PATIO: Reed Turchi
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE REED TURCHI Reed Turchi is a musician, poet, and producer from Swannanoa, North Carolina, now living in Brooklyn. His music has been featured by Rolling Stone, NPR, and PBS among others, and his Poetry has appeared or is forthcoming in poetry magazine, The American Poetry Review, Narrative Magazine, and more. He is a CO-editor of The Swannanoa Review literary magazine and proprietor of Second Take Sound, a grammy-winning recording studio in Manhattan.
PHUNCLE SAM at Hatch Amphitheater
THIS EVENT WILL TAKE PLACE AT HATCH AMPHITHEATER, LOCATED AT 45 SOUTH FRENCH BROAD AVE IN DOWNTOWN ASHEVILLE ALL AGES STANDING ROOM ONLY PHUNCLE SAM Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
The Castellows: The Homecoming Tour
ALL AGESSTANDING ROOM ONLY THE CASTELLOWS Neo-Traditional Country music trio, The Castellows, bring a literal meaning to the phrase, “family tradition.” The band comprised of sisters Ellie (lead guitar), Powell (banjo) and Lily (vocals), hail from small rural Georgetown, Georgia, but now call Nashville home. The Castellows’ sound is traditional, yet modern. Authentic, yet harnessed. The common thread among the trio, other than their DNA, is their masterful three-part harmonies which blend together to create one singular, almost angelic, voice. The Castellows’ craft as songwriters is as robust as their voices, which is evident across the trio’s debut EP, A Little Goes A Long Way, which released worldwide on February 9, 2024. The band wrote/co-wrote six of the seven songs that make up the project, with the promise of much more music to come. The band began turning heads of music industry insiders in January 2023. When spring arrived, The Castellows had signed a record deal with Warner Music Nashville & Warner Records, collectively. Wasting no time on pleasantries, The Castellows immediately got to work writing, recording, and performing live. Tapping veteran producer Trina Shoemaker (Sheryl Crow, Nanci Griffith, Queens of the Stone Age), the first fruits of labor to be harvested from 2023 is the debut A Little Goes A Long Way. One year later, the three sisters from a cattle farm in Georgia are still turning heads, touting their first major award-nomination for CMT Digital-First Performance of the Year at the 2024 CMT Music Awards, announcing they’ll hit the road in the fall of 2024 with Little Big Town and Sugarland on the Take Me Home Tour, while also being named a SiriusXM “Highway Find” artist for The Highway (Ch. 56), all the very SAME week. Previously, The Castellows landed on multiple 2024 ‘Watch Lists’ including CMT Next Women of Country, CMT ‘Listen Up,’ Pandora, Country Now, and Nashville Lifestyles’ ‘Five Groups You Need To Know.’
Cliff Cash (2nd Night Added!!)
ALL AGES FULLY SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE CLIFF CASH Cliff Cash is a nationally touring standup comic who got his start in North Carolina.People said “you should be a comedian” his whole life but that sounded just as abstract as “you should be president” or “you should be an astronaut”. But you can only run from fate for so long. In 2011 at the age of 31, Cash got up at his first open mic. He was in the middle of big financial troubles, his father in chemo, a failing business and a tumultuous relationship. That four minutes on stage breathed life back into him that he didn’t think was possible. He didn’t miss one after that for two years. Within a year and a half he landed Comedy Central’s UpNEXT and Sirius XM, the next year he appeared on Laughs TV and won Port City’s Top Comic and Comedy Zone’s Almost Famous. He’s gone on to win SLO Comedy festival’s Best of the Fest, Denver Comedy Work’s Thick Skinned (twice) and has headlined shows at Altercation Comedy Festival, Treefort Festival, West End Comedy Festival and BackHand Comedy Festival. He’s also been part of Standup NBC and Rooftop Comedy. Cash has a half hour on DRYBAR Comedy called “ God Needed a Driver” and his debut album “Halfway There” was released by StandUp! Records in 2021 and spent a week at #1 on the comedy charts. Cliff Cash was raised on the far right end of the southern, conservative, evangelical spectrum and the result is the antithesis of what was intended. Cliff’s comedy tackles everything from racism to homophobia, greed and war to death and divorce. Don’t worry there’s some poop jokes mixed in. Cash takes the audience on a journey that’s more than just funny. You’ll think, you’ll feel, you may even cry a little but then you’ll laugh again. His comedy aims to shine the light of levity into the darkest corners or the human experience and by doing so; take some power away from the things that we fear and dread. “Laughter is the best medicine” became a cliche for a reason. It’s true. Cliff hopes it is at least because he doesn’t have health insurance.
PATIO: Phuncle Sam
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE PHUNCLE SAM Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
PATIO: Phuncle Sam
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE PHUNCLE SAM Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
PATIO: Phuncle Sam
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE PHUNCLE SAM Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
Wheatus (Acoustic)
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE WHEATUS (ACOUSTIC) Born and bred on an island as densely populated as Montreal just without any of the culture, Brendan B Brown did what Andrew Carnegie did, he beat the odds. Taking the unprecedented decision of forming a band in New York City at the age of 22, Brendan took his father’s nickname of “wedus” and his mother’s penchant for rare fabrics and formed Wheatus. Wheatus became known in some circles as the greatest band to play the Mercury Lounge and eventually signed to Columbia Records who released the first two Wheatus records, kinda. After the major label life and the success of Wheatus’s debut single “Teenage Dirtbag,” Brown continued Wheatus and released five more records before the band’s renaissance would take place after “Teenage Dirtbag” was covered by One Direction. Since then, Wheatus, still led by Brown, has enjoyed a renewed interest with their songs covered by the likes of Phoebe Bridgers, Sza, Jax, Ruston Kelly and touring with such acts as Dashboard Confessional, Living Colour, Everclear, and many more. Brendan B Brown has taken the success in stride and wants you to join the ride. Get in. Join the Dirtbag. GABRIELLE STERBENZ Americana singer-songwriter (and longtime member of Wheatus), Gabrielle Sterbenz, was born into a house filled with Patsy Cline. At school, she sang in a Gospel Choir, hoping to sound like Aretha Franklin. In the evenings, Gabrielle would come home and drown her sorrows in Ella Fitzgerald. When this could sustain her no longer, she hatched a plan to graduate early, headed to New York City, and began working as a backing vocalist on late night television, for Robbie Dupree, Mike Doughty, Lorde, and most notably, Wheatus (of Teenage Dirtbag fame), a band she’s been a member of since 2011. Last year, Gabrielle performed her own music in every state in the lower 48, as direct support on Wheatus’ US acoustic tour, while also serving double-duty in the band. She is currently releasing music from her second record of original music.
