OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
MUDHONEY
– ALL AGES- STANDING ROOM ONLYMUDHONEY The world is filling up with trash. Humanity remains addicted to pollution despite the planet getting hotter by the minute. People are downing horse dewormer because some goober on television told them it cured COVID. Tom Herman of pioneering avant garage band Pere Ubu still doesn’t have his own Wikipedia article. The apocalypse, it seems, is stupider than anyone could’ve predicted. Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based band Mudhoney. The foursome take aim at all of them with barbed humor and muck-encrusted riffs on Plastic Eternity, their 11th studio album. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans like livestock (“Human Stock Capital”), Plastic Eternity is a heady run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. The recording of Plastic Eternity delivered several firsts for the band. With Maddison planning on moving his family to Australia, Mudhoney was forced to work on a deadline, booking nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. Since the pandemic had made it impossible for them to convene in their practice space for nearly a year and a half, this meant they were going in to make a record with an assortment of half-forgotten riffs and nascent ideas rather than fully-fledged, well-rehearsed songs. This was unusual for a band used to writing songs by “standing in a room and looking at each other and playing,” says Arm. “We had the time and space to think about things as we were doing them, and to make a kind of course correction—to use a fucking terrible cliche.” They built “Flush the Fascists” around a looping synth line, broke out a harmonizer on two tracks, added a vocoder to “Plasticity,” and even created a protest song out of a spontaneous jam on “Move Under,” the chorus of which Arm calls “something the Runaways might have come up with if they were us.” “Undermine the foundations/ Of the lies that they repeat,” implores Arm on the chorus. “You gotta move under/ Until it all comes down.” So it seems, despite its mordant delivery and crusty exterior, Plastic Eternity is not just a rebuke to the constant attacks on our intelligence and our planet—it’s an ode to the connections we make with other living beings. What is the persistence of Mudhoney but a testament to that? When asked why they continue making records nearly four decades after forming, Arm’s answer is simple. “We like each other and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do.”HOOVERIII
LATE SHOW: Brian Sella
– ALL AGES- STANDING ROOM ONLY- LATE SHOW (9:30PM DOORS / 10PM SHOW)BRIAN SELLA (OF THE FRONT BOTTOMS)
PATIO: Arnold Hill
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEARNOLD HILLArnold Hill is an alternative rock and Americana band based out of the Great Smoky Mountains of North Carolina. Identified by our lyrical storytelling, rich three-part harmonies, and dynamic instrumentation, Arnold Hill brings presence and energy to every stage we play.Arnold Hill released our first original LP, “Back To Life”, in 2019. As a follow-up to the success of our first album, Arnold Hill has released our second album, “How To Run” in 2021. Both albums can be found on all major streaming platforms. We are currently working on a ton of new material and look forward to releasing 2 EPs in 2023!
OUTPOST: Bearly Dead
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEBearly Dead is an all-star cast of players with deep roots in the New England jam & festival scene. While the band plays all of the Grateful Dead classics, they also dive into an extended catalog, which may include any song that any member of the Dead ever performed. With over 230 songs in rotation and new material being added all the time, Bearly Dead performs wildly different setlists every night and ensures that each show is a unique experience. With no designated “Jerry” or “Bobby”, this band is able to breathe new life into songs with their fresh, high-energy approach to them. Bearly Dead is a setlist-nerd’s dream! Founded during an intense snowstorm in April 2015, Bearly Dead played its first show at Church of Boston, marking the beginning of its hallowed Wednesday Night Residency. In September of that year, Church was sold and the band found a new home on Wednesday nights at Thunder Road in Somerville. During their 5 years at Thunder Road, Bearly Dead was nominated twice for the Boston Music Award’s “Live Music Residency of the Year,” and burst onto the scene as New England’s premier Grateful Dead tribute band. The phrase “Never Miss A Wednesday Show” became ubiquitous around Boston…and you really never knew what might happen! Bearly Dead’s Wednesday Night Residency at Thunder Road continued unabated every week since its inception in September 2015 until the club’s closing in 2020. Thunder Road was a beacon to all musicians on Wednesday nights to join in the fun, with notable appearances by Mike Campbell (Tom Petty & The Heartbreakers), Paul Wolstencroft (Slightly Stoopid), Steve Molitz (Particle/Phil Lesh & Friends), Kebbi Williams (Tedeschi Trucks Band), Rob Compa (Dopapod), Hayley Jane (Hayley Jane & The Primates), Johnny Trama (Dub Apocalypse), and Gary Backstrom (Gary Backstrom Band); and a surprise appearance by Jerry Garcia’s “Wolf” guitar in 2018 on Jerry Garcia’s birthday! The Wednesday Night Residency was briefly revived in 2021 at The Burren and Sonia before officially ending in May 2022.
