185 Clingman Ave. Asheville, NC 28801

Western Carolina Writers Showcase V

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– ALL AGES       – SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEWESTERN CAROLINA WRITERS Here comes the 5th Western Carolina Writers Showcase since the first production in July of 2022!  This showcase features these 9 incredibly talented local singer-songwriters:  Whitney Mongé, Melissa McKinney, Ben Balmer, Jeff Santiago, Tina Collins (Tina & Her Pony), Siena Christie, Steve Taton, Hunter Andrus, and Jim Swayzee.  There will be 3 rounds of 3 performers taking turns playing their original music with occasional spontaneous collaboration creating many magical moments that can only be experienced live.   Western Carolina Writers was established in 2019 by Nick McMahon, along with Jesse Frizsell and Thomas Yon, as a traveling “Songwriters-In-The-Round” style show.  The idea was to take turns performing original songs with fun moments of collaboration at venues all over Western North Carolina.   After about a dozen increasingly successful shows, McMahon started inviting other area songwriters to participate.  And now, after around 150 shows featuring close to 80 different local artists, the concept has become even more popular, fun and diverse.   In 2022, Mcmahon and current project partner, Stephen Evans, decided to take this show into the listening rooms and out of the noisy bars and breweries so the songs could really be heard and appreciated.  With four recent magical & successful songwriter showcases, three at The Grey Eagle and one at Ayurprana Listening Room, this decision has proven to be the right move.   So join us for another magical night of music on Sunday, March 10th at The Grey Eagle in Asheville, NC.

Tuba Skinny

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ALL AGESSTANDING ROOM ONLYTUBA SKINNYFor over a decade Tuba Skinny has grown steadily in popularity, releasing twelve albums and touring all over the world. They’ve attracted a wide variety of fans, young and old, neophytes and niche-enthusiasts, with the strength of their musicianship and the scope of their jazz and American roots music catalog. The band is composed of Shaye Cohn (cornet), Barnabus Jones (trombone), Todd Burdick (tuba), Craig Flory (clarinet), Gregory Sherman (guitar and vocals), Max Bien-Kahn (banjo), Robin Rapuzzi (washboard), and Erika Lewis (vocals and bass drum).While they’ve become known as world-class interpreters of traditional jazz, over the years they’ve branched out into jug band music, spirituals, country blues, string band music, ragtime, and New Orleans R&B. Their approach is a true reflection of Americana, encompassing the full genealogy of popular American music from an early 20th century perspective.No matter how well known they’ve become or how high profile their gigs have gotten, Tuba Skinny has always returned to the streets. “We continue to play in the street because it’s a public space,” says Shaye. “We get to play for everyone: old, young, rich, poor, people from all walks of life. It keeps things interesting because it’s organic and unpredictable.”

PATIO: Todd Cecil & Dirt Yard Choir

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ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVETODD CECIL & DIRT YARD CHOIR Genre-bending Americana Blues-Rock trio from Asheville North Carolina. Todd Cecil & Dirt Yard Choir is a mixture of music medicine ranging from Appalachian Swamp Rock to thought provoking Americana singer/songwriter. The trio has a dynamic range to please any crowd, and when it’s time to dance at the show, it’s hard to sit still. The members consist of Todd Cecil (songwriter vocal, guitar, guitar/bass cigarbox) – a Nashville songwriter scene transplant. Todd has traveled the world promoting his music and positive thinking through creative art and the belief in oneself. Mike Fore (Harmonica) – a South Carolina transplant Scott Harte: (Drums, Washboard and Spoons) – true-blue Asheville   Together the three make a monstrous sound with fun quirky and uplifting live performances that is uniquely their own.

