Friendship w/ Natalie Jane Hill
ALL AGESSTANDING ROOM ONLY FRIENDSHIP Music for sleeping and waking, walking and driving, hunting and fishing, for loitering outside a roadhouse on the haunted tundra. Okay in elevators, not great for dinner. On Caveman Wakes Up Friendship’s new album and second for Merge Records, the band’s historically capacious definition of country music grows wider still. Shambolic guitars are offset by flute pads, bleary poetry is set against a Motown rhythm section, a song about Jerry Garcia and First Lady Betty Ford fades out with a drum solo, like if Talk Talk came from a dingy Philadelphia basement, and was fronted by James Tate. Songwriter Dan Wriggins’ ragged baritone cuts through eleven murky, swirling country-rock songs with profound lyrical substance and sincerity. Like an alarm clock incorporated into the edge of a dream, Caveman Wakes Up belongs equally to the conscious and subconscious mind, fraught with background, steeped in reference and experimentation, delivered casually and as a dire warning, dedicated, above all, to music’s creative soul. Over the years, dedication has paid off. Friendship has become a kind of reverse supergroup, wherein the band itself and each individual member is located centrally in an increasingly prominent scene of young folk and country musicians and songwriters. Drummer Michael Cormier O’Leary leads the instrumental collective Hour and, along with bassist Jon Samuels, run Dear Life Records, home to friends and peers who count Friendship as a major influence, including MJ Lenderman, Florry, and Fust. (Samuels also plays lead guitar in MJ Lenderman and the Wind). Guitarist Peter Gill’s band 2nd Grade records prolifically. Wriggins began writing the songs of Caveman Wakes Up on a downtuned classical guitar of Lenderman’s, and finished on a barely-tuned piano in an apartment he shared with Sadurn’s G DeGroot. In the summer of 2023, Wriggins had just left the Iowa Writers’ Workshop, where his love for poetry and mistrust for the academic poetry world grew in tandem. A relationship fell apart, and Wriggins crashed for several weeks at Lenderman’s and Wednesday’s Karly Hartzman’s home in North Carolina, where he recorded the first demos of “Resident Evil,” “All Over the World,” and “Love Vape.” Wriggins returned to Philadelphia, and the band got to work on new ideas, finally tracking the album in five days with engineer Jeff Ziegler (Mary Lattimore, War on Drugs). NATALIE JANE HILL Natalie Jane Hill’s new record, Hopeful Woman, is composed of slender songs, life-sized, in which humans endeavor to reconcile themselves to wildernesses and cities; rearrange their rooms and open windows to be closer to the world outside and its choruses of frogs and crickets; attempt and fail to reach one another across a kitchen table; weather natural disaster. If something we might deign to call self-discovery emerges over the course of these narratives, it owes in no small part to the scale of their scenes, to the modesty of their ambitions, in which tumult and adaptation and growth are metabolized through a body’s gentle actions and reactions, its moments of quietude and observation and reflection. “Into the current of life I will fly,” Hill sings on Oranges, a song that would serve her well as a mission statement. “Changing and loving and growing and trying.”
