Balu Brigada
ALL AGESSTANDING ROOM ONLY BALU BRIGADA Balu Brigada craft multi-dimensional alternative pop layered with levels of lush live instrumentation, cinematic production, and festival-ready hooks. Henry and Pierre Beasely—the Auckland, NZ-born duo of brothers, co-vocalists, co-writers, and co-producers Balu Brigada—effectively step through a sonic doorway with their music. Since high school, they independently honed their chops for years until landing a deal with Warner Music Australia, Atlantic Music Group and ARRO Records in the United States. The group cultivated their signature sound with the I Should Be Home EP [2022] and Find A Way EP [2023]—highlighted by the fan favorite “Designer” which amassed 26 million Spotify streams and counting. Along the way, they also incited the applause of everyone from Rolling Stone, Coup de Main, i-D, and OnesToWatch to People who christened them “Best New Artist.” Twenty One Pilots even notably selected Balu Brigada as special guests on their massive “Clancy Tour” across North America, Latin America, Australia, New Zealand, Europe, and the UK. The duo reached critical mass with their track “So Cold.” It not only gathered 34 million total streams and counting, but it also notched their very first #1 at radio in the US, claiming the top spot at Alternative. They made their late-night television debut on ABC’s Jimmy Kimmel LIVE! with a stunning performance of the song. Plus, it claimed a coveted spot on the FIFA 2025 Official Soundtrack, and SiriusXM spotlighted it as a “Critical Cut.” After piling up hundreds of millions of streams and selling out shows, the band elevate to another stratosphere altogether on their full-length debut album, Portal, introduced by the single “Backseat.” PACIFICA Formed in Buenos Aires by Inés Adam and Martina Nintzel, Pacifica emerged in 2021 from an online friendship sparked by a shared love of The Strokes. What began as a series of YouTube covers quickly evolved into a full-fledged creative force—culminating in their signing to TAG Music after a fan-funded trip to see The Strokes in New York City. Drawing on the raw urgency of early-2000s garage rock, the swagger of post-punk, and the emotional undercurrent of ’90s alt, Pacifica’s music feels instantly familiar but entirely their own. Their 2023 debut LP, Freak Scene, is a cathartic, riff-heavy blast of youthful defiance and vulnerability, anchored by dual vocals and a DIY spirit. Standout tracks like “Anita,” “With or Without You,” and “Silent Affection” capture the duo’s ability to turn personal anxieties into arena-ready anthems. Following Freak Scene, Pacifica released an acoustic reimagining of the record with Freak Scene: NAK Sessions in 2024, showcasing the emotional depth beneath their distorted edge. Their live performances—fueled by electric chemistry and punchy minimalism—have brought them to stages across North America, Europe, and South America, building a passionate global fanbase. Their new single “What You Doing” marks a new era for the band as they continue to ride the line between vulnerability and rebellion, proving that even in a fractured world, two friends and a couple of guitars can still make something unforgettable.
The Dave Matthews Tribute Band – Sun’s Embrace Summer Tour
ALL AGESSTANDING ROOM ONLY THE DAVE MATTHEWS TRIBUTE BAND DMTB is a celebration of the music of the Dave Matthews Band – a time machine to a funky tea party in the 90’s, a boisterous time of tape trading, sing-alongs, and exploration into a new sonic landscape spearheaded by complex guitar riffs, soaring violin melodies, smooth sax lines, and explorative-explosive drumming. Dedicated to recreating that moment in musical history, the DMTB has been honing their craft for over 20 years. Since 2004, the band’s ruthless touring schedule has been unparalleled, playing over 2000 shows in 46 states and 10 countries. The Buffalo, NY based band has successfully paid tribute to the Dave Matthews Band, with heartfelt recreation of DMB’s musical spirit. The DMTB aims to transport the listener back in time. The band takes inspiration from the classic DMB sound, with immense respect for the original quintet. While including material from the bands later and current catalogs, the goal is to create a well rounded and authentic tribute. The attention to details, love for the music, and sense of community creates an atmosphere that causes concert goers to say “…wow, if I close my eyes, it’s like I am there!”
