OUTPOST: Quinn Sternberg’s Mind Beach + Danny Ianucci Trio
-ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEQuinn Sternberg is an Asheville bassist, composer and bandleader recently relocated from New Orleans and originally from Bloomington, Indiana. His four albums “Weird World,” “Mind Beach,” “Cicada Songs,” and 2023’s “Walking On Eggshells” draw influence from Quinn’s Midwest musical upbringing, his decade performing in New Orleans, and contemporary musical elements. The result is a fresh perspective on the Jazz tradition that is simultaneously melodic and groovy, “complex but digestible” (DownBeat Magazine), and soulful while highly interactive. Quinn’s band has wowed audiences at venues ranging from listening rooms, to rock clubs, to festival stages with their intense live energy.Jacob Rodiguez: Sax Alex Taub: KeyboardJoe Enright: DrumsQuinn Sternberg: Bass and CompositionOpening the night is the Danny Ianucci trio performing a set of all original music. The trio features three of Asheville’s best and most in demand musicians: Jason DeCristofaro (keyboard), Micah Thomas (Drums), and Danny Ianucci (bass).
OUTPOST: THE TORTURED PARTIERS DEPARTMENT (Taylor Swift album listening/dance party) – ASHEVILLE
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE It’s a new soundtrack … an album-listening party that you cannot miss!And so we enter into evidence… All’s fair in love and partying… Sincerely, The Chairman of The Tortured Partiers Department (@22andgood4u)
OUTPOST: CLUB SALTBURN – A Dance Party Tribute Night to Saltburn
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Get ready to lose your mind at “CLUB SALTBURN.” Join us for a night of cinematic excitement as we spin your favorite songs from the movie and other indie rock, sleaze, and Y2K pop hits of the era. Dance the night away in a whirlwind of lights and pulsating beats. Dress as your favorite character or come as you are! Don’t let this opportunity slip down the drain, get your tickets now at AshevilleOutpost.com!Sounds by @russellrosemusic @thedanceparties
PATIO: JM Stevens – “Nowhere to Land” Tour
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVEJM STEVENS Hailing from Austin, Texas by way of West Point, Mississippi, critically acclaimed Americana and roots-rock/pop singer, songwriter, and producer, JM Stevens returns three years after his well-received solo debut, Invisible Lines. Releasing in April 2024, the 10-song Nowhere to Land is an overall mellower, more vulnerable record than its predecessor, though still speckled with some up-tempo rockers. It’s a thoughtful album further set apart by Stevens’ nuanced songcraft, intimate vocals, and organic production. DittyTV praised Stevens as, “In that sweet spot of pop-rock represented by guys like Bruce Springsteen, Jackson Browne, John Cafferty, Tom Petty, [and] Don Henley,” while The Big Takeover noted how his “Supremely tasteful arrangements keep excess far at bay.” From contemplative, optimistic opener “Dry Creek” and the more jaunty but no less questioning title track, it’s a record that preserves the raw emotions of Stevens’ songcraft through admirably restrained production. “I wanted to keep it real open,” he said. “And it sometimes sounds bigger that way, because there’s more space to sink into, more room to breathe.” Pangs of love, loss and loneliness punctuate Nowhere to Land’s bouts of doubt, jealousy, and recurring hope. Songs search for that old spark as lovers grow apart but often, tempered by empathy, resolve into acceptance and letting go. “After the Storm” came to Stevens almost fully formed while out running in the wake of Texas’ infamous 2021 ice storm, while fellow standout “Cherry Sunburst” takes doing whatever it took to acquire a coveted guitar as a metaphor for losing our senses in all manner of other situations. Catch Stevens on tour in 2024 supporting Nowhere to Land. “Recalls records from the Jayhawks, Drive-By Truckers, and Uncle Tupelo, blending acoustic, electric, and pedal steel guitars around smooth, upper tenor vocals.” – Brian Standefer, Texas Monthly “The majority of these songs sound as if they’ve been lingering in the ethos forever, uncannily familiar yet edgy enough to catch immediate attention and resonate well beyond.” – Lee Zimmerman, Goldmine
NIGHT TWO: Jazz is Dead
