bass lines of JP Furnas, the melodic guitar riffs of Chris Porter, the soulful trumpet sounds of Alex Bradley, and the sky high notes of Tim Morgan on trumpet, the smooth trombone of Jacob Bruner, the vibrant saxophone of Pauly Juhl, and the versatile keyboard and percussion talents of Sean Donnelly, every member of ESB plays a crucial role in the band’s success.Since their inception, Empire Strikes Brass has become a staple at various festivals across the USA, leaving a lasting impression with their infectious energy and electrifying performances. Their horn section has also had the honor of sharing the stage with esteemed acts like Shpongle Live Band, Umphrey’s McGee, Papadosio, and many more iconic names in the funk and jam scene.Whether performing live or working on their studio recordings, Empire Strikes Brass emanates a strength and cohesiveness that is undeniable. Their debut album, “Theme For A Celebration,” was recorded at the renowned Echo Mountain Recording Studio in Asheville and received acclaim as one of the top 100 releases of the year by WNCW 88.7 radio in 2017. Following that success, their fierce follow-up release, “Brassterpiece Theatre” (2019), was also recorded at Echo, showcasing their continued growth and artistic prowess. Both albums are available on all major music distribution, streaming, sales, and listening platforms, allowing listeners to experience the band’s exceptional musicality.As they continue to tour and captivate audiences, Empire Strikes Brass is diligently working on their highly anticipated third studio album. Between shows, they are crafting and mastering new sounds that will undoubtedly leave their fans craving for more. Keep an eye out for this remarkable band on the road and at festivals near you. Their unforgettable performances are not to be missed.
John Craigie: Spring 2026 w/ Anthony da Costa
ALL AGESSTANDING ROOM ONLY JOHN CRAIGIE For over a decade, John Craigie has made music that brings people in, not with spectacle but with sincerity and songs that feel like conversations. His new album I Swam Here, out February 6, 2026 on Zabriskie Point Records, was written and produced by Craigie and recorded between New Orleans and Astoria. Seven tracks were cut at Deslonde St Studios with musicians handpicked by Sam Doores of The Deslondes, including Howe Pearson, Max Bien Khan, Jonny Campos, and a guest appearance from Desiree Cannon. Longtime collaborator Anna Moss appears across much of the record. The remaining tracks were finished at the Rope Room in Astoria, carrying over the same spirit and palette. The cover art, painted by Brittany Schall, nods to the design of mid century samba and jazz records. The album’s singles trace the path of its making. “Fire Season,” engineered by Bart Budwig, was one of the first songs written and features Cooper Trail, Nevada Sowle, Luke Ydstie, and Jamie Greenan. “Dry Land” was reworked in Astoria after early New Orleans sessions didn’t feel right. “Edna Strange,” inspired by Marty Robbins, is the only track where Craigie plays steel string acoustic, with Max Bien Khan on nylon string leads and a trio vocal arrangement in place of Moss’s harmonies. Following 2024’s Pagan Church with TK & The Holy Know-Nothings, which spent six weeks at #1 on the Americana Albums chart, I Swam Here feels both expansive and intimate, shaped by the musical history of the Gulf Coast and the stillness of the Pacific Northwest. Craigie remains a tireless live performer, touring throughout the U.S., Europe, and Australia, appearing at festivals like Newport Folk, Pickathon, Edmonton Folk Festival, and High Sierra, and sharing the stage with artists such as Langhorne Slim, Sierra Hull, Gregory Alan Isakov, Brett Dennen, and Jack Johnson. I Swam Here is a grounded, collaborative step forward, blending New Orleans grit with Pacific Northwest quiet, and showing a songwriter still widening the world of his music. ANTHONY DA COSTA Anthony da Costa played his first paid gig at 14 in Pleasantville, NY, and by 16 was the youngest-ever winner of the Kerrville and Falcon Ridge Folk Festival songwriting competitions. As a teenager, he toured widely, sharing stages with artists like Loretta Lynn, Judy Collins, Big Thief, and The Milk Carton Kids.Over the years, he’s become a sought-after guitarist and harmony singer, supporting Sarah Jarosz, Aoife O’Donovan, Molly Tuttle, Yola, and Joy Williams (The Civil Wars). His work has brought him to major stages including the Hollywood Bowl, Bonnaroo, and Newport Folk Festival, plus appearances on Conan and Jimmy Kimmel Live. He has released about a dozen albums and several EPs of his own.His upcoming album, The No Send Letter, is his 12th and his most personal. Self-produced and recorded between Pleasantville Recording and a barn studio in Virginia, it documents a difficult and transformative breakup. Captured across digital, reel-to-reel, and cassette formats, the album reflects a period of deep healing and renewed connection with his Nashville community, resulting in some of his most emotionally direct and sonically adventurous work.