Brent Cobb: Livin’ the Dream Tour

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ALL AGESSTANDING ROOM ONLYBRENT COBB The American south isn’t just Brent Cobb’s home. It’s his muse, too. A Georgia native, he fills his Grammy-nominated songwriting with the sounds and stories of an area that’s been home to southern rockers, soul singers, country legends, and bluesmen. Cobb has a name for that rich tapestry of music — “southern eclectic” — and he offers up his own version of it with his newest album, Southern Star.  “Down here, there’s a lot going on and there’s nothing going on at the same time,” he says. “You’ve got all these different cultures in the south, and everything is mixed in together. Otis Redding and Little Richard were from the same town in Georgia. So were the Allman Brothers. James Brown and Ray Charles grew up right down the road. All these sounds reflect the South itself, and that music has influenced the whole world. It’s definitely influenced mine.” Filled with country-soul songwriting, laid back grooves, and classic storytelling, Southern Star distills the best parts of southern culture into 10 of the strongest songs in Cobb’s catalog. He began writing the material after leaving Nashville — where he spent a decade releasing solo records like 2016’s Shine On Rainy Day (which earned a Grammy nomination for Best Americana Album) while penning hit songs for Luke Combs, Miranda Lambert, Little Big Town, and dozens of others — and returning with his family to Georgia. It was a time of change. Not long after celebrating the arrival of his second child, Cobb found himself mourning the death of his longtime friend, Jason “Rowdy” Cope of The Steel Woods.  “Rowdy was like my older brother,” says Cobb, who named Southern Star in part after a small-town bar that he and Cope used to frequent. “He loved the music that came out of Georgia, and he helped me appreciate it even more. A lot of artists like to branch out and become experimental as their career continues, but I sort of go the opposite way. I feel like I can never go wrong if I continue to get closer and closer to the core of who I am and what I love, musically. Coming back to Georgia helped me with that. Southern Star is the sound of me getting closer to the source.” Don’t let Cobb’s breezy songs about rural life fool you. There’s some serious complexity lurking beneath the surface. At first glance, “It’s a Start” unfolds like the soundtrack to a leisurely afternoon in the south, with Cobb singing the praises of crawfish, barbecue, and day-drinking. Dig deeper, though, and the song reveals itself to be something more universal: a reminder to appreciate the small things in life, stay mindful, and chase down new horizons at your own pace. To Cobb, there’s something distinctly southern about that message, too. “Sometimes, there ain’t shit going on down here,” he says with a laugh, “but since there’s nothing else to do, you learn to be laid back. You learn to use your imagination, and you wind up imitating your surroundings. These songs sound like the place that inspired them. On ‘It’s a Start,’ when the organ comes in, it reminds me of the sound of the cicadas and frogs you hear in the springtime.” Caleb CaudleForsythia, the latest studio LP offering from Caleb Caudle out now via Soundly Music, isa portrait of his truest self, of the artist at his most solitary and reflective.Thematically, it meets anticipation for the unknown future with nostalgia for the past, and reconciles both with meditation in the present.The album was recorded at the legendary Cash Cabin during the pandemic, and inspired by the solitude and symbols Caudle found in nature during that time. 

The Local Honeys

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ALL AGESSEATED SHOWLIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETHE LOCAL HONEYS Though many artists are defined by place, only a handful of artists come to define the places they’re from. The Local Honeys are Kentucky and Kentucky runs through their veins like an unbridled racehorse. When a master songsmith like Tom T Hall calls an artist “a great credit to a wonderful Kentucky tradition” it’s time to pull up a chair and pay attention. As it pertains to The Local Honeys he was right on the money. For almost a decade the duo (Montana Hobbs and Linda Jean Stokley) have been an integral part of the Kentucky musicscape. They’ve paid their dues, garnering countless accolades and accomplishments (tours with Tyler Childers, Colter Wall, praise from the New York Times) and have become the defining sound of real deal, honest-to-god Kentucky music.  With their self-titled debut on La Honda Records, (home of some of today’s most gifted songwriters; Colter Wall, Riddy Arman, Vincent Neil Emerson) the duo have set forth on a journey to create something true to themselves while pushing the envelope within the traditions they hold dear. Carefully crafted vignettes of rural Kentucky soar above layers of deep grooves and rich tones masterfully curated by longtime mentor Jesse Wells, Grammy nominated producer and musician (Assistant Director at the Kentucky Center for Traditional Music at Morehead State). “Jesse grew up with sisters. He was cut from the same cloth as us and we knew he would understand what we wanted to do.” What they ended up with is the most nuanced, moody, deep-holler sound they have captured to date. “This is the first time we’ve actively gotten to express who we are and where we’re from” says Linda Jean, “The songs on the album speak for us,” adds Montana “they’re about what we know, reflections of us as people. We realized we have the power to add our own narrative into Kentucky music.” Through that realization the two were able to uncover and dissect themes unique to Central Appalachia and in turn their own lives, capturing small moments in time that deliver thunderous results.  Throughout The Local Honeys, the duo demand to be interpreted as creators and storytellers, not just purveyors of tradition. Similarly, the sounds captured within the project cement their place as innovators and rule breakers. Rollicking banjo meets overdriven guitar hooks and blue collar rural grit is met with lush melodies and nimble harmonies; it’s a project filled with juxtaposition and it isn’t by accident. It’s reflective of who they are and who they run with. Wells along with The Food Stamps rhythm section – Rod Elkins (percussion) Craig Burletic (bass) and Clay City, KY’s irreplaceably one-of-a-kind Josh Nolan (guitar) all lent their expertise and signature groove as collaborators during the session creating a fluidity, warmth and cohesion that can only be created through friendship. The project was engineered in Louisville at Lalaland by Grammy winner Anne Gauthier.  PLANEFOLKJESSE LANGLAISBROTHERS GILLESPIE   

