LowDown Brass Band
ALL AGESSTANDING ROOM ONLYTHE LOWDOWN BRASS BAND The LowDown Brass Band is a uniquely strong representation of Chicago Music culture. Providing a modern take on soul, funk, hip hop, and jazz, this multifaceted all-horn band boasts freedom through the art of their craft, whilst gaining critical acclaim from The Gazette, Fame Magazine, The Chicago Reader and more. LowDown kick started 2023 with the release of the sun-drenched soul and jazz-infused single Call Me. It was followed by the summer release of Take Me Away, which is a club inspired dance floor lover’s track. This next single So Long mellows the atmosphere and is a classic hip hop heartbreaker. So Long uses 808, horns, and the story telling of MC Billa Camp and singer Shane Jonas. Let’s take a pause on the dance floor and reflect on the long winter ahead. There is warmth in the flow. LowDown maintains a constant performing and touring schedule, blessing every venue with their unique blend across multiple genres, and showcasing their ability to amplify the energy of any room with their positive and infectious spirit.LowDown Brass Band has built a highly-impressive discography, accumulating over 1.1 million streams across Spotify alone with notable performances at Cotai Jazz Fest, The Montreal Jazz Festival, Winnipeg Folk Fest, SummerCamp, Vancouver Jazz Fest, Folk Alliance, Green River Fest, Chicago Jazz Fest, Aspen Jazz Fest, Mile of Music, Alaska’s infamous Salmon Fest, and opening runs with Galactic, Rebirth Brass, Bon Jovi, and others. LowDown’s next record will be released in February 2024 and is titled Citizens of the World. LowDown is repped by the Fata Booking Agency (USA and International), Paquin Booking (Canada), and Liberty Music PR (UK). Their music has been featured on Hulu’s Cruel Summer and is also on the Nintendo Switch’s Dec 2023 release Super Crazy Rhythm Castle. So long adaptation. BIG FURBIG FUR is a slick, versatile animal of a band that pounces between genres and sounds through elaborate compositions and intense improvisation. The band cultivates an original sound that takes southern rock, country, and bluegrass to its highest dynamic peaks, and most electrifying, psychedelic edges.
Victor Wooten & The Wooten Brothers w/ Rebirth Brass Band
– ALL AGES- STANDING ROOM ONLY – LIMITED NUMBER OF VIP TICKETS AVAILABLEVICTOR WOOTEN & THE WOOTEN BROTHERS Victor, bass guitar/vocals; Joseph, keyboards/vocals; Roy, percussion/vocals; and Regi, guitars/vocals. For over four decades the Wooten Brothers have been recognized as some of the most innovative musicians in existence and are collectively known as one of the most talented and dynamic band of brothers the world has ever known. Since they were young, the five brothers have been a musical tour-de-force redefining the limits of jazz, funk, soul, R&B, rock, and bluegrass. Sons of military parents, their early years were spent living in different states including Hawaii, California, and Virginia where they shared stages with the likes of Curtis Mayfield, The Temptations, Ramsey Lewis, Stephanie Mills, War, and other artists. In the mid 80’s, the brothers released an album as The Wootens for Clive Davis’ Arista Records. This will be the brother’s first tour together as a band since the untimely death of their saxophone-playing brother Rudy a few years ago. Victor Wooten, a five-time Grammy Award-winning artist, has graced the cover of Bass Player Magazine five times. He is a founding member of the eclectic group Bela Fleck and the Flecktones and is recognized as one of the greatest living bassist today often drawing comparisons to Jaco Pastorius, and was named one of the “Top ten bassist of all time”by Rolling Stone Magazine. He is also an award-nominated author, naturalist, and music educator and has been running his unique music/nature camps since the year 2000. Wooten’s camps are held at his own Wooten Woods, which is just outside of Nashville. In 2010, he started his own record label, Vix Records, which has released a series of acclaimed recordings over the last few years. REBIRTH BRASS BAND “just saw THE REBIRTH BRASS BAND, unbelievable. hard as hell, free as a ray of light, there is not a band on earth that is better. stunning.” – Flea, Red Hot Chili Peppers For almost 4 decades, the Grammy winning Rebirth Brass Band has been “stunning” fans with a fiery live show