John Paul White w/ Caleb Caudle
ALL AGESSEATED SHOWLIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILALBEJOHN PAUL WHITE With The Hurting Kind, John Paul White crafted a stunning album that draws on the lush, orchestrated music made in Nashville in the early 1960s. Yet these songs retain a modern feel, whether he’s writing about overwhelming love, unraveling relationships, or fading memory of a loved one. White grew up in tiny Loretto, Tennessee, and now lives in Florence, Alabama, not far from Muscle Shoals. He has cultivated a music career in Nashville for two decades, first as a songwriter for a major publisher, then half of The Civil Wars – a groundbreaking duo that won four Grammy Awards before disbanding in 2012. Because The Civil Wars were so hard to categorize, White has earned a fanbase among indie rock listeners, folk audiences, Americana outlets and AAA radio. So, what will happen if people hear The Hurting Kind and call it country? “Well that doesn’t scare me in the least,” he says. “As a matter of fact, it kind of thrills me.”CALEB CAUDLEForsythia, the latest studio LP offering from Caleb Caudle, is a portrait of his truest self, of the artist at his most solitary and reflective.Thematically, it meets anticipation for the unknown future with nostalgia for the past, and reconciles both with meditation in the present. The album was recorded at the legendary Cash Cabin during the pandemic, and inspired by the solitude and symbols Caudle found in nature during that time. It’s produced by John Carter Cash, and features veteran session players Jerry Douglas, Sam Bush, Dennis Crouch and Fred Eltringham, and the vocal talents of Carlene Carter, Elizabeth Cook and Sarah Peasall McGuffey. Simplistic arrangements– in which Caudle was the only guitarist– built a framework for space that is filled intentionally so that the songs themselves can be heard and appreciated without an overcrowding of instrumentation. On this record, outsider influences come into play nearly as much as his foundational knowledge of traditional Appalachian folk and other music history. This collection of 10 songs serves as a manifesto of Caudle’s beliefs and simplest desires. Forsythia sees Caudle as a master of his craft as a songwriter and musician.
PATIO: Kyshona
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVEKYSHONA Kyshona is an artist ignited by untold stories, and the capacity of those stories to thread connection in every community. With the background of a licensed music therapist, the curiosity of a writer, the patience of a friend, the vision of a social entrepreneur, the resolve of an activist, and the voice of a singer – Kyshona is unrelenting in her pursuit for the healing power of song. She lends her voice and music to those that feel they have been lost, silenced, forgotten or alone. Through her organization Your Song, she facilitates therapeutic songwriting sessions with groups and individuals in hopes of reconnecting those who are divided. Of her past releases, one fan reviewer wrote: “Amidst these hard, divisive times this set of songs is a salve for the grief many of us are feeling about resulting loss of family, friends, and community.”Storytelling is the way we pass information – between friends, colleagues, and family. Stories are how we imprint our culture and give gifts from one generation to the next. Memory is imperfect. It is influenced by emotion, context, our state-of-mind on any given day, our health, surroundings, language, and how we have been socialized. In telling our stories, we not only enlighten one another to our truths, we also call upon our community to practice active understanding and to help us acknowledge, validate, and remember our past. In telling our stories of the past, we shape a collective future informed by all we have all we have traveled, all we have learned, and all we have been. Every family has storytellers, because we are all storytellers. In her forthcoming album LEGACY, Kyshona tells the long story of her family’s journey. Please join Kyshona in the coming months, as she shares more of that story.
OUTPOST: Tan & Sober Gentlemen
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Tan & Sober GentlemenBorn and raised in North Carolina, the Tan and Sober Gentlemen began taking the songs, stories, and tunes that make up their beloved state’s musical tradition before they could talk. The music of the Carolinas, (and Appalachia in general) stems from the marriage of the Irish fiddle and the African banjo, which first met in the American South before the Revolution. The Tan and Sober Gentlemen aim to bring these traditions full circle. They play Irish tunes, ballads, and pub songs right next to the Appalachian fiddle tunes of their youth, melding the two into what they call “Irish-American hillbilly music.” Meanwhile, they have earned a reputation as one of the South’s hardest-hitting live acts, playing at blazing tempos, and putting every last bit of energy they possess into the show. The result is a raucous celebration of the Carolinas’ Irish heritage, with drinking, dancing, and merriment galore.Ashley Heath and Her HeathensWith a voice once described as “velvet soul,” Asheville songwriter Ashley Heath has been winning over the hearts of Americana music lovers since she gave up her barista apron in the spring of 2015. Heath released her third album “Something to Believe” on October 14th, 2022 under Organic Records in Asheville, NC. She is now playing solo shows, as well touring with her full band “Ashley Heath and Her Heathens,” in support of her new album, and set to deliver her signature sultriness to clubs and festivals around the country. Often compared to her influences, Bonnie Raitt and Norah Jones, Heath easily manages to find a voice all her own. She has been recognized across Greater Appalachia for her strong songwriting and vocal abilities, having made the WNCW Top 100 list and Mountain Xpress “Best Of” awards several years in a row.
