EARLY SHOW: Sean Patton
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE SEAN PATTON Sean Patton is a comedian based in New York, by way of New Orleans. He began doing stand-up in the Crescent City and has since performed in comedy clubs and festivals across the world, including The Melbourne International Comedy Festival (2011, 2018), The Glasgow Comedy fest (2016), the Dublin Comedy fest (2017), and The Edinburgh Fringe (2017, 2019). Other festivals appearances include SXSW (2016, 2017, 2018, 2022), The Moontower comedy festival (2012, 2013, 2014, 2019), Just for Laughs Chicago (2013), Just for Laughs Toronto (2013) and Just for Laughs Montreal (2008, 2010, 2012, 2016, 2018). He’s performed on Comedy Central’s Live at Gotham (2009), Late Night with Jimmy Fallon (2010), Conan (2011, 2013), and Comedy Central’s The Half Hour (2013). More recently, He’s been on @midnight (2014, 2015), The Meltdown with Jonah and Kumail (2015), This Is Not Happening (2015, 2017, 2019), Showtime’s Live from SXSW (2017), TruTv’s Comedy Knockout (2016, 2017, 2018), and This week at the Comedy Cellar (2018, 2019, 2020). As for acting, He’s appeared on IFC’S Maron, Comedy Central’s Inside Amy Schumer and TruTV’s Those who can’t. In 2019 he released his second album Scuttlebutt on Helium Records. His next album King Scorpio was released on Christmas Eve 2021 and as a special on Youtube in August 2022. His special Number One is currently streaming on Peacock.
OUTPOST: Chloe Kimes
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEChloe KimesNashville based singer-songwriter Chloe Kimes is actively defining the next generation of folk-singing troubadours with an old-soul sensibility for storytelling in a spirited alt-country outfit. Born and raised on the lakeshores of northern Michigan, Kimes remains unbound by genre and consistently navigates a delicate balance between poignance and charm with vocals wrung out and steadfast as any before her. Named one of NPR’s 2022 Slingshot Artists to Watch, her debut album is ambitious and strikingly live. Reviewed as “reminiscent of contemporary roots heroes like Lucinda Williams,” Kimes’ self-titled debut is a raw reflection of the artist, and with music as homegrown as its penman, Kimes and her band are not to be missed.Jackson Grimmand his band marry folk pop melodies with the lonesome sound of traditional Appalachian music. In a region with a strong music culture, it is no surprise that Grimm’s songwriting is representative of his musical birthplace: Asheville, NC. A modern string band leader, songwriter, and multi-instrumentalist, Grimm is a talent on the rise.
Tommy Prine
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETOMMY PRINETommy Prine’s debut album “This Far South” coming June 23, 2023 is not only a long awaited introduction but a testimony to Prine’s 20’s and the loss, love, and growth that has defined them. Co-produced by close friend and kindred musical spirit, Ruston Kelly, and beloved Nashville engineer and producer, Gena Johnson, the album is rich and dynamic from cathartic jams to nostalgic storytelling.The son of late songwriting legend, John Prine, Tommy Prine grew up in Nashville surrounded by music, art and writing. As a child, he thought all parents were musicians, as his father “going to work” meant performing shows for adoring fans and writing songs. Tommy learned to play guitar by watching his father play, copying the ways his fingers moved and inadvertently developing his own singular style. Summers in Ireland lent their own inspiration, as did 10 straight years camping at Bonnaroo. Prine’s musical tastes grew to become decidedly eclectic, spanning John Mayer, Outkast, Bon Iver, the Strokes and more.It wasn’t until Prine reached his mid-twenties, though, that he considered a career of his own in music and began to share with others the songs he wrote in private. His songs were quickly met with excitement and enthusiasm, which sonically brings together a colorful patchwork of musical influences and lyrically explores existential questions and emotional experiences.JORDAN SMART Jordan Smart is a singer-songwriter currently based in Ludlow, KY. His songs echo between the prominent fingerpicking patterns of John Fahey and the Dylanesque vocal style of The Tallest Man on Earth. He flows with the current of the folk revival movement, which continues to course through the mainstream and underground channels today. But below the superficial labels lay the heart of the matter that distinguishes Smart from the bulk of other aspiring folk musicians. Smart, 31, is a father. He grew up with humble beginnings, hitchhiked across the United States and slept under bridges. His life flashed before his eyes on a few occasions, but lives to tell the tale by the grace of good luck. Smart even found himself as a musical guest for Bernie Sanders during his presidential race in 2016. Through it all, Smart offers a remarkable level of sincerity and clarity that is few and far between.
