FREE PATIO SHOW: The Nature Boys
– ALL AGES- FREE SHOW- LIMITED PATIO SEATING IS FIRST COME FIRST SERVETHE NATURE BOYS Hailing from the Appalachian musical stronghold of Asheville, NC, The Nature Boys are coming in hot with their brand of bluegrass. As veterans of the acoustic music scene, they are combining a deep love of traditional string band music with a refreshing catalog of original songs, dazzling fans with a certain je ne sais quoi that is both genuine and relatable. Formed in the summer of 2025, long time friends Jack, Jesse, and Nick found themselves once again living in the same town and ready to start a new musical project. These three had spent years touring across the world, often but not always in the same group. With a shared love of music, humor, and brotherhood, The Nature Boys was born in a way that can only be described as natural. Soon after getting the wheels rolling, they enlisted Asheville aces Coop and Korey, now forming one of Asheville’s premier 5-piece bluegrass bands, The Nature Boys. The band is currently performing regionally and is recording their debut album, to be released in late 2026.
PATIO SHOW: Cordovas
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE CORDOVAS Cordovas are an Americana rock band out of Nashville whose sound, equal parts soulful harmony, poetic craft, and cosmic improvisation, has long earned comparisons to The Band, Grateful Dead, and Crosby, Stills & Nash. But with their fifth studio album, Back to Life (out January 30, 2026, on Yep Roc Records), the group sharpens the edges of its identity: road- tested, deeply traditional in the ways that matter, and determined to be respected on its own terms. The band’s heartbeat lies between two places. In Todos Santos, Mexico, where Cordovas have lived, written, and built a small community of artists, the songs take shape in their most relaxed state, often amongst a circle of friends. Then it’s back to Nashville, where rehearsal, touring, and recording hammer those ideas into their final form. This cycle has defined the last three years of work, producing songs that are both varied and cohesive, each one revealing another side of the band’s range. At the center of Cordovas are songwriter and multi-instrumentalist Joe Firstman and guitarist/vocalist Lucca Soria, partners in what they call a “musical friendship.” The new record is a testament to their growth not just as musicians but as people. “I’m extremely blessed,” Firstman says. “Everywhere I look is love, and I set it up that way. My whole life is designed around art, not around bills or phone calls. Everything is based on love and enthusiasm, and it radiates from there.” Soria frames it differently but with the same spirit of devotion: “People are at service to us, and we are at service to them. I am incentivized to do my best all of the time in the service of others. In Mexico, it’s also a community. Everyone has a role, and I want to do the best I can for the community.” That philosophy is embodied in the band’s communal compound in Todos Santos. Over the years, Cordovas have acquired five houses there—each designed by Firstman, each tailored to the people who live or pass through them. More than just residences, they function as creative havens: a space where friends, collaborators, and fellow travelers are invited in to write songs, make demos, stage impromptu shows, or simply live alongside the band in a shared rhythm of art and life. It’s not a retreat from the world but a way of reshaping it—an intentional community built around the belief that music thrives when it’s lived in, day after day, with others.
