PATIO: Beth Snapp
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVEBETH SNAPP The pandemic turned the entire musical community upside down, and Northeast Tennessee’s Beth Snapp had a story no different… for the most part. 2019 saw her participating in various Folk and Americana festivals and songwriting competitions (including Kerrville’s New Folk Competition, LEAF’s New Song Music, Songwriter Serenade Winner, TN Dept of Tourism’s Songwriter’s Week Winner). She had enjoyed a Folk Alliance Chart top 10 spot from her 2018 EP “Don’t Apologize.” Press and accolades were building. Then, cue 2020. While lucky to cling to a day job as a healthcare worker in Northeast TN, Beth soon found herself working in the throes of her local COVID unit. This, she reports, took her song away for a while. Some asked if it gave her songwriting fodder. Instead, there were no words, or music, for months. Some moments are too much for words. As the pandemic halt began to fade and music began to return, Beth emerged with a new sense of purpose and re-evaluated goals, highlighting both the messages she wanted to convey, and the human she wanted to be. Beth is finishing up her full-length project with Barry Bales at the production helm (Alison Krauss and Union Station, Willie Nelson, Merle Haggard, cowriter with Chris Stapleton, Grammy/IBMA/CMA Song of the Year winner). In the meantime, be on the lookout for upcoming singles and collaborations throughout the year. You can also hear Beth’s guest vocal spots with bluegrass super group Blue Highway, Grammy and IBMA winner Tim Stafford, Grammy nominated cellist Dave Eggar, and ‘The Voice’ Contestant Carson Peters.
PATIO: Todd Cecil & Dirt Yard Choir
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVETODD CECIL & DIRT YARD CHOIR Genre-bending Americana Blues-Rock trio from Asheville North Carolina. Todd Cecil & Dirt Yard Choir is a mixture of music medicine ranging from Appalachian Swamp Rock to thought provoking Americana singer/songwriter. The trio has a dynamic range to please any crowd, and when it’s time to dance at the show, it’s hard to sit still. The members consist of Todd Cecil (songwriter vocal, guitar, guitar/bass cigarbox) – a Nashville songwriter scene transplant. Todd has traveled the world promoting his music and positive thinking through creative art and the belief in oneself. Mike Fore (Harmonica) – a South Carolina transplant Scott Harte: (Drums, Washboard and Spoons) – true-blue Asheville Together the three make a monstrous sound with fun quirky and uplifting live performances that is uniquely their own.
Brent Cobb: Livin’ the Dream Tour
ALL AGESSTANDING ROOM ONLYBRENT COBB The American south isn’t just Brent Cobb’s home. It’s his muse, too. A Georgia native, he fills his Grammy-nominated songwriting with the sounds and stories of an area that’s been home to southern rockers, soul singers, country legends, and bluesmen. Cobb has a name for that rich tapestry of music — “southern eclectic” — and he offers up his own version of it with his newest album, Southern Star. “Down here, there’s a lot going on and there’s nothing going on at the same time,” he says. “You’ve got all these different cultures in the south, and everything is mixed in together. Otis Redding and Little Richard were from the same town in Georgia. So were the Allman Brothers. James Brown and Ray Charles grew up right down the road. All these sounds reflect the South itself, and that music has influenced the whole world. It’s definitely influenced mine.” Filled with country-soul songwriting, laid back grooves, and classic storytelling, Southern Star distills the best parts of southern culture into 10 of the strongest songs in Cobb’s catalog. He began writing the material after leaving Nashville — where he spent a decade releasing solo records like 2016’s Shine On Rainy Day (which earned a Grammy nomination for Best Americana Album) while penning hit songs for Luke Combs, Miranda Lambert, Little Big Town, and dozens of others — and returning with his family to Georgia. It was a time of change. Not long after celebrating the arrival of his second child, Cobb found himself mourning the death of his longtime friend, Jason “Rowdy” Cope of The Steel Woods. “Rowdy