OUTPOST: Stone Jack Ballers
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Stone Jack Ballers are Spiro Nicolopolous (guitar, vocals), Paul DeCirce (drums, vocals), Jack Mascari (guitar), Bryan Solleveld (keys, vocals), Eric Swanson (bass guitar, vocals) and Keith Held (percussion). Dirty Dead melds with local rockers for the FINAL WORD in Grateful Dead inspired music. This is their first official show with their new name, having previously appeared as “Dirty Dead & Friends” their sound and show is now fully realized!
OUTPOST: Drip a Silver
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEJerry enthusiasts, Drip A Silver, render the catalog from a place of merry reverence.
Dawn Landes Bluebird 10th Anniversary Tour
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDAWN LANDES Dawn Landes is the North Carolina based singer-songwriter whose music you might have heard if you watch The Good Wife, House or Gossip Girl. Along with releasing six albums since 2005 (and an EP inspired by yé-yé, ‘60s French pop music), she’s a frequent collaborator with contemporaries such as Sufjan Stevens, Norah Jones and composer Nico Muhly. She has appeared with the Boston Pops, the NYC Ballet and on the TED main stage performing songs from her musical ROW about fellow Louisville native Tori Murden McClure’s quest to become the first woman to row across the Atlantic Ocean. Her latest release is a 10th Anniversary Reissue of her album Bluebird of which Spin described as “..refreshing..” NPR “…compelling…” and Blackbook described it as “…haunting…”DOSS CHURCH & THE UNHOLY NOISE (DUO)Doss Church is an Asheville-based songwriter whose unique brand of ‘Americana’ draws influences from 80’s glam, indie folk and early country, fusing soulful vocals with deeply storied, personal lyrics filled with hope found and love lost. Jay Moye, of The Unholy Noise, will join Doss on keys and guitar for this special duo performance
The Wildmans + Sad Daddy
– ALL AGES- SEATED SHOW- LIMIITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETHE WILDMANS The Wildmans come from the hills of Floyd, Virginia, in the heart of the Appalachian mountain music tradition. From campsite jamming at festivals and fiddler’s conventions and a college level music education comes the foundation for musical exploration that sets this group apart, taking the audience on a musical journey that reflects the growth and passion of these talented musicians. The band features award winning players: Eli Wildman, first place winner in mandolin at the Galax Old Fiddler’s Convention, 2018 and 2019, first place winner at the Mount Airy Fiddler’s 2017, 2018, 2019 Aila Wildman, first place winner in Old Time Fiddle and Best All Around Performer at the 83rd annual Galax Old Fiddlers convention in 2018 Victor Furtado, winner of the 2019 Steve Martin Prize for Excellence in Banjo, and first place Old Time Banjo at Galax 2015, 2016 and 2019 The group has appeared on stages large and small, performing in festivals such as Red Wing Roots, Chantilly Farm’s Bluegrass and BBQ festival, Grey Fox Bluegrass, Floyd Fest, and The Steep Canyon Rangers’ Mountain Song Festival. They also regularly represent young talent along the Crooked Road in regional fiddler’s conventions. Having shared the stage with talents such as Bela Fleck, The Steep Canyon Rangers, The Steel Wheels, Danny Knicely, Sammy Shelor, Sierra Hull, Billy Strings, and more., these young musicians are making their way in the American stringband scene.SAD DADDY Since 2010, Sad Daddy, whose members are based in Arkansas and in Texas, has traveled down many a road–together and separately–at times focusing on their solo projects and then reuniting for a band project. The four members, Brian Martin, Joe Sundell, Rebecca Patek, and Melissa Carper, all conspired and united in the sudden spare time of 2020 to create their third album, Way Up in the Hills. With a long and dedicated history of making their audiences happy, Sad Daddy is emerging rejuvenated with Way Up in the Hills. With a more down-home and old-timey feel than their previous albums, they all stretched themselves a bit to create a common theme and new songs together. Unique to Sad Daddy, all of the members sing lead and write original tunes–the convergence of influences and interpretation of feeling into sound is a stylistic blend of the very best elements of American Roots Music. From the sounds of early blues, jazz, and jug bands to early country, folk, old-time, bluegrass, soul, and funk, they combine many influences, creating an indefinable genre of their own.