OUTPOST: The Grateful Family
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: The Grateful Family
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: The Grateful Family
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: The Grateful Family Band
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: Flashback Fringe
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Flashback Fringe is a new Asheville, NC based Psychedelic Rock Era (1967 – 1971) tribute band created to deliver energetic, true to the sound and spirit musical performances. With a growing catalog of approximately 40 songs ranging from The Byrds to Cream to The Moody Blues to The Doors, Flashback Fringe will take your audiences back to the era that contributed incredible songs to music history.
Celebrating John Prine with The Knotty G’s
– ALL AGES- PARTIALLY SEATED SHOW THE KNOTTY G’S The Knotty G’s are returning, this October 10th, to The Grey Eagle for their 3rd annual Celebration of John Prine. They’ve cultivated a familiar cast of friends with some new additions to their lineup coming soon, and one big surprise you’ll have to be there to see! Husband and wife, Chuck and Gill Knott are the core of the Soul-Soaked Americana powerhouse, The Knotty G’s. Since 2017 these two have toured the country, sometimes calling on a wide range of musical companions to form everything from intimate trio to behemoth 8-piece band performances. In the short time The Knotty G’s have been a team, they have amassed an impressive list of stages and festivals, including the Bonnaroo Music and Arts Festival, The Blue Ridge Pride Festival, AVLFest, Strangecreek Campout, Wormtown Music Festival, and The Ladybug Festival. Seeing The Knotty G’s perform their gritty, yet funky mountain music LIVE leaves you feeling like you’ve reconnected with some old friends.
Quasi – Featuring “Birds” Tour
ALL AGESSTANDING ROOM ONLYQUASIPacific Northwest rock legends Quasi play their beloved 1998 classic third album Featuring “Birds,” start to finish in its entirety for the first time. MARNIE STERNIt’s been a decade since we last heard from Marnie Stern, and in her absence the indie music world has become overrun with an army of anti-Marnies i.e. corporate clones making banal playlist rock lacking in the whimsy, creativity, and virtuosity that made Stern’s take on rock music such a singular sound in the late 2000s. But when Stern’s guitar bursts in like a shower of stardust on The Comeback Kid, her long-awaited follow-up to 2013’s The Chronicles of Marnia, it’s like no time has passed. Marnie Stern is back—and not a moment too soon.Where has Stern been? She cops to having been lulled by the gentle rhythm of a nine-to-five job as the guitarist in the band on The Late Show with Seth Meyers; she’s also been raising two kids. But when it came time to start working on a new record, the ease with which she picked up right where she left off was surprising even to her. “I expected that all those years of playing other kinds of stuff would have influenced me—and it didn’t at all! I was fully back where I was before,” Stern says.Even so, The Comeback Kid is no nostalgia trip: it’s a statement of intent, as Stern makes clear on the anthemic opening track “Plain Speak”. “I can’t keep on moving backwards,” she repeats, her fingers furiously tapping the fretboard as the song joyfully zips forward like a rocket hitting warp speed. She follows that up with “Believing is Seeing,” a song about overcoming alienation with nose-to-the-grindstone creative effort. “The sound is hard to hear right/ You can’t take it,” she sings. “What if I add this! And this! And this!” punctuating each “this” with another layer of sound, gleefully rifling through her bag of musical tracks and trying each one on for size, building the song up as she goes along—it’s fun and colorful and imaginative; it’s also weird. But being unafraid to embrace her oddball impulses has always been part of Stern’s musical DNA, and something she missed in her years of being a player for hire. “It was so great to be able to start being myself again and when I would think, ‘Oh, is that too, too weird?’ I’d remember I’m allowed to do whatever I want! This is mine. It’s me,” says Stern of writing songs for The Comeback Kid. “I’m trying to go against the grain of this bullshit that when you get older, you lose your sense of taste. I want to empower people to not be so homogenous and go against the grain a little bit.”That sense of taking joy in your individuality is all over The Comeback Kid, which really is what the title says: the story of an artist coming back to the world with the hard-earned wisdom that making music that truly reflects who you are in all your brightness, boldness, and (yes) weirdness, is always something worth celebrating, and maybe the key to happiness in the end. “This record is about reassuring yourself that happiness is not about what kind of things you have or how many things you have or what you don’t have—it’s about all the good things you do,” says Stern.