PATIO: The Old Futures
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVETHE OLD FUTURESThe Old Futures are an indie rock band based in Asheville, NC that started as a recording project in 2019 between longtime friends Matt Cremeens (drums, vocals) and Danny Rangel (guitar, vocals, keys). They are largely influenced by classic rock and blues rock, but also have ties to Americana stylings. They released their first self produced album in the summer of 2020, followed by a few singles and another album in 2022, and are constantly recording. The Old Futures have added members, Michael Clem (bass) and Nick Pirtle (guitar) to contribute to an ever evolving sound.
PATIO: Clay Johnson and the Hard Promises
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVECLAY JOHNSON AND THE HARD PROMISESClay Johnson & the Hard Promises, From Spartanburg, SC, were formed in the midst of 2020 as the backing band for solo musician Clay Johnson. Tying together the classic traditions of southern folk music along with modern takes on Country/Americana; the band brings together sounds across multiple American genres with an earnest southern flavor.
Miami Gold
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEMIAMI GOLD Miami Gold is based in Asheville, NC. It is known for playing tight, energetic, and convicted rock n roll; an ability to musically style-shift while remaining true to its core rock sound; and a deep musical chemistry featuring lead guitar and a hard hitting rhythm section. The power trio have played with respected musicians and producers in a variety of live settings and recording studios. Miami Gold is led by Joel Schantz, a guitarist, singer, and songwriter who fuses smart phrasing and intensity to create an emotionally and sonically engaging guitar style. As a frontman, Joel’s conversational musings and deadpan humor quickly establish a rapport with audiences. Joel has played with some of the luminaries of the rock world, as well as recorded 2 albums under the tutelage of legendary producer Tom Dowd (Allman Bros, Eric Clapton, Eagles, Otis Redding, Aretha Franklin, Thelonious Monk, etc.) Joel’s brother, Ari, is the band’s drummer. His thunderous drive, skillful technique, keen sense of song construction, and attuned ear are a rare combination among rock drummers. Didier Rubio, the band’s bass player, writes heavy riffs that focus the band and lay a solid foundation for its guitar-centric sound.
An Evening With The Church
– ALL AGES- STANDING ROOM ONLY- VIP MEET & GREET PACKAGES AVAILABLE INCLUDING: Access to soundcheck performance Exclusive Meet & Greet with The Church Merchandise shopping before doors open to the general public VIP Merch Package inc: Tote Bag, Signed Copy of New Album ‘Hypnogogue’ on CD, Commemorative tour laminate, and more…. Very Limited availability THE CHURCH Few bands enter their fifth decade of making music with all the fierce creative energy of their early years. Few bands are like The Church. The Australian psych-guitar masters are deep into recording the band’s 25th studio album over 40 years after their formation. The 2021 epic line-up is bassist, vocalist and founder Steve Kilbey; with longtime collaborator timEbandit Powles drummer and producer across 17 albums since ’94; guitarist Ian Haug who joined the band in 2013 and Jeffrey Cain, touring multi-instrumentalist who is now a full-time member of The Church since the departure of Peter Koppes in early 2020. The band have also recently recruited one of Australia’s finest and most respected guitarists Ashley Naylor (Even, The Grapes). Ashley and Steve have collaborated on many different projects over the years and now was the perfect time to bring Ashley into the band. Kilbey says: “A band is like a family and over 40 years it is only natural that families will change. It’s too big a body of work not to keep exploring it.” That body of work stretches back in a continuous line to classic early albums ‘Of Skins and Heart’ and ‘The Blurred Crusade’, which revealed a distinctive soundscape of sharp pop hooks and towering guitars complementing Kilbey’s lyrics and vocal tones. The more intricate arrangements of ‘Heyday’ gave way to the wide-open atmosphere of ‘Starfish’ the 1988 album which broke into the mainstream and gave them the international hit ‘Under the Milky Way’. The hit single has been regarded as one of the most influential and recognisable Australian rock anthems of all time. Starfish also gave us ‘Reptile’, a song that never seems to date, and is a live favourite around the world. In 2010 The Church were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame and reaffirmed their status as one of the world’s great live bands with the ‘Future Past Perfect’ tour, performing their Untitled #23, Priest=Aura and Starfish albums to rapturous audiences in the US and Australia. The five-year gap after the release of Untitled #23 became the most extended break between new albums in the band’s career. Haug, formerly of Australian rock icons Powderfinger, joined after the departure of Marty Willson-Piper, sparking a renaissance with Further/Deeper (2014) and Man Woman Life Death Infinity (2017) and introducing new anthems like Miami to the set. In 2018 the band played the Meltdown Festival in London at the invitation of curator Robert Smith of The Cure. The Church went on to play sold-out shows in the UK, US, Canada and Australia celebrating the 30th anniversary of the release of Starfish.