was like my older brother,” says Cobb, who named Southern Star in part after a small-town bar that he and Cope used to frequent. “He loved the music that came out of Georgia, and he helped me appreciate it even more. A lot of artists like to branch out and become experimental as their career continues, but I sort of go the opposite way. I feel like I can never go wrong if I continue to get closer and closer to the core of who I am and what I love, musically. Coming back to Georgia helped me with that. Southern Star is the sound of me getting closer to the source.” Don’t let Cobb’s breezy songs about rural life fool you. There’s some serious complexity lurking beneath the surface. At first glance, “It’s a Start” unfolds like the soundtrack to a leisurely afternoon in the south, with Cobb singing the praises of crawfish, barbecue, and day-drinking. Dig deeper, though, and the song reveals itself to be something more universal: a reminder to appreciate the small things in life, stay mindful, and chase down new horizons at your own pace. To Cobb, there’s something distinctly southern about that message, too. “Sometimes, there ain’t shit going on down here,” he says with a laugh, “but since there’s nothing else to do, you learn to be laid back. You learn to use your imagination, and you wind up imitating your surroundings. These songs sound like the place that inspired them. On ‘It’s a Start,’ when the organ comes in, it reminds me of the sound of the cicadas and frogs you hear in the springtime.” Caleb CaudleForsythia, the latest studio LP offering from Caleb Caudle out now via Soundly Music, isa portrait of his truest self, of the artist at his most solitary and reflective.Thematically, it meets anticipation for the unknown future with nostalgia for the past, and reconciles both with meditation in the present.The album was recorded at the legendary Cash Cabin during the pandemic, and inspired by the solitude and symbols Caudle found in nature during that time.
The Local Honeys
ALL AGESSEATED SHOWLIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETHE LOCAL HONEYS Though many artists are defined by place, only a handful of artists come to define the places they’re from. The Local Honeys are Kentucky and Kentucky runs through their veins like an unbridled racehorse. When a master songsmith like Tom T Hall calls an artist “a great credit to a wonderful Kentucky tradition” it’s time to pull up a chair and pay attention. As it pertains to The Local Honeys he was right on the money. For almost a decade the duo (Montana Hobbs and Linda Jean Stokley) have been an integral part of the Kentucky musicscape. They’ve paid their dues, garnering countless accolades and accomplishments (tours with Tyler Childers, Colter Wall, praise from the New York Times) and have become the defining sound of real deal, honest-to-god Kentucky music. With their self-titled debut on La Honda Records, (home of some of today’s most gifted songwriters; Colter Wall, Riddy Arman, Vincent Neil Emerson) the duo have set forth on a journey to create something true to themselves while pushing the envelope within the traditions they hold dear. Carefully crafted vignettes of rural Kentucky soar above layers of deep grooves and rich tones masterfully curated by longtime mentor Jesse Wells, Grammy nominated producer and musician (Assistant Director at the Kentucky Center for Traditional Music at Morehead State). “Jesse grew up with sisters. He was cut from the same cloth as us and we knew he would understand what we wanted to do.” What they ended up with is the most nuanced, moody, deep-holler sound they have captured to date. “This is the first time we’ve actively gotten to express who we are and where we’re from” says Linda Jean, “The songs on the album speak for us,” adds Montana “they’re about what we know, reflections of us as people. We realized we have the power to add our own narrative into Kentucky music.” Through that realization the two were able to uncover and dissect themes unique to Central Appalachia and in turn their own lives, capturing small moments in time that deliver thunderous results. Throughout The Local Honeys, the duo demand to be interpreted as creators and storytellers, not