OUTPOST FREE SHOW: Red Clay Revival
-FREE SHOW -STANDING ROOM ONLY -RAIN OR SHINE -FOOD TRUCK: THE PO-WAGON Century 21 Connected presents an evening of fun, music, and food! This family-friendly event will feature live music from local act Red Clay Revival, local vendors, face painting, The Po-Wagon food truck + more! RED CLAY REVIVAL Soul-driving jam grass in the heart of the Blue Ridge Mountains. Born in the soul-basted countryside of Alabama, then brought to the heart of the Blue Ridge Mountains to marinade and mature, Red Clay Revival delivers an experience that continues to reshape the parameters of roots music with skillful, heart-driven compositions. Red Clay Revival’s powerful songs and live performances harness an energy that electrifies any space, leaving audiences with an embedded musical experience.
OUTPOST: Bibelhauser Brothers w/ Em & The Innocent Mischief
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE The Bibelhauser Brothers combine twin brother harmonies with award winning original songs andinstrumental prowess to create high octane bluegrass-country-soul sounds from the heart ofKentucky. In addition to writing songs for award winning bluegrass artists including Del McCoury,Balsam Range, Michael Cleveland, & Dale Ann Bradley, Aaron Bibelhauser is an accomplished sessionmusician, producer, recording engineer, and longtime host of the weekly radio broadcast “BluegrassEvolution” on 91.9 WFPK in Louisville, Kentucky. His twin brother, Adam has spent the past twodecades developing one of the most powerful voices in bluegrass music and his own style as a bassistwith a commanding presence, both on and off stage. Both twins have endured lifelong friendshipswith their bandmates Jeff Guernsey and Steve Cooley; two of the finest pickers in the country whohave carried their bluegrass roots around the globe, on stage and in the studio with iconic artistsincluding the Dillards, Steve Warner, Vince Gill and more. Opening set by Em & The Innocent Mischief
OUTPOST: Organically Programmed//Kyle Gordon//Indoor Condor//come//Mountain Medicine//
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Organically Programmed: Fresh off sets at AthFest and the 40 Watt Club, OP is branching out beyond Athens, GA to play across the Southeast. OP is a big band with orchestral and electronic instrumentation that weaves psychedelic electronic space disco, easy listening, library music, and jazz. The band features a deep Athens pedigree with a mix of young blood and established musicians, led by Oliver Domingo. Indoor Condor: Asheville’s own pajama rock band just released their debut full-length, Candy Macabre. The release was accompanied by a pop-up shop in the Asheville Mall, a record store that sold only Candy Macabre. Band leader Ben Underwood manned the shop himself, leveraging the abandoned infrastructure of overconsumption to bring energetic lo-fi pajama rock to the people. His recent in-store performance at Baby Rabiez, was featured on a local billboard!?! come: two mice fall into a bucket of cream. the first mouse struggles a bit, gives up, and drowns. the second mouse swims with such relentless vigor, it churns the cream into butter and walks out. come, from athens, georgia, is that second mouse.Mountain Medicine: Mountain Medicine weaves together heartfelt lyrics and soulful tunes that resonate with the spirit of the mountains. This duo brings a unique blend of traditional folk and modern influences, promising a performance that will captivate and inspire. Kyle Gordon: Frontman of Brand new Atlanta band, ANTHMZ, brings a solo set to Asheville. The band just released their debut singles, Soft Core and Summer Queen. Featuring members of MammaBear and Heavy Mojo, the band packs raucous energy into each song and every performance. They’re developing new material in the studio and are testing it on the road.
OUTPOST FREE SHOW: Bluegrass Jam with Sam Wharton
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Sam Wharton is a founding member of the SFTRB with one of the best voices in bluegrass. He is the ultimate ambassador for the music. Along with developing his own unique style of rhythm guitar, he is one of the finest harmony singers in the world! He grew up singing barbershop quartet in Alabama. He honed his chops in Telluride, but now calls Western North Carolina his home! Free show! Sit ins are encouraged at this open Bluegrass jam.
