Rock Academy Showcase
-ALL AGES-LIMITED SEATING (FIRST COME FIRST SERVE) + STANDING ROOM ROCK ACADEMY Rock Academy is a Year-Round Rock Band Performance Program that take our bands out of the classrooms and into Asheville’s music scene. Students learn to perform a wide variety of musical styles and songs of various genres including blues, classic rock, hard rock, punk, surf, americana and more. Our music students grow into skilled musicians and take their band “on the road” to play in front of live audiences at some of the top venues in the area. The Asheville Rock Academy’s talented students have played some high-profile gigs, including the Main stage at the Rock and Roll Hall of Fame in Cleveland. Academy bands have also played with Cliff Williams of AC/DC and American Idol’s Caleb Johnson. Join us for this year’s “Mix Tape 2025” show!
J & The Causeways
ALL AGESSTANDING ROOM ONLY J & THE CAUSEWAYS New Orleans soul/rock powerhouse ensemble J & The Causeways debut album, Motions, conjures a universal theme of togetherness and compassion — melodies and lyrics cultivated with a keen understanding of reaching one another through healing and transcendence. Singer and keyboardist Jordan Anderson leads with a soaring level of octave prowess and sonic range akin to that of other renowned soul acts like St. Paul & The Broken Bones or Brittany Howard. Captured by famed musicians/producers Robert Mercurio and Ben Ellman (both members of NOLA cosmic funk outfit Galactic) at Studio in the Country and Esplanade Studios, Motions is a record soaked in the freewheelin’ ethos and sonic tones of a vibrant city that Anderson proudly calls home.
Land Of The Sky Burlesque Festival: “Geektastic Revue”
-AGES 18+-SEATED SHOW “Geektastic” is a burlesque show for NERDS! Performers pay homage to fandoms from comics, TV, film, books and more!!! The opening night of the Land of the Sky Burlesque Festival! *Weekend passes and VIP available here >>> landoftheskyburlesque.com
Land of the Sky Burlesque Festival: “Burlesque Brunch”
-AGES 18+-SEATED SHOW Welcome to the most dazzling brunch experience in Asheville! Closing out the Land of the Sky Festival weekend with tantalizing tastes and titillating performances. A feast for the senses, where laughter, glamour and allure collide. Join us afternoon of tacos and tassels!*Weekend passes and VIP available here >>> landoftheskyburlesque.com
Drivin N Cryin
ALL AGESSTANDING ROOM ONLYDRIVIN N CRYIN Drivin N Cryin is an enduring American rock band whose roots-forward sound and uncompromising spirit have made them a vital force since forming in Atlanta, Georgia in 1985. Blending Southern rock grit, folk storytelling, and hard-charging rock & roll, the band built a reputation early on as a must-see live act and a songwriter’s band with depth far beyond trends. Led by singer-songwriter Kevn Kinney and anchored by bassist Tim Nielsen and drummer Dave Johnson, Drivin N Cryin broke through nationally with a run of influential albums that helped define late-’80s and early-’90s American rock. Songs like “Fly Me Courageous,” “Honeysuckle Blue,” “Straight to Hell,” “Build a Fire,” and “Scarred But Smarter” became staples of rock and AAA radio, with Fly Me Courageous earning Gold certification and remaining a cornerstone of the band’s catalog. While they emerged during the MTV era, Drivin N Cryin never disappeared. Over four decades, they’ve remained a consistently touring, recording band — releasing new music, evolving their sound, and cultivating a loyal, multigenerational audience. Their influence extends well beyond their own recordings; “Straight to Hell” found new life through covers and collaborations that introduced the song to entirely new audiences. The band’s stature is reflected in both peer respect and formal recognition, including induction into the Georgia Music Hall of Fame, as well as Kinney’s induction into the Milwaukee Music Hall of Fame. Touring history includes shared stages with artists spanning multiple eras and genres, The Who, Hootie & The Blowfish, The Black Crowes, ZZ Top, Soul Asylum, Blackberry Smoke, The Marshall Tucker Band, Jason Isbell, along with recent appearances on destination events like Rock Boat, Outlaw Country Cruise, and Moon Crush. Their latest album, Crushing Flowers, marks a deliberate return to the band’s core. Stripped back to the original three-piece, the record favors clarity, chemistry, and feel over excess — a confident, back-to-basics statement from a band that knows exactly who it is. Rather than chasing nostalgia or novelty, Crushing Flowers reinforces what has always set Drivin N Cryin apart: honest songs, emotional weight, and the unmistakable sound of a band still fully engaged in the work. Nearly forty years in, Drivin N Cryin remains a living, breathing American rock band — not a revival act, not a footnote, but a continuing story still being written.