Five Eight LIVE: Weirdo Movie Screening + PINKEYE Album Release Party
ALL AGES FEATURING PERFORMANCES FROM FIVE EIGHT & PINEYE, PLUS A SCREENING OF WEIRDO & Q&A WITH THE BAND FIVE EIGHT Hailing from the legendary music town of Athens, Georgia, Five Eight is a band that has turned personal chaos into cathartic rock anthems for over three decades. Fronted by the fearless and emotionally raw Mike Mantione—a self-described manic depressive whose songwriting pulls no punches—the band became a cult favorite by channeling raw nerves into razor-sharp emo-infused rock. Formed in the late ’80s, Five Eight first made waves with their 1989 cassette Passive-Aggressive, a fitting title for a debut that blended ferocious energy with deep introspection. Alongside Mantione, the band’s long-standing core included bassist Dan Horowitz, guitarist Sean Dunn, and drummer Patrick “Tigger” Ferguson—a lineup that would help shape their early, incendiary sound. Through lineup changes, personal battles, and shifting scenes, Five Eight has remained a band of uncompromising honesty and sonic fire—a lifeline for misfits, poets, and anyone who finds beauty in the wreckage. WEIRDO: THE STORY OF FIVE EIGHT is a feature documentary about Mike Mantione and his band Five Eight’s rollercoaster ride of a career from mental institution to touring with their heroes, R.E.M. and beyond. Director Marc Pilvinsky (editor of TORN ASUNDER: WAGING ALEX GARLAND’S CIVIL WAR and director of many music videos) spent nine years chronicling the Athens, Georgia band’s ups and downs in an attempt to figure out how a band this good, for this long, can remain relatively unknown. PINKEYE PINKEYE is a raucous punk band out of Asheville, North Carolina, born in the chaos of the COVID-19 pandemic. What started as a garage project in Black Mountain quickly evolved into a full-throttle, no-holds-barred force of rock. The trio—Scott Sturdy (bass), Chad Clay (drums), and Joe Hooten (guitar)—harnesses the untamed energy of ‘70s punk, with all three members sharing lead vocal duties and songwriting duties, crafting a raw, gritty sound. Influenced by the likes of The Stooges, Dead Boys, and MC5, PINKEYE blends old-school punk swagger with their own fierce edge.In the years since, PINKEYE has become a fixture on the Southeast punk circuit, lighting up venues and building a reputation for their relentless live shows. They’ve shared stages with legends like Agent Orange, Pylon Reenactment Society, and Soul Asylum, spreading their wild punk gospel to anyone who’ll listen. With a DIY attitude and a relentless passion for their craft, PINKEYE’s no-frills approach to music is unapologetically punk—always loud, always in-your-face, and always ready to rock.PINKEYE is set to release their highly anticipated second album on August 22nd, 2025. Recorded live in the studio and produced by Kevin Boggs at Loc Level Sound in Arden, NC, the album captures the band’s raw energy and unfiltered spirit with uncompromising authenticity. This release features standout collaborations with Jay Gonzalez of Drive-By Truckers, Myles Dunder from Dr. Bacon, and the queen of the NC underground-Hope Nicholls of Fetchin’ Bones & It’s Snakes, adding bold new dimensions to PINKEYE’s gritty sound. To celebrate and support the release, PINKEYE will hit the road on tour this Fall, bringing their explosive live show to fans across the region and beyond.
TOPS: Bury the Key Tour
ALL AGESSTANDING ROOM ONLY TOPS has partnered with PLUS1 so that $1 per ticket goes to Chez Doris and their work supporting and empowering any woman in precarious situations to achieve her full potential. TOPS TOPS — musicians David Carriere, Jane Penny, Marta Cikojevic, and Riley Fleck — write timeless music that reliably threads immediacy and depth. Bury the Key, their first full-length since 2020 and with new label home Ghostly International, is a captivating reintroduction for the Montréal band: ever refined, undoubtedly masters of their melodic craft yet unafraid of evolving and testing themselves against different, at times darker tones. The album faces feelings once locked away, engaging the give-and-take between happiness, hedonism, and self-destruction. While often inhabited by fictional figures, their glowing, grooving, self-produced songs draw from personal observations: intimacy (both inside and outside the band), toxic behavior, drug use, and apocalyptic dread. When recording started, they noticed a shift and leaned in, jokingly dubbed “evil TOPS,” says Penny. “We’re always kind of seen as a soft band or like naive or friendly in a Canadian way, but we made it a challenge to really channel the world around us.” Through the lens of a looming epoch and the clarity that comes with age, TOPS dip into a more sinister disco realm with Bury the Key, giving their soft-focus sophisti-pop a sharpened edge.
Night Tapes
ALL AGESSTANDING ROOM ONLY NIGHT TAPES Night Tapes’ debut album portals//polarities is a deeply immersive, genre-blurring journey shaped by place and emotion. Created by London trio Iiris Vesik, Max Doohan, and Sam Richards, the album weaves global field recordings—from Estonian swamps to Mexican mountains—into dreamy, electronic soundscapes. Originally recording quietly in a shared house, the group embraced their constraints, crafting music that became time capsules of their surroundings. Their process blends traditional instruments with laptop production, drawing from synth-pop, shoegaze, trip-hop, and ambient music. Songs often shift unpredictably, blurring the line between band and studio project. Much of the album was made on the road, in Airbnbs and hotels between gigs, emphasizing creativity within limitation. Their use of tapes and spontaneous sampling adds raw, human imperfections that digital methods lack. For Vesik, the album explores inner dualities and personal freedom, with emotional depth conveyed more through sound than lyrics. portals//polarities is a bold debut—personal, political, and vibrantly alive. The band’s previous releases have been supported by DIY, Clash, NME, Future Music, Gorilla vs Bear, BBC Radio 1, BBC 6 Music and many more.