OUTPOST FREE SHOW: Bluegrass Jam with Sam Wharton
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Sam Wharton is a founding member of the SFTRB with one of the best voices in bluegrass. He is the ultimate ambassador for the music. Along with developing his own unique style of rhythm guitar, he is one of the finest harmony singers in the world! He grew up singing barbershop quartet in Alabama. He honed his chops in Telluride, but now calls Western North Carolina his home! Free show! Sit ins are encouraged at this open Bluegrass jam.
OUTPOST FREE SHOW: Bluegrass Jam with Sam Wharton
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Sam Wharton is a founding member of the SFTRB with one of the best voices in bluegrass. He is the ultimate ambassador for the music. Along with developing his own unique style of rhythm guitar, he is one of the finest harmony singers in the world! He grew up singing barbershop quartet in Alabama. He honed his chops in Telluride, but now calls Western North Carolina his home! Free show! Sit ins are encouraged at this open Bluegrass jam.
CANCELED: FREE PATIO SHOW: Jordan Smart
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVE ***THIS EVENT HAS BEEN CANCELED*** JORDAN SMART “A gut punch of simple honesty” – Glide Magazine Jordan Smart is a folk singer based in Latonia, KY. Covering a broad range of subjects — from parental epiphanies and questionable lavatory visits, scathing political commentary and hitchhiking cross country, satirical talking blues to love, loss, grief and even pickles — Smart aims to have a song for every occasion. If he can’t make you laugh, cry, or at very least think, feel free to approach him for a refund.
OUTPOST FREE SHOW: Bluegrass Jam with Sam Wharton
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Sam Wharton is a founding member of the SFTRB with one of the best voices in bluegrass. He is the ultimate ambassador for the music. Along with developing his own unique style of rhythm guitar, he is one of the finest harmony singers in the world! He grew up singing barbershop quartet in Alabama. He honed his chops in Telluride, but now calls Western North Carolina his home! Free show! Sit ins are encouraged at this open Bluegrass jam.
Illiterate Light + Liz Cooper
ALL AGESSTANDING ROOM ONLY ILLITERATE LIGHT It’s dangerous to put Illiterate Light in a box, especially with the release of their new album, Arches. Are they a guitar-driven indie rock duo? Kaleidoscopic neo-psychedelia? Synth-kissed, harmony-laden folk? What does one do with an album beginning with “fake tits and diet coke,” then pivoting to train derailments in rural Ohio and never-ending black holes? These prolific farmers-turned-rockers have captured the energy of their live shows—fans crowd-surfing, moshing, crying, and crooning—and infused it into their latest release. Illiterate Light’s third album, Arches, is not a passageway but an arrival. “We’re no longer striving to define a sound,” said drummer Jake Cochran. “We’re leaning into sides of ourselves that have felt off-limits, sticking to what feels right rather than concerning ourselves with comparison.” Out November 1 via Thirty Tigers, the record is bursting with thunderous anthems, biting lyrics, and lush harmonies.. Arches was recorded in two very different locations: small-town Appalachia at Gorman’s home studio and Hollywood, CA at Sunset Sound with producer Joe Chiccarelli (The Strokes, Beck, The Killers). “We wanted the best of both worlds,” says Gorman. “We spent several days with Joe at Sunset. To record vocals in the same live room as so many of my heroes—Neil Young, Paul McCartney, Dylan—was unreal. I knew I was in a holy place.” The LA session was paired with sessions in Virginia, where Gorman and Cochran co-produced the bulk of the record with longtime collaborator Danny Gibney. In their hometown, they experimented with soaring instrumental journeys and had friends sit in on the sessions to keep things lively. LIZ COOPER On the porch of her one-time Nashville home, Liz Cooper had a multimedia project that combined two of her loves: lips and cigarettes. She painted her own lips with red paint and kissed a canvas two or three hundred times, later dotting them with the detritus left behind in ashtrays by her friends. An overlap of intimacy, indulgence, cheekiness, and sensuality, the piece complements Cooper’s roiling second record, Hot Sass. Over jagged, frenetic guitar parts, Cooper sets expectations aflame with the record’s title track. Her songs unfurl like smoke spiraling off an incense cone late in the afternoon, with Cooper pushing deeper into psychedelic openness, punk ferocity, and beyond.Hot Sass marks multiple departures for Liz Cooper: from her nine-year home of Nashville, from her band addendum of the Stampede, from any genre-burdened expectations she’d accumulated over the years. After heavy touring in support of 2018’s Window Flowers, where her songs stretched out in live settings, she felt constricted by the Americana-adjacent associations that the Stampede carried. So with her bandmates’ blessing, she dropped the moniker, pursuing sounds and songs that let her chase the inspiration lent to her by the likes of Courtney Love, Lou Reed, and David Bowie.
