Battle of the Brewery Bands at Hatch Amphitheater
THIS EVENT WILL TAKE PLACE AT HATCH AMPHITHEATER, LOCATED AT 45 SOUTH FRENCH BROAD AVE IN DOWNTOWN ASHEVILLE ALL AGES STANDING ROOM ONLY BATTLE OF THE BREWERY BANDS Asheville breweries are bringing more than beer—they’re bringing the bands! Join us at The Hatch for a night of killer local music, cold brews, and friendly competition as brewery bands battle it out on stage.
LUCERO: Celebrating 20 years of “Nobody’s Darlings”
ALL AGESSTANDING ROOM ONLY LUCERO Celebrating 20 years of “Nobody’s Darlings”, Lucero will play the album in its entirety followed by a set of songs from the band’s catalog. It would be difficult to find a band that is more self-aware than longtime touring band Lucero. Since forming in Memphis in the late 90’s, Lucero’s base musical hallmarks have remained similar to the band’s initial sound established with their first record The Attic Tapes. In the history of their expansive discography, Lucero has evolved and embraced everything from southern rock to Stax-inspired Memphis soul, whilst simultaneously maintaining their distinctive sonic foundations. Years later, dedicated fans of the group still flock to hear the band’s punchy driving rhythms, punk-rooted guitar licks, and lyrics that evoke the whiskey drenched sentimentality of Americana singer-songwriters. JESSICA LEA MAYFIELD Jessica Lea Mayfield is excited to announce an upcoming 10-date US tour featuring Homeschool (fresh solo project of Tom D’Agustino, formerly of Active Bird Community) as well as a show with long-time friends and collaborators, The Avett Brothers. Coinciding with the tour announcement, Mayfield is releasing the first visual off her upcoming record, for her latest single “Can You Feel It?” directed by Haley Wetherington and produced by Lindsey Gardner. Jessica Lea Mayfield is no stranger to creating on her own terms. Since 2020, Mayfield has been sprinkling new singles out one by one in lieu of the industry-standard full length LP, and is now presenting her first visual – a psychedelic world of her own for 2021’s “Can You Feel It?” Based on Mayfield and Wetherington’s love of furry friends, “Can You Feel It?” centers on a lonely Mayfield in need of companionship. On a gloomy NYC day, Mayfield finds herself being stalked by a stray cat who makes itself right at home in her depression chamber. She’s found a friend…or did the “friend” find her? Here, we’re introduced to the puppet version of toxoplasmosis, or toxo for short, a housepet borne parasite to which over half cat owners of the world have supposedly been exposed. Based on internet theory (i.e. rumor), toxo can make cat owners go insane. After napping with her newfound friend, Mayfield wakes up in a technicolor world of her own. Lonely no more, Mayfield finds joy dancing through an Alice in Wonderland like scene with her chaos-causing now human-sized feline friend (or foe). Playing on the contrast between mundane reality vs the boundless imagination of our minds, Wetherington and Mayfield create a world which is euphoric, playful and intriguing but a bit dark and disconcerting. The finale leaves us wondering if Mayfield will ever wake up from this dark dream, or if she’ll even want to.
