PATIO SHOW: Wheelwright
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEWHEELWRIGHT Wheelwright makes music for late nights and early mornings, for dive bars bonfires and house parties, the highs and the lows. a Southwestern inspired blend of country folk and grunge that reflects his life growing up in the desert city of Phoenix, Arizona. None of his songs are idealistic. No light without darkness, no laughter without atleast some suffering, no thoughtfulness without some recklessness. With a Devil-May-Care spirit, and a message of hope, frustration, and love; Wheelwright’s music contrasts between worlds of wandering existentialism, the strife of modern relationships, and shreds of hope that can be found in the darkest and most broken places of ourselves. Songs of acceptance, hard luck, and love without all the kumbaya bullshit, but rather the idea that we are all beautiful and flawed, stuck here together whether we like it or not. His songs are self-admitting and allow listeners to meet him where they truthfully are. It’s brash and it’s honest. In his words, “Everybody has things about themselves that they don’t like, they have things that they would change about themselves, but they also have spirits, and hopes, and dreams and light inside of themselves despite the darkness that seems to have over us as we march into the uncertainty of what’s next.”
PATIO SHOW: Eric Brace & Thomm Jutz
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEERIC BRACE & THOMM JUTZ Eric Brace and Thomm Jutz made their separate ways to Nashville two decades ago, each with a musical career well underway. Now a formidable duo, their partnership is an extraordinary sum of its parts.The duo’s second album, Circle and Square, arrived in January, 2026, and is a gorgeous rumination on creativity, art, beauty, love, and friendship in an age of destruction and hatred. Their last album, Simple Motion, hit #1 on the Folk DJ chart (FAI) in March, 2024. Both are out on Eric’s East Nashville label, Red Beet Records. Eric moved to Nashville twenty years ago from Washington D.C., where he was leading his acclaimed roots-rock band Last Train Home, named D.C.’s “Artist of the Year” in 2003 by the Washington Area Music Association. Thomm grew up in Germany, where as an eleven-year-old boy he saw “Outlaw” legend Bobby Bare sing on a television show. It was a bolt out of the blue, and right then Thomm knew that his future was in Nashville. In 2002, twenty years after that epiphany, Thomm moved to Music City and immediately became an indispensable sideman to the likes of Nanci Griffith, Mary Gauthier, David Olney, Kim Richey, and others, while also building a studio and a reputation as a producer and songwriter. Eric, after a leaving his career as a music writer for The Washington Post, built Last Train Home into a powerful touring unit. Moving to Nashville in 2004, he launched Red Beet Records, a label with an eye on all the talent in his East Nashville neighborhood. One neighbor was journalist and songwriter Peter Cooper, whose debut album Eric released on Red Beet. Eric and Peter’s friendship evolved into a duo. Over more than a decade they released four albums, and earned a Grammy nomination for Best Children’s Record after making I Love: Tom T. Hall’s Songs of Fox Hollow. After recording two albums at Thomm’s studio, Eric and Peter realized that they were just better with Thomm joining in on the fun, and the Brace/Cooper/Jutz trio was born. Two powerful albums ensued: Profiles in Courage, Frailty & Discomfort, and Riverland. On those albums, songs by Brace and Cooper are side by side with those of Thomm, who won “Songwriter of the Year” at the 2021 IBMA bluegrass awards. His songs have been recorded by dozens of artists (Billy Strings, Tim O’Brien, the SteelDrivers, and many more), and he teaches songwriting at Belmont University. Thomm’s solo album To Live in Two Worlds was nominated for a bluegrass Grammy award in 2020, and he was featured in an “American Currents” exhibit in the Country Music Hall of Fame & Museum. The tragic death of Peter Cooper in December, 2022, led Eric and Thomm to reassess their musical path, but one thing emerged with clarity: They would continue to make music together.Their fluid acoustic guitar interplay and warm vocal harmonies will continue to be heard, all in service to the songs. Songs from the heart, songs about insomniacs, mill workers, train whistles, astronauts, lovers, painters, writers, sailors and soldiers, songs about everyday struggles, heartbreak, and triumph.In a time of division, Eric and Thomm seek — and find — connection.