Live Dead & Brothers: An All-Star Celebration of Grateful Dead & Allman Brothers
ALL AGESSTANDING ROOM ONLY SOUNDCHECK VIP PACKAGES AVAILABLE: VIP ticket holders can attend soundcheck and will also receive a soundboard quality digital download of the show! LIVE DEAD AND BROTHERS Prepare to embark on a mesmerizing journey through the golden era of psychedelic blues and the seeds of the ‘jam band’ scene as Live Dead & Brothers takes the stage. Comprised of actual and legacy members from the extended Grateful Dead and Allman Brothers families, this exceptional ensemble is set to revive the timeless magic of the late 1960s and early 1970s, bringing fans an experience like no other. The line-up is pedigree and generational featuring Berry Duane Oakley from The Allman Betts Band, Les Dudek from the Allman Brother family, Mark Karan from Bob Weir/ Rat Dog & The Other Ones, Scott Guberman from Phil Lesh & Friends, and Pete Lavezzoli from JGB, Jazz Is Dead and Oteil & Friends. Together, these accomplished musicians skillfully recreate the magic of the Grateful Dead and Allman Brothers Band’s co-billed concerts during the period of 1969 to1973. Their performances capture the raw energy, improvisational prowess, and soul-stirring melodies that defined an era of musical innovation. Live Dead & Brothers invites fans, both old and new, to come together and relive the vibrant, transformative spirit of the 60s and 70s. Whether you’re a lifelong devotee of the Grateful Dead and Allman Brothers or discovering their magic for the first time, this is a live music experience that transcends generations.
An Evening With Chris Smither
ALL AGES FULLY SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE CHRIS SMITHER The sound and imagery of the 20th release by Chris Smither, All About the Bones, (release date: May 3, 2024 on Signature Sounds/Mighty Albert, distributed by Redeye) is as elemental as the inky black shadows cast by a shockingly bright moon. The listener is welcomed into some gothic mansion on an imaginary New Orleans street, and there in the lamplit parlor confronts the band, a minimalist skeleton crew: Smither’s inimitable propulsive guitar and rumbling baritone are joined seamlessly to producer David Goodrich’s carpetbag of instruments, Zak Trojano’s rock-steady, primal drumming, BettySoo’s diaphanous harmony vocals, and the flat, mournful flood of Jazz legend Chris Cheek’s saxophone. Recorded at Sonelab Studios in Easthampton MA by Justin Pizzoferrato (Sonic Youth, Dinosaur Jr., the Hold Steady) All About the Bones has a feel that is somehow baroque and austere at once. Smither and his longtime producer David Goodrich have been refining their musical conversation for decades, both in the studio and onstage, and by now, their bond verges on the telepathic. Goodrich plays on nearly every track. His sound is by now so translucent that it seems to function as a swath of silence, allowing the songs to burn like ciphers in the crackling air. And oh, the songs on All About the Bones. Chris Smither, after six decades of sharpening his knife as a songwriter, can at this point open damn near anything with a flick of his wrist. God and the Devil are opened here. Mortality is too. Politics, consciousness, renewal, family, vulnerability, surrender… Smither has sat with these topics like so many Zen koans, for so long, that every line is a pearl. The title track, “All About the Bones,” kicks the record off with “Consider your high station/ think about your fame. All of your creation depended on your frame.” Irony, wit, the double meaning of “depended”… each verse is a master class in songwriting. Yet the stark, elemental sage always has a twinkle in his eye, a light touch at your elbow as he guides you along. From the wickedly funny defense of the Adversary in “If Not for the Devil” to the unsentimental open-heartedness of “Still Believe in You,” he is as human as we all long to be. The disjointed imagery of “In the Bardo” and the dystopian mirror of “Close the Deal” find Smither unflinchingly staring down the mortality of both