Foy Vance – Regarding The Joy Of Nothing Tour
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEFOY VANCEFoy Vance is a singer and songwriter hailing from the land of Bangor, Northern Ireland. Deeply rooted in the rich musical history and aesthetic of the Southern United States, Foy independently released his debut album Hope in 2007, quickly garnering acclaim from fans and fellow musicians alike. Foy released his second full-length album, Joy of Nothing, in 2013 on Glassnote Records which led to further critical praise and star-studded invites on tours worldwide from the likes of Ed Sheeran, Bonnie Raitt, Marcus Foster, Snow Patrol and Sir Elton John.Foy was only the second artist signing to Gingerbread Man Records, Ed Sheeran’s label division within Atlantic Records. Foy’s debut recording on Gingerbread Man Records, The Wild Swan, was Executive Produced by Sir Elton John and released in 2016. His music video for the lead single “She Burns” featured “Pretty Little Liars” and People’s Choice Award winner Lucy Hale. His music video for “Coco” featured the inspiration for the song title, Coco Arquette, the daughter of Courteney Cox and David Arquette, and was directed by Cox as well.Foy’s recent collaborations include “Moonshine” with Kacey Musgraves, the end credits track from Ben Affleck’s film “Live By Night,” four tracks including “Galway Girl” on Ed Sheeran’s latest album ÷, as well as cuts on recent releases by Miranda Lambert, Plan B and Rudimental.Foy has headlined globally to sell-out crowds and splits his time between London and the hills of Aberfeldy, Scotland with his family.BONNIE BISHOP The first thing that registers about Bonnie Bishop’s stirring album The Walk is that the seasoned Grammy winner is no longer trying to outrun herself; she owns whatever has come her way, good wind or ill. It’s an uplifting confessional that she dedicates ‘to all who wander’ – laying down searing, emotionally-charged variations to award-winning producer Steve Jordan’s (Robert Cray, John Mayer, Buddy Guy) powerhouse production. She does so in a voice that aches and arches and grabs and never lets go. Blessed with an authentically resounding range, a blistering lyrical gift, and OK – she admits it – a couple of inherent vices that any God-fearing Americana/country/soul artist must wrestle with after years of bringing it live and in-color, Bishop has now broken free from the bust-boom mentality of Nashville to walk a line of her own making. The recipe may sound oversimplified, but it’s a frank, funny, ferocious, insightful Bonnie Bishop we encounter on this path; a recharged singer/songwriter full of grace. Her determination to put one foot in front of the other and find the road to reclamation shifted into overdrive when she left Nashville for her native Texas in 2017. Since then, she’s never looked back. The Walk soars as her most honest effort to date. It’s a groove-laden, lyrical lightning bolt from which the tonic of self-revelation pours forth on songs such as the grateful “Every Happiness Under The Sun” and the gut-wrenching “I Don’t Like To Be Alone.” The album’s euphoric closer, “Song Don’t Fail Me Now,” is Bonnie’s most heartfelt testament to date that music absolutely can still heal the spirit.
Pony Bradshaw
– ALL AGES- STANDING ROOM ONLYPONY BRADSHAW On his new album North Georgia Rounder, Pony Bradshaw leads the listener on an exploration of the woods, rivers, and mountains of Appalachia, more specifically, the area for which the album is named and he’s called home for the past 15 years. “It’s got its hooks in me,” Bradshaw says of North Georgia, and it shows, with songs that quickly establish a setting, much like the one he initiated with the album’s predecessor, Calico Jim. The sonic excursion includes stops along the Conasauga River, visits to the holler, and a few diversions—nearby Knoxville plays a supporting role, as do Louisiana and Arkansas. It’s an impressionistic journey of introspection and connection all at once. Will Stewart’s tastefully-understated guitar leads and Philippe Bronchtein’s atmospheric pedal steel provide the perfect backdrop for Bradshaw’s impassioned vocals in lead-off track “Foxfire Wine.” Its swampy, bluesy intro makes way for an interesting amalgamation of Sturgill Simpson and The Grateful Dead, serving as the perfect aperitif for “a hell of a heaven and a hell of a show.” From that point on till the album wraps with the aptly titled “Notes on a River Town,” not only do you see and hear North Georgia, you even smell and taste it. Take, for example, “Safe in the Arms of Vernacular,” a pensive, melancholy track that delights all the senses and is reminiscent of Ray Lamontagne’s mellow side. When Bradshaw sings of the “bonafide gas mask” his Dad brought back from Desert Storm and describes the Saudi Arabian sand as turning to “glass sharp as a sultan’s sword,” one can almost see it. As quickly as it sets the ever-vivid stage, the track shifts its focus to a waitress downtown. “Draped in Bedouin