FREE PATIO SHOW: Reed Turchi Album Release Show
– FREE SHOW – ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE REED TURCHI Reed Turchi is a musician, poet, and producer from Swannanoa, North Carolina, now living in Brooklyn. His debut poetry collection Dancing With Poets was selected by Victoria Chang for the 2026 Colorado Prize for Poetry, and will be published in November 2026. He has won a GRAMMY Award and received an EMMY Nomination, and has been featured in Rolling Stone, American Songwriter, No Depression, The Oxford American, Living Blues, and many more. His poetry has been published in POETRY, The American Poetry Review, Narrative Magazine, and The Los Angeles Review, among others. He earned his MFA from Warren Wilson College, where he was awarded the Ellen Bryant Voigt Scholarship. Turchi is the owner/operator of Second Take Sound and co-editor of The Swannanoa Review.
Silverada
ALL AGESSTANDING ROOM ONLY SILVERADA Evolution. It’s what keeps the best bands afloat — song after song, show after show, record after record. Mike Harmeier was still in his early 20s when he formed Mike and the Moonpies. From the start, they were the definition of a workingman’s country band, cutting their teeth with five-hour sets on Austin’s dancehall circuit before spreading their music to the rest of America. By the early 2020s, they’d become global ambassadors of homegrown Texas music, flying their flag everywhere from Abbey Road Studios (where they recorded 2019’s Cheap Silver & Solid Country Gold with help from the London Symphony Orchestra) to the Grand Ole Opry. The growth was remarkable, but all that momentum left Harmeier and his four bandmates — drummer Taylor Englert, guitarist Catlin Rutherford, bassist Omar Oyoque, and steel guitarist Zachary Moulton — looking for something new. After all, their music had decidedly changed. Why shouldn’t their name do the same? Silverada marks a new chapter in the band’s history. It’s not just the title of the boldest release of the group’s critically-acclaimed career; it’s also the name of the reinvigorated band itself. “Back in the day, all we wanted to do was play the Broken Spoke,” says Harmeier, nodding to the hometown honky-tonk in Austin, TX, where Silverada began sowing the seeds for a sound that mixed timeless twang with modern-day dynamics. “We had different aspirations back then. We were still figuring out what kind of band we were gonna be, and that took a lot of time and a lot of records. A lot of records, indeed. Silverada marks the group’s ninth release, and it balances the strengths they’ve accumulated along the way — sharp, detailed songwriting that bounces between autobiographical sketches and character studies; gorgeous swells of pedal steel that drift through the songs like weather; a rhythm section capable of country shuffles, hard-charging rock & roll tempos, and everything in between — with a willingness to break old rules and open new doors. “Radio Wave” is a roots-rock anthem for the highway and the heartland, peppered with Springsteen-worthy hooks and War On Drugs-inspired atmospherics. “Eagle Rare” launches the band into outer space during its explosive middle section, which the band improvised in the recording studio. “Stay By My Side” showcases Silverada’s road-warrior credentials — the band recorded the track live during a tour across the American Southeast, capturing it in a single take at Capricorn Sound Studios in Macon, Georgia — while “Wallflower” blends the organic with the otherworldly, finding room for harmonized guitar solos, driving disco beats, and 808 percussion. “Going into the studio, everybody in the band felt inspired to do something bigger than what they’d done before,” Harmeier explains. “We all knew we were at a precipice, and we wanted to jump. I brought in some songs that were metaphorical and not always straightforward, and that showed the guys that I wanted to take this music somewhere new… so they threw their own rulebooks out the window, too.”
Nick Shoulders
ALL AGESSTANDING ROOM ONLY NICK SHOULDERS Refugia Blues, the fifth album from songwriter Nick Shoulders, is a record of big ideas and small, intimate moments. Rooted in the acoustic stylings of Southern traditional music, it finds the Arkansas native turning off his amp and stepping up to a ribbon microphone as a solo performer, singing in a voice that’s equal parts country croon, Appalachian yodel, and high-lonesome field holler. Shoulders’ interpretation of American roots music has always been more progressive and punky than the trucks-and-beers conservatism that passes for modern-day country, and Refugia Blues offers songs about climate collapse, radical anthropology, and generative disruption. It balances the macro with the micro, too, making room for love songs and personal topics, packaging humor alongside heavy insights. At once academic and accessible, Refugia Blues isn’t just a deep dive into southernness, but also into Shoulders himself. This is a raw, resolute version of American country music, stacked high with songs that go down easy but linger in the minds of those willing to invest the time.
