Woody Wood & Abe Reid (of The Blue Rags)
ALL AGES PARTIALLY SEATED SHOW WOODY WOOD & ABE REID (of The Blue Rags) The Blue Rags were a revivalist, ragtime boogie-woogie band from Asheville. Woody and Abe are going to reignite that magic fire! Aaron “Woody” Wood is an old soul as authentic as the foothills from which he emerged. When pressed on it, he calls his music “Cosmic Appalachian Soul.” He is steeped in the old Delta blues and the folk music from these mountains while fearlessly leaning into rock, soul and funk. It’s common to look around in the audience for his local shows and see lots of other musicians in the room just soaking in what Woody does. (from Where Y’at?) Abe Reid is a North Carolina blues musician and one of the modern keepers of the Piedmont blues tradition. Reid won the International Blues Challenge in Memphis, one of the most respected competitions in blues music.
FREE PATIO SHOW: Canon Tyler
– ALL AGES- FREE SHOW- LIMITED PATIO SEATING IS FIRST COME FIRST SERVECANON TYLER Canon Tyler is a singer-songwriter & guitarist from the hills of North Georgia. With sonic elements of Bluegrass and Contemporary Acoustic Music, Tyler’s lyrics blend the story telling aspects of traditional American folk and Laurel Canyon era singer-songwriters. Together this creates a sound that is both fresh and familiar to fans of roots music. Tyler’s latest album, “Thickets & Brambles” is an homage to the rich heritage of North Georgia. Consisting of 10 tracks, “Thickets” delves into the heart of the region’s musical legacy. Through introspective lyrics and narrative storytelling, Tyler invites listeners on a personal journey of life in the foothills. Sonically, the album is a tapestry of Bluegrass, Appalachian Folk music, and Folk-Country, creating a sound that echoes the landscapes of North Georgia. The inclusion of banjo, fiddle, and Tyler’s own flatpicked guitar adds layers of depth and authenticity to each track. “Thickets & Brambles” is a musical exploration that captures the spirit of North Georgia while offering a heartfelt reflection on coming of age in the modern world.
FREE PATIO SHOW: Woody Wood
– ALL AGES- FREE SHOW- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEWOODY WOODCosmic appalachian soul.
PATIO SHOW: All Night Boogie Band
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEALL NIGHT BOOGIE BAND All Night Boogie Band is an award-winning blues, rock and soul-inspired band that formed in the Green Mountains of Vermont. Since 2021, the experienced quintet (and occasionally octet, with horns) has loudly expressed unique sound full of originality, vigor, and dedication to the resonance of great American music. With 2 full-length LP’s of original music, the semi-finalists of the 2023 International Blues Challenge in Memphis have added a 2023 New England Music Award as a “Rising Star”, a 2025 New England Music Award nomination for “Best Blues Act”, and a 2025 Seven Daysies Award for “Best Blues Group” to their name. Their dynamic and high-energy live shows have been said to be “things of legend”. Their 3rd LP will be released July 2026.
Freddie McClendon
ALL AGESSTANDING ROOM ONLY FULL BAND SHOW FREDDIE McCLENDON Freddie McClendon is a singer-songwriter from Greenwood, South Carolina. He first fell in love with music as a child living in a retirement home where his dad worked, spending his earliest years dressing up as Elvis and performing for the residents who encouraged him to perform. After his father’s shocking murder in 2023, McClendon turned to writing songs as a way to process his grief. In 2024 he released Present Memories. In 2025 he appeared on Season 23 of American Idol, performing his original song “You Never Loved Him,” which moved Carrie Underwood to tears and prompted Luke Bryan to call him “the next Paul Simon.” McClendon’s songwriting often blends personal history with observations about the South, most notably in his viral single King Henry, which challenges the “Good Ole Boys” system and generational corruption in South Carolina. His live shows have grown steadily, selling out in numerous markets across the southeast. His unreleased tracks “Drinkin’ Crimes,” “Rambler,” and “Lover” have already drawn millions of views ahead of their official release, and he plans to release new music throughout 2026. In early 2026, he will also join SUSTO on their North American tour as a supporting act.
