- This event has passed.
William Elliott Whitmore
2021-12-12 @ 8:00 pm
- 7PM DOOR / 8PM SHOW
- ALL AGES
- SEATED SHOW
- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE
COVID-19 POLICY REMINDER: The Grey Eagle requires all patrons attending performances to provide proof of vaccination or negative test within 48 hours prior to the event. Currently Buncombe Co. mandates that masks be worn indoors. THIS MEANS YOU NEED TO MASK UP. Patrons will need to provide physical or digital documentation of COVID-19 vaccination or negative test. Professional negative test results must be dated no more than 48 hours prior to the event. At-home testing will not be accepted.
A man armed only with a banjo and a bass drum can be a formidable force, especially if his name is William Elliott Whitmore. With his powerful voice and honest approach, Whitmore comes from the land, growing up on a family farm in Lee County, Iowa. Still living on the same farm today, Whitmore has truly taken the time to discover where his center lies, and from that he will not be moved.
Whitmore has repeatedly carved his own path, honoring the longstanding tradition of folk music throughout his nearly 20 year career, while always allowing his blues, soul and punk rock influences to shine through. Getting his first break opening for his friend’s hardcore band with just a banjo in hand, he would discover bands like The Jesus Lizard, Bad Brains, Lungfish and Minutemen and soon learn to play his own brand of rural, roots music with that same DIY ethic.
William Elliott Whitmore has been back and forth across the United States and to cities around the world. He’s toured with such diverse acts as Frank Turner, Trampled By Turtles, Clutch and Chris Cornell to name a few. He’s appeared on some of the biggest stages around the world including Stagecoach Fest, Byron Bluesfest (Australia) and End of the Road Fest (UK). His willingness to take his show to any playing field has proved invaluable as he turned strangers to diehards with every performance.
WALTER DeBARRThe Walter DeBarr you see on stage today, smiling and playing and singing his heart out to devoted audiences, is not the same man he was even a few short years ago.
The early loss of a father he never met, his own young fatherhood, racism, bar fights, the death of his mother, addiction, prison, recovery… DeBarr has seen his share of trials. But through it all, music has been his beacon of hope. In his early years, it was his grandmother’s guitar and gospel hymns. Later, it was skateboarding to punk music, stacks of albums by independent artists, and moving out of his small hometown to follow the music to bigger cities–all the while dragging his own guitar around with him, from town to town and in and out of prison. Finally, after his last stint in prison, he began to find his voice in recovery and started writing his own songs.
His first EP, We Fall, We Break, was released in late 2019, followed by his single, “Eyes to the Sky,” in 2020. Compared to such artists as Gary Clark Jr., Tom Waits, Johnny Cash, and Bob Dylan, DeBarr’s raspy vocals and untrained, folky finger-picking are a style all his own. His songs often delve deep into stories of addiction and loss, but offer redemption and hope in the form of love and tight familial bonds.
When DeBarr isn’t playing solo acoustic sets, he plays with a full band that includes MacLean James on lead guitar, JD Thomas on bass, Cameron Miller on drums, Steven Schumann on cello, and his life partner, Pamela Kesling, on backup vocals. He and Kesling also occasionally perform as a duet under the name The Little Blue Hearts.
A music lover and promoter as much as a musician, DeBarr makes it his mission to spread love and good music wherever he goes. When the coronavirus pandemic hit in early 2020 and plans for tours and performances were canceled, he and Kesling formed the Appalachian Folk Online Music Festival to provide a venue to help musicians keep connected to their fans through a monthly full-day series of livestreams by their favorite independent artists.
Despite the pandemic wrench thrown in his plans just as his career was taking off, DeBarr has performed with such acts as Arlo McKinley & The Lonesome Sound, Ward Davis, Eric Bolander, Charles Wesley Godwin, Ritch Henderson, Jake Dunn & The Blackbirds, Hello June, 49 Winchester, and many more. He has performed on Red Barn Radio and headlined shows at the V Club in Huntington, West Virginia, Proud Mary BBQ in Lexington, Kentucky, the Sophisticated Hound in Princeton, West Virginia, and the Empty Glass in Charleston, West Virginia. Recently, he was named an Artist in Residence at the Kentucky Music Hall of Fame, where he also headlined a show.
TICKET DISCLAIMER: This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.