Satsang (solo): The Story of You 10 Year Anniversary Tour
ALL AGESSTANDING ROOM ONLY **PRE-SHOW VIP EXPERIENCE TICKETS AVAILABLE** **PRE-SHOW VIP EXPERIENCE TICKETS INCLUDE: One general admission ticket, Early venue entry, Intimate soundcheck performance by Satsang (Solo), Q&A session with Satsang, Collectible tour poster, signed by Satsang, Commemorative pre-show tour laminate SATSANG Drawing inspiration from a diverse array of musical traditions, Satsang’s sound is characterized by rich harmonies, infectious rhythms, and thought-provoking lyrics that resonate with audiences across the globe. With roots in the mountains of Montana, Satsang’s music reflects the natural beauty and spiritual depth of his surroundings, while also addressing contemporary issues and themes. At the heart of Satsang’s music is a message of unity, self work, and mindfulness. Through the uplifting melodies and introspective lyrics, the music encourages listeners to reflect on their own experiences, cultivate positive change, and embrace the interconnectedness of all beings. With a reputation for captivating live performances and a dedicated fan base, Satsang continues to inspire audiences with his soul-stirring music and heartfelt lyrics. Whether performing at intimate venues or large festivals, the show’s infectious energy and profound message leave a lasting impression on all who hear it. In a world that often feels divided, Satsang offers a beacon of hope and positivity. Reminding us all of the transformative power of music, intention, and community. JOEY HARKUM For his entire life Joey Harkum has been strumming a guitar and after a decade of touring as the lead singer and songwriter of Baltimore-based band Pasadena, he released his debut solo album, Love and Labor, to critical acclaim in 2016. Along with a relentless touring schedule Joey has most recently been working on his 5th studio album One Foot In The Grave’ which released on August 22nd 2025. The album saw a cross country tour to support the release extending from fall into winter. Known for his deep and poignant lyrics telling stories of joy, love, loss and sadness, Joey brings the human experience to life through his relentless tour schedule that culminated in the release of Live at Buffalo Iron Works in 2018. 2020 brought new challenges but Joey responded with writing and recording new music and released his album Storyboard in March of 2021. Immediately following the release of Storyboard, he started work on his follow up album Salt and Tar which was released in spring 2022 and followed by his 4th studio album The Art Of Revenge which was released in March of 2024. Catch him on tour now or online at joeyharkummusic.com.
Jordana
ALL AGESSTANDING ROOM ONLY JORDANA Jordana’s music has always possessed a unique sense of place. You can hear the stillness of a Kansas bedroom on her 2020 debut Classical Notions… Humid late night New York walks on her double EP Something To Say To You. There’s the kaleidoscopic otherworldliness of Summer’s Over, her collab release with TV Girl. The unmistakable sunshine of LA on 2024’s Lively Premonitions. But on her new semi self-titled project, Jordanaland, the 25-year-old songwriter has officially crafted a place all her own. “Jordanaland is definitely an escape from Americaland. It looks a lot like LA in the videos…for some reason. Weird,” muses Jordana. “But it’s wherever you want it to be, just close your eyes.” Recorded with her friends Charlie Kilgore & Julian Kaufman of offkilter pop group MICHELLE, the EP drops Jordana in her most brightly-colored surroundings yet. Mixed by a pair of Grammy Award winners in Olli Jacobs (Kendrick Lamar, Taylor Swift, beabadoobee) & David Pizzimenti (Ella Mai, Ed Sheeren, Travis Scott), these songs soar with a sonic confidence that has previously only made occasional appearances in her discography. “Pop music was definitely the goal,” says Jordana. “Self assured, confident pop. I think the evolution came from becoming more comfortable with my voice, a more established sound, and also looking up to artists who let it all out in that way. I was pretty intimidated at first, because I love MICHELLE. They’re powerhouses. So I tried leaning into their energy, and I’m in love with what we made.” Of course, if her catalog is any indication, this might simply be a pitstop in a world of pop, but it’s a fully realized one. And in Jordanaland, she’s running for president. And she’s ruling with a very adorable iron fist. At the same time, the EP is littered with picture-perfect love songs & down bad kissoffs. The revved-up jangle pop of “Burning Me Down” and yearning ballad “I Wanna Be” are universal tracks about relationships, while the lithe “Blouse” is about one-sided romantic intimacy and wondering if there’s potential for more. Jordana has come a long way from that still Kansas bedroom in 2020, reinventing herself and her surroundings multiple times over. “It does feel liberating,” says Jordana, of her reputation as a genre chameleon. “There’s no expectation for me, or at least no expectation I’m paying attention to. I get to try new things all the time. It’s kind of like going to a theme park and seeing a bunch of your favorite rides and running over to each of them in excitement — each ride offers so many different feelings and experiences, that it’s so hard to choose only one to ride for the rest of the day.” If you want to find her today, she’s riding a dazzling rollercoaster named Jordanaland. Tomorrow? We’ll have to wait and see where the journey leads. the booyah! kids The booyah! kids are a three piece indie outfit from NYC. Julian, Aidan, and Emma sing together, telling stories from their bedrooms. A good booyah song should feel like a friend of yours.