ALL AGESSTANDING ROOM ONLYJAZZ IS DEAD Jazz Is Dead – The legacy all-star instrumental ensemble, famous for interpretations of classic Grateful Dead songs with jazz influences, (re)assembled a killer line-up to immense critical and fan acclaim, and box office success in January. To celebrate Mars Hotel 50th Anniversary, original bassist Alphonso Johnson joined by Steve Kimock, Pete Lavezzoli & Bobby Lee Rodgers, performing songs from Grateful Dead’s ‘Wake of the Flood’, in addition to other beloved selections. Reuniting Steve Kimock & Alphonso Johnson, whom together in heavyweight post-Garcia Grateful Dead off-shoot The Other Ones, along with Bob Weir, commanded the instrumental prowess of that band that shines in Jazz Is Dead. Formed in 1998 by bassist Alphonso Johnson (Weather Report, Santana, Bobby & The Midnites, The Other Ones), drummer Billy Cobham (Miles Davis, Mahavishnu Orchestra, Bobby & The Midnites), keyboardist T Lavitz (Dixie Dregs) & guitarist Jimmy Herring (Aquarium Rescue Unit, Widespread Panic), with drummers Rod Morgenstern (Dixie Dregs) & Jeff Sipe (Leftover Salmon) replacing Cobham in 1999, and guitarist Jeff Pevar (CSN, David Crosby CPR, Phil Lesh & Friends) replacing Herring in 2000, recorded 3 acclaimed albums, the second of which ‘Laughing Water’ in 1999 was in fact an instrumental ‘Wake of the Flood’ reinterpretation – so there is precedent. That album also featured Derek Trucks, Donna Jean Godchaux & Vassar Clements.On Laughing Water, the fusion ensemble Jazz Is Dead one-ups the band that it sets out to honor. Laughing Water is a superior remake of the Grateful Dead’s rather ordinary rock album Wake of the Flood. Fortunately, you don’t have to be a Deadhead to appreciate this album. Laughing Water not only fuses jam-rock with jazz, but it possesses a country-bluesy Americana flavor. The songs on Laughing Water are long and improvisational, but they seldom grow boring. From a purely technical standpoint, each musician in Jazz Is Dead is a superior player to his counterpart in the Grateful Dead. But unlike many pop-jazz remakes of rock albums, Laughing Water manages to capture the rock ‘n roll animus of the original. The communal carefree spirit of tie-dyed counter culturalism lives on in this music. Not only should Deadheads come away happy, but fusion freaks and aficionados of improvisational rock should, too. – Ed Kopp, All About Jazz 1999 ‘Wake of the Flood’s’ reimagined interpretations remain in a repertoire that has expanded exponentially to cover most of the beloved, halcyon songs that have transcended generations, as devotees of The Grateful Dead have swelled to numbers far beyond those when Jerry Garcia was with us. Jazz Is Dead returns in June, unleashing 5 additional shows for ‘This Lazy Summer Home’ tour.
Randall Bramblett Band: Album Release Show
ALL AGESSEATED SHOWLIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLERANDALL BRAMBLETT BAND Esteemed singer-songwriter Randall Bramblett is a multi-instrumentalist musician with a career spanning four decades. The Jesup, Georgia native has been highly sought-after for his creativity as both a collaborator and skilled touring sideman. His talent has earned him the respect of his peers and many of rock’s finest luminaries. In 1974 he was part of the Gregg Allman Band for his Laid Back album and tour. In the 1970’s he joined Sea Level with Chuck Leavell. He’s shared stages with artists such as Steve Winwood – a 16 year run, Bonnie Raitt, The Allman Brothers Band and Widespread Panic, among others. He’s also a noted songwriter – he penned the title track for the Grammy nominated Blind Boys of Alabama’s last album, adding to a long catalog of songs covered by Raitt, Gregg Allman, Bonnie Bramlett, Hot Tuna, Delbert McClinton, Chuck Leavell and more. The current exciting news is soul/Motown legend Bettye LaVette released a tribute album, covering 11 of Randall Bramblett’s songs on June 16, 2023 on the Jay-Vee label. Super-producer Steve Jordan brought in Steve Winwood, John Mayer, Jon Batiste, Larry Campbell and more to play on this! But it’s Bramblett’s own career as frontman where his artistry is truly on full display and gives him the most satisfaction. He’s recorded 12 albums for labels Polydor, Capricorn and the last seven for New West Records. Deep into his self-described second act of his solo career, and living in Athens, Georgia, Bramblett’s talents are repeatedly praised by musicians, critics, DJs and fans. Check out the amazing legends he’s played with, written for, and recorded with here!
