OUTPOST: Rooster

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– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEAsheville band Rooster is Annie Myers and Erin Kinard and was formed in 2016 around a campfire, but the two had performed separately for many years prior. Since then, they have performed throughout Western North Carolina, creating new songs and arrangements of beloved Americana. They perform an energetic combination of folk-country and classic Americana, driven by their powerful vocal harmony and soulful drum/guitar instrumentation. Rooster’s debut album ‘Bloodroot’ was recorded in Swannanoa in 2019, released in March of 2020 and made it on WNCW’s top 100 albums of that year. Their orchestrations are clean and uncluttered but with a raw, gritty edge. They seem right at home in a coffee house, wine bar, brew pub, honky-tonk or at a backyard barbecue.

OUTPOST: Rotations AVL

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– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEEVERY (taco) TUESDAY come down to The Outpost for some music presented by Rotations AVL DJ group, outdoor games, and tacos from Dirty Gertie’s Taco Stand!! 6-9 pm.

PATIO: Will Easter and the Nomads w/ Zach Warren

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– ALL AGES- LIMITED PATIO SEATING IS FIRST COME, FIRST SERVEDWILL EASTER AND THE NOMADS Will Easter has always been a creator. “I love seeing something come from nothing” he states as if it’s the most true thing he knows. Art, construction, or music, Will’s hands have alway been creating. Though raised in a musical family, Will wasn’t always set on being a musician. It was once he began writing and performing his own songs, that Will found his calling. Songwriting in the throughline between Will’s raising in a porch picking family and his love of bringing something new into the world.  Will’s music doesn’t neatly fit in any genre. His songs range from rollicking dance tunes like “River Song” that leave a crowd on its feet, to “Nostalgic Search” which feels like a gospel song being belted in a mountain church, to “Carolina Home” where he works through the complicated emotions of leaving home.  Will writes in a straight, plain english, that fully captures his emotions and leaves the listener feeling surprised at the emotions contained in such simple statements such as “Though I might be gone for quite some time, the only things separating us will be miles.” Much like Will himself, his writing is stripped of embellishments and flair. “I just want to tell the truth. Even if it’s messy.” states Will, and he does just that. His style of writing is specific enough that you can feel his exact emotions, but vague enough that it calls your own memories of those emotions to the front of your mind.  Will’s live shows (especially with his full band, The Nomads) are electric. A front man through and through, WIll knows how to connect with his audience. You can feel him weaving a thread through each member and pulling them closer together, closer to his music.  He has shared the stage with acts synonymous with Folk and Bluegrass like the legendary Jim Avett, David Childers, Time Sawyer, Brooks Forsyth, The Kruger Brothers, Rhonda Vincent  and Danger Muffin. He is the 2022 winner of the prestigious Merlefest band competition. An accomplishment on its own, this was made even more joyous for Will, who attended Wilkes Community College, whose grounds host Merlefest each April.  Will Easter is an artist on the rise. Go catch him live while his venues are still intimate. ZACH WARREN Born in Asheville, North Carolina, Zachary Warren at his core, is a songwriter. As a teen, he began remedially filling journals and finding melodies to match. Now, after amble incubation, is prepared for the next step: offering. Growing up in a home with close quarters, his music naturally settled into a place of gentleness: light finger-picking and hushed singing, so as not to disturb his sleeping family. His style began taking shape during nightly front-porch listening sessions, where he learned the power of dynamics from Sam Cooke and the almost-hypnotic effect of clever storytelling from Tom T. Hall. Eventually, he came across songwriters like Townes Van Zandt, Blaze Foley, and Karen Dalton who taught living intentionally for song’s sake and poets like William Carlos Williams, who emphasized a grounded perception of the local. Emerging from necessity, centered by family, propelled by restlessness, Zachary hopes his songs encapsulate sincere, relatable narratives.