gown, smoking Kent cigarettes in the underground” in an attempt to “escape all those voices,” she naturally drinks white wine—”Riesling room temp from a coffee cup,” to be exact. A voracious reader, Bradshaw credits his talent for expressing such rich details in his songs not so much to other songwriters but instead to books, fiction, short stories, essays, and literary criticism. With such colorful descriptions as “teeth stained red with Lebanese wine, long hair … in sweeps of oil blacker than a cypress pool,” one might assume he bases the subjects of his songs on real-life people he interacts with in North Georgia; instead, Bradshaw describes them as “nameless characters” compiled from “fragments” he’s collected, pieces that usually start with just a line or two. These fragments all add up to a remarkably cohesive 10-song collection, despite Bradshaw being a self-professed admirer of (and writer of) the non-sequitur. This is thanks in no small part to his own masterful vocal delivery and the expert musicianship of his backing band, one that includes the aforementioned Stewart and Bronchtein with Robert Green on bass, Ryan Moore on drums, and Jenna Mobley on fiddle. “The poet soon stops experimenting and innovating and starts his life’s work,” Bradshaw expounds, citing a quote from one of his favorite writers, Wendell Berry. A single album as a life’s work may seem like a grand, overambitious aspiration. But for Pony Bradshaw, North Georgia Rounder is just that – a life’s work, one that, as he describes it, is a culmination of “sweat and work and joy and pain and anger and patience and restraint.”RUSSELL COOK & THE SWEET TEETH
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Drip a Silver
– FREE SHOW/DONATION BASED- ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEDrip a SilverJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
OUTPOST: Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPhuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
OUTPOST: Chikomo Marimba
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Chikomo Marimba is a lively and extremely danceable world percussion ensemble based in Asheville, NC, that has been playing around the Southeast for over a decade. Their music is played on an array of large wooden African-style marimbas, accompanied by hand percussion and drum kit. Chikomo Marimba is known for their high-energy, tight arrangements, and infectiously joyful grooves. They are sure to get people of all ages up and shaking their bodies!
mssv (mike baggetta + stephen hodges + mike watt)
– ALL AGES- STANDING ROOM ONLYmssv No less an authority than Nels Cline, the high priest of art-rock guitarists, has called Knoxville’s Mike Baggetta a “guitar poet.” That poetry, alternately gnarled and flowing, is on fine display in Main Steam Stop Valve, the second album by (and the decompressed namesake of) mssv, an experimental rock trio featuring Baggetta, the legendary punk bassist Mike Watt, and the versatile drummer Stephen Hodges. The collaboration began when Watt, of The Minutemen fame, joined Baggetta and seasoned session drummer Jim Keltner to record an improvised jazz-rock album called Wall of Flowers, an eight-track romp from pastoral splendor to urban din and back again. When Keltner declined to tour, they brought in Hodges, whose credits as a player include Mavis Staples, Tom Waits, and David Lynch, not to mention Contemplating the Engine Room with Watt. Solidified as mssv—some heretofore unimagined hybrid of a punky power trio and a dreamy experimental rock band—they released Main Steam Stop Valve, which blends industrial vigor and impressionistic languor into a lingering impression of “pressure, combustion, power, and hissing clouds of sonic poetry,” as Premier Guitar said. From the throttled surf guitar of “The Mystery Of” and the glimmering post-rock of “Every Growing Thing” to groovy, songful numbers like “Old Crow,” there’s no telling which way the band will turn at any given moment, a proposition that becomes a promise when they break down and reassemble these songs live, with an instinct for restraint and an openness to anarchy.RED ZEPHYRRed Zephyr is based out of Knoxville, Tennessee and has been playing together since 2013, experimenting with psychedelic prog rock with funk, jazz, classical and many other styles. We play a wide variety of styles with a lot of instrumentals, changes, experiments, and occasionally sprinkling in some vocals here and there about feelings, thoughts, and experiences. We have been performing in and around Asheville for a couple years, and would love to do it again.¿WATCHES?Formed as Fortezza in 2016, founding members Emma Garau and Tristan Smith reorganized the group as a duo in 2022, leaning in to their inclination towards the avant-garde and bombastic minimalism. Ever dancing between Smith’s garage rock sensibilities and Garau’s background in jazz, ¿Watches? finds common ground in a mutual love of all things loud and weird. No-wave punk / Asheville, NC.