and a rich musical catalog. Their trademark sound pays homage to the New Orleans brass band tradition while weaving a tapestry that combines elements of jazz, funk, soul, R&B and the sounds from the streets they grew up on. From their legendary 25+ year run of Tuesday nights at the Maple Leaf to stages all over the world, Rebirth is the soundtrack of the Crescent City and her premier musical ambassador. Founded by brothers Phil and Keith Frazier over 35 years ago, Rebirth began their career playing on the sidewalks of the French Quarter, and quickly landed gigs at second line parades. Those auspicious beginnings have led to thousands of shows to music aficionados everywhere, including heads of state and royalty. The bands unique “soundtrack of New Orleans” has also garnered admiration from artists of all genres. They’ve shared the stage and collaborated with everyone from the Grateful Dead to the Red Hot Chili Peppers, Maceo Parker, Green Day, U2, James Brown, 311, G-Love, MuteMath, Juvenile, Train, Big Freedia, Ani Difranco, Galactic, Allen Touisant, Neville Brothers, Quincy Jones and Trombone Shorty.
Tank and the Bangas
– ALL AGES- STANDING ROOM ONLYTANK AND THE BANGASComing from New Orleans, Tank and the Bangas are surrounded by plenty of grand musical traditions. And the five-piece group has a rare knack for combining various musical styles—fiery soul, deft hip-hop, deep-groove R&B and subtle jazz—into one dazzling, cohesive whole that evokes the scope of New Orleans music while retaining a distinctive feel all its own.“It’s music that can’t really be put in a box,” says singer and poet Tarriona “Tank” Ball. She fronts the band with vivid charisma that helped Tank and the Bangas win NPR’s 2017 Tiny Desk Concert Contest by unanimous acclaim, standing out among 6,000 entrants because of what Bob Boilen called “the depth of their lyricism and the versatility of their players.” Those same qualities also attracted the attention of Verve Records, which has signed the band.Ball’s lyrical depth has been years in the making. She came up in the strong local slam poetry scene before meeting her bandmates: Merell Burkett on keyboards, Joshua Johnson on drums, Norman Spence on bass and synth keys and, eventually, Albert Allenback on alto sax and flute. “Growing up, I always could sing, but I wrote better than I sang, so I focused on writing,” she says. After her team won the National Poetry Slam Championship two years in a row, Ball turned her full attention to Tank and the Bangas.What started as a loose collaboration at an open-mic night in 2011 has grown into a mesmerizing musical force that’s only picking up speed. After a featured set at the New Orleans Jazz & Heritage Festival early in the band’s career, the musicians built a reputation outside their hometown by grinding it out on the road, honing their live show and releasing the 2013 album Think Tank, all the while converting audiences into passionate fans and garnering critical acclaim, from the New Orleans Advocate to The New York Times. “It made us work hard,” Ball says of playing Jazz Fest. “It made us want to feel deserving of it.”Their hard work is paying off: The Huffington Post says Tank and the Bangas defy description onstage, adding, “It’s music that you have to experience.” The experience is subject to change from one night to the next.“One show will feel very electronic, or hip-hop, and another show will feel slow and vibe-y and jazzy, and then another show will just be poetry and off-the-cuff riffs,” says Johnson. “As a band, we don’t like to hear ourselves do the same thing for too long, so we might change a small thing here or there, and if we change enough small things, it seems like a big change.”The band’s ongoing evolution involves more than just music: Ball continues to grow and develop as a performer and writer. Even back in the open-mic days, she was a force of nature. “I don’t know if there’s such a thing as too free, but it was totally uninhibited. She was inspired,” Spence says, laughing at the memory. More recently, Ball has become less of a dervish onstage—“I was running around so much I didn’t have time to sing at all,” she say—while finding new ways of expressing herself as a writer. “I don’t just think about myself when I write now,” she says. “Just being with my bandmates taught me to think more about other people. And when you have an audience of people ready to listen to you, you’re excited to connect with them, you really are.”McKINLEY DIXON