TJ & Dave
ALL AGES FULLY SEATED SHOW LIMITED NUMBER OF PREMIUM TICKETS AVAILABLE DOUBLE DIP PRODUCTIONS PRESENTS…. TJ & DAVE Join us for one night only as world-renowned improv comedy legends, TJ Jagodowski and Dave Pasquesi, aka TJ & Dave, bring their unique COMPLETELY IMPROVISED two-man show to the Grey Eagle stage!TJ and Dave walk out on stage without characters, dialog or plot. An hour later they leave an audience with one of the funniest nights of their lives. Described by The New York Times as “Second City-seasoned masters of long form improv”, TJ Jagodowski and David Pasquesi have become living legends in their field.Do not miss this!The comics TJ Jagodowski and Dave Pasquesi miraculously improvise a one-hour play at every performance. This is an impressive feat of mental athletics, but the results are also observant, complex and frequently enormously funny.– The New York Times“BRILLIANT, HEARTBREAKING, MIND-BLOWING, INSPIRING! The best 50 minutes of improv comedy that we’ve ever seen. But we wouldn’t want to insult their effusive skills by speaking so simplistically. Also, it’s funny. Drink their Kool-Aid.” – Time Out New York“TJ Jagodowski and Dave Pasquesi, two of the world’s finest practitioners of the art of long-form improv, create an hour long one-act play. They’re both great actors and have amazing improv chops, but it’s always hard to notice these kinds of things when you’re peeing your pants laughing.” – Time Out Chicago“The cumulative effect of their spontaneous storytelling is breathtaking…Without-a-net derring-do brand of theatre.” – nytheatre.com
Chris Acker and the Growing Boys w/ Creekbed Carter Hogan
ALL AGESSTANDING ROOM ONLY CHRIS ACKER & THE GROWING BOYS In a genre full of tall tales and marketable lies, New Orleans’ Chris Acker crafts candid songs – weaving his wit and woes into a body of work that exposes the stale plight of the American Songster to the honest, and sometimes hilarious, light of day. In the tradition of Guthrie and Prine, Chris lends a quavering voice to the half-rotten romance of the unremarkable and unrefined. Regardless if you’re sitting by a backyard fire on a muggy Louisiana night or standing stage-side in some far flung town, when you hear Chris Acker playing, you’re hearing the end result of countless hours of observing the masters of the craft…and the end result of repeating their mistakes. From the folk revival through the golden age of country music, deafened by punk shows and brass bands alike, Chris’s songwriting is a nod to the absurd yet muted brilliance that inhabits the molded corners of the bars he patrons and cratered street he treads, paired with a pained honesty that merits a long second look. Acker released his fourth full-length album, Famous Lunch, on Gar Hole Records in October of 2024. Famous Lunch contains some of his best work yet: laid back, country-rockers like “Wouldn’t Do For You (Buddy)” and “Shit Surprise” (which Paste Magazine called a “song of the year contender” in 2024), a few raucous, bar-ready joints like “Don’t You Know (Who I Think I Am)” and “Bunn Machine”, and tender, folky triumphs like “Stubborn Eyes” and “Eyelash”, all showcasing Chris’ gift of building “vivid scenes at an impressively low word count” (No Depression). Acker tours solo or with his band The Growing Boys — Zach Thomas (bass), Nikolai Shveitser (pedal steel), Dave Hammer (guitar, vocals), Sam Gelband (drums, vocals), and occasionally Howe Pearson (piano). CREEKBED CARTER HOGAN For trans folksinger Creekbed Carter Hogan, everything good is made from the rotten stump of something else. It’s a theme they’ve become familiar with as they’ve made a life weaving stories of growing up religious around songs that pierce the soul, tickle the funny bone, and showcase a unique blend of self-taught folk picking and queer mayhem. Creekbed Carter, out with Gar Hole Records on March 22 2024, is Hogan at their most confident. Deftly crafted with folk sensibilities, country swagger, and a power emanating from the force of their own desires, their new self-titled album is both creed and archive: a defiant declaration of survival and solidarity in an otherwise limited world.