individuals and republics, and yet he is at peace, among loved ones in his cover of Eliza Gilkyson’s “Calm Before the Storm,” and turning his gaze to the future in “Completion”. As noted by the New York Times, Rolling Stone, MOJO, NPR, and others, in the decades of travels to All About the Bones, Chris Smither has gone from up-and-comer to journeyman to veteran to icon, and yet the whole time his path has more closely resembled Joseph Campbell’s “Hero with a Thousand Faces”- an unblinking, fearless trek into the depths of struggle and revelation, and a return back to the land of the living, to share the hard-won treasures found along the way. His restlessness is long gone, and his eyes are fixed “where the moonlight falls on some never-to-be-seen horizon” (“Still Believe in You”). The light given off from his music casts our own lives into a sublime and welcome clarity.
Jake Xerxes Fussell w/ Dougie Poole
ALL AGESSTANDING ROOM ONLY JAKE XERXES FUSSELL Reared in Georgia and now settled in North Carolina, Jake Xerxes Fussell has established himself as a devoted listener and contemplative interpreter of a vast array of so-called folk songs, lovingly sourced from a personal store of favorites. On his latest album, When I’m Called—his first LP for Fat Possum, and his first as a parent—Fussell returns to a well of music that holds lifelong sentimental meaning, loosely contemplating the passage of time and the procession of life’s unexpected offerings. The album was produced by James Elkington and mixed by Tucker Martine. In addition to Elkington, it features the playing of Ben Whiteley (The Weather Station), Joe Westerlund (Bon Iver, Califone), and others. Blake Mills contributes guitars on several tracks. Joan Shelley and Robin Holcomb provide backing vocals. “…Fussell is the rare contemporary to approach folk in its pure form, shunning self-penned compositions about bummer relationships to concentrate on material handed down from bygone, hardened times.” – The New Yorker “(Fussell) is one of the great magpies of American song, collecting forgotten, tarnished gems with a folklorist’s zeal… his renditions aren’t so much cover versions as composites…” – The Guardian “…maybe the leading interpreter of American folk music right now.” – Ann Powers, NPR DOUGIE POOLE Dougie Poole is a musician and songwriter living in Los Angeles. Coming of age in Providence, Rhode Island’s DIY scene in the early 2010’s, he dabbled in heavier and more experimental music before maturing into a country auteur. On The Rainbow Wheel of Death, Poole’s 3rd release via Wharf Cat Records, he breathes new life into country music, retaining the acclaimed elements of his previous work — drum machines, acoustic guitars, synthesizers, and his deep-set voice — while pushing toward something warm, organic, and prismatic.
LIVE! ON STAGE: JONATHAN RICHMAN featuring TOMMY LARKINS on the drums!
ALL AGESSTANDING ROOM ONLY LIVE! ON STAGE: JONATHAN RICHMAN featuring TOMMY LARKINS on the drums! “Richman is one of America’s most unique and dynamic songwriters…” – Nashville Scene “Richman didn’t need much else besides a beat to work his magic.” – New York Daily News “Buy tickets early. Buy tickets often. This is just good general life advice, but even more so when you’re talking about Jonathan Richman. Don’t get denied at the door, don’t leave things up to chance: You will regret it.” – Nashville Scene “Rhymes worthy of Ogden Nash.” – The New York Times “Richman has spent decades removing barriers between himself and his audience, cultivating an intimacy that is almost extinct in modern music.”- Nashville Scene “As of a few years ago, I was going to just play theaters, cabarets and such, but we ended up by mistake at the Zebulon in Los Angeles and had such a fine time that those kind of shows have to happen too. So, you might see us nowadays in theaters, cabaret-style places, or the right club or bar. The theaters have the best sound, usually, and under-21s can get in, but in the clubs people can dance and get close in to ya, like we like. We’ll keep trying things.”