Jeremy Pinnell

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ALL AGESSTANDING ROOM ONLYJEREMY PINNELL When Jeremy Pinnell released OH/KY in the summer of 2015 to stunned acclaim, it felt like an entire career compressed into one knock-out album. Hailed as, a “Mind-blowingly good” (Greg Vandy/KEXP) “ ”tutorial on classic country music” (Popmatters), Pinnell’s debut immediately differentiated as authentic and unflinching. Dogged touring through Europe and the States and celebrated radio sessions followed, cementing Pinnell’s position as a no-fuss master of his craft. His 2017 album, Ties of Blood and Affection presented a canny lateral move. Instead of doubling down on the stark themes and values of his debut, the sophomore album found Pinnell finding comfort in his own skin, achieving the redemption only hinted at in his previous batch of haunted songs.  If the third time’s a charm, Pinnell is all shine and sparkle on Goodbye LA. Produced by Texan Jonathan Tyler, the tunes buff the wax and polish the chrome on Country music’s deeper roots. Rooted in his steady acoustic guitar, Pinnell’s songs are shot through with honest and classic elements. The rhythm section, all snap and shuffle, finds purpose in well-worn paths.  The pedal steel and Telecaster stingers arrive perfectly on cue, winking at JP’s world-wise couplets .  Here slippery organ insinuates gospel into the conversation.  You can feel the room breathe and get a sense of these musicians eyeballing each other as their performances are committed to tape.  And through it all comes this oaken identity, the devastating centerpiece of his work.  Honest and careworn, Jeremy’s voice can touch on wry, jubilant, and debauched – all in a single line.  At his best, Jeremy Pinnell chronicles the joy and sorrow of being human, which is the best that anyone could do. TIME SAWYER Time Sawyer’s name reflects the pull between the past and the future. The character Tom Sawyer evokes the rural background and love of home that the band shares. Time is a muse for songwriting; it’s the thread that runs through life, bringing new experiences and giving us a sense of urgency, while still connecting us with our past. The folk-rock band has performed on the stages of some of the Southeast’s most iconic festivals, including Merlefest, Floydfest, Bristol Rhythm and Roots Reunion, Albino Skunk Music Festival, and Carolina in the Fall. They’ve shared bills with American Aquarium, John Craigie, Hiss Golden Messenger, Langhorne Slim, John Moreland, Steep Canyon Rangers, The Wood Brothers, Susto, and many more.  

PATIO: The Mallett Brothers Band

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ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVETHE MALLETT BROTHERS BAND “FOUNDED IN 2009, THE MALLETT BROTHERS BAND HAVE HAD MULTIPLE LINEUP CHANGES AND STYLISTIC SHIFTS OVER THE YEARS, BUT THEY’VE REMAINED STEADFAST IN DELIVERING HEARTFELT SONGS WITH EMOTIONAL LYRICISM, VIVID IMAGERY, AND DYNAMIC MUSICAL TONES…” – NO DEPRESSION The Mallett Brothers Band is an independent rock and roll / Americana / country band from Maine. Their busy tour schedule since forming in 2009 has helped them to build a dedicated fanbase across the U.S. and beyond while still calling the state of Maine their home. With a style that ranges from alt-country to Americana, country, jam and roots rock, theirs is a musical melting pot that’s influenced equally by the singer/songwriter tradition as by harder rock, classic country and psychedelic sounds.

Willi Carlisle

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ALL AGESSTANDING ROOM ONLYWILLI CARLISLE For folksinger Willi Carlisle, singing is healing. And by singing together, he believes we can begin to reckon with the inevitability of human suffering and grow in love. On his latest album, Critterland, Carlisle invites audiences to join him: “If we allow ourselves to sing together, there’s a release of sadness, maybe even a communal one. And so for me personally, singing, like the literal act of thinking through suffering, is really freeing,” he says. Rooted in the eclectic and collective world of his live shows, Carlisle’s third album, Critterland takes up where his sophomore album, Peculiar, Missouri left off, transforming Peculiar’s big tent into a Critterland menagerie and letting loose the weirdos he gathered together. The album is a wild romp through the backwaters of his mind and America, lingering in the odd corners of human nature to visit obscure oddballs, dark secrets and complicated truths about the beauty and pain of life and love. Produced by the GRAMMY Award-nominated Darrell Scott and to be released Jan. 26, 2024 by Signature Sounds, Critterland considers where we come from and where we are going. On the album, he takes on human suffering through stories about forbidden love, loss, generational trauma, addiction, and suicide, believing that by processing the traits and trauma we inherit, he can reach a deeper understanding of what it means to succeed and to exist. NAT MYERSA poet with a staggering and true voice, Korean-American troubadour Nat Myers’ folksy blues and remarkable pickin’ are authentic, timeless, and enduring. The Kenton County, KY native’s delivery harkens to traditional blues giants, but it’s his unique blend of modern roots and Americana that continues to make crowds drop their jaws. Recorded live at the 100-year-old-plus home of producer Dan Auerbach, Yellow Peril is haunted with the ghosts of the rich history of the blues.