GUIDED BY VOICES

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ALL AGES – STANDING ROOM ONLY GUIDED BY VOICES In 1994, 38-year-old school teacher Robert Pollard & his merry band recorded Bee Thousand in a Dayton, Ohio, basement on a 4-track cassette recorder. This improbable rock classic became an enormously influential album: Pitchfork and Spin have called it one of the best records of the ’90s, and Amazon picked Bee Thousand as #1 on their list of the 100 Greatest Indie Rock Albums Of All Time. A legendary live band with a rabid following, the Washington Post called GBV “the Grateful Dead equivalent for people who like Miller Lite instead of acid!” With 10 studio albums already under their belts in less than 5 years, the band’s present-day line-up is nothing less than a new Golden Age of GBV. PARK DOING

Foxing + The Hotelier

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– ALL AGES- STANDING ROOM ONLYFOXING + HOTELIER People often ask what the most influential emo albums of November 2013 & February 2014 were. Somewhere on the deep web there is an algorithm processing, workshopping the perfect tour for the people that ponder that question. As it turns out, there are two records that stand out and those records happen to be by The Hotelier & Foxing. After this was brought to each band’s attention, they have decided to set out on a journey to give you the opportunity to see “Home Like Noplace Is There” & “The Albatross” in full as they celebrate their 10th anniversaries. Born in DIY spaces across the country, each of these records afforded their respective bands the opportunity to see the world. Now it is time for them to take the stage once again and bring these records back home, this time in some of our nations finest mid-sized venues, to celebrate these albums with you all.GLITTERER

Noah Gundersen

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– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF “MOMENT LIKE THIS” VIP EXPERIENCES AVAILABLE, INCLUDING:   One General Admission ticket to see Noah Gundersen live Private pre-show acoustic performance (2-3 songs) Moderated Q&A with Noah Signed photograph Exclusive VIP merch including tote bag, personalized journal and pen Commemorative VIP laminate Early entry to the venue NOAH GUNDERSENIn November of 2021, we started this record at Sage Arts Studio in Arlington, Washington. The south fork of the Stillaguamish River runs through the property – a rapid, churning force. There is a deep, smoldering green and gray that envelops the Pacific Northwest in the winter. The sun sets around 4:30 p.m. It’s the perfect time to make an album.Andy Park, Dave Dalton, Sean Lane, Harrison Whitford, Dave Dawda, and I learned and tracked 11 songs in five days. Most of it was done live, with all of us playing together in the same room. These guys are incredibly talented musicians and it was a privilege to make this record with them. This is the third record Andy and I have made together and I am continuously grateful for his guidance. My sister, Abby, contributed beautiful string arrangements and harmonies, once again playing an integral part as she has on all my records.These last several years have been ones of significant personal change. I got married to my lovely wife, Misha, taking a deeper step into the uncharted territory of building a life with another person, pushing past my former limits of commitment. We bought a little house in a small town in Washington with our two (now three) dogs and our cat. It’s a quiet life, but a good one.For a while, I stopped actively pursuing music and took a job working construction. I found myself disillusioned with the industry and no longer knew my place in it. The world around me has changed rapidly and I sometimes have difficulty grasping it. There were moments when I felt I had lost the wind from my sails – but I still love creating music and I love these songs. It’s been a challenging but rewarding period of my life, which I feel throughout this record. A lot of regret and failure, but also hope and the transformative power of love. Acceptance of the way things have been, and the way they are, and how little control we really have – acceptance that everything is transient. My hope is that these songs will find you in the ways you need. Here’s another message in a bottle – I hope it washed up on your shore at just the right time. – NoahCASEY DUBIE

SUPERCHUNK

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– ALL AGES- STANDING ROOM ONLYSUPERCHUNKLike every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It’s a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me Up, Here’s to Shutting Up, and Majesty Shredding. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we’ve lost in these harrowing times and more about what we have to be thankful for. (I know something about gratitude. I’ve been a huge Superchunk fan since the 1990s, around the same time I first found my way to poetry, so the fact that I’m writing these words feels like a minor miracle.)On Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem—the “secret ingredient”—is surprise. Perhaps the same is true of songs. Like when the sax comes in on the title track, played by Wye Oak’s Andy Stack, adding a completely new texture to the song. Or when Owen Pallett’s strings come in on “This Night.” But my favorite surprise on Wild Loneliness is when the harmonies of Norman Blake and Raymond McGinley of Teenage Fanclub kick in on “Endless Summer.” It’s as perfect a pop song as you’ll ever hear—sweet, bright, flat-out gorgeous—and yet it grapples with the depressing reality of climate change: “Is this the year the leaves don’t lose their color / and hummingbirds, they don’t come back to hover / I don’t mean to be a giant bummer but / I’m not ready / for an endless summer, no / I’m not ready for an endless summer.” I love how the music acts as a kind of counterweight to the lyrics.Because of COVID, Mac, Laura, Jim, and Jon each recorded separately, but a silver lining is that this method made other long-distance contributions possible, from R.E.M.’s Mike Mills, Sharon Van Etten, Franklin Bruno, and Tracyanne Campbell of Camera Obscura, among others. Some of the songs for the record were written before the pandemic hit, but others, like “Wild Loneliness,” were written from and about isolation.Wild Loneliness is becoming part of my life, part of my memories, too. And it will be part of yours. I can picture people in 20, 50, or 100 years listening to this record and marveling at what these artists created together—beauty, possibility, surprise—during this alarming (and alarmingly isolated) time. But why wait? Let’s marvel now.SLUICESluice is the recording project of Durham based musician/engineer Justin Morris (Fust, Weirs, Aunt Sis). Radial Gate, the second release as Sluice, features a wide collection of local talent including Avery Sullivan (Fust, Indigo De Souza), Oliver Child-Lanning (Fust, Weirs), Luke Norton (HC McEntire), Frank Meadows (Fust, Tomberlin, Bellows) and Natalie King (Toss) to name a few. Radial Gate continues the Sluice theme of nature’s intersection with industry, and lyrically explores the ideas of isolation and depression giving way to community and personal growth. ‘Could you pass me a beer, oh no it fell in the river. Hey man that’s all right, goodnight.’

