The Wildmans
ALL AGESSTANDING ROOM ONLY THE WILDMANS The Wildmans come from the hills of Floyd, Virginia, in the heart of the Appalachian mountain music tradition. From campsite jamming at festivals and fiddler’s conventions and a college level music education comes the foundation for musical exploration that sets this group apart, taking the audience on a musical journey that reflects the growth and passion of these talented musicians. The group has appeared on stages large and small, performing in festivals such as Red Wing Roots, Chantilly Farm’s Bluegrass and BBQ festival, Grey Fox Bluegrass, Floyd Fest, and The Steep Canyon Rangers’ Mountain Song Festival. They also regularly represent young talent along the Crooked Road in regional fiddler’s conventions. Having shared the stage with talents such as Bela Fleck, The Steep Canyon Rangers. The Steel Wheels, Danny Knicely, Sammy Shelor, Sierra Hull, Billy Strings, and more. These young musicians are making their way in the American stringband scene. DORI FREEMAN Dori Freeman has sharpened her vision of Appalachian Americana over five studio albums. From the country traditionalism of her self-titled debut to the amplified folk of Ten Thousand Roses, it’s a sound that nods to her mountain-town roots even as it reaches beyond them. Freeman continues creating her own musical geography with Do You Recall, the songwriter’s most eclectic — and electric — record yet. Like a counterpart to Ten Thousand Roses — the 2021 release that found Freeman trading the acoustic textures of her earlier work for a more expansive, electrified version of American roots music — Do You Recall nods to the full range of Freeman’s influences and abilities. She still sings with the unforced vibrato of a classic folksinger, but she’s more of a modern trailblazer than a throwback traditionalist, funneling her Blue Ridge roots into a contemporary sound that’s both broad and bold.
Corridor
ALL AGESSTANDING ROOM ONLY CORRIDOR You get older, you have a family, and you start to slow down—that’s how things are supposed to go, right? Not for Montreal band Corridor, who have returned on their fourth album Mimi with a sound and style that’s more widescreen and expansive than anything that’s preceded it. The follow-up to 2019’s Junior is a huge step forward for the band, as the members themselves have undergone the type of personal changes that accompany the passage of time; even as these eight songs reflect a newfound and contemplative maturity, however, Corridor are branching out more than ever with music that’s richly detailed, resulting in a record that feels like a fresh break for a band that’s already established themselves as forward-thinkers. Mimi immediately recalls the best of the best when it comes to indie rock—Deerhunter’s silvery atmospherics immediately come to mind, as well as the spiky effervescence of classic post-punk—but despite these easy comparisons, Corridor remain impossible to pin down from song to song, which makes Mimi all the more thrilling as a listen. The road to this point, as roads to greatness often are, was not without challenge; if the elastic guitar rock of Junior came together quickly—or, as guitarist and vocalist Jonathan Robert describes the process, “in a rush”—then the steady-as-they-go creative pace of Mimi marked a desire to break from the “exhausting” work ethic that previously birthed Junior. “The goal was to work differently, which is the goal we have every time we work on a new album—to build something in a new way,” Robert explains. “This time, we took our time.” And so in the summer of 2020, Corridor’s members—Robert, vocalist/bassist Dominic Berthiaume, drummer Julien Bakvis, and multi-instrumentalist Samuel Gougoux—holed away in a cottage to engage in the sort of creative experimentation that would lead to Mimi’s ultimate creation. We went there to write, and a lot of ideas came from that retreat,” Berthiaume explains. “We didn’t end up with songs as much as we did ideas, so the result is a collage of the ideas.” After that productive session together, Corridor continued to tinker with the songs’ raw parts digitally and remotely over the next few years, with co-producer Joojoo Ashworth (Dummy, Automatic) lending their own specific talents in the theoretical booth. “For a long time, we identified as a guitar-oriented band, and the goal of making this whole record was trying to get away from that,” Berthiaume states while admitting that the band encountered their own challenges as a result: “We had to figure out how to make new songs without having the chance to play together. It was complicated sometimes.” Berthiaume also describes Mimi—which, fun fact, is also named after Jonathan’s cat—as a record about “getting older” and “figuring out new parts of life”—but despite any claims of transitional growing pains from the band, Mimi is a record bursting with new energy and life, a vibrance that’s owed in no small part to Gougoux joining the band full-time after pitching in on live performances in the past. ROBBER ROBBER