Kashus Culpepper

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ALL AGESSTANDING ROOM ONLYKASHUS CULPEPPER26-year-old Navy veteran Kashus Culpepper was born and raised in Alexander City, Alabama where he grew up singing in church and discovered the beauty of music of all genres. With influences ranging from Stevie Wonder and Howlin’ Wolf to Chris Stapleton and Ray Lamontagne, Kashus has developed his own unique singing style that has inspired crowds throughout Alabama and the Mississippi Gulf Coast where he became a fixture in the music scene playing covers and originals five nights a week. While playing in cover bars helped pay the bills, Kashus knew early on that he would much prefer that audiences sing along to his own original songs rather than the songs of others. It was with that in mind that he made the move to Nashville Tennessee where he has been welcomed by the songwriting and artist community.  He has since written some amazing songs that remain rooted in country, but reflect the wide range of music and artistry that have influenced him throughout his life. Be on the lookout for some of those songs to hit streaming platforms in the months ahead. BRENDAN WALTER Brendan Walter is a Dallas, TX, born and raised, singer/songwriter. For the last 18 years of his life he has been a semi-professional/collegiate hockey player and since retiring, in May of 2023, has been following his lifelong passion of being a musician. He has amassed over 150k followers between Instagram and TikTok, posting videos of covers and original music which has opened up the doors for him to perform live around the country and begin his dream of becoming a star in the music industry. 

Christie Lenée & Crys Matthews

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– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE Christie LenéeFrom crystalline picking to angelic songcraft, singer/songwriter Christie Lenée’s forthcoming new album reminds devout listeners and recently converted fans of her spiritual and sublime songwriting, featuring inspired lyrics and, of course, sensational guitar playing.A Tampa native and North Carolina resident, Lenée took First Place at the International Fingerstyle Guitar Championship in 2017, was voted Acoustic Guitarist of the Year by England’s MusicRadar in 2019, and was named Named “Best Acoustic Guitarists in the World Right Now” by Guitar World in 2020.Coming Alive, with its iconic guitar hooks and powerhouse vocal performances, is a giant leap forward. This time out, she decided to make everything bigger, brighter, and more electric. The first line of the first song, the title track (“I’ve got a feeling deep inside”), tells you everything you need to know: Lenée’s sixth album is a chronicle of joy and hope, of self-confidence and empowerment, of renewal and light. Crys MatthewsAlready being hailed as “the next Woody Guthrie,” Crys Matthews is among the brightest stars of the new generation of social justice music-makers. A powerful lyricist whose songs of compassionate dissent reflect her lived experience as what she lightheartedly calls “the poster-child for intersectionality,” Justin Hiltner of Bluegrass Situation called Matthews’s gift “a reminder of what beauty can occur when we bridge those divides.” She is made for these times and, with the release of her new, hope-fueled, love-filled social justice album Changemakers, Matthews hopes to take her place alongside some of her heroes in the world of social-justice music like Sweet Honey in the Rock and Holly Near. “I believe in hope,” Matthews said. “As a social-justice songwriter, it is my duty to keep breathing that hope and encouragement into the people who listen to my music.” And, from the title track to the last track, Changemakers does just that all while tackling some heavy topics like immigration, the opioid crisis, Black Lives Matter, and gun safety to name a few.“ Ani DiFranco said, “People used to make records as in a record of an event,” said Matthews, “so I hope that these songs will serve as a time capsule, a record of the events of the last four years and what it was like to live through them.” Crys Matthews’s thoughtful, realistic and emotional songs speak to the voice of our generation and remind us why music indeed soothes the soul. “I believe in hope,” Matthews said. “As a social-justice songwriter, it is my duty to keep breathing that hope and encouragement into the people who listen to my music.” And, from the title track to the last track, Changemakers does just that all while tackling some heavy topics like immigration, the opioid crisis, Black Lives Matter, and gun safety to name a few.“