Luna
ALL AGESSTANDING ROOM ONLY LUNA Luna was a New York band formed in 1991 by singer/guitarist Dean Wareham after the breakup of Galaxie 500. The band made seven studio albums before disbanding in 2005. After a ten-year break, they reunited and toured in 2015, and in 2017 released a new LP — A Sentimental Education and an EP of instrumentals — A Place of Greater Safety. Other recent reissues include a deluxe 2xLP version of their classic Penthouse album (on Rhino) and another 2xLP set Lunafied that collects all the covers the band recorded in the 1990s. Now scattered around the country (Los Angeles, New York and Austin) the band retains the same lineup that operated from 1999 to 2005: Dean Wareham on vocals/guitar, his wife Britta Phillips on bass, Sean Eden on guitar, and Lee Wall on drums. A Luna Timeline: 1992. Dean Wareham recruits Justin Harwood (ex-Chills) on bass and Stanley Demeski (ex-Feelies) on drums to record Lunapark for Elektra Records. After completing the album, the band places an ad in the Village Voice and thus adds Sean Eden on guitar. Eden, who is Canadian by birth and a trained actor, plays lead guitar on the excellent Indian Summer EP (aka the Slide EP). 1993. The band records their second album, Bewitched, featuring “California,” “Tiger Lily” and “Friendly Advice.” 1995 Luna’s classic third album, Penthouse (1995) is recorded in New York City, featuring guests Tom Verlaine (Television) and Laetitia Sadier (Stereolab). The band signs to Beggar’s Banquet in Europe. Rolling Stone calls it “one of the essential recordings of the ‘90s” 1997 Lee Wall replaces the travel-weary Stanley Demeski on drums, and the band records Pup Tent, their fourth album for Elektra. 1998 Luna recorded their fifth album The Days of Our Nights. 1999 Justin Harwood moves back to his home country (New Zealand), and is replaced on bass by Britta Phillips. 2000 finding themselves between contracts, the band quickly records a live album — Luna Live! for the Arena Rock label. 2002 the band sign to Jetset Records, record Romantica, co-produced by Gene Holder (DB’s) and Dave Fridmann (Mercury Rev). Romantica was followed by the mini-LP Close Cover Before Striking. 2004 Luna record their Rendezvous album in Brooklyn, NY. Produced by Bryce Goggin with minimal overdubs, it captures the band more-or-less live. 2005 After a farewell tour, on February 28 the band play their last show at New York’s Bowery Ballroom. 2015 After ten years away, the band announces a commemorative world tour. The lineup is the exact ’99-’05 group: Dean Wareham and Sean Eden on guitar, Lee Wall on drums, and Britta Phillips (now married to Mr Wareham) on bass. 2016 Captured Tracks label release a vinyl box set comprising Luna’s five albums recorded for Elektra and a bonus LP of rarities. 2017 Double Feature Records release the band’s first new material since 2004, the covers LP A Sentimental Education and instrumental EP A Place of Greater Safety. 2018 Run-Out-Groove releases the double LP Lunafied — containing all the covers the band recorded during the 1990s.
Sean Hayes
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE SEAN HAYES Sean Hayes is a San Francisco Bay Area-based singer-songwriter known for a unique, gritty blend of folk, soul, and R&B-inflected roots music. His sound has been described as dusty, warm, and effortless, featuring a gravelly, soulful voice that blends intimate storytelling with danceable rhythms. Hayes has collaborated and toured with artists including Aimee Mann, Frazey Ford, Charley Crockett, Jolie Holland, The Wood Brothers, Ani DiFranco and The Cold War Kids among many more; his work has been remixed by house DJ Mark Farina and featured on NPR, NBC and HBO. Known for his raw vocals and timeless songs, Hayes has built a loyal following across the country, whether stripped-down or with a full-band, his shows are simply a night of good music.