OUTPOST: Peggy Ratusz
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEPeggy RatuszAustin, Texas transplant, Peggy Ratusz has been pulling from the cream of the Asheville music crop since moving here in 2002. This “ruby throated” chanteuse and her band won their way regionally to compete in the prestigious International Blues Challenge held in Memphis each year in 2008, 2010 and 2016. Voted “Best in Blues” for 9 of the past 12 years, in 2016, she won in 2 additional categories: Best Vocalist and Local Artist Who Gives Back. She’s opened for Tedeschi-Trucks Band, Geoff Atchison, Danielle Nicole Band, Karen Lovely, Taj Mahal and the Beach Boys. The dynamite configuration she’ll have with her for this show includes the superlative skills of Kelly Jones on guitar and vocals, James Kylen on drums, Taylor Pierson on keys and Zack Page on bass. From Traditional Blues and Swing to Rockin’ Blues and originals they set the stage on fire from slow ember to full alarm! Playin’ it forward is her motto as evidenced by her many collaborative and philanthropic productions over the past 20 years, benefitting local musicians and charities.
Austin Meade
– ALL AGES- STANDING ROOM ONLYAUSTIN MEADE On Black Sheep, Austin Meade delivers songs and stories that, like the young singer/guitarist himself, are contradictory yet cohesive. His influences—musical and otherwise—are as varied and rich as the small-town Texas soil that nurtured his talent, yielding 12 stellar songs ranging from the insinuating multi-layered musicality and storytelling of “Déjà Vu” to the dark alt-pop of “Happier Alone,” and on further to the new-age, Sabbath-inspired “Dopamine Drop.” Thanks to his metal- and classic-rock loving dad, Meade got to see bands like Judas Priest and worshipped Whitesnake. In junior high he related to the intense emo-rock of Paramore and Fall Out Boy, and the power of songwriters like John Mayer. Yet, thanks to plainspoken but deep heartland songwriters like Tom Petty, and cutting his teeth touring in the Texas and Oklahoma Red Dirt scene, Meade’s music overflows with wide-open soulfulness. He was a drummer for years, even teaching to pay the bills, but Meade found his true voice when he began playing guitar as a teen in his pastor-father’s church. Those experiences lend both a gravitas and rebelliousness to Meade’s songs and self. The songs on Black Sheep, produced by Taylor Kimball (Koe Wetzel, Read Southall, Kody West) are instantly memorable, but far from simplistic. Meade challenges the status quo, both musically and lyrically. “I like to question those standard math formulas,” he explains. “What if we just add two more lines and make somebody feel uncomfortable here,’ because the song itself is about being uncomfortable?” And within a song—and video—like “Déjà Vu,” Meade explores the cyclical, Groundhog Day-like nature of a month—or lifetime—of Sundays. Throughout school, “I was one of the weird kids who actually liked writing class. I would describe ridiculous stuff, and in elementary school I was a Harry Potter nerd. I’d get lost in those books,” he remembers. Soon, though, records became his new sanctuary. “I started to hear songwriters that were telling stories in three to five minutes; concepts and ideas that were not only spanning just that one song. One of my favorite lyricists is Alex Turner of Arctic Monkeys; the way he describes things, you can almost touch it or smell it.” Likewise, on Black Sheep, Meade’s vivid descriptions are palpable and immersive. They paint a picture the listener can step into, like taking a journey through “two-lane highways and speed-trap towns” that Meade traverses in “Déjà Vu.” “That’s my goal,” he explains. “To make people feel like they’re in the room with the stories in my songs; they’re within that experience.” Meade’s carefully crafted songs manage to be profound and provocative, sonically suited for both dive bars and arenas. From the seismic guitars and painfully honest lyrics of a song like “Dopamine Drop” to the mournful, lilting nostalgia and hard reality of “Settle Down” and on through the fantasy of “handwritten letters, candle-wax seal, Midwest American feel” in “Cave In,” it is clear Meade’s ambitions and dreams are weighty.THE JARED STOUT BAND