Shawn Mullins w/ Cat Ridgeway
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS SHAWN MULLINS After a series of indie releases and growing buzz in the Atlanta music scene, Shawn Mullins’ critical and commercial breakthrough came when 1998 Soul’s Core shot him to fame on the strength of Grammy-nominated No. 1 hit, “Lullaby” followed by AAA/Americana No. 1 hit “Beautiful Wreck” from 2006’s 9th Ward Pickin’ Parlor. His song, “Shimmer” was used in promotion of the 2000 Summer Olympics in Sydney and was included on the Dawson’s Creek soundtrack. His co-write “All in My Head” from 2008’s Honeydew was featured in episode one of the hit TV sitcom “Scrubs.” Mullins also co-wrote the Zac Brown Band’s No. 1 country tune “Toes.” In early 2002, he formed supergroup The Thorns with Matthew Sweet and Pete Droge. “No Blue Sky” from the resulting album, is a modern day classic. For the 20th anniversary of his breakthrough album, Shawn revisited the music of Soul’s Core by recording two new versions of the album. He calls this Soul’s Core Revival. This is not a remix or a remaster of the original, but rather brand new recordings with new arrangements of the songs – one album is stripped down solo performances, some on guitar, some on piano and maybe one a cappella and the second is a new studio recording with his full band, Soul Carnival. CAT RIDGEWAY You can’t help but be excited when talking about Orlando singer songwriter Cat Ridgeway. Her infectious energy and contagious enthusiasm in everything she creates is electric, while her passion and commitment to her music radiate through her fiery blend of indie-rock and punk with hints of dream pop and folk. A skilled lyricist and melodist, Ridgeway is a self-taught multi-instrumentalist who can play guitar, harmonica, trumpet, trombone, drums, piano, mandolin, and bass – sometimes playing three instruments at once. Ridgeway, along with the revolving members of her touring band, The Tourists, create a sweaty, energetic, exciting party with each live show. It’s not uncommon to see them play musical chairs as they switch places and instruments on stage. Expect the unexpected. With Sprinter, Ridgeway’s 2025 album release, she draws the listener in as she strives to understand life’s trials and emerge with a better sense of perspective and self. Ridgeway, along with Mike Savino (Kishi Bashi, Tall Tall Trees), played multiple instruments on the album. Mastered by Joe LaPorta (David Bowie, Foo Fighters) and mixed by Dan Molad of Lucius and Coco (JD McPherson, Here We Go Magic), Sprinter features all-star players including Claude Coleman, Jr. (Ween) and Josiah Wolf (WHY?) on drums, and Adam Schatz (Sylvan Esso, Japanese Breakfast) on sax, among others. Her first single “Epilogue,” is a stomp and holler-esque punk rock explosion hinging off a recklessly played, overdriven banjo. Named Orlando’s “Best Singer-Songwriter” three years running and “Best Rock Act” twice by Orlando Weekly, Ridgeway has played many notable stages and festivals (30A Songwriters Festival, Okeechobee Music and Arts Fest, and House of Blues Orlando), supporting and sharing bills with acts like Lucy Dacus, Sylvan Esso, Houndmouth, and Arcade Fire, among others.
Andrew Duhon: Stop Motion Tour ’26
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE ANDREW DUHON Born, raised, shaped, and inspired by his hometown of New Orleans, Louisiana, Andrew Duhon tours performing songs that are as much about recognizing our shared stories as they are about telling his own. Rounding out the touring trio are two of his most trusted collaborators—Myles Weeks (James Hunter Six, Eric Lindell) on bass and Jim Kolacek (Feufollett) on drums. Blending the gritty, bluesy, folksy, country sounds of his home with the experience of traversing the country and immersing himself in the broad array of cultures across the American landscape, Andrew’s music creates real connection between former strangers through song. As he puts it, “When a song written by a stranger heals you, even in the smallest way, that’s a connection beyond entertainment.” Andrew has shared stages with Guster, Blind Pilot, and Amos Lee, among others, and has performed at major festivals across the US including New Orleans Jazz & Heritage Festival, Milwaukee Summerfest, Bonnaroo, and Americanafest. His music has been featured in Rolling Stone Magazine, Jam In The Van, Meat Church, as well as in Glide Magazine, No Depression, and American Songwriter.
The Black Twig Pickers w/ Elsa Howell
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE THE BLACK TWIG PICKERS The Black Twig Pickers are a group defined by their forward thinking approach to a type of music most often associated with times gone by. Over the course of eight full-length records, including collaborative releases with Jack Rose and Charlie Parr, a split LP with Glenn Jones, and numerous EPs and singles, the group has established itself as a collection of dedicated practioners of old time music re-cast and shaped by their appreciation of modern improvisation, drone, and punk. While not at odds with the experimental scene that has fostered them or the old time circles they travel in, The Black Twig Pickers thrive in the in-betweenness of those two worlds, proving that the exploration of the outmost bounds of sound and the exploration of decades old tradition and community aren’t as different as one might think. The group’s repertoire is constantly growing as they turn to first-person sources, older musicians that were brought up in the old time scene and in some cases the children and families of deceased respected practitioners, and unreleased archival recordings passed among musicians. And while local and regional history is ever present in the music The Black Twig Pickers play, they turn songs that are many decades old into living artifacts, released from the restrictions of era by the personal convictions of the musicians. This spirit of ecstatic abandon is conveyed through the percussive elements of The Black Twig Pickers’ music and more importantly, through a spontaneity and an unrehearsedness the band wears as a badge of pride. As Gangloff explains, “It’s not the melody, it’s the moss.” The sharp twang of the banjo, a spontaneous holler, a foot stomping along in time, and other seemingly incidental sounds become all important. Like the band’s previous Thrill Jockey full-length Ironto Special, Rough Carpenters was recorded with absolutely no overdubs and in as few takes as possible. The Black Twig Pickers are indeed rough carpenters, building unpolished but finely crafted records that embody the spirit of a timeless old-time scene. ELSA HOWELL Elsa Howell took an early interest in old Appalachian ballads, a tradition rich with wild stories and haunting melodies. Her voice and attention to musical detail have won her ribbons at folk song competitions in the mountains of Tennessee, North Carolina, and her native Virginia. She spent more than a year learning the style from ballad master Elizabeth LaPrelle through the Virginia Folklife Apprenticeship Program, and Elsa has been featured at the Richmond Folk Festival, the Smithsonian Folklife Festival, Roanoke’s Taubman Museum of Art, the Floyd Country Store, on the Inside Appalachia podcast/radio show, and she was a resident artist at the 2024 MidMountain Festival, which was devoted to examining and reinventing murder ballads. She has also carved her own path as an acoustic guitarist and songwriter, writing personal songs that meld with her more traditional material. She recorded and released Eyes Wide, her EP of mostly original material, in 2024.