The Heavy Heavy
ALL AGESSTANDING ROOM ONLY THE HEAVY HEAVY With the arrival of their debut EP Life and Life Only, The Heavy Heavy immediately filled a longtime void in the musical landscape, delivering a soulful breed of rock & roll untouched by modern artifice. As audiences across the globe grew enchanted with their era-bending sound, the UK-based band began selling out headline shows in major cities like New York and Chicago, opening for the likes of Black Pumas and Band of Horses, and earning critical comparisons to Jefferson Airplane, The Band, The Mamas & The Papas, and more—all with only a handful of songs to their name, including the AAA radio top five singles “Miles and Miles” and “Go Down River.” After spending the past two years on the road and in the studio, The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album One Of A Kind. Written entirely by co-founders Georgie Fuller and William Turner and mostly recorded at Turner’s studio in Brighton, One Of A Kind maintains the self-contained approach of Life and Life Only—a seven-song project acclaimed by outlets like NME (who named them an essential emerging artist for 2023) and The Guardian (who noted that The Heavy Heavy “write and play music with that lick of madness that makes early Fleetwood Mac and peak Stones so thrilling”). To that end, Turner produced, engineered, and mixed every track and handled most of the LP’s lavish instrumentation (including guitar, bass, piano, organ, Mellotron, and more), with The Heavy Heavy’s live band lending their explosive energy to the album. But in a departure from the EP, One Of A Kind leans away from Laurel Canyon-esque folk-rock and fully embraces their British roots, finding a particularly crucial inspiration in the gritty and groove-heavy hedonism of the Rolling Stones’ Goats Head Soup. “A lot of our EP was very bright and pretty, so we wanted to smash the door down like we do in the live show,” says Turner. “Because we were creating an entire album, there was so much more space to explore and expand,” Fuller adds. “It’s still undoubtedly that Heavy Heavy sound, but now we have all these other rooms to play around in.” FonteynUK native Fonteyn spent her formative years pursuing Musical Theatre and acting in England, but it wasn’t until she started making music that she felt able to express herself authentically. Writing songs provided a home for her idiosyncrasies to coexist. Bewitched by the sound of the 70’s, Fonteyn draws from her musical idols, Carole King, Todd Rundgren and Paul McCartney, to name a few. Her debut album “Trip the light Fantastic” offers music centered around rainbow chords and melody. The songs are playful, sentimental, and offer a sense of the theatrical. Fonteyn wants to take you by the hand and sweep you into another time and place. “Trip the light Fantastic” is an introduction to Fonteyn’s songwriting and musical soundscape. Drawing from a rainbow of influences in 1970’s pop, the album is a hedonistic exploration of melody with each song in pursuit of a particular musical feeling.
PATIO: Coyote Rodeo
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE COYOTE RODEO Featuring members of The Kind Thieves, Into The Fog, Ranford Almond, & Buddhagraph Spaceship, Coyote Rodeo is an experimental bluegrass band greater than the sum of its parts from Asheville Nc.
Joe Pug
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE JOE PUG A singer-songwriter known for his lyrical acumen and plaintive harmonica style, Joe Pug dropped out of college and moved to Chicago where he worked as a carpenter before breaking into the city’s music scene. Since 2008 he has released a string of critically-acclaimed albums and toured heavily in the U.S. and abroad. Paste Magazine wrote of his music: “Unless your surname is Dylan, Waits, Ritter or Prine, you could face-palm yourself to death trying to pen songs half as inspired.” He has toured with Steve Earle, Levon Helm, The Killers, Justin Townes Earle, Sturgill Simpson, and many others. He has appeared at Lollapalooza, Bonnaroo, and The Newport Folk Festival. His music has appeared on NPR’s “Prairie Home Companion” and “Mountain Stage”. His music has been released by Lightning Rod Records, which features an alumni roster of Jason Isbell, Billy Joe Shaver, and James McMurtry. Additionally, he is the creator and host of the popular podcast The Working Songwriter.