King Buffalo w/ L.A. Witch
ALL AGES STANDING ROOM ONLY KING BUFFALO King Buffalo is the trio of vocalist/guitarist Sean McVay, bassist Dan Reynolds, and drummer Scott Donaldson. Since forming in 2013, the self-proclaimed “heavy psych” band has made its name via 4 Full-lengths, 4EPs, and tours with Clutch, Uncle Acid and the Deadbeats, All Them Witches, The Sword, and Elder. L.A. WITCH L.A. Witch have always exuded an aura of effortless cool, whether it manifested as the Americana noir and laconic back-to-basics rock n’ roll of their self-titled debut or the blistering austere adventurism of their sophomore album Play With Fire. The band—comprised of Sade Sanchez (guitar/vocals), Irita Pai (bass), and Ellie English (drums)—began as an informal affair, but the sultry and beguiling reverb-draped songs they created caught on with the public, moving the project beyond the insular space of the band’s friends and peers in Southern California into the broader world. On their latest album, DOGGOD, the trio push their craft beyond their previous creative and geographical confines, opting to craft the material in Paris, recording the tracks at Motorbass Studio on the Rue de Martyrs. DOGGOD explores broader swaths of sonic terrain, employs a greater arsenal of tones, and probes larger existential and cosmic themes, all while retaining the band’s signature sense of the forbidden, the forsaken, and the foreboding. DOGGOD is a way of tackling the universal riddle tangled in the spiritual nature of love and devotion. “I feel like I’m some sort of servant or slave to love,” says Sanchez. “There’s a willingness to die for love in the process of serving it or suffering for it or in search of it… just in the way a loyal, devoted servant dog would.” The album title is a palindrome fusing together DOG and GOD—an exaltation of the submissive and a subversion of the divine. It’s a nod to the purity of dogs and an acknowledgement of their unconditional love and protective nature that’s at odds with the various pejoratives associated with the species. “There is this symbolic connection between women and dogs that expresses women’s subordinate position in society,” Sanchez explains. “And anything that embodies such divine characteristics never deserved to be a word used as an insult.” These conflicted explorations of love and subservience manifest themselves in L.A. Witch’s fusion of their trademark smooth and smoky garage alchemy with a newfound utilization of post-punk’s disciplined reserve and icy instrumentation. Album opener “Icicle” captures the band journeying out of the proto-punk, psychedelia, and gritty riffage of the ‘70s into the chorus-drenched guitars and forlorn minimalism of Joy Division and early The Cure. A parallel is drawn between romantic suicide and martyrdom that carries over into the second song, “Kiss Me Deep.” Here Sanchez describes a love so pure that it transcends time and carries over into multiple lifetimes. It’s a song about passion delivered in the worldly and wounded stoicism of early goth pioneers. From there, the band segues into the lead single “777,” a song about devotion to the point of death. A propulsive beat, a driving distorted riff, and Sanchez’s ethereal vocals come together to create a song that’s both dire in its fatalism and sensual in its faithful passion.
FREE PATIO SHOW: Maisy Owen // Lucky Break
– ALL AGES- FREE SHOW- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE MAISY OWEN Maisy Owen, a Nashville native, has been surrounded by music and the art of songcraft just about all her life. First came the viola at the age of 9, then guitar where she embraced fingerpicking while soaking in influences from Nick Drake, Bert Jansch, Mazzy Star and David Olney. Raised in a musical family, her father Gwil Owen is an Academy Award-nominated songwriter. Maisy’s unique sound, musical truth and stirring vocals inhabit Dark On A Sunny Day, her debut album, produced by Robin Eaton and to be released in the Spring of 2026 on Tompkins Square Records. Drawn to melancholic melodies and dark poetic imagery, her first single “My Youth Is All For You” was released as a 7” and hit streaming services in October of 2025.LUCKY BREAK Nurtured on 90s alternative indie, lucky break’s music melds the emotional directness of Fiona Apple, the wide-eyed warmth of Bedouine and the Americana-leaning alt rock of Lucinda Williams. Fans of Alvvays, Hole, Phoebe Bridgers and The Breeders will find familiar touchstones here.
PATIO SHOW: TOMBOYY
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVETOMBOYY Minneapolis based duo, TOMBOYY is a doom country garage band specializing in dynamic sound and crowd appeal. Drummer Connie Guice cut her teeth in Pittsburgh PA and has played everything from metal, punk, blues, funk. Sarah Yribar grew up in St. Paul, Minnesota. She has been singing and playing music since a toddler, finding her voice and rhythm through soul, punk and investigation ever since. They met over a pool table and started playing music fall of 2022. They have united forces to bring a sound that is unique every time you hear it.
PATIO SHOW: The Yard Sails
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE THE YARD SAILS The Yard Sails are AVL’s hottest instro-surf rock and exotica band. Featuring members of Empire Strikes Brass along with Jason Krekel (of the infamous Krektones). A solid rockin’ reverb soaked guitar journey through the history of the genre (Ventures, Link Wray and Dick Dale to name a few) as well as original ear worms for your poolside summer pleasure!