Banned From Utopia with Paul Green Rock Academy: WE LOVE ZAPPA Tour
ALL AGESSTANDING ROOM ONLYLIMITED NUMBER OF VIP MEET AND GREET TICKETS AVAILABLEBANNED FROM UTOPIABanned From Utopia featuring legendary Frank Zappa alumni Ray White, Bobby Martin and Scott Thunes, will be touring North America with The Paul Green Rock Academy this summer starting in July! The We Love Zappa Tour celebrates the music of Frank Zappa from all eras! Banned From Utopia was formed in 1994 to keep the true spirit of Frank Zappa’s music alive. Covering a variety of Zappa songs, the ensemble lovingly recreates the eclectic virtuoso approach of their former band leader.Ray White – vocals, guitar One of the most powerful and distinctive voices that ever graced a Zappa vocal, Ray White. Ray White’s distinctive, powerful voice was first heard interpreting Zappa’s music in 1976. From that beginning, he became an integral member of Frank’s band through 1984, and can be seen on the DVD recorded the summer of that year in New York, “Does Humor Belong In Music?” A former member of the Edwin Hawkins Singers gospel group, he also brings a solid R&B guitar style to the blend, both as a rhythm player and as a soloist. Looking towards future creative endeavors with Banned From Utopia, Ray is also a gifted writer and lyricist Robert Martin – vocals, keyboards, saxophone, French horn Keyboards, horns, and of course, the voice that always made Frank smile, Robert Martin brings it all. Robert (Bobby) Martin joined Frank Zappa in 1981 and sang and played various instruments on every tour from then on, through the final tour in 1988. In addition to the diverse sonic palette Robert brought to the band with his multi- instrumental skills, Zappa relied heavily on Robert’s unique vocal power and range to enhance the variety of musical styles Frank explored in all his performances. In any moment, Frank might switch from heavy metal to classic Doo Wop, or anything in between, and Robert would be right there. Scott Thunes – guitar, vocals Scott Thunes played with Zappa’s band from 1981 to 1988, and plays on such albums as “The Man From Utopia”, “Them or Us,” “Broadway the Hard Way,” “You Can’t Do That on Stage Anymore,” “Does Humor Belong In Music?,” “The Best Band You Never Heard In Your Life,” “Frank Zappa Meets the Mothers of Prevention,” “Ship Arriving Too Late to Save a Drowning Witch,” “Make a Jazz Noise Here,” and “Guitar,” a double-album compilation of Zappa’s live guitar solos. His most prominent bass performance can be heard on Frank Zappa’s “Valley Girl,” which peaked at #32 on the Billboard Hot 100.also featuring: Robbie Mangano – guitar, vocals / Jamie Kime – guitar / Joel Taylor – drums THE PAUL GREEN ROCK ACADEMY The Paul Green Rock Academy (PGRA) is the latest music program from School of Rock founder Paul Green. From the very beginning of his teaching career Paul has taught the music of Frank Zappa, calling it “one stop shopping for musical education.” While co-headlong the German Zappa festival Zappanale in 2023 Paul and his students got to see Banned From Utopia in action, and vice versa, and an instant bond was formed between the acts.
NIGHT ONE: Jazz is Dead
ALL AGESSTANDING ROOM ONLYJAZZ IS DEAD Jazz Is Dead – The legacy all-star instrumental ensemble, famous for interpretations of classic Grateful Dead songs with jazz influences, (re)assembled a killer line-up to immense critical and fan acclaim, and box office success in January. To celebrate Mars Hotel 50th Anniversary, original bassist Alphonso Johnson joined by Steve Kimock, Pete Lavezzoli & Bobby Lee Rodgers, performing songs from Grateful Dead’s ‘Wake of the Flood’, in addition to other beloved selections. Reuniting Steve Kimock & Alphonso Johnson, whom together in heavyweight post-Garcia Grateful Dead off-shoot The Other Ones, along with Bob Weir, commanded the instrumental prowess of that band that shines in Jazz Is Dead. Formed in 1998 by bassist Alphonso Johnson (Weather Report, Santana, Bobby & The Midnites, The Other Ones), drummer Billy Cobham (Miles Davis, Mahavishnu Orchestra, Bobby & The Midnites), keyboardist T Lavitz (Dixie Dregs) & guitarist Jimmy Herring (Aquarium Rescue Unit, Widespread Panic), with drummers Rod Morgenstern (Dixie Dregs) & Jeff Sipe (Leftover Salmon) replacing Cobham in 1999, and guitarist Jeff Pevar (CSN, David Crosby CPR, Phil Lesh & Friends) replacing Herring in 2000, recorded 3 acclaimed albums, the second of which ‘Laughing Water’ in 1999 was in fact an instrumental ‘Wake of the Flood’ reinterpretation – so there is precedent. That album also featured Derek Trucks, Donna Jean Godchaux & Vassar Clements.On Laughing Water, the fusion ensemble Jazz Is Dead one-ups the band that it sets out to honor. Laughing Water is a superior remake of the Grateful Dead’s rather ordinary rock album Wake of the Flood. Fortunately, you don’t have to be a Deadhead to appreciate this album. Laughing Water not only fuses jam-rock with jazz, but it possesses a country-bluesy Americana flavor. The songs on Laughing Water are long and improvisational, but they seldom grow boring. From a purely technical standpoint, each musician in Jazz Is Dead is a superior player to his counterpart in the Grateful Dead. But unlike many pop-jazz remakes of rock albums, Laughing Water manages to capture the rock ‘n roll animus of the original. The communal carefree spirit of tie-dyed counter culturalism lives on in this music. Not only should Deadheads come away happy, but fusion freaks and aficionados of improvisational rock should, too. – Ed Kopp, All About Jazz 1999 ‘Wake of the Flood’s’ reimagined interpretations remain in a repertoire that has expanded exponentially to cover most of the beloved, halcyon songs that have transcended generations, as devotees of The Grateful Dead have swelled to numbers far beyond those when Jerry Garcia was with us. Jazz Is Dead returns in June, unleashing 5 additional shows for ‘This Lazy Summer Home’ tour.