DANCE WITH THE DEAD + MAGIC SWORD: The Face Off Tour 2026
ALL AGESSTANDING ROOM ONLY DANCE WITH THE DEAD Drawing inspiration from the dystopian and chilling worlds of cult classic horror and science-fiction films, duo Justin Pointer and Tony Kim have spent over a decade crafting a signature fusion of dark electronic music and metal-fueled synth anthems. Hailing from Irvine, California (USA), DANCE WITH THE DEAD continue to push the boundaries of retro-futuristic soundscapes and cinematic storytelling. The project first emerged on Halloween night in 2013 with their debut release, setting the tone for a career defined by innovation and an ever-evolving sonic identity. Their early work—spanning atmospheric orchestral-leaning pieces and aggressive synth metal—solidified their presence with fan-favorite releases such as Into the Abyss (EP), Near Dark, and crossover hits like “Andromeda” and “Invader.” Their influence within the synthwave world earned them a featured appearance in the acclaimed documentary The Rise of the Synths, narrated by filmmaker John Carpenter. DANCE WITH THE DEAD’s distinctive sound merges analog synth textures with the raw grit of early heavy metal guitars—a combination shaped by influences such as Hans Zimmer, Justice, Daft Punk, The Misfits, White Zombie, Ozzy Osbourne, Alice Cooper, Kavinsky, Metallica, and John Carpenter. Their catalog has featured notable collaborations as well, including guest contributions from John Carpenter and Cody Carpenter (Driven to Madness), as well as Nick Hipa and professional skateboarder Elliot Sloan (Loved to Death). MAGIC SWORD Magic Sword is an ageless tale of good and evil told through an ever expanding graphic novel with each volume accompanied by an original, synth-heavy soundtrack as well as immersive live performances. With the three mediums intertwined from conception, together they create an epic experience for those bold enough to bear witness and come away with a deeper understanding of the ultimate hero’s journey. Armed with a musical and visual aesthetic that has its roots unabashedly buried deep in the golden era of ‘70s and ‘80s fantasy and sci-fi, Magic Sword’s followers are called to another plane of existence where the struggle between light and shadow becomes all too real. The multiverse has aligned to bring the people of the land together for the birth of their album Endless, followed by a tour of the realm searching for the greater good. MEGAN MCDUFFEE Megan McDuffee is a Seattle-based award-winning music producer, composer, and recording artist. She grew up in the San Francisco Bay Area of California, and always had something musical going on, from taking private lessons to 11 years of participating in world-traveling choirs. Megan graduated from the University of California Santa Cruz with a Bachelor of Arts in Film Scoring and a minor in Electronic Music. With a desire to further her education, she went on to the Berklee College of Music, earning a Master’s Certificate in Orchestration for Film and TV. By day Megan scores video games, TV shows, and movie trailers, and by night she produces dark, moody, edgy electronica and rock that rides the line between dreams and nightmares.
