BLOODY MADISON TAKEOVER: White Oak Splits, Paint Rock, Assmystics, Subject to Change
ALL AGESSTANDING ROOM ONLY White Oak SplitsComing from the Asheville area, White Oak Splits was cultivated in a shack in the woods of Madison county. The Splits are a unique blend of surf, punk, blues and psychedelic experimentation. If you’re ready for some groovy blues in your shoes, and some psychedelic rocks in your socks, White Oak Splits will bring it! Paint RockPaint Rock is a rock and roll band that embodies an old and wild spirit. Their sound is one of loud driving rhythms and raw vocals. With intensity and authenticity, Paint Rock weaves old rock, mountain ballads, and punk to create a powerful noise. Their music explores struggle and resilience, as well as joy and recovery. In the shadows of the Bald Mountains, Paint Rock roars loudly and unapologetically. Assmystics Assmystics is an experimental alt-rock project that is the full visual and audible experience. Complete with tap dancing, costumes, driving bass, powerful drum rhythms and psychedelic guitar riffs. Subject to Change From the mountains and valleys of Marshall NC, the members of Subject To Change started playing music together in high school as part of a music club. Through encouragement from friends, teachers and peers alike, the band started to practice outside of school. A group of musicians with very similar and yet wildly different styles and genres behind each member, delivering a sound that accommodates and compliments the ears of everyone both inside and outside the band.
Caitlin Krisko & The Broadcast: Album Release Show
ALL AGESSTANDING ROOM ONLY CAITLIN KRISKO & THE BROADCAST Caitlin Krisko & The Broadcast, led by Detroit native Caitlin Krisko, blend soulful blues, rock and roll, and emotionally charged songwriting into a bold take on modern roots rock. Rolling Stone called Krisko “one of the best kept vocal secrets of the southeast.” Independently, the band has surpassed one million streams and released two self-produced EPs, landing singles on coveted Spotify editorial playlists including “Blue Ballads” and “Modern Blues Rock.” On the road, they’ve shared stages with Marcus King, Blackberry Smoke, Tedeschi Trucks Band, and Greta Van Fleet, while also appearing at major festivals across the US and UK. In 2026, the band was nominated for Best International Artist at the UK Blues Awards, leading towards a busy year of touring internationally and releasing new music.
Mama’s Broke: ‘Reunion’ Album Release Tour
ALL AGES SEATED SHOW (general admission seating) MAMA’S BROKE For more than a decade, Mama’s Broke, the Canadian duo of Amy Lou Keeler and Lisa Maria, have forged a style carried across landscapes rather than tied to one. Their forthcoming 12-song LP Reunion, out August 28 via Free Dirt Records and Forward Music Group, follows years in near-constant motion, bringing their folk-without-borders approach to small clubs, DIY spaces, and everywhere in between. Winners of the Canadian Folk Music Award for Ensemble of the Year for their 2017 debut Count the Wicked, their music is rooted in long days playing for passing crowds and traveling by foot, as well as in the deep wells of folk lineage they’ve tapped into across Eastern Canada, Appalachia, Ireland, and beyond. Their sound doesn’t belong to any one place so much as it passes through them, grounded in the traditions that shaped it. That foundation was built long before stages and studio sessions, in traveling communities where music functioned as both currency and connection. The two met within a global network of musicians funding their way through shared songs, carrying only what they could as they traded melodies and stories across the miles. Playing for hours at a time on the street demanded a repertoire that could hold attention and sustain emotion, drawing them deep into traditional material and the discipline of close harmony. Over time, the songs became a common language, connecting what came before with the music they were making together. Building on their JUNO-nominated album Narrow Line (2022), Reunion reflects a world coming apart in plain sight, tracing fractured communities, the erosion of shared ground, and the growing awareness that the systems we were taught to trust no longer hold or deliver the promises they were meant to keep. The songs don’t preach or prescribe; they reflect, holding up a mirror and leaving space for something else to take shape. Recorded just outside Nashville in Goodlettsville, Tennessee, Reunion features subtle contributions from bassist Paul Kowert (Gillian Welch & David Rawlings) and others, adding depth without pulling focus from the record’s acoustic core. At its heart, Mama’s Broke remains what it has always been: two voices, intertwined, both fragile and enduring. Reunion asks what it means to make something that lasts: not a place you’re from, or even a place you return to, but what you make together, and how long it lasts, if you tend to it. Mama’s Broke are touring their new album in North America and Europe throughout 2026 and 2027.