John Craigie
ALL AGESSTANDING ROOM ONLY JOHN CRAIGIE John Craigie has mastered the art of creating live shows that feel more like intimate conversations than performances. Infusing humor, wit, and poignant storytelling, his shows are a space where audience members feel like old friends. Whether he’s headlining solo or sharing the stage with longtime collaborators, Craigie’s ability to make his crowd laugh, reflect, and connect is second to none. As he prepares to release Greatest Hits… Just Kidding… Live – No Hits, his latest live album captures the warmth and spontaneity of these memorable nights. At this point, there have been quite a few good shows in the rearview… As a tried-and-true performer, he has regularly sold out solo tours in addition to hitting the road with the likes of Langhorne Slim, Brett Dennen, Mason Jennings, Bella White and Jack Johnson. He has picked up fans with sets at Newport Folk Festival, Pickathon, Edmonton Folk Festival, and High Sierra Music Festival. Including numerous European tours and his first Australian tour in spring of 2024 Moreover, his annual river trip on the Tuolumne River—just outside of Yosemite in California—has remained a hit with his audience, hosting one sellout after another. Giving back as much as possible, he notably launched the #KeepItWarm Tour during the holidays. By donating $1 from every ticket sale, this headline run has raised money for regional non-profits with the goal of fighting food insecurity. An avowed Beatles acolyte, he has performed acoustic renditions of the albums Abbey Road and Let It Be live in front of packed crowds and partnered with Record Store Day for limited-edition vinyl releases of those concerts. To him, the live albums seek to achieve a sound where the listener will feel like they’re in the venue, sitting and experiencing the show with the rest of the crowd. CAT CLYDE Cat Clyde is a singer/songwriter based out of rural Ontario, Canada. A combination of driven, soulful blues and sweet, folk- tinged, dulcet tones that carry a particular sense of familiarity provide the structure on which she creates her unique sound. With influences ranging from Patsy Cline and Lead Belly to Karen Dalton and Bobbie Gentry, this patchwork of musical significance, when stitched to her modern approach, fits like a well-tailored, corduroy-road cloth. Cat’s latest album Down Rounder is a wonder of deeply felt songwriting, a record that finds her marveling at what’s around her while considering her own place within it all. After racking up millions of streams across multiple platforms with previous releases, Down Rounder sounds like the work of someone who’s found themselves artistically and holistically, while extending a hand to any listener who wants to follow Clyde on her singular and thrilling path.
BERTHA: Grateful Drag
ALL AGESSTANDING ROOM ONLY Hosted by Stasia Ulturgashev Benefiting Tranzmission BERTHA – GRATEFUL DRAG The world’s first Grateful Drag band, BERTHA is an all-star collective of queer and allied East Nashville talent coming together in wigs and full face for a good cause. Fronted by a harmony trio of Berthas and backed by a rocking all-Bertha band, BERTHA has captured the heart and imagination of Deadheads everywhere, with coast-to-coast demand for their electrifying live show. Whether collaborating with local drag queens in Mexico, or playing the most prestigious festival lineups in the States, BERTHA: Grateful Drag has only begun to make her impact on the world. ORIGIN STORY: In the mid 1990’s, just after Jerry Garcia’s tragic and untimely demise, a deadhead janitor working at Area 51 gained access to top secret time travel technology and took it upon himself to retrieve Jerry’s severed middle finger at the moment he lost it in 1946. He thought, if he could just get the DNA to the right scientists, cloning technology might one day be able to bring Jerry back. Breakthroughs in the early 2000’s found that a compound in LSD could activate dormant genes to replicate sufficiently to grow a functioning human body in a lab. The theory was: if they could mix Jerry’s DNA with the original Owsley acid, it could create a Jerry clone that would reunite the Grateful Dead to continue their “long strange trip”. Unfortunately, they mixed up the vials and the first seven clones were the bastard children of Jerry’s finger DNA and the infamous Brown Acid. These pitiful yet beautiful creatures were musical mutants, with the chops of their father but a physical form yet unseen in the jam band world – that of a woman. After being cast out of the lab, and the experiment shut down as a failure, these orphan queens each took the name BERTHA in solidarity with one another and formed a band.