just purveyors of tradition. Similarly, the sounds captured within the project cement their place as innovators and rule breakers. Rollicking banjo meets overdriven guitar hooks and blue collar rural grit is met with lush melodies and nimble harmonies; it’s a project filled with juxtaposition and it isn’t by accident. It’s reflective of who they are and who they run with. Wells along with The Food Stamps rhythm section – Rod Elkins (percussion) Craig Burletic (bass) and Clay City, KY’s irreplaceably one-of-a-kind Josh Nolan (guitar) all lent their expertise and signature groove as collaborators during the session creating a fluidity, warmth and cohesion that can only be created through friendship. The project was engineered in Louisville at Lalaland by Grammy winner Anne Gauthier. PLANEFOLKJESSE LANGLAISBROTHERS GILLESPIE
Jeremy Pinnell
ALL AGESSTANDING ROOM ONLYJEREMY PINNELL When Jeremy Pinnell released OH/KY in the summer of 2015 to stunned acclaim, it felt like an entire career compressed into one knock-out album. Hailed as, a “Mind-blowingly good” (Greg Vandy/KEXP) “ ”tutorial on classic country music” (Popmatters), Pinnell’s debut immediately differentiated as authentic and unflinching. Dogged touring through Europe and the States and celebrated radio sessions followed, cementing Pinnell’s position as a no-fuss master of his craft. His 2017 album, Ties of Blood and Affection presented a canny lateral move. Instead of doubling down on the stark themes and values of his debut, the sophomore album found Pinnell finding comfort in his own skin, achieving the redemption only hinted at in his previous batch of haunted songs. If the third time’s a charm, Pinnell is all shine and sparkle on Goodbye LA. Produced by Texan Jonathan Tyler, the tunes buff the wax and polish the chrome on Country music’s deeper roots. Rooted in his steady acoustic guitar, Pinnell’s songs are shot through with honest and classic elements. The rhythm section, all snap and shuffle, finds purpose in well-worn paths. The pedal steel and Telecaster stingers arrive perfectly on cue, winking at JP’s world-wise couplets . Here slippery organ insinuates gospel into the conversation. You can feel the room breathe and get a sense of these musicians eyeballing each other as their performances are committed to tape. And through it all comes this oaken identity, the devastating centerpiece of his work. Honest and careworn, Jeremy’s voice can touch on wry, jubilant, and debauched – all in a single line. At his best, Jeremy Pinnell chronicles the joy and sorrow of being human, which is the best that anyone could do. TIME SAWYER Time Sawyer’s name reflects the pull between the past and the future. The character Tom Sawyer evokes the rural background and love of home that the band shares. Time is a muse for songwriting; it’s the thread that runs through life, bringing new experiences and giving us a sense of urgency, while still connecting us with our past. The folk-rock band has performed on the stages of some of the Southeast’s most iconic festivals, including Merlefest, Floydfest, Bristol Rhythm and Roots Reunion, Albino Skunk Music Festival, and Carolina in the Fall. They’ve shared bills with American Aquarium, John Craigie, Hiss Golden Messenger, Langhorne Slim, John Moreland, Steep Canyon Rangers, The Wood Brothers, Susto, and many more.
PATIO: The Mallett Brothers Band
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVETHE MALLETT BROTHERS BAND “FOUNDED IN 2009, THE MALLETT BROTHERS BAND HAVE HAD MULTIPLE LINEUP CHANGES AND STYLISTIC SHIFTS OVER THE YEARS, BUT THEY’VE REMAINED STEADFAST IN DELIVERING HEARTFELT SONGS WITH EMOTIONAL LYRICISM, VIVID IMAGERY, AND DYNAMIC MUSICAL TONES…” – NO DEPRESSION The Mallett Brothers Band is an independent rock and roll / Americana / country band from Maine. Their busy tour schedule since forming in 2009 has helped them to build a dedicated fanbase across the U.S. and beyond while still calling the state of Maine their home. With a style that ranges from alt-country to Americana, country, jam and roots rock, theirs is a musical melting pot that’s influenced equally by the singer/songwriter tradition as by harder rock, classic country and psychedelic sounds.