THE BUDOS BAND at Hatch Amphitheater
THIS EVENT WILL TAKE PLACE AT HATCH AMPHITHEATER, LOCATED AT 45 SOUTH FRENCH BROAD AVE IN DOWNTOWN ASHEVILLE ALL AGES STANDING ROOM ONLY THE BUDOS BAND Two years after releasing the Frontier’s Edge EP, The Budos Band are returning with their first full-length since 2020’s Long in the Tooth. Titled simply VII, the new album sees them doing what they do best: laying down hypnotic, horn-spiked grooves that menace and mesmerize in equal measure. Produced by Budos guitarist Tom Brenneck with Simon Guzmán engineering, VII features 11 tightly constructed new tracks that draw on the group’s wide range of influences, sounding like only The Budos can. It’s music for getting down, for nighttime drives, and for alternate headspaces — a beguiling mix of mystery and rhythm that stands with the formidable work they’ve released in their two decades of recording. “We didn’t really go in there with a concept on VII,” drummer Brian Profilio says. “It was the first time in 2 years that we were together in a studio so we were like, ‘Let’s see what happens.’ We ended up writing 11 songs in three days.” These 11 songs run the gamut, featuring sweaty, hard-hitting funk workouts like “Escape from Ptenoda City” alongside explorations of Turkish psych in “Night Raid” and Zambian rock in the riff-heavy “Overlander.” It continues the stylistic evolution the group began with 2014’s striking, shake-things-up album Burnt Offering. “It’s almost like we’ve refined the sound we were going for on Burnt Offering,” Brenneck says of VII. “It’s not quite as raw.” “That’s the genreless aspect of the band,” saxophonist Jared Tankel agrees. “We’re not Afrobeat, we’re not Ethiopian jazz. We’re not world music. We’re not really funk, we’re not soul. We’re not rock. We’re just an amalgam of all these different sounds, so things pop out in all directions when you listen.” VII was recorded in California and serves as The Budos Band’s first full-length album on Diamond West, the independent label founded in 2023 by Tankel and Brenneck. It’s also the group’s first album to include instrumental contributions from percussionist Rich Tarrana, who previously played in the Frightnrs. All told, it succeeds in opening up some new sonic space while staying tethered to the intuitive, unique musicality that made them such a sensation from the jump. “Sometimes it’s like we’re speaking some esoteric language that no one else understands except us, and we’re doing it wrong,” Brenneck says. “It’s like how the Stones tried to play the blues and they missed the mark and they made something new — everything The Budos tries to do, we do wrong, and it sounds like The Budos.” BENNY TROKAN
Willi Carlisle: Winged Victory Tour
ALL AGESSTANDING ROOM ONLY WILLI CARLISLE Folksinger Willi Carlisle holds tight the conviction that love is bigger than hate, and no-one is expendable. Carlisle’s music has always been a dance between absurdity, spectacle, and philosophy. On his fourth studio album, Winged Victory, Carlisle returns with his signature blend of traditionally-rooted folk music and kaleidoscope of oddball characters to confer with his core tenets in more overt and provocative ways. Carlisle delivers Victory as the next chapter in his long-running direct address to the hope that by understanding our collective suffering we might be free of it. He’s intent on creating art and a well-rounded life in a broken world. The idea began with 2022’s Peculiar, Missouri when Carlisle proclaimed “your heart’s a big tent, everybody gets in.” After gathering together all the world’s weirdos and misfits under the big tent, with 2024’s Critterland, Carlisle let them loose into the world. Now, on Winged Victory, they speak for themselves, unencumbered by social expectations. Victory, Carlisle’s first self-produced album, will be released June 27 via Signature Sounds. It both indulges a few of his wildest dreams (including a version of Richard Thompson’s “Beeswing,” among several traditional folk song covers), and feels like the inevitable sequel to Critterland’s charismatic menagerie of chaos. Though occasionally raunchy, and routinely provocative, Victory is not afraid to make a spectacle for the sake of a point. Victory should be understood as a reflection. It revels in the beauty of tiny, monetarily-worthless moments and things, offering with them a consideration of our innate humanity.
PATIO: Whitehall w/ Cal in Red
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVEWHITEHALLWhitehall is an indie rock four-piece band based in Brooklyn, NY originally from Charleston, SC. Paddy McKiernan (vocals, guitar), Brennan Clark (bass), Davis Rowe (drums), and Avery Greeson (guitar) met in college, and got their start writing songs in a dorm room. After four years spent in the South Carolina DIY scene playing house shows throughout the state, the band recorded their debut album, Ocean Fiction, and embarked on their first tour on the East coast with a live show that is at once frenetic and introspective. In the years that followed, Whitehall recorded and released their sophomore effort Swordfish Catcher and received praise and playlist placement from national publications like NPR, Alternative Press, and American Songwriter. This album saw their sound shift from bouncy, melody-laden indie, to something grittier, with distorted guitars and imaginative lyricism that more closely resembles acts like Pavement and Car Seat Headrest. After touring extensively between 2021 and 2023 with acts such as Goo Goo Dolls, Arlie, and Carver Commodore, the band released their 3rd LP, Maizy, a collection of tracks written mostly over a period of two weeks in isolation in the Appalachian Mountains. The record came to life with help from legendary producer Kevin Ratterman (My Morning Jacket, White Reaper). Whitehall continues to tour North America and will be in a city near you soon! CAL IN RED Cal in Red is an indie pop project by brothers Connor and Kendall Wright (Grand Rapids, MI). They have released 2 EP’s + a flurry of singles, toured nationally, and opened for artists like Karl Blau and Bastille.