The Deslondes
ALL AGESSTANDING ROOM ONLY THE DESLONDES When the Deslondes recorded their new covers album, they didn’t want to simply exalt their heroes and catalog their influences. They wanted to give their friends a boost as well. The poignant and powerful Don’t Let It Die Vol. 1 includes new interpretations of old songs by artists who’ve guided the band for years, including Swamp Dogg, Johnny Cash, and Clifton Chenier, alongside new songs by peers, tourmates, and collaborators, including Nick Woods, Pat Reedy, and the Kernel. “We have so many friends who are songwriters, and we just love their music so much,” says John James Tourville, who plays guitar and occasionally the fiddle. “Riley and Dan are always kicking around awesome, inspiring old songs for us to do, but for this album we really wanted to do some friend songs, too.” Don’t Let It Die maps out a community of likeminded musicians given to hopping trains, crowding tour vans, and blurring the lines between styles and scenes. “These songs are very much a close part of our lives,” says Riley Downing, who sings and usually plays guitar. “They’re all part of our circle, this big organism that keeps influencing itself. It’s mysterious, though, which musicians get heard and which ones don’t. I think we’re in a good position to tip our cap to the friends we look up to, and hopefully it will benefit our buddies. Hopefully this album will encourage people to go down those rabbit holes.”
Midnight North
ALL AGESSTANDING ROOM ONLY MIDNIGHT NORTH Midnight North takes its cue from the fertile Bay Area music scene. Formed in early 2012 by singer/songwriters Grahame Lesh and Elliott Peck, whose harmonies came as naturally as the initial songs, along with bassist Connor O’Sullivan. The band’s current-day lineup was completed when drummer/banjo player Nathan Graham came aboard after a chance meeting at a benefit concert in Philadelphia in 2016 following the release of its third, and breakthrough album, Under the Lights, in 2017. In the early days, the group was able to grow as a unit thanks to an association with Lesh’s family venue, Terrapin Crossroads in San Rafael, California. Diamonds in the Zodiac – on the Americana Vibes label – is Midnight North’s fifth studio album (along with three live discs), representing a continuation of the musical direction on 2021’s There’s Always a Story. The title comes from the unearthed Robert Hunter lyrics for “Jupiter,” one of two extended tracks on an album — the other, Grahame’s opening “Questions.” Other than those two, Diamonds is increasingly song-oriented and steeped in bluegrass, country, soul, blues, funk, jazz and gospel – a true Americana melting pot. It also turned into a real, second-generation family affair, as it was produced by the band’s dear friend Amy Helm, daughter of The Band’s Levon Helm and singer/songwriter Libby Titus, and features Grahame’s dad Phil and brother Brian. “Things have come full circle in that it was meeting Amy and Levon Helm at a Ramble in the Barn that gave my parents the inspiration to open Terrapin Crossroads, and having Terrapin was so instrumental in the band’s development. And now Amy produced this album and shepherded these songs to their ultimate form,” said Grahame. Diamonds was mixed by D. James Goodwin, who has worked with such luminaries as Bob Weir, the Hold Steady, The National, Goose, and Bonny Light Horseman among many others. Micah Nelson, aka Particle Kid, and Willie’s son, did the honors on the album cover artwork, using acrylic paint mixed with floetrol poured on wood. Recorded at Dave Schools’ (Widespread Panic) Spacecamp in Occidental, California, Diamond in the Zodiac’s 10 tracks represent a truly collaborative effort, featuring band members playing different instruments and many friends & collaborators stopping by the studio to contribute to the music and the vibe. Phil & Brian Lesh, Jason Crosby, and TJ Kanczuzewski all contributed significant moments, and all of the focus was on pulling the best version of the song out of the ensemble.
Joshua Ray Walker
ALL AGESSTANDING ROOM ONLY JOSHUA RAY WALKER Joshua Ray Walker is a Dallas-born Country/Americana songwriter known for vivid, character-driven storytelling and a rich tenor that blends classic Texas tradition with a modern emotional edge. Since his 2019 debut, he has built a catalog defined by sharp writing, dark humor, and deep empathy for complicated people, earning national television appearances, multiple Grand Ole Opry performances, and more than 2,000 shows across the U.S. and Europe. His sixth studio album, Ain’t Dead Yet, marks his most personal chapter to date. Recorded before, during, and after cancer treatment, (including sessions the day before lung surgery that could have permanently altered his voice), the record wrestles with mortality, gratitude, memory, and transformation. Sonically rooted in pedal steel, fiddle, and Walker’s signature guitar picking, it captures an artist confronting uncertainty with defiance , clarity, and hard-won joy. Across every release, from early character portraits to ambitious concept records, Walker’s through-line remains the same: songs that tell the truth, even when it’s uncomfortable. On Ain’t Dead Yet, he expands that hallmark into his most personal chapter yet, documenting a profound period of change and a hard-won second chance.