Meltt
ALL AGESSTANDING ROOM ONLY MELTT Meltt’s upcoming third album is the culmination of everything the Vancouver indie-pop quartet have accomplished so far, all the while pushing their sound in new and exciting directions. True to its title, Pathways finds Chris Smith [lead vocals, guitar, bass, keys], Jamie Turner [drums, percussion], James Porter [guitar, keys, bass, vocals], and Ian Winkler [bass, keys, guitar] at multiple forks in the road and deciding to take all of them, submerging their sound in new rippling textures while still retaining the warm, textured glow that their music’s contained since their debut EP Visions in 2017. Thematically, Pathways approaches what Winkler refers to as “four men approaching their 30s and figuring out their paths and lives.” Big topics abound, from relationships and the aftermath of loss to the strange and uneasy feeling that accompanies navigating the modern world at large. “Our tone is usually pretty optimistic and hopeful, but this time we let some darkness in,” Porter says. “There are so many things we experience individually, but when we get in the studio, it’s clear that we’re on a journey together.” Whether you’ve been with them since the beginning or are joining them at this very juncture, Pathways will make you thankful that you’re along for the journey.
Radio Free Eagle: A Night of R.E.M.
ALL AGESSTANDING ROOM ONLY RADIO FREE EAGLE On Saturday, July 11, The Grey Eagle hosts the inaugural Radio Free Eagle, a special tribute night celebrating the music and legacy of R.E.M.. Marking 45 years since the release of “Radio Free Europe,” the evening brings together a lineup of regional artists to perform short sets honoring one of the most influential bands to emerge from the American underground. With roots stretching from Athens, Georgia to North Carolina’s own recording history, the night highlights the sound and spirit that helped define college rock. Designed as a collaborative, community-driven event, Radio Free Eagle will feature a wide array of styles, genres, and musicians, each putting their own spin on R.E.M.’s catalog for what promises to be a night to remember. A portion of the proceeds will benefit a local non-profit (TBA), reinforcing the event’s connection to the community it celebrates. The show aims to establish an annual tradition at The Grey Eagle, bringing artists together to honor both the songs and the shared musical lineage that continues to connect the Southeast. Lineup TBA
Reverb of Resistance: A Night of Music and Art to Benefit LGBT+ Artists
ALL AGES PARTIALLY SEATED SHOW PAY WHAT YOU CAN MODEL DONATIONS AND TICKET PROCEEDS TO BENEFIT CAMPAIGN FOR SOUTHERN EQUALITY SOUTHERN EQUALITY STUDIOS PRESENT: REVERB OF RESISTANCE – A NIGHT OF MUSIC AND ART TO BENEFIT LGBT+ ARTISTS Southern Equality Studios is a program that explores how the arts can be a catalyst and force in achieving lived and legal LGBTQ equality across the South. Since the launch of CSE in 2011, we’ve worked at the intersections of personal narrative and political organizing, working with LGBTQ people and families to share the stories of their lives, whether through the written word, film, or photography. We’ve seen the power that storytelling has had on changing hearts and minds here in the South and nationwide, and it’s a vital tool as we continue our work to build a South where all are free and affirmed to live as their authentic selves. Art and storytelling have long played a powerful and central role in movements for social justice, and we’re honored to be a part of that long legacy in our region.
Rock Academy Showcase
-ALL AGES-LIMITED SEATING (FIRST COME FIRST SERVE) + STANDING ROOM ROCK ACADEMY Rock Academy is a Year-Round Rock Band Performance Program that take our bands out of the classrooms and into Asheville’s music scene. Students learn to perform a wide variety of musical styles and songs of various genres including blues, classic rock, hard rock, punk, surf, americana and more. Our music students grow into skilled musicians and take their band “on the road” to play in front of live audiences at some of the top venues in the area. The Asheville Rock Academy’s talented students have played some high-profile gigs, including the Main stage at the Rock and Roll Hall of Fame in Cleveland. Academy bands have also played with Cliff Williams of AC/DC and American Idol’s Caleb Johnson. Join us for this year’s “Mix Tape 2025” show!
J & The Causeways
ALL AGESSTANDING ROOM ONLY J & THE CAUSEWAYS New Orleans soul/rock powerhouse ensemble J & The Causeways debut album, Motions, conjures a universal theme of togetherness and compassion — melodies and lyrics cultivated with a keen understanding of reaching one another through healing and transcendence. Singer and keyboardist Jordan Anderson leads with a soaring level of octave prowess and sonic range akin to that of other renowned soul acts like St. Paul & The Broken Bones or Brittany Howard. Captured by famed musicians/producers Robert Mercurio and Ben Ellman (both members of NOLA cosmic funk outfit Galactic) at Studio in the Country and Esplanade Studios, Motions is a record soaked in the freewheelin’ ethos and sonic tones of a vibrant city that Anderson proudly calls home.