The Nude Party
ALL AGESSTANDING ROOM ONLY THE NUDE PARTY For The Nude Party, nearly a decade has flown by in the blink of an eye. In that time, the New York-based band has released a pair of well-received albums, an EP, and played countless shows. Prior to the pandemic, the band was really starting to hit its stride. They had a system in place and were spreading their brand of melodic rock to the masses. In fact, they could count Jack White, Arctic Monkeys, and Orville Peck as vocal supporters, which led to support slots for each. Soon, incredible live appearances at Bonnaroo, Lollapalooza, Newport Folk Festival, and Shaky Knees became the norm. Over the course of the last two years, The Nude Party decided to produce their new album, Rides On, themselves. With the help of Matthew Horner, The Nude Party had as much fun creating as they ever had at any other point in their career. Their new album includes 14 songs that dabble in electro-pop and stripped-down country. The Nude Party coalesced and embraced the spirit of collaboration. They’re excited to begin the next chapter of their career. At a time when it would have been easy to pack it in, the band continues to persevere. TOBACCO CITY Tobacco City is a Chicago-based band that blends cosmic country with a mix of psychedelic rock and honky-tonk soul. Their sound captures the essence of small-town nostalgia while embracing modern-day themes, exploring heartache, longing, and the bittersweet nature of life. With their uplifting energy and authentic songwriting, Tobacco City continues to carve out a unique space in the country-tinged Americana scene.
Say She She: Cut & Rewind Tour
ALL AGESSTANDING ROOM ONLY LIMITED NUMBER OF VIP PACKAGES AVAILABLE, INCLUDING: ● One (1) General Admission ticket ● Invitation to pre-show cocktail hour with Piya, Sabrina and Nya, including: ● Meet & Greet ● Personal photo opportunity ● Q&A Session ● Early access to a cash bar (where applicable) ● Commemorative VIP laminate ● First access merch shopping and a 15% off coupon redeemable at this show only ● Early entry into the venue SAY SHE SHE Thereʼs nothing more resonant than the human voice. It contains timbres and textures no other instrument can replicate, but most importantly, itʼs immensely powerful: One voice can spark an uprising, but many voices in unison create a movement. Nya Gazelle Brown, Sabrina Cunningham, and Piya Malik, the three women who front NYC punk-chic, discodelic band Say She She, understand how to wield such power. They soar above irresistible grooves, locking together in gorgeous three-part harmonies that cleverly disguise the feeling of righteous rebellion permeating their music. Theirs is a multi-pronged call to action: Move your body, expand your mind, and recognize your strength. Say She She, whose name pays homage to Nile Rodgers, made Cut & Rewind, their third record, almost immediately after wrapping the tours supporting 2023ʼs Silver. The bandʼs trajectory has skyrocketed over the past few years, earning praise from The Guardian, the LA Times, MOJO, and NPR, and touring with Thee Sacred Souls. They have performed at venues like the Hollywood Bowl in Los Angeles and the Roundhouse in London, as well as festivals including Glastonbury, Austin City Limits, and Pickathon. Theyʼve long mined the sounds of the ’70s and ’80s, citing Minnie Riperton, Rotary Connection, Liquid Liquid, and ESG as influences. Cut & Rewind expands their scope, incorporating elements of Lonnie Liston Smith and the Lijadu Sisters into their sonic palette while channeling the spirit of contemporaries like Lambrini Girls and Amyl and the Sniffers. It all combines into a psychedelic soundscape of pulsing disco beats, astral whistle tones, and earwormy melodies. Katzù Oso Katzù Oso is a Chicano artist born and raised in the heart of Los Angeles. His melodic vocals and contemporary sounds are infl uenced by his multicultural upbringing in East LA and Boyle Heights. After the release of his two buzzworthy harmonic EPs, Colour, and Pastel, Katzù Oso takes us to another alternative dimension with his debut album, Tmí. Oso’s album is a timeline portal into his hero’s journey growing up in his Boyle Heights neighborhood. From the heart and soul he brings to life una historia de amor to escape the current reality and transcend into a melodic universe fi lled with synthesizer and upbeat tempos. Visually, our hero takes on the new alter ego with the Luchador mask, a symbolic representation of his roots and serves as an ode to his Chicano cultura.
