185 Clingman Ave. Asheville, NC 28801

The Grey Eagle Events and Worthwhile Sounds Present

OUTPOST: Grey Eagle 30th Anniversary w/ Budos Band, Amy Ray Band and more!

All Ages
Saturday, May 18
Doors: 2pm // Show: 3pm
$45
ALL AGES
STANDING ROOM ONLY 
LIMITED NUMBER OF VIP TICKETS AVAILABLE

BUDOS BAND

After a two-decade run with the legendary Daptone Records, Frontier’s Edge is the first new music from the group on the new label, Diamond West Records — run by The Budos’ saxophonist Jared Tankel and guitarist Tom Brenneck.

The Budos Band’s departure from Daptone was on good terms; the split from their long-time home base was an organic result of the band’s evolution.

“It’s just a natural growth,” Brenneck says, admitting: “We’re going further away from the sound of Daptone and into territory they probably wanted to stay away from.”

As a result, Frontier’s Edge finds the group hungry, passionate and primed to charge into their next epoch newfound sense autonomy within the collective.

“We’re a powerhouse in the studio; we can produce ourselves,” Brenneck says proudly of a long process of self-containment. “I take the helm, but the band, they know what they want.”

As expected from The Budos Band, Frontier’s Edge resists analysis; it represents the band as they are: a contained explosion. You don’t pick apart Frontier’s Edge; you feel it all at once.

Whether this is your first rodeo with The Budos Band or you’ve been following them throughout their two-decade run, Frontier’s Edge contains their musical universe — Afrobeat, Ethiopian music, proto-metal, any number of other streams — in microcosm.

Dime the volume and behold The Budos.

 
AMY RAY BAND

A lot of artists defy categorization. Some do so because they are tirelessly searching for the place they fit, while others are constantly chasing trends. Some, though, are genuinely exploring and expressing their myriad influences. Amy Ray belongs in the latter group. Pulling from every direction — Patty Griffin to Patti Smith, Big Star to Bon Iver — Ray’s music might best be described as folk-rock, though even that would be a tough sell, depending on the song.

Ray’s musical beginnings trace back to her high school days in Atlanta, Georgia, when she and Emily Saliers formed the duo that would become the Indigo Girls. Their story started in 1981 with a basement tape called “Tuesday’s Children” and went on to include a deal with Epic Records in 1988, a Grammy in 1990, and nearly 20 albums over more than 35 years.

Rooted in shared passions for harmony and justice, the Indigo Girls have forged a career that combines artistry and activism to push against every boundary and box anyone tries to put them in. As activists, they have supported as many great causes as they can, from LGBTQ+ rights to voter registration, going so far as to co-found a Native environmental justice organization, Honor the Earth, with Winona LaDuke in 1993. As artists, they have dipped their toes into a similar multitude of waters — folk, rock, country, pop, and more — but the resulting releases are always pure Indigo.

THE GREENLINERS

ELECTRO LUST