Southern Culture on the Skids
ALL AGESSTANDING ROOM ONLY SOUTHERN CULTURE ON THE SKIDS Southern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O’Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin’ out for the inmates at North Carolina correctional facilities. They’ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed “a hell raising rock and roll party.” At Home with Southern Culture on the Skids is the latest full length album from the band and was released in March of 2021. It was recorded during the stay at home period of the pandemic when the band was at home and not touring. The album consists of 11 tracks recorded and mixed in Rick Miller’s living room with some additional tracks recorded at his studio, The Kudzu Ranch. The first radio single off the album is “Run Baby Run”—a rocking number with deep garage roots. SCOTS bassist Mary Huff provides an urgent vocal while the band pulls back the throttle on a full race fuzz fest—cause she’s gotta to go fast! Run Baby Run! The other songs on the album are a combination of the band’s unique mix of musical genres: rock and roll, surf, folk and country—all a bit off-center, what Rick proudly calls “our wobbly Americana”. Rick goes on, “We put a few more acoustic guitars on this one, as you would expect if you recorded in your living room, but it still rocks like SCOTS. So put your headphones on, get in your favorite chair/sofa/recliner, put on “At Home With” and let’s hang out for a while.”
Adama Dembele & Les Amis
ALL AGESLIMITED SEATING ADAMA & LES AMIS Adama Dembele is Bambara and was born in Ivory Coast, West Africa. He is a master djembefola that has performed for communities all over the world. Adama is a 33rd generation musician from his family and teaches the music and culture of West African djembe and balafon in Asheville. Adama formed Les Amis to perform his traditional West African songs in a modern format with electric guitar, electric bass, drum kit and saxophone. The fusion of these instruments with his traditional djembe and balafon produced a high-energy dance band that offers audiences a one of a kind world music experience. Les Amis features Steve Campbell on drums, JP Furnas on electric bass, Michael Jaffe on electric guitar, Ben Colvin on Saxophone and Adama Dembele on djembe, balafon and vocals.
The Mother Hips w/ Sounding Arrow
ALL AGESSTANDING ROOM ONLY THE MOTHER HIPS Based in Northern California, the Hips headed to New Mexico, spending time at Ghost Ranch before settling in at Jono Manson’s Kitchen Sink studio in Sante Fe for sessions in late 2021. Self-produced, When We Disappear features nine new tracks co-written by co-founders Tim Bluhm and Greg Loiacono — collection of lit-psych rock songs Inspired by psychology and literature — as well as a raw, garagey cover of Buffy St. Marie’s 1964 addiction song “Codine.” “Greg [Loiacono, co-founder) sent me a rough demo of this song and I thought it was promising,” says Hips co-founder Tim Bluhm of “When We Disappear.” “What he was singing was place-holder gibberish, or sounds mixed with some actual lyrics, including what would become the title. I went through it and matched words to his sounds and then tweaked the words to tell a kind of impressionistic history of our adventures together. In this way I believe both Greg’s and my own subconscious worlds revealed themselves. The music is simple and loose, helping with the devil-may-care attitude of the singing.” Hailed by the San Francisco Chronicle as “one of the Bay Area’s most beloved live outfits,” The Mother Hips’ headline and festival performances have became the stuff of legend, finding them sharing stages with everyone from Johnny Cash and Wilco to Lucinda Williams and The Black Crowes. Rolling Stone called the band “divinely inspired,” while Pitchfork praised their “rootsy mix of 70’s rock and power pop,” and The New Yorker lauded their ability to “sing it sweet and play it dirty.” SOUNDING ARROW Veteran recording artist Scott Kinnebrew returns with SKYMAN, the newest release from his solo project, Sounding Arrow. An ode to easeful living, the soundscape of SKYMAN feels intimate, layered, and expansive. Co-produced by Gary Jules (“Mad World” from the Donnie Darko soundtrack) and mixed by Bill Reynolds (Band of Horses, The Avett Brothers’ Emotionalism), SKYMAN weaves a vivid sonic landscape rich with the textures of rock, folk, country, blues, British invasion, R&B, and pop. It’s a brew that resists classification, as it lands somewhere between tradition and invention — what Kinnebrew thinks of as “sonic impressionism.” The songs on SKYMAN are rooted in a personal narrative, but stretch far beyond autobiography, they sound like they could be telling anyone’s story. From Kinnebrew: “Gary calls it ‘the last great American novel’, I call it cool like the rock you find on the beach that ends up on your dashboard.” Produced by Scott Kinnebrew & Gary Jules Engineered by Scott Kinnebrew at Captain’s Quarters, Asheville, NC & Gary Jules at Carport Recorders, Asheville, NC. Mixed by Bill Reynolds at Fleetwood Shack, Nashville, TN. Mastered by Dewey Thomas at Forest Hill Sound, Asheville, NC.