Damien Jurado: ‘All hits & no misses tour’ w/ St. Yuma
ALL AGESSTANDING ROOM ONLY DAMIEN JURADO “Play on, there’s no such thing as better days,” Damien Jurado sings on “Roger,” the sweeping wash of a song that opens Reggae Film Star, his 18th full length album and second release from Jurado’s own Maraqopa Records label. But as he enters his 25th year as a recording artist, it’s clear these are, at the least, very good days for Jurado on the creative front. In these 12 songs, which evoke half-recalled dreams and overheard conversations, the cosmic rushes headlong into the autobiographical and specific moments on the clock fade from past to future to scenes set only in the eternal now. Playing out like a backlot documentary filmed on the location of an unnamed TV or film set—maybe a sitcom taping, or perhaps it’s a low budget science fiction B-movie, or could it be a talk show?—the album is populated by performers awaiting call times, camera operators praying for their shot, and studio audiences rapt with anticipation. The stars here eschew glitz and glamor. Instead, they wander grocery stores and parking lots in the verdant Pacific Northwest and the desert Southwest, looking for payphones and a sense of purpose. Produced by Jurado with multi-instrumentalist Josh Gordon and recording engineer Alex Bush at Sonikwire studio in Irvine,CA, Jurado’s home away from home and musical headquarters, the record’s compositions are among the most musically rich in his vast discography, encompassing romantic AM gold, ‘60s psychedelia, driving rock & roll, Latin shuffles, and left of the dial ambiance. Strings swell, melodic bass bubbles, and piano sparkles, undergirding Jurado’s unmistakable voice, at once intimately present and ghostly, grounded in the here and now but capable, at any moment, of drifting off into the divinatory. Following threads established by 2021’s The Monster Who Hated Pennsylvania, the album sees Jurado embracing his auteur era, penning vignettes that arrive with little fanfare and depart quicker than you might suspect, only to linger long after they wrap. Seeking a skeleton key to decipher the action is beside the point—Jurado’s songs are worlds meant to be lived in, not picked apart—but on the beatific single “What Happened To The Class Of ‘65?” the singer imagines himself as both the viewer and the viewed, the eye behind the camera and its subject. This emotional and spiritual transference animates Reggae Film Star. Like a masterful director, Jurado offers motivation to the listener, staring unblinkingly from the mise-en-scène in your mind. “Look into the camera,” he commands on “The Day Of The Robot,” “One more time with anger/And sadness/I believe you.” A quarter-century in, Jurado remains gripped by his visions and driven by an unmatched creative drive. Reggae Film Star is one of Damien Jurado’s finest works to date, a stunning new feature from one of indie rock’s most cinematic figures. Here on this sound stage, you are the camera, you are the scene, you are the setting, and you are the viewer. Please try not to blink. -Jason P. Woodbury ST. YUMA
PATIO SHOW: Hillside Ramblers
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEHILLSIDE RAMBLERS The Hillside Ramblers are a multi-generational folk trio from Asheville, NC, who first met as neighbors. They craft a combination of voices and instruments rooted in New England folk, Appalachian bluegrass, and traditional jazz. Deborah Silverstein spent decades as an award-winning singer-songwriter on the Boston folk scene, writing and performing original songs that linger with the audience long after the show ends. Her songs engage honestly with the full spectrum of the human experience, inviting listeners to feel the highs and lows in equal measure. Chris Cotteta delivers vocals and plays lead guitar with an energy that moves freely between country, folk, and jazz. He adds the same thoughtful touches to songs written a hundred years ago as to ones written yesterday. Maria Raiti plays upright bass and soulfully sings covers and originals. She also leads the prominent local bluegrass/Americana band, Asheville Junction. Together they blend their eclectic backgrounds and styles into a sound tapestry of musical harmony and storytelling that feels all at once fascinating, fresh, and as familiar as your front porch.