PATIO: Polly Panic
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVEPOLLY PANICJenette Mackie is creator and frontwoman of cello shredding rock duo Polly Panic. Built on the back of distorted and often looped cello, drums, and powerful vocals, Mackie and drummer/backing vocalist Chris Medrano are not to be missed in this era of cellos coming to the front. Polly Panic is one of the longest standing cello Art rock forces out there…”References abound, P J Harvey’s bleak and angsty soundscapes, Tori Amos dark dreaming, Apocalyptica’s classical-rock attitudes, Tom Waits belligerence, but whilst you catch fleeting sights of those past glories, Polly Panic creates something totally her own, something wonderfully unique, where classical grunge meets baroque ’n’roll!” (Dave Franklin, Dancing About Architecture, on Losing Form)
Mama & The Ruckus w/ Conor & The Wild Hunt
ALL AGESSEATED SHOWLIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEMAMA AND THE RUCKUS Mama & The Ruckus is led by Melissa McKinney, who writes songs about the trauma and pain that every person inevitably experiences in their lives. She sings these songs as a cry for hope and inspiration to others and you hear that in every single note that she sings. This intergenerational Roots project features original music that they hope will ignite healing, spread joy, and shine up your soul. Melissa recently advanced to the finals of the International Blues Competition that took place in Memphis, TN, and performed at the historic Orpheum Theater. For the first time, you can catch Melissa with The Ruckus, unplugged in this special evening of music where they will be playing songs off their recently released album alongside some brand new music. Melissa is a resident artist with LEAF Global Arts, the co-founder of the Women to the Front Music Festival, a small business owner, and a passionate member of the Asheville Music Community. You can often find her performing alongside her daughter in her other project, Melissa & McKinney. CONOR & THE WILD HUNT Conor & The Wild Hunt animates soulful original songs with fresh perspectives on Americana, Folk, and Pop traditions. They encompass a wide dynamic range, from irresistible grooves to contemplative cinematic ballads and anthemic explosive peaks, with artful and driving instrumentation, impassioned duets, blooming three-part harmonies, and a compelling stage presence. Conor & The Wild Hunt released their debut album titled ‘You’re Not Alone’ in September of 2019. They’ve shared bills with bands such as The War and Treaty, Stella Donnelly, Christian Lopez, Illiterate Light, Satsang, Falls, Ruen Brothers, Ezra Bell, Kelsey Waldon, Yarn, Dustin Thomas, and Crack the Sky. Conor Brendan has performed with artists such as Peter Yarrow and Trevor Hall. Conor Brendan also has a continuing history of involvement in intersectional progressive activism, including the Free Palestine movement, spending three weeks on the front lines at Standing Rock, and participating in marches with BLM, Native rights, women’s rights, reproductive rights, the Baltimore Uprising, West Wednesdays for Tyrone West, Occupy, and anti alt-right counter protests. A recording of Conor singing his song “We Are Here to Stay” at Occupy Congress at age 17 is featured at the end of an NPR story. GRACE CAMPBELLHailing from West Virginia, Grace Campbell brings her unique charm to the music scene. Her captivating songwriting and magnetic personality have garnered her a dedicated fan base both locally and on social media.Grace has transcended the Appalachian region with her music. She continues to grow her regional fanbase through live appearances, a strong social media presence, and the genuine connection she makes with her audience. Her live appearances have included working with artists such as: Kathy Mattea, Kidd G, Philip Bowen, and Kassi Valazza.