PATIO SHOW: Woody Wood & Abe Reid of The Blue Rags
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE WOODY WOOD Asheville’s own Cosmic Appalachian Soul / Musical style that doesn’t fit neatly into any one style but is a genre-bending fusion of rock, blues, and soul. ABE REIDAbe Reid is a North Carolina musician and one of the modern keepers of the Piedmont roots music tradition. Born in Forsyth County and raised in Statesville, Reid began playing guitar at a young age, developing a deep connection to the region’s historic finger-style traditions. His musical education came directly from the source. As a young player, he spent time with legendary Carolina musicians Guitar Gabriel and Cootie Stark, learning not only guitar technique but also the storytelling and spirit behind traditional American music. In the 1990s, Reid immersed himself in the life of a working musician, busking on the streets of New Orleans before returning to North Carolina’s music scene. He later helped form the roots band The Blue Rags, known for energetic performances and traditional sounds. Reid gained international recognition when he won the International Blues Challenge in Memphis—becoming the first solo performer to win the competition. Today, Abe Reid continues to perform, teach, and share the music of the American South, passing on knowledge learned from older musicians and decades on the road.
PATIO SHOW: Woody Wood & Abe Reid of The Blue Rags
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE WOODY WOOD Asheville’s own Cosmic Appalachian Soul / Musical style that doesn’t fit neatly into any one style but is a genre-bending fusion of rock, blues, and soul. ABE REIDAbe Reid is a North Carolina musician and one of the modern keepers of the Piedmont roots music tradition. Born in Forsyth County and raised in Statesville, Reid began playing guitar at a young age, developing a deep connection to the region’s historic finger-style traditions. His musical education came directly from the source. As a young player, he spent time with legendary Carolina musicians Guitar Gabriel and Cootie Stark, learning not only guitar technique but also the storytelling and spirit behind traditional American music. In the 1990s, Reid immersed himself in the life of a working musician, busking on the streets of New Orleans before returning to North Carolina’s music scene. He later helped form the roots band The Blue Rags, known for energetic performances and traditional sounds. Reid gained international recognition when he won the International Blues Challenge in Memphis—becoming the first solo performer to win the competition. Today, Abe Reid continues to perform, teach, and share the music of the American South, passing on knowledge learned from older musicians and decades on the road.
PATIO SHOW: Woody Wood & Abe Reid of The Blue Rags
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE WOODY WOOD Asheville’s own Cosmic Appalachian Soul / Musical style that doesn’t fit neatly into any one style but is a genre-bending fusion of rock, blues, and soul. ABE REIDAbe Reid is a North Carolina musician and one of the modern keepers of the Piedmont roots music tradition. Born in Forsyth County and raised in Statesville, Reid began playing guitar at a young age, developing a deep connection to the region’s historic finger-style traditions. His musical education came directly from the source. As a young player, he spent time with legendary Carolina musicians Guitar Gabriel and Cootie Stark, learning not only guitar technique but also the storytelling and spirit behind traditional American music. In the 1990s, Reid immersed himself in the life of a working musician, busking on the streets of New Orleans before returning to North Carolina’s music scene. He later helped form the roots band The Blue Rags, known for energetic performances and traditional sounds. Reid gained international recognition when he won the International Blues Challenge in Memphis—becoming the first solo performer to win the competition. Today, Abe Reid continues to perform, teach, and share the music of the American South, passing on knowledge learned from older musicians and decades on the road.
PATIO SHOW: Woody Wood & Abe Reid of The Blue Rags
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE WOODY WOOD Asheville’s own Cosmic Appalachian Soul / Musical style that doesn’t fit neatly into any one style but is a genre-bending fusion of rock, blues, and soul. ABE REIDAbe Reid is a North Carolina musician and one of the modern keepers of the Piedmont roots music tradition. Born in Forsyth County and raised in Statesville, Reid began playing guitar at a young age, developing a deep connection to the region’s historic finger-style traditions. His musical education came directly from the source. As a young player, he spent time with legendary Carolina musicians Guitar Gabriel and Cootie Stark, learning not only guitar technique but also the storytelling and spirit behind traditional American music. In the 1990s, Reid immersed himself in the life of a working musician, busking on the streets of New Orleans before returning to North Carolina’s music scene. He later helped form the roots band The Blue Rags, known for energetic performances and traditional sounds. Reid gained international recognition when he won the International Blues Challenge in Memphis—becoming the first solo performer to win the competition. Today, Abe Reid continues to perform, teach, and share the music of the American South, passing on knowledge learned from older musicians and decades on the road.