John R. Miller
ALL AGESSTANDING ROOM ONLY JOHN R. MILLER John R Miller is a true hyphenate artist: singer-songwriter-picker. Every song on his thrilling debut solo album, Depreciated, is lush with intricate wordplay and haunting imagery, as well as being backed by a band that is on fire. One of his biggest long-time fans is roots music favorite Tyler Childers, who says he’s “a well-travelled wordsmith mapping out the world he’s seen, three chords at a time.” Miller is somehow able to transport us to a shadowy honkytonk and get existential all in the same line with his tightly written compositions. Miller’s own guitar-playing is on fine display here along with vocals that evoke the white-waters of the Potomac River rumbling below the high ridges of his native Shenandoah Valley. Depreciated is a collection of eleven gems that take us to his homeplace even while exploring the way we can’t go home again, no matter how much we might ache for it. On the album, Miller says he was eager to combine elements of country, folk, blues, and rock to make his own sound. Recently lost heroes like Prine, Walker, and Shaver served as guideposts for the songcrafting but Miller has completely achieved his own sound. The album is almost novelistic in its journey, not only to the complicated relationship Miller has with the Shenandoah Valley but also into the mind of someone going through transitions. “I wrote most of these songs after finding myself single and without a band for the first time in a long while,” Miller says. “I stumbled to Nashville and started to figure things out, so a lot of these have the feel of closing a chapter.” Miller grew up in the Eastern Panhandle of West Virginia near the Potomac River. “There are three or four little towns I know well that make up the region,” he says, name-checking places like Martinsburg, Shepherdstown, Hedgesville, and Keyes Gap. “It’s a haunted place. In some ways it’s frozen in time. So much old stuff has lingered there, and its history is still very present.” As much as Miller loves where he’s from, he’s always had a complicated relationship with home and never could figure out what to do with himself there. “I just wanted to make music, and there’s no real infrastructure for that there. We had to travel to play regularly and as teenagers most of our gigs were spent playing in old church halls or Ruritan Clubs.” He was raised “kinda sorta Catholic” and although he gave up on that as a teenager, he says “it follows me everywhere, still.” His family was not musical — his father worked odd jobs and was a paramedic before Miller was born, while his mother was a nurse — but he was drawn to music at an early age, which was essential to him since he says school was “an exercise in patience” for him. “Music was the first thing to turn my brain on. I’d sit by the stereo for hours with a blank audio cassette waiting to record songs I liked,” he says. “I was into a lot of whatever was on the radio until I was in middle school and started finding out about punk music, which is what I gravitated toward and tried to play through high school.” Not long after a short and aimless attempt at college, I was introduced to old time and traditional fiddle music, particularly around West Virginia, and my whole musical world started to open up.” Around the same time he discovered John Prine and says the music of Steve Earle sent him “down a rabbit hole.” From there he found the 1970s Texas gods like Guy Clark, Townes Van Zandt, Jerry Jeff Walker, Billy Joe Shaver, and Blaze Foley, the swamp pop of Bobby Charles, and the Tulsa Sound of J.J. Cale, who is probably his biggest influence.
Mitchell Ferguson
ALL AGESSTANDING ROOM ONLY MITCHELL FERGUSON Mitchell Ferguson is a country-soul artist from Texas whose gritty vocals and genre-blending sound have earned him comparisons to Chris Stapleton and Teddy Swims. Rooted in raw emotion and steeped in southern swagger, his music walks the line between soulful storytelling and rock-driven energy. A true independent, Ferguson built his fanbase from the ground up—connecting through viral moments, powerful live shows, and a voice that feels both familiar and fresh. He’s shared the stage with artists like Parker McCollum, Whiskey Myers, Charley Crockett, and Allen Stone, bringing an undeniable presence wherever he plays.Whether he’s delivering a stripped-down ballad or lighting up a packed venue, Mitchell brings authenticity to every line. His songs speak to heartbreak, resilience, and the messy beauty of chasing something real—and he’s only getting started. LUKE BORCHELT Luke Borchelt is a country singer, songwriter, and proud Maryland native whose music tells the story of his roots and influences. A self-taught guitarist, Luke picked up the instrument at 23 and soon began writing songs to share with those closest to him. His sound is a unique blend of classic country storytelling and the rhythmic pulse of DMV hip-hop, shaped by a diverse range of influences—from the Southern rock of Lynyrd Skynyrd to the lyrical depth of Frank Ocean and Atmosphere, to the raw authenticity of Tyler Childers. Luke’s music is a reflection of his upbringing in Maryland—honest, heartfelt, and always grounded in the experiences of real life. Whether he’s capturing the soul of the country or the grit of the streets, his work stands as a testament to the power of blending genres and staying true to his roots.