An Evening With Vanessa Collier
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEVANESSA COLLIER “There’s a young lady [Vanessa Collier] came onstage with me, I forget where I was, but she’s playing an alto saxophone, and man, she was amazing.” Those are the words of Buddy Guy in a recent issue of American Blues Scene, describing an impromptu performance with Vanessa Collier on the Legendary Rhythm & Blues Cruise. If you haven’t been fortunate enough to meet Vanessa and witness one of her head-turning, fiery, and passionate performances, you should definitely make sure you do. As a master musician and multi-instrumentalist, Vanessa Collier, weaves funk, soul, rock, and blues into every powerful performance and she is downright impressive. With soulful vocals, searing saxophone, and witty songwriting, Vanessa is blazing a trail, racking up an impressive arsenal of honours, and has already singled herself out as an artist of distinction and one we would all do well to watch. It’s not simply the accolades she has accumulated so far, although they’ve been many — two Blues Music Awards for “Horn Player of the Year”, and a third BMA for “Contemporary Blues Female Artist of the Year”, eight Blues Music Award Nominations (BMAs), a Blues Blast Award nomination, the Jammingest Pro Award bestowed by the Legendary Rhythm & Blues Cruise, First Place for lyrics in the International Songwriting Competition, Best of 2014 Blues Breaker on Dan Aykroyd’s BluesMobile — it’s the fact that she has accumulated all these honours even while her career is still in its infancy. A 2013 graduate of the prestigious Berklee College of Music, she’s toured nationally and internationally, released four critically acclaimed albums (2014’s Heart, Soul & Saxophone, 2017’s Meeting My Shadow, and 2018’s Honey Up, 2020’s Heart On The Line. Honey Up spent 9 weeks atop the Billboard Blues Album Charts Top 15, 3 months on the Living Blues Charts at #10 and #23, and continues to be spun on Sirius XM’s B.B. King’s Bluesville radio station! It’s not surprising that the press has been quick to commend her efforts as well. Blues Blast Magazine affirms, “Vanessa Collier is a fresh face on the American blues scene, and in addition to her soulful vocals, she brings a mighty sax to the table…” Blues Music Magazine proclaims, “Collier is a fresh face who comes to the blues stage carrying her reed instruments, a dual degree from Berklee College of Music in Boston, a major label debut, almost two years of touring with Joe Louis Walker, and a mature musical vision…Collier commands center stage with her vocals, soloing, and stage presence.” Midwest Record exclaims, “This bluesy singing sax player knows how to bring the slinking funk to her captivating, award winning sound that has echoes in young Bonnie Raitt/Maria Muldaur vocal sounds…Killer stuff on every level, this sounds like one of the reasons you first became a music fan. Killer stuff.” and AXS.Com declares that she “might as well go ahead and add another shelf to her trophy case because clearly, she’s going to need it. With a voice that often recalls that of blues-rock stalwart Bonnie Raitt, Collier turns up the heat…”
Sexbruise? w/ Minka
– ALL AGES- STANDING ROOM ONLYSEXBRUISE? Sexbruise? is a satirical pop band from Charleston, SC that combines elements of improvisation, electronic music, poppy hooks, and audience participation to create an unforgettable live experience. Despite their extreme wealth and lavish lifestyle, Sexbruise? grew up on a dirt road right down the street from Pappy’s Hardware Shop, and subsequently is very in tune with the struggles and plight of middle america. Sexbruise? has been featured at Sweetwater 420 Fest, Hulaween, Rooster Walk Music and Arts Festival, Floyd Fest, and Resonance Fest, and will be announcing other pending festies, assuming this damn virus doesn’t fuck us at the last second again. Sexbruise?’s shows can be described as a giant party. The tunes are memorable, the stage presence exciting, and the antics unpredictable. And there are snacks. Thrown from the stage. The band has prepared pancakes and pizza on stage, brought out dancers in animal costumes, hired fake demonstrators to protest their shows, and many more other cool things.MINKA