Ginger Root
ALL AGESSTANDING ROOM ONLY GINGER ROOT A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Cameron Lew has crafted his Ginger Root project steadily since 2017, inviting a fervent and growing legion of fans into storylines drawn across mediums: captivating albums with accompanying films and globe-spanning tours. The Ginger Root sound — handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul — takes shape through Lew’s lens as an Asian-American growing up enamored by 1970s and ’80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney. SHINBANGUMI, his long-awaited third LP, and Ghostly International debut set for physical release in 2024 with a visual album component, translates roughly to a new season of a show. It finds Lew more poised, idiosyncratic, and intentional than ever in a new chapter of life, unlocking “exactly what Ginger Root should sound and feel like,” he says. “In terms of instrumentation and musicality, it’s the first time that I felt very confident and comfortable with what everything should be comprised of. On the more personal side, I’m coming out of the last four years of writing, touring, and living as a different person; SHINBANGUMI is a platform to showcase my new self.” Since his first release of “aggressive elevator soul” music and dispatch from his beloved weekly YouTube cover series during college, Lew has captained the ship of Ginger Root, able to write, record, and mix the music while creating the art and videos from scratch. What makes Ginger Root special is the project’s ability to weave influence beyond pastiche into a bigger picture, exploring that rarified pop pleasure center where referential meets refreshing. In 2018, the project delivered its first album in collaboration with Acrophase Record, Mahjong Room, followed by several projects including the 2020 LP, Rikki. Between each move, Ginger Root has played alongside many modern Indie standouts, such as Khruangbin, Durand Jones, Omar Apollo, The Marias, and Hippo Campus. With much of Rikki’s release feeling lost to the moments of that year, Lew decided to take a step back and try to write a succinct project to engage listeners for as long as possible. His redirected energy, paired with the newfound influence of Japanese art and culture from his experience learning to speak the language, yielded City Slicker in 2021. On the strength of breakout songs like “Juban District” and “Loretta,” the project connected with a massive audience on the internet, with his YouTube amassing 160,000 subscribers and his Spotify nearly hitting 1 million monthly listeners. Ginger Root released the Nisemono EP in 2022 and has since played sold-out shows across North America, Europe, and Asia as fans await new music. In 2024, Ginger Root presented SHINBANGUMI across a sequential music video series, resuming the conceptual narrative from his 2022 EP Nisemono, which follows Ginger Root as a newly-fired music supervisor in 1987 starting his own media conglomerate, Ginger Root Productions. “If you watch music videos one through eight, you’ll be presented with a story that’s comparable to a traditional movie; something I’ve always wanted to do.”
D.R.I.
ALL AGESSTANDING ROOM ONLY D.R.I. Dirty Rotten Imbeciles (often abbreviated and referred to as D.R.I.) are an American crossover thrash band that formed in Houston, Texas in 1982 and would later relocate to San Francisco, California. The band is currently composed of two of its founding members, lead vocalist Kurt Brecht and guitarist Spike Cassidy, as well as bassist Greg Orr and drummer Rob Rampy. D.R.I. never gained a mainstream audience, but the integration of their hardcore punk roots with thrash metal influences was a stylistic catalyst for their contemporaries – most notably Suicidal Tendencies, Corrosion of Conformity, Stormtroopers of Death, the Cro-Mags, Nuclear Assault, Adrenalin O.D., and Cryptic Slaughter – alongside whom they are considered to be one of the major pioneers of what would later be called “crossover thrash”. These bands had a heavy influence on modern thrash metal. As of 2025, D.R.I. has released seven full-length studio albums. Other than three new songs on the 2016 EP But Wait… There’s More! they have not released a full-length studio album since Full Speed Ahead in 1995. Despite this, the band has continued to tour almost every year, and gone on hiatus intermittently, notably between 2004 and 2009, when Cassidy was diagnosed with colon cancer. Since the late 1990s, D.R.I. has been working on their eighth full-length studio album, which remains unreleased. PARALYSIS Thrash metal band from New Jersey.