Twen
ALL AGESSTANDING ROOM ONLY TWEN Twen is a van-lifeing rock band that emerged onto the east coast music scene in 2017 with their distinct blend of shoegaze, indie rock, and post-punk influences. Though the band was formed in 2016 by lead vocalist Jane Fitzimmons and guitarist Ian Rollins Jones, their emergence post-pandemic has marked the beginning of what is essentially an entirely new project; save for their keeping the name “Twen”. This latest chapter is marked by the band booking their own tours, designing and screen printing their own merch, directing and editing their own music videos, and producing and mixing their own albums; all to a degree which would seem impossible to believe, if you didn’t know that they also built their own mobile-home from scratch and have been living in it, traversing the North American continent for the past 3 years. The duo-led 5 piece are readying their 3rd LP to be released in 2024, but have already debuted lead single ‘SeaStar’; an early 00’s throwback to Southern California beach anthems that finds the band further evolving from the coy, shoegaze aesthetics of ‘Awestruck’ (2019) – to a modern classicism; characterized on their 2nd LP ‘One Stop Shop’ (2022) by political (yet hopeful) lyrics, indelible hooks and a home-grown sonic mix that rewards the listener with each subsequent spin. With over 350 shows under their belt across North America and Europe, including arena appearances supporting Rainbow Kitten Surprise, Wet Leg, Whitney, Tacocat, & White Reaper, Twen’s live show exhibits their all-around relevance as a DIY rock band thriving in the digital age.
[CANCELED] ARIEL PINK: With You Every Night Tour 2025
Tonight’s Ariel Pink show has been canceled. The band’s tour bus broke down en route to Asheville and they will not be able to make it to town in time. Ticket holders will be contacted regarding refunds. We apologize for the inconvenience. ALL AGESSTANDING ROOM ONLY ARIEL PINK DAVID STAGNO Guitar / KeysSHAGS CHAMBERLAIN BassALAN CONNOR DrumsARIEL PINK Vocals David, Shags and Alan were childhood friends. Alan loved Led Zeppelin, David loved Milli Vanilli, so they formed a band inspired by their love of Zeppelin and Milli Vanilli. Ariel audiMoned to sing last minute.
RATBOYS: When the Sun Explodes Tour 2026
ALL AGESSTANDING ROOM ONLY RATBOYS Despite its title, Ratboys’ new album “Singin’ to an Empty Chair” is not defined by what’s missing. Rather, it’s the beginning of an important dialogue with a close loved one vocalist Julia Steiner finds herself estranged from. The music on the band’s sixth studio album – its first for New West Records – fills the space that person left behind with 11 songs showcasing Ratboys at the peak of their powers — twangy, effervescent, as confident as they’ve ever been, and perhaps more emotionally interrogative than ever before. The four-piece Chicago band followed up 2023’s highly acclaimed “The Window” by reconvening with co-producer Chris Walla to begin tracking at a rural Wisconsin cabin before taking the songs to Steve Albini’s famed Electrical Audio studios in Chicago and later to Rosebud Studio in Evanston, Illinois. The results veer from bubbly power-pop on “Anywhere” to irresistible post-country on “Penny in the Lake,” along with heart-piercing ballads like “Just Want You to Know the Truth” and an exhilarating detour into the extraterrestrial on “Light Night Mountains All That,” which Steiner dubs the band’s mammoth “wormhole jam.” “Singin’ to an Empty Chair” also marks the first Ratboys album written since Steiner began therapy, which the singer/lyricist credits for the clarity found across the album’s unflinching examinations of relationship and self. Fittingly, as the album begins by extending a hand into the void, it concludes with a scene of serenity – all while weaving candid honesty, humor, chaos, and whimsy along the way. “It’s not all doom and gloom,” Steiner says. “The experience of making this record definitely gives me hope for whatever happens next.” FLORRY For ‘Sounds Like…’ Florry’s sophomore effort as a fully realized band, Francie Medosch and Co. decamped to Drop of Sun studios in the nest of the Blue Ridge Mountains to record with Asheville wunderkind Colin Miller, a critical voice behind the records of MJ Lenderman, Wednesday and Merce Lemon and a powerful songwriter in his own right. Three powerhouse days in late 2023 solidifi ed writing work done by the band earlier that summer in the now defunct Haw Creek compound under Miller’s guiding suggestion. The result is a portrait of a ripping band cresting towards the height of their powers, uniquely equipped to capture a wildly loving, barn-burning camcorder clip of a turbulent trip with your best friends, without dipping into nostalgia bait. Lyrically, Medosch’s utterances are both careful and excessive, the product of sifting through the rubble of classic good-time media, and fi nding what works for both her and her community to reach the heights of abandon.“The Jackass theme song was actually a really big influence on the new album.”