Clem Snide
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLECLEM SNIDE“The last ten years have been a rollercoaster of deep despair and amazing opportunities that somehow present themselves at the last possible second,” says Eef Barzelay. “That this record even exists, as far as I’m concerned, is a genuine miracle.”Indeed, the road to ‘Forever Just Beyond,’ Barzelay’s stunning new album under the Clem Snide moniker, was an unlikely one, to say the least. Produced by Scott Avett of The Avett Brothers, the record is a work of exquisite beauty and profound questioning, a reckoning with faith and reality that rushes headlong into the unknown and the unknowable. The songs here grapple with hope and depression, identity and perception, God and the afterlife, all captured through Barzelay’s uniquely off-kilter lens and rendered with an intimate, understated air that suggests the tender comfort of a late-night conversation between old friends. Avett’s production is similarly warm and inviting, and the careful, spacious arrangement of gentle guitars and spare percussion carves a wide path for Barzelay’s insightful lyrics and idiosyncratic delivery. Listening to the album now, Avett and Barzelay sound like an obvious pairing, but the truth is that there was nothing obvious about the survival of Clem Snide, and the series of cosmic coincidences that led to ‘Forever Just Beyond’ remains inexplicable even to Barzelay himself. “About ten years ago, everything just seemed to fall apart,” he explains. “The band bottomed out, I lost my house, and I had to declare bankruptcy. That started this process of ego death for me, where I realized the only way to survive would be to transcend myself and to try to find some kind of deeper, spiritual relationship with life and with being. Once I committed myself to that, miraculous things started to happen.” Some miracles were financial (a superfan in Spain, for instance, sent Barzelay an unsolicited thank-you-for-the-music donation that covered the exact amount he desperately owed his bankruptcy lawyer); other miracles were more intangible. Roughly four or five years ago, as Barzelay struggled with how and if to carry on, a fan sent him a video of Scott Avett singing a Clem Snide song in front of a massive audience. Shortly after that, another fan sent an interview in which Avett raved about Clem Snide’s music. It seemed like a sign from the universe. “I had just hit this low point where I realized I couldn’t do it alone anymore,” says Barzelay. “I passed along a little message and a new song I wrote to The Avett Brothers’ manager, and Scott wrote me right back to say what a fan he was.”Avett was far from alone in his love for Clem Snide. Named for a William S. Borroughs character, the project first emerged from Boston as a three-piece in the early 1990’s and would go on to become a cult and critical favorite, picking up high profile fans from Bon Iver to Ben Folds over the course of three decades and more than a dozen albums. NPR highlighted the Israeli-born Barzelay as “the most underrated songwriter in the business today, with a sneakily firm grasp on poignancy and humor,” while Rolling Stone hailed his songwriting as “soulful and incisive,” and The New Yorker praised the music’s “soothing melodies and candid wit.”