Sunny Sweeney
ALL AGESSTANDING ROOM ONLY SUNNY SWEENEY Sunny Sweeney, a genre-bending, songwriting spitfire who has spent equal time in the rich musical traditions of Texas and Tennessee, returns with Married Alone, the celebrated singer-songwriter’s fifth studio album and the follow-up to 2017’s critically acclaimed Trophy. Co-produced by beloved Texas musician and larger-than-life personality Paul Cauthen and the Texas Gentlemen’s multi-hyphenate Beau Bedford, Married Alone is Sweeney’s finest work yet, bringing together confessional songwriting, image-rich narratives and no shortage of sonic surprises for a loosely conceptual album about loss and healing. Married Alone began as most of Sweeney’s projects do: with a visit to her deep vault of unreleased songs. Since debuting with Heartbreaker’s Hall of Fame in 2006, Sweeney has been a prolific writer, writing whatever is on her heart rather than with a particular project in mind. That habit afforded her a rich well of material for Married Alone, some of which is over a decade old. “I have a lot of older songs that still make the cut of like, ‘Am I gonna put this on a record?’ And I always start with those songs, songs that have been important to me for whatever reason. And then I try to build around that. It doesn’t necessarily have to be around a theme, but sometimes it turns out to be that there is one.” CAM PIERCE Cam Pierce was born and bred in the West… way West. Born in a tiny logging town in Oregon and growing up in the deep woods of the Southern part of the state. All his time in the forests watching, listening, and being still shaped his spontaneous approach to songwriting. Occasionally as a young adult he recalls becoming discontented with small town life and yearned for the bright lights and fast pace of the city. Though these few fantastic bouts in babylon would present new experiences and test’s for the compass of a young man’s life and spirit. The woods, and the small town living would always call him home. Moving to the growing metropolis of Nashville was not such a means of escape, but one of sacrifice in the hopes of advancing his career in Music and Songwriting. From booking his first festival 1 year after arriving in Nashville, to playing the “Country Music Hall Of Fame” to opening for Sunny Sweeney on tour in 2024 and 2025, cutting the first record at FAME studios infamous Studio “B” after it’s re-opening in 2021; the opportunities that have come Cam’s way are miraculous for a small town boy from Southern Oregon. He’s played with a string of incredibly talented musicians over the years. Like Anthony “Ziggy” Johnson, keys for “Alan Jackson” and “Whispering Bill Anderson”, Mike Klooster, Keys for “Smashmouth”, Chad Gamble and Jimbo Hart both members of “The 400 Unit”. The list goes on and so does the gratitude to such folks for lending their crafts. “When I came to Nashville it wasn’t with friends. I had no contacts, no connections of any kind. I knew no one, and had nothing. It was sheer drive, trust and stupidity. Like a blind man diving into the ocean”.
Nick Shoulders: Universe of Battle Tour
ALL AGESSTANDING ROOM ONLY NICK SHOULDERS All Bad, the latest album from Nick Shoulders, released via Gar Hole Records (a label founded and co-owned by Shoulders), ultimately encapsulates everything that makes Shoulders’ inimitable form of country music so vital: a heady balance of dazzling musicianship and punk defiance, coupled with gritty eccentricity and a generational connection to the roots of the genre. With a singing style inherited from his family’s vocal lineage, Nick’s songs achieve the rare feat of imparting difficult truths while inciting a certain joyful abandon, balancing a sound forged by years of hard travel with a heartfelt reverence for the origins of country music. In the spirit of Hazel Dickens and Jimmy Driftwood, the incisive yet wildly jubilant All Bad vocally objects to the reckless destruction of the natural landscape and development run rampant, while still offering plenty of joy and dance-ready rhythms. Spanning a variety of early country styles, the album’s infectious harmonies shine alongside everything from jangling cajun waltzes to surf-rock infused bluesy ballads–all tied together by a voice seemingly out of place in this century, yet ever ready to speak up about its problems. Surrounded by a singing style passed down from a time before microphones, Nick’s childhood of bird call whistles and an over-exposure to southern gospel music eventually steered him toward an adolescence drumming for metal and punk bands, and subsequent years as an active illustrator and member of Arkansas’s heavy music scene. After numerous personal calamities and a growing obsession with the rural musical traditions of his lifelong home, Shoulders left the Ozarks and lived out of his van, singing on the street corners of the west while slowly being drawn to the vibrance of the New Orleans dance and busking world. Following the release of ‘Rather Low’ by the popular YouTube channel Western AF, which catapulted Nick’s songs to a vastly wider audience right as Covid-19 and lockdowns ensued, he’s seen rapid ascension into the world of touring music, playing alongside the likes of Sierra Ferrell and at major festivals such as Stagecoach. With the hard rhythms and heavenly melodies of the newest release, All Bad, Shoulders manages to concoct a body of work that is at turns sublimely freewheeling and profoundly illuminating, yet primed to permanently warp the listener’s perspective to glorious effect.
