185 Clingman Ave. Asheville, NC 28801
– ALL AGES
– STANDING ROOM ONLY
OLIVER WOOD TRIO
Oliver Wood is a mainstay of modern-day American roots music. The frontman of the Wood Brothers since 2004, he’s spent the 21st century blurring the boundaries between folk, gospel, country-soul, and Americana, earning an international audience and a Grammy Award-nomination along the way. Always Smilin,’ his debut as a solo artist, continues that tradition while also shining new light on Oliver’s sharp songwriting, savvy guitar chops, and a voice that evokes the swagger of a Saturday evening picking party one moment and the solemnity of a Sunday morning gospel service the next.
Always Smilin’ is an album of bridges, mixing a wide range of collaborations with a uniquely personal touch. Guests include bandmates from Oliver’s musical past and present, from mentor and co-writer Chris Long (who performed alongside Oliver in King Johnson, the roots-rock band that dominated Atlanta’s music scene around the turn of the millennium) to percussionist Jano Rix (Oliver’s partner in The Wood Brothers). Blues heroine Susan Tedeschi, Hiss Golden Messenger’s Phil Cook, Medeski Martin & Wood’s John Medeski, Tedeschi Trucks Band’s Tyler Greenwell, Nashville staple Phil Madeira, and singer/songwriter Carsie Blanton also make appearances, with Rebecca Wood — Oliver’s wife — handling the album’s handmade linocut cover art. For Oliver, the goal was simple: to collaborate freely with a mix of old friends and new partners, embracing a new level of independence.
Longtime fans don’t need to worry; Oliver remains fully committed to the Wood Brothers. When the Covid-19 pandemic forced the band to clear its touring schedule and spend most of 2020 at home, though, he began gathering together the solo material he’d been writing with other musicians. Gradually, almost surprisingly, an album began taking shape.
“People would come through Nashville during the year before the pandemic, and I’d set up a co-write or a jam in our studio, just to do some stuff outside of my own band,” he explains. “There wasn’t an album in mind. I just wanted to be creative. But when the pandemic happened, the songs started building up.”
There was plenty of stress to go around in 2020, but Always Smilin‘ — like its title suggests — is mostly an album of celebration. While “Get the Blues” addresses the struggles of the modern moment, songs like “Roots” and “Molasses” focus on brighter topics, from finding one’s center to embracing a simpler way of living. That diversity is reflected throughout the track list: on gospel covers like “The Battle is Over (But the War Goes On)” and “Climbing High Mountains (Tryin’ To Get Home)”; on country-soul standouts like “Soul of This Town”; on the tongue-twisting craft of “Kindness.” Oliver even makes room for an unlikely percussion instrument — the chicken coop — that once played a major role in his pre-Wood Brothers projects.
Always Smilin‘ celebrates the full range of Oliver Wood’s musical heritage, from the blues and gospel sounds he explored long before the Wood Brothers’ formation to the American roots music he’s been making during the past two decades. It’s an album of collaborations and communal recordings, spearheaded by a longtime team player who, for the first time ever, is making the final decisions himself. There will be more Wood Brothers music in the future, but this is an album about the present. An album about right now. And right now, Oliver Wood is smiling.