Fust & Merce Lemon w/ Thomas Dollbaum
ALL AGESSTANDING ROOM ONLY FUST Fust — the Durham, North Carolina-based band — announce their new album, Big Ugly, out March 7th via Dear Life Records. Big Ugly arrives after the release of 2024’s Songs of the Rail––“one of the best alt-country compilations…in a long, long time” (Paste) –– and 2023’s standout Genevieve, which unassumingly introduced new listeners to Fust’s unmistakable blend of “small-town poetry” (Mojo) with a familiar yet probing “country-tinged folk-rock” (KEXP) that made it “one of the most fun rock records of the year” (Pitchfork).Big Ugly finds Fust taking its “gutsy, blue-collar Americana” (New Commute) further than it has before. Songwriter Aaron Dowdy pushes his obsessions with country-storytelling to more mystifying places, telling stories of Southern life teeming with utopian possibility that arises uniquely from the contradictions for which the south is infamously known. In this way, it is a record that could easily be filed on the record shelf alongside lyric-forward indie or Southern rock, as well as on the bookshelf amongst the throngs of Southern literature hellbent on proving the elegance of grittiness. Big Ugly is also Fust––above all a group of close friends––uncovering a freedom within their sincere form of loose and fried guitar rock, emboldened to deliver both their most intimate songwriting and biggest sound to date.While perhaps “few voices can write a song quite like Aaron Dowdy” (Paste), it is clear upon listening that Big Ugly is an album of fully recognizable voices. One hears in the music the years of interplay between Avery Sullivan (Sluice) on Drums, Justin Morris (Sluice, Weirs) on guitar and vocals, Oliver Child-Lanning (Sluice, Weirs) on bass and vocals, Frank Meadows on piano, John Wallace (Colamo) on guitar and vocals, and Libby Rodenbough (Mipso) on fiddle and vocals. Big Ugly is also the second collaboration with the Asheville-based engineer Alex Farrar, recorded together throughout the summer of 2024 at Drop of Sun Studio. And with the help of many friends including Merce Lemon, Dave Hartley (The War on Drugs), and John James Tourville (The Deslondes), Big Ugly is exactly what one feels it to be: a huge group of people gathered together, stumbling upon songs amidst long days and even longer nights. MERCE LEMON “I could not be alive alone,” a longtime family friend says with a smile. “None of us could be alive alone.” Within the quiet, cascading corners of Pittsburgh lies a community – nothing short of one large family – that spans zip codes, histories, occupations, and generations, always tumbling inwardly into itself, propped up by steadfast pillars of conviction toward spiritual and emotional mutual aid. The kind of earnest community scaffolding that gets bandied about, wielded as conjecture, particularly in an age of increasing fracture through digital sublimation, is alive and quite well within the universe surrounding Merce Lemon. THOMAS DOLLBAUM
Dom Flemons
ALL AGES SEATED SHOW DOM FLEMONS DR Dom Flemons “The American Songster” is also a 2 time Emmy nominee and grand prize winner of The International Acoustic Awad.He is the co-founder of the Carolina Chocolate Drops.DrDr. Dom Flemons “The American Songster” received an Honorary Doctorate from Northern Arizona University and he’s a GRAMMY Award Winner with four GRAMMY nominations, Two-Time EMMY Nominee, International Acoustic Music Award Grand Prize Winner, and was a United States Artists Fellow. He is a musician based in the Chicago area and he is famously known as “The American Songster®” since his repertoire covers over one hundred years of American roots music; including country, folk, bluegrass, Americana, and the blues. Flemons is a songwriter, multi-instrumentalist, music scholar, historian, actor, narrator, host, slam poet, record collector, podcaster, and the creator, host, and producer of the American Songster Radio Show on WSM in Nashville, TN. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. He is the Co-Founder of the Carolina Chocolate Drops and the Founder of American Songster Productions. . Dom Flemons “The American Songster” received an Honorary Doctorate from Northern Arizona University and he’s a GRAMMY Award Winner with four GRAMMY nominations, Two-Time EMMY Nominee, International Acoustic Music Award Grand Prize Winner, and was a United States Artists Fellow. He is a musician based in the Chicago area and he is famously known as “The American Songster®” since his repertoire covers over one hundred years of American roots music; including country, folk, bluegrass, Americana, and the blues. Flemons is a songwriter, multi-instrumentalist, music scholar, historian, actor, narrator, host, slam poet, record collector, podcaster, and the creator, host, and producer of the American Songster Radio Show on WSM in Nashville, TN. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. He is the Co-Founder of the Carolina Chocolate Drops and the Founder of American Songster Productions.