Bonnie “Prince” Billy
ALL AGESSTANDING ROOM ONLY BONNIE “PRINCE” BILLY The human who sings and composes under the name Bonnie “Prince” Billy and acts under the name Will Oldham has, over the past three-plus decades, made an idiosyncratic journey through, and an indelible mark on, the worlds of independent music and cinema. With his highly individualistic approach to music making and the music industry, one that cherishes intimacy, community, mystery, and spontaneity; his brilliance has captivated fans and made Bonny one of our most influential and beloved songsmiths.Bonnie “Prince” Billy’s latest offerings include 2023’s Keeping Secrets Will Destroy You and 2024’s Hear the Children Sing the Evidence (with Nathan Salsburg and Tyler Trotter). He had a cameo role in Jeff Nichols’ The Bikeriders. BPB’s newest record is The Purple Bird (produced by David Ferguson), and features such giants of American music as John Anderson and Tim O’Brien. MATT KIVEL Matt Kivel is a songwriter based in Austin, Texas. He has released 7 full length albums. His music has received acclaim from “critics” and audiences all over the world. Not that long ago he played a sold out concert in Tokyo and couldn’t believe that people showed up. It was incredible. His music plays with form and the songs take on many different shapes. Sometimes they are loud and distorted, echoing into a mesmerizing drone; other times they are extremely quiet—like the deathbed confession of an old tycoon who’s got one last secret to share before the buzzards pick his bones clean. And other times, they are fun, warm, and warped: insular transmissions that bring to mind the tunes of slick songwriters like Ric Ocasek and Jackson Brown. Regardless, you’ll get the hang of it once you hear it. Trust me.
The Antlers & Okkervil River
ALL AGESSTANDING ROOM ONLY THE ANTLERS The Antlers are Peter Silberman and Michael Lerner. In 2021 the band released their first album in seven years titled Green to Gold, a bucolic record which Pitchfork described as “a post-rock orchestra playing around a campfire… the sound of hard-won peace of mind, rendered in the lightest brushstrokes.” The release was followed by the Losing Light EP, a reimagining of four tracks from Green to Gold. Peter Silberman has also co-produced the recent Wild Pink album ILYSM, marking Silberman’s first foray into producing a record for another artist outside of the context of The Antlers or his solo work. Since 2021, The Antlers have been releasing stand-alone singles “I Was Not There,” “Ahimsa” and a Brett Arnold reworking of “Green to Gold”. OKKERVIL RIVER Over the course of his career, Will Sheff has released ten albums that have given the front man of esteemed indie rock band Okkervil River a reputation as one of the greatest working songwriters in the country. As Sheff and his shifting lineup of players have traveled the world many times over, they’ve made fans ranging from Lou Reed to Barack Obama. Praised as “One of indie rock’s most ambitious thinkers” (Pitchfork), Sheff released his debut solo album ‘Nothing Special’ in 2022 to critical acclaim from The New Yorker, NPR, Uncut, Pitchfork and more…with The New York Times saying it “Harnesses both the glow of poetry and the gravity of hymns.”
Erick Baker
ALL AGES FULLY SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE ERICK BAKER Erick Baker is an Emmy Award-winning writer, children’s book author, and heart-on-his-sleeve troubadour from Knoxville, TN. His music is a distinctive blend of folk, rock, and Americana-soul that isn’t just heard, it’s felt. For over a decade he’s made a life in music, sharing the stage with artists like John Legend, Brandi Carlisle, Grace Potter, Heart, Gavin DeGraw, Chris Isaak, and the Goo Goo Dolls. “His songwriting is of two worlds: The storytelling tradition of Americana (think Townes Van Zandt) and the radio-savvy world of cross-over country (think Keith Urban)…his acoustic guitar serving as rhythm and background to the swell of his voice — a smoke and whiskey tenor with plenty of range and emotion”. – Alli Marshall of the Mountain Express “Baker has built a career out of peeling back the skin and bones that surround his beating heart…watching Baker hunched over a guitar, leaning into a microphone and shining a spotlight on his soul through his R&B-tinged brand of indie folk is to witness a man who truly believes in what he’s doing.” – Steve Wildsmith of The Daily Times