Bella White w/ Erin Rae
ALL AGESSTANDING ROOM ONLY BELLA WHITE The third album from Bella White, A Sign In The Weather is a body of work steeped in the life-altering magic of its origins. While touring in support of her widely lauded sophomore LP Among Other Things (and sharing bills with the likes of Dierks Bentley, Tyler Childers, and The Red Clay Strays), the Calgary-born singer/songwriter left her home on Vancouver Island and moved to New Orleans, where she soon became happily enmeshed in the city’s vibrant indie-rock scene. As she immersed herself in the unfettered and open-hearted creativity of her newfound musical community, the 25-year-old lifelong musician began assembling a suite of songs that stretch far beyond her bluegrass roots and arrive at a moodier and more audacious breed of folk/Americana. Made with her close-knit circle of collaborators, A Sign In The Weather both echoes the homespun nature of its creation and signals a powerful evolution in her one-of-a-kind artistry. Co-produced by White and Ross Farbe (a New Orleans-based producer/songwriter/musician who’s also worked with Esther Rose and Drugdealer), A Sign In The Weather marks a departure from the more lavish scale of Among Other Things—a 2023 release produced by Jonathan Wilson (Angel Olsen, Father John Misty) and recorded with esteemed musicians like Big Thief guitarist Buck Meek. This time around, White joined forces with her longtime bandmate Patrick M’Gonigle (on fiddle) and local musicians like drummer Sam Gelband, bassist Gina Leslie, guitarist Nick Corson, and vocalist Maddy Kirgo, dreaming up a nuanced yet potent sound that spotlights the singular character of her enchanting vocals and graceful guitar work. The latest installment in a catalog that began with her 2021 debut album Just Like Leaving, A Sign In The Weather also uncovers new layers of White’s soul-searching songwriting—an element praised by major outlets like Rolling Stone and NPR (who stated that “Sometimes the minute you hear a voice, you know it’s for the ages”). “New Orleans is such a musical city, and the experience of being around a lot of songwriters in particular has been so inspiring to me,” she notes. With its subtle interplay of poetic introspection and stream-of-consciousness outpouring, the album embodies a raw urgency that stems from White’s real-time processing of a period of intense change. To that end, A Sign In The Weather takes its title from one of the first songs written for LP: “Without Making A Sound,” an in-the-moment reflection on the painful confusion of letting go and moving on. “Right around when I decided to move I also ended a relationship—it felt like a chapter of my life was closing, and I was experiencing a lot of sadness and guilt and other big feelings,” White recalls. “When I wrote that song I was traveling somewhere that’s usually very warm, but it was like the gray gloominess of the Pacific Northwest had followed me there. It felt like it brought everything full circle to make that the album title, especially because making the choice to shake up my life really opened the floodgates for all the songs to come.” ERIN RAE
Ryan Montbleau (solo)
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE RYAN MONTBLEAU A relentless road warrior and masterful wordsmith, Ryan Montbleau has spent the better part of thirty years cultivating a devoted audience on the strength of his ecstatic live shows and exhilarating sonic versatility. He’s collaborated with artists as diverse as Trombone Shorty, Galactic, Steel Pulse, Tall Heights, Martin Sexton, Anders Osborne, and George Porter, Jr; shared bills with the likes of Tedeschi Trucks Band, Ani DiFranco, Todd Snider, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples; and racked up more than 150 million streams on Spotify alone. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relix celebrated his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity.” Montbleau’s freewheeling new album finds him exploring the full spectrum of his influences like never before, touching on folk, rock, funk, soul, hip-hop, and reggae, all with a preternatural ease that belies the intensely focused craftsmanship behind it. The songs are sprawling and unpredictable, grappling with a modern world perpetually teetering on the edge of chaos, but the performances are relentlessly optimistic, insisting on hope and joy in the face of it all. The result is Montbleau’s most vulnerable and cathartic work yet, an album that acknowledges the inevitability of doubt and pain while at the same time celebrating our limitless capacity for growth and love.