John Craigie
ALL AGESSTANDING ROOM ONLYJOHN CRAIGIE Much like community, music nourishes us mentally, emotionally, and spiritually. It also invites us to come together under the same roof and in a shared moment. In similar fashion, John Craigie rallies a closeness around music anchored by his expressive and stirring songcraft, emotionally charged vocals, lively soundscapes, and uncontainable spirit. The Portland, OR-based singer, songwriter, and producer invites everyone into this space on his 2024 full-length album, Pagan Church. Following tens of millions of streams, sold out shows everywhere, and praise from Rolling Stone and more, he continues to captivate. “The music is always evolving and devolving with each new record,” he observes. “With my last album Mermaid Salt, I really wanted to explore the sound of isolation and solitude as everyone was heading inside. With this record, I wanted to record the sound of everyone coming back out.” In order to capture that, he didn’t go about it alone… Instead, he joined forces with some local friends. At the time, TK & The Holy Know-Nothings booked a slew of outdoor gigs in Portland and they invited Craigie to sit in for a handful of shows. The musicians instinctively identified an unspoken, yet seamless chemistry with each other. Joined by three of the five members, Craigie cut “Laurie Rolled Me a J” and kickstarted the process. With the full band in tow, they hunkered down in an old schoolhouse TK & The Holy Know-Nothings had converted into a de facto headquarters and studio, and recorded the eleven tracks on Pagan Church.TAYLOR KINGMAN In a time drenched in escapism, where an unceasing barrage of synthetic shine promises comfort and relief from facing the complexity of our natures, Taylor Kingman’s new album Hollow Sound is an antithetical long night in a solitary cave, with nothing but a small fire and a hard look inward to keep you company. Between his work fronting TK & The Holy Know-Nothings and his 2017 solo debut Wannabe, Kingman is no stranger to the darkness. But here he transcends the desolate rock bottom, as Hollow Sound whispers, then howls us into that place beyond brokenness where breathing begins again. To listen deeply to these songs is to lay down naked on the wet, unforgiving earth, pushing the ground through your fingers; it is to be soothed by the wholeness of who we are, filth and all. Kingman pulls no punches with his writing, and requires us to listen with the same honesty.
Mikaela Davis
– ALL AGES- STANDING ROOM ONLYMIKAELA DAVIS Five years since her debut album Delivery, Mikaela Davis has moved away from her hometown of Rochester, shared the stage with the likes of Bob Weir, Phil Lesh, Christian McBride, Bon Iver, Lake Street Dive and Circles Around the Sun and entered a new decade. But it’s the ever-evolving relationships between her closest friends and bandmates that has propelled the Hudson Valley-based artist onto her new album And Southern Star––a truly collaborative effort that ruminates on the choices we make, and the people we always come back to. Davis earned her degree in harp performance at the Crane School of Music, and has molded her classical music training to create an original and genre-bending catalog that weaves together 60s pop-soaked melodies, psychedelia and driving folk rock. She met her bandmates at pivotal moments in her life––drummer Alex Coté in childhood, guitarist Cian McCarthy and bassist Shane McCarthy in college, and steel guitarist Kurt Johnson in her early twenties. It’s the band’s collective step into adulthood that has informed much of And Southern Star’s thematic landscape. Navigating the periphery of past selves, the coexistence of isolation and excitement in a new environment and the tension of growing away from what we thought we wanted is tackled with a luscious, kaleidoscopic grace. And Southern Star picks apart the reflection we used to recognise, while trying to build a new one. “I finally feel like this album is more me than anything else that’s been released,” Davis says, adding that producing the album along with her four bandmates allowed them to carve out their own ideas, rather than someone else’s. Despite playing together for over a decade, it’s the first time the five-piece have appeared on a full length album together. The bones of And Southern Star was recorded at Old Soul Studios with Kenny Siegal, a person who was an integral part of Davis’ move to the area. The rest was recorded by Cian McCarthy at Horehound Mansion, adding to the album’s intimate nature. The album was mixed by Mike Fridmann at Tarbox Road Studios, who is lovingly nicknamed as the ‘silent sixth member of the band.’ Davis describes the band’s bond as “meditative and telepathic,” adding that although many of the songs were written individually across the past few years, something instantly clicked once they were together. Opener “Cinderella,” written by Coté and Davis, begins with Davis’ distinctive harp plucks and ethereal vocals. It’s a sonic choice that directly points to Davis’ solo beginnings, before blossoming into the textural patchwork of the band’s contributions. The fairytale wanderings of the song peel back in the album’s dream-like canopy, where tracks offer an otherworldly escape from the constraints of reality.