Tyler Ramsey at Asheville Masonic Temple

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– ALL AGES- SEATED SHOW- AT ASHEVILLE MASONIC TEMPLE (80 BROADWAY ST) TYLER RAMSEY Praised by NPR, Stereogum, WNYC and The Huffington Post, Tyler Ramsey is a multi-instrumentalist equally at home playing guitar, piano, keyboards, bass and percussion, but is best known as a talented finger-style guitarist and singer-songwriter. In addition to having released three acclaimed solo albums, Ramsey is perhaps most immediately recognizable, until his recent departure, as the guitarist and a co-writer in Band Of Horses, having played with them since 2007, prior to the release of their breakthrough album, “Cease To Begin.” A well-established and acclaimed guitar player and singer in the burgeoning western North Carolina music scene, where he calls home, he first learned to play music on piano before moving to the guitar. Ramsey grew up listening to and studying country-blues guitar players like Mance Lipscomb and Mississippi John Hurt, and American finger pickers like John Fahey and Leo Kottke, absorbing their sound and making it all his own.

Bobcat Goldthwait

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– AGES 18+- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE BOBCAT GOLDTHWAITSince Bobcat Goldthwait’s first appearance on the David Letterman Show at the age of 20, he has gone on to maintain a thriving career as a writer, director, actor, voice actor and stand-up comedian. As a comedian, Bobcat has starred in numerous HBO/Showtime specials, performed in venues all over the world, and even went on tour as an opening act for the Band: Nirvana. Well known for his roles in “Scrooged” with Bill Murray and as Zed in the “Police Academy” franchise, Goldthwait has gone on to become a well-respected Award-Winning Director. His Directorial works include Television (Jimmy Kimmel, Chappell’s Show, Community, Maron, Those Who Can’t), feature films (World’s Greatest Dad starring Robin Williams, Willow Creek starring Bigfoot, God Bless America, Windy City Heat, and Sleeping Dogs Lie) and documentaries (Call Me Lucky and Joy Ride). In addition to being a 4x Sundance Alumni, Goldthwait’s films have played internationally including Deauville Film Festival and San Sebastian Film Festival. Bobcat has been honored with the German Independent Honorary Award at Oldenburg Film Festival for his collective works. Bobcat has also directed numerous standup comedy specials (Patton Oswalt, Marc Maron, Ron Funches, Iliza Shleshinger, Mo Willems, Gary Gulman, Hari Kondabolu, Eugene Mirman) and is currently working on converting his critically acclaimed documentary “Call Me Lucky” into a narrative film with Judd Apatow. Also in development, is an original Narative called “The Banishers” with QC Entertainment. After fleeing Los Angeles, he now lives somewhere in the woods in Illinois with his girlfriend, Nora Muhlenfeld, and their 5 cats: Anderson Coopurr, Alice Coopurr, Tina Sparkle, Bruce Wayne and Robert Smith.

Rock Academy – Hindsight Is 2023 Tour

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-ALL AGES-STANDING ROOM ONLY- TICKETS AVAILABLE AT THE DOORRock Academy students perform rock songs of various genres, including blues, classic rock, hard rock, heavy metal, punk, and more.