DAIKAIJU
ALL AGESSTANDING ROOM ONLY DAIKAIJU “This is what you need to know about Daikaiju: They’re loud. They’re all instrumental (duh). And they’re the band to see if you want to experience surf rock at its most offensive.” – Kelly Weidman, The Informer Daikaiju is a mysterious chimera of sound and imagery that was first sighted in the winter of 1999. Entities of sonic mayhem, Daikaiju takes the sound of waves crashing and shrieking atomic lizards and makes it rock in a way that instills shock and awe in all who experience their shows-a highly interactive and confrontational performance that literally draws the audience into the massive vortex of sound generated by the band. Concealed behind masks, this troupe of mystery people create a mutant style of epic, high energy instrumental rock that seamlessly incorporates a wide variety of musical styles including surf, punk, noise, metal, psychedelic and progressive rock. Like its namesake, the music of Daikaiju is a great, mysterious beast. Compelling melodies, hard-hitting riffs and shifting dynamics fuse together to create songs that dare the listener to experience the secret history of the universe-a fantastic reality of giant monsters, super humans, and extraterrestrial invasions that unfolds like the soundtrack of the greatest monster movie never made. BAD FIDELITY IMPENDING JOY The absolutely unfettered energy of Asheville’s psych/garage band Impending Joy begs to be heard live. The driving surf punk-esque sound has to be enjoyed communally. It has the unifying spirit that solidifies what it means to be young or young at heart. It gleefully slams the point home, it rocks no matter what sub-genre you want to call it, somewhere between Surf Curse and OSEES is close enough.
GODSPEED YOU! BLACK EMPEROR at Pisgah Brewing Co. (outdoor stage)
THIS EVENT HAS BEEN MOVED TO PISGAH BREWING COMPANY’s OUTDOOR STAGE LOCATED AT 2948 HWY 70 IN BLACK MOUNTAIN, NC. TICKETS PURCHASED FOR ORIGINAL LOCATION (HATCH AMPHITHEATER) WILL BE HONORED. ALL AGES STANDING ROOM ONLY GODSPEED YOU! BLACK EMPEROR Godspeed You! Black Emperor released a string of albums from 1997-2002 widely recognized as redefining what protest music can be, where longform instrumental chamber rock compositions of immense feeling and power serve as soundtracks to late capitalist alienation and resistance. The band’s first four releases—especially F#A#∞ (1997) and Lift Your Skinny Fists Like Antennas To Heaven (2000)—are variously regarded as classics of the era and genre. Godspeed’s legendary live performances, featuring multiple 16mm projectors beaming a collage of overlapping analog film loops and reels—along with the distinctive iconography, imagery and tactility of the band’s album artwork and physical LP packages— further defines the sui generis aesthetic substance, ethos and mythos of this group. GY!BE has issued two official band photos in its 25-year existence (the second, left, a 2010 recreation of the first from 1997) and has done a half-dozen collectively-answered written interviews over that same span. The band has never had a website or social media accounts. It has never made a video. Few rock bands in our 21st century have been as steadfast in trying to let the work speak for itself and maintaining simple rules about minimising participation in cultures of personality, exposure, access, commodification or co-optation. Following a seven-year hiatus that began in 2003, Godspeed returned to the stage in December 2010 (curating the UK festival All Tomorrow’s Parties) and the band’s post-reunion period has now lasted over a decade, marked by hundreds of sold-out live shows and four additional albums, all of which have been met with high acclaim. “NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD” – the band’s fifth post-reunion album (and ninth overall) – was released on October 04, 2024.