Jon McLaughlin: Coast to Coast Tour
ALL AGES SEATED SHOWLIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEJON McLAUGHLIN Everything in Jon McLaughlin’s life makes its way into his music, whether he’s conscious of it or not. The artist, raised in Indiana and based in Nashville, brings all of his experiences and beliefs into each song he creates, something that is especially true now that he’s the father of two young girls. Jon released his debut album, Indiana, in 2007 on Island Def Jam, attracting fans with his heartfelt, hook-laden songwriting and impassioned delivery. He’s released six full-lengths in the years since and revealed a true evolution in both his piano playing and singing. He’s played shows with Billy Joel, Kelly Clarkson and Adele, collaborated with longtime friend Sara Bareilles, co-written with Demi Lovato and even performed at the Academy Awards in 2008. Jon’s album, Like Us, dropped in October of 2015 via Razor & Tie, and he spent the past few years touring extensively before heading back into his Nashville studio to work on new music. Jon released a Christmas EP in 2017 titled Red & Green with two originals and his take on a few holiday classics. In November of 2018 Jon released his album Angst & Grace which features “Still My Girl” written for his youngest daughter. In the fall of 2022 Jon hit the road with his band in celebration of the 15 year anniversary of his Indiana album which will be remastered and re released on vinyl spotlighting a new acapella version of the title track “Indiana” featuring Straight No Chaser as well as never-before-released b-sides. As with everything he does, Jon’s goal is to create connections. He wants to translate his experiences and ideas into music that reaches fans everywhere. His passion for music and playing is evident in each note he plays. LEO SAWIKINLeo Sawikin is a NYC-born and bred singer/songwriter, who debuted as a solo recording artist with his 2021 album, Row Me Away. While Leo often records from his home studio in New York’s Little Italy, over the last year he traveled to Seattle to work with the legendary Phil Ek, who produced breakthrough albums by Built to Spill, Modest Mouse, The Shins, and Fleet Foxes.
LowDown Brass Band
ALL AGESSTANDING ROOM ONLYTHE LOWDOWN BRASS BAND The LowDown Brass Band is a uniquely strong representation of Chicago Music culture. Providing a modern take on soul, funk, hip hop, and jazz, this multifaceted all-horn band boasts freedom through the art of their craft, whilst gaining critical acclaim from The Gazette, Fame Magazine, The Chicago Reader and more. LowDown kick started 2023 with the release of the sun-drenched soul and jazz-infused single Call Me. It was followed by the summer release of Take Me Away, which is a club inspired dance floor lover’s track. This next single So Long mellows the atmosphere and is a classic hip hop heartbreaker. So Long uses 808, horns, and the story telling of MC Billa Camp and singer Shane Jonas. Let’s take a pause on the dance floor and reflect on the long winter ahead. There is warmth in the flow. LowDown maintains a constant performing and touring schedule, blessing every venue with their unique blend across multiple genres, and showcasing their ability to amplify the energy of any room with their positive and infectious spirit.LowDown Brass Band has built a highly-impressive discography, accumulating over 1.1 million streams across Spotify alone with notable performances at Cotai Jazz Fest, The Montreal Jazz Festival, Winnipeg Folk Fest, SummerCamp, Vancouver Jazz Fest, Folk Alliance, Green River Fest, Chicago Jazz Fest, Aspen Jazz Fest, Mile of Music, Alaska’s infamous Salmon Fest, and opening runs with Galactic, Rebirth Brass, Bon Jovi, and others. LowDown’s next record will be released in February 2024 and is titled Citizens of the World. LowDown is repped by the Fata Booking Agency (USA and International), Paquin Booking (Canada), and Liberty Music PR (UK). Their music has been featured on Hulu’s Cruel Summer and is also on the Nintendo Switch’s Dec 2023 release Super Crazy Rhythm Castle. So long adaptation. BIG FURBIG FUR is a slick, versatile animal of a band that pounces between genres and sounds through elaborate compositions and intense improvisation. The band cultivates an original sound that takes southern rock, country, and bluegrass to its highest dynamic peaks, and most electrifying, psychedelic edges.