Yarn Holiday Ball
ALL AGESSTANDING ROOM ONLY YARN You might expect a band that calls itself Yarn to, naturally, tend to spin a yarn or two. “That’s what we do, we tell stories, live and in the studio, truth and fiction”,singer/songwriter Blake Christiana insists. “We don’t always opt for consistency. There’s a different vibe onstage from what comes through in our recordings. There’s a difference in every show as well, you never know what you’re going to get.” Yarn’s ability to persevere ought to come as no great surprise, especially for a band that spent two years honing their chops during a Monday night residency at the famed Kenny’s Castaway in New York’s Greenwich Village. In effect, it allowed them to rehearse onstage, mostly in front of audiences that often ranged in size from five to a hundred people on any given night. 10 studio albums followed — Yarn (2007), Empty Pockets (2008), Leftovers Part One (2009), Come On In (2010), Leftovers Part 2 (2011), Almost Home (2012), Shine the Light On (2013), This Is The Year (2016), and Lucky 13 parts 1 & 2 (2019). The band then took to the road, playing upwards of 170 shows a year and sharing stages with such superstars as Dwight Yoakam, Charlie Daniels, Railroad Earth, Marty Stuart, Allison Krauss, Leon Russell, Jim Lauderdale, Leftover Salmon, Amos Lee, The Lumineers and many more. They’ve driven nonstop, made countless radio station appearances, driven broken-down RVs and watched as their van caught fire. They’ve paid their dues and then some, looking forward even as they were forced to glance behind. Indeed, the accolades piled up quickly along the way. They have landed on the Grammy ballot 4 times, garnered nods from the Americana Music Association, placed top five on both Radio and Records and the AMA album charts, garnered airplay on Sirius XM, iTunes, Pandora, CNN, and CMT, been streamed millions of times on Spotify, Apple Music, and Amazon, and also accorded the “Download of the Day” from Rolling Stone. Shine the Light On found shared songwriting credits with John Oates (the Oates of Hall & Oates fame), and when audiences expressed their admiration, it brought the band a populist cult following of diehard devotees, popularly known as “the Yarmy.” It’s proof positive that the Brooklyn and Raleigh based band have made their mark, and in dealing with their emotions, scars and circumstances, they find themselves in a position to share those experiences with others who have juggled similar sentiments The beginning of the journey to these 2 albums began around April of 2022 when Blake booked a solo show at The Down Home in Johnson City, TN (a nod to Townes Van Zandt’s 1986 live show there and ultimate release) with the intention of making a live record. But he wanted it to be songs none of the fans and attendees had ever heard before. The problem was he hadn’t written most of them yet. He was at his crossroads, uninspired, bored, exhausted and fairly insecure about his entire career up to that point. But he got to work, and got more inspired with each new song he wrote. These songs all tell a story individually but they also tell a story as a whole, a songwriter and musician ready to dive deeper into the music and the art for a greater result that he believes most anyone can appreciate, relate to and enjoy.
