OUTPOST: The Grateful Family
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: The Grateful Family
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: The Grateful Family
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: Fee Fi PHaux fISH
Fee Fi PHaux fISH After four years in the musical nursery of their weekly residency in Downtown Asheville, these phish are swimming out, and you can catch them at The Outpost. Alex Bazemore on Guitar, Hannah Ramsey on Keyboards, Ryan Crabtree on bass, and Benjamin Falcon on drums. Playing the music of Phish and other artist’s material they have covered, the band focuses on performing in their style. Fee Fi PHaux fISH recreates an experience like a live Phish show. Come share in the groove! – ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: The Grateful Family
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: The Grateful Family Band
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE
OUTPOST: Flashback Fringe
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Flashback Fringe is a new Asheville, NC based Psychedelic Rock Era (1967 – 1971) tribute band created to deliver energetic, true to the sound and spirit musical performances. With a growing catalog of approximately 40 songs ranging from The Byrds to Cream to The Moody Blues to The Doors, Flashback Fringe will take your audiences back to the era that contributed incredible songs to music history.
Quasi – Featuring “Birds” Tour
ALL AGESSTANDING ROOM ONLYQUASIPacific Northwest rock legends Quasi play their beloved 1998 classic third album Featuring “Birds,” start to finish in its entirety for the first time. MARNIE STERNIt’s been a decade since we last heard from Marnie Stern, and in her absence the indie music world has become overrun with an army of anti-Marnies i.e. corporate clones making banal playlist rock lacking in the whimsy, creativity, and virtuosity that made Stern’s take on rock music such a singular sound in the late 2000s. But when Stern’s guitar bursts in like a shower of stardust on The Comeback Kid, her long-awaited follow-up to 2013’s The Chronicles of Marnia, it’s like no time has passed. Marnie Stern is back—and not a moment too soon.Where has Stern been? She cops to having been lulled by the gentle rhythm of a nine-to-five job as the guitarist in the band on The Late Show with Seth Meyers; she’s also been raising two kids. But when it came time to start working on a new record, the ease with which she picked up right where she left off was surprising even to her. “I expected that all those years of playing other kinds of stuff would have influenced me—and it didn’t at all! I was fully back where I was before,” Stern says.Even so, The Comeback Kid is no nostalgia trip: it’s a statement of intent, as Stern makes clear on the anthemic opening track “Plain Speak”. “I can’t keep on moving backwards,” she repeats, her fingers furiously tapping the fretboard as the song joyfully zips forward like a rocket hitting warp speed. She follows that up with “Believing is Seeing,” a song about overcoming alienation with nose-to-the-grindstone creative effort. “The sound is hard to hear right/ You can’t take it,” she sings. “What if I add this! And this! And this!” punctuating each “this” with another layer of sound, gleefully rifling through her bag of musical tracks and trying each one on for size, building the song up as she goes along—it’s fun and colorful and imaginative; it’s also weird. But being unafraid to embrace her oddball impulses has always been part of Stern’s musical DNA, and something she missed in her years of being a player for hire. “It was so great to be able to start being myself again and when I would think, ‘Oh, is that too, too weird?’ I’d remember I’m allowed to do whatever I want! This is mine. It’s me,” says Stern of writing songs for The Comeback Kid. “I’m trying to go against the grain of this bullshit that when you get older, you lose your sense of taste. I want to empower people to not be so homogenous and go against the grain a little bit.”That sense of taking joy in your individuality is all over The Comeback Kid, which really is what the title says: the story of an artist coming back to the world with the hard-earned wisdom that making music that truly reflects who you are in all your brightness, boldness, and (yes) weirdness, is always something worth celebrating, and maybe the key to happiness in the end. “This record is about reassuring yourself that happiness is not about what kind of things you have or how many things you have or what you don’t have—it’s about all the good things you do,” says Stern.
PATIO: Maya De Vitry
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVEMAYA DE VITRYMaya de Vitry’s dynamic and vibrant voice seems to rise out of some necessity of bringing songs to life, embracing listeners with what Folk Alley calls a “soulful intimacy”. She grew up in a musical family in Lancaster County, Pennsylvania, understanding music to be a place of gathering, a way to spend a summer night around a campfire. Maya first traveled and performed as a fiddling street musician, and then in bars, theaters, and on festival stages as a founding member of The Stray Birds. When the band parted ways in 2018, Maya embarked on an ever-evolving musical path of solo work and new collaborations. Her recordings and live performances embody both sincerity and playfulness, and a compelling reverence for the power of songs to be a place of gathering – whether played on stage, or around a campfire. Maya tours in a variety of formats, each featuring a fluid lineup of inspired collaborators. She also enjoys the art of warming up the stage for other artists and she has been invited to support a variety of tours, from innovative singer-songwriters like John Craigie and Aoife O’Donovan, to bands like Mighty Poplar and The Wood Brothers.While on a tour in April 2023, Maya felt deeply moved by the musical chemistry, emotional immediacy, and joyful spontaneity of her live band. She reached out to Nashville-based engineer Lawson White to arrange a recording session for this specific ensemble. But as far as the material for the session, she felt certain of only one song. “Stacy, In Her Wedding Gown” – a captivating portrait of a deeply creative working mother, inspired by one of Maya’s former co-workers at the Nipper’s Corner Starbucks – had become a staple in her live show and could be a centerpiece of the collection. With the band booked and the session on the calendar, Maya wrote several new songs with the ensemble in mind, and chose one cover song for the collection. The resulting EP, Infinite, is performed with astonishing depth and tenderness, shimmering with a loose, human beauty from start to finish. Produced by Maya de Vitry and engineered and mixed by Lawson White, Infinite features Maya de Vitry (acoustic guitar, vocals) and members of her touring band – Joel Timmons (acoustic guitar, electric guitar, vocals), Hannah Delynn (vocals), and Ethan Jodziewicz (upright bass, fretless electric bass). It is a powerful 23 minute journey that invites listeners into the space of warmth and freedom that Maya has so devotedly created.
OUTPOST: Copperhead FREE SHOW
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Formed around the campfire at the French Broad River Festival in 2016,Copperhead began playing gigs in 2019. The band works to take your old favorite songs new places and has an array of accessible original songs to complement their catalog. Copperhead is Michael Thurman on guitar and vocals. JayCopley also jams guitar and vocals. Eric Snoddy hangs out in the lowlands on bass. George Hodges,Jr. imitates guitar and vocals. Mark Murphy plays piano, Hammond, and also vocals. Jenn Webb holds us all together on the drum kit and/or percussion.
