ALL AGES
STANDING ROOM ONLY
Grammy-winning fiddle virtuoso Bronwyn Keith-Hynes is stepping into the spotlight. After several years of wowing audiences as the fiddler for Molly Tuttle & Golden Highway, the 2x IBMA Fiddle Player of the Year is striking out on her own – fronting a band for the first time and bringing her voice to the forefront. Known for her fiery fiddle playing and pure, rootsy singing, Bronwyn Keith-Hynes’ debut vocal album ‘I Built A World’ earned her a Grammy nomination this past February, and American Songwriter calls her “a world-class fiddler with a golden voice.”
Now, as her own entry in bluegrass history expands from celebrated instrumentalist to bandleader and front woman, Bronwyn isn’t just crafting a career in the image of genre greats like Sam Bush and Jerry Douglas; she’s bringing them along for the ride. Both Bush and Douglas are featured as players on I Built a World, and they’re not the only of Bronwyn’s musically-inclined pals and heroes to make an appearance on this star studded album.
Keith-Hynes’ music blends high octane bluegrass sensibilities with the soul of country and American Roots music. Backed by a powerhouse group of Nashville musicians hand picked from her tight-knit community, Keith-Hynes represents the next generation of top tier bluegrass musicians, who will be appreciated for generations to come.
With a career that has already spanned collaborations with some of the biggest names in acoustic music, Bronwyn is now forging her own path—bringing her undeniable talent to audiences in a whole new way.
By their name, you know where they are from, and by their sound, you know what they are about. The Asheville Mountain Boys are on a mission to capture not just the style but the spirit of traditional bluegrass. Asheville, NC has long been known for great music and its roots in bluegrass go back to the founding of the genre (Bill Monroe’s first broadcast performance as the Bluegrass Boys was at Asheville radio station WWNC in 1938) A group that firmly stakes its claim to the tradition of the music from the area, The Asheville Mountain Boys spring onto the scene with a thought,” What happened to bluegrass?” It’s not a disparaging one that condemns current styles in the genre but rather asks, “Why do we love this music in the first place” and answers with an approach that is true to the originators of the genre in the sense of both style and philosophy. Bluegrass is raw emotion, excitement, drive, and authenticity. It is not sanitized or compromised but a reflection of the lives of those who play it. It’s storytelling that follows a throughline of tradition. With these priorities in mind, they offer their first in a series of live-recorded singles.