Kishi Bashi
ALL AGESSTANDING ROOM ONLY KISHI BASHI The latest full-length from Kishi Bashi, Kantos is a work of exquisite duality: a party album about the possible end of humanity as we know it, at turns deeply unsettling and sublimely joyful. In a sonic departure from the symphonic folk of his critically lauded 2019 LP Omoiyari—a career-defining body of work born from his intensive meditation on the mass incarceration of Japanese-Americans during World War II—the Seattle-born singer/songwriter/producer’s fifth studio album encompasses everything from Brazilian jazz and ’70s funk to orchestral rock and city pop (a Japanese genre that peaked in the mid-’80s). Informed by an equally kaleidoscopic mix of inspirations—the cult-classic sci-fi novel series Hyperion Cantos, the writings of 18th century enlightenment philosopher Immanuel Kant, a revelatory trip to ancient ruins on the island of Crete—Kantos ultimately serves as an unbridled exaltation of the human spirit and all its wild complexities. “At a time when so many people had begun to panic about AI and what it might mean for our future, I started working on this record as a way to explore the concept of grounding ourselves in our humanity,” says the Santa Cruz, California-based multi-instrumentalist otherwise known as Kaoru Ishibashi. “The album title is a nod to Hyperion Cantos and to Immanuel Kant, but it also refers to ‘canto’ meaning ‘I sing’ in Spanish. The idea is that even with so much technological advancement, songs are still something we very much rely on to connect with other people.” The follow-up to his bluegrass-infused 2021 EP Emigrant, Kantos marks Kishi Bashi’s first full-length since Omoiyari—an album accompanied by a feature-length documentary film and praised by such outlets as NPR, who hailed it as “another sure-footed surprise from an artist who never stops seeking new ways to engage, connect and delight.” During the earliest stages of creating songs for Kantos, Ishibashi’s main intent was to return to his highly eclectic musical roots, in part by tapping into his jazz background and by delving into the dance-rock-leaning sensibilities he previously embraced as co-founder of Brooklyn-bred indie band Jupiter One. But not too long into the songwriting process, he stumbled upon an AI-equipped website capable of composing catchy song hooks based on a prompt—a turn of events that quickly catalyzed the existential inquiry at the heart of Kantos. “On the one hand I’m very intrigued by the possibilities of AI: it’s extremely powerful, and has the potential to solve a lot of important problems,” says Ishibashi. “But there’s also a great deal of value in human innovation, and I’m worried about what happens if we lose sight of that. Because if we don’t value our humanity, what are we valuing at all?” Produced by Kishi Bashi and mixed by Tucan (Hot Chip, Jungle, Aluna), Kantos unfolds with a potent and palpable energy that has much to do with his revisiting of the dance-punk acts who infiltrated the zeitgeist back in his Jupiter One days. “Being immersed in that whole scene in New York in the 2000s was very formative for me, and a lot of this record was heavily influenced by bands like The Rapture and LCD Soundsystem,” notes Ishibashi, whose past experience also includes touring and recording as a violinist for Regina Spektor. OSHIMA BROTHERS
TWEENER TUESDAY: Suns of Stars
ALL AGESSTANDING ROOM ONLY DARK MOON HOLLOW Dark Moon Hollow is a four-piece bluegrass band hailing from the heart of Lexington, Kentucky, blending the rich traditions of Appalachian music with a modern edge. Over the course of eight years, the band has seen an impressive evolution, with 15 talented members contributing to its sound and identity. Today, the group features an electrifying lineup: Trigger Trey on guitar, Riley Logan on mandolin, JD Thomas holding down the rhythm on bass, and Andrew Taylor weaving captivating melodies on fiddle. Together, they create a dynamic energy that has captivated audiences across the region. The band’s debut album, Dark Moon Hollow, introduced their raw, roots-driven sound to the world, earning regional acclaim and solidifying their place in the bluegrass community. The album’s heartfelt lyrics and driving instrumentals captured the spirit of Kentucky, establishing the group as torchbearers of the state’s storied musical heritage. Building on that foundation, their sophomore album, Final Notice, showcased a bolder, more intricate approach to songwriting and arrangement. The record pushed boundaries, incorporating complex harmonies and innovative instrumental interplay, earning critical praise and cementing their reputation as a band willing to evolve while staying true to their roots. Known for their high-energy live shows and deep connection to their audience, Dark Moon Hollow has become a mainstay of the Appalachian bluegrass circuit. Despite the lineup changes, their dedication to authenticity and musical excellence has remained unwavering. With a sound that blends tradition and innovation, they continue to draw new fans while honoring the legacy of those who came before them, proving that the spirit of bluegrass is alive and thriving in their hands. SUNS OF STARS Orbiting around Asheville’s grateful music scene since late 2023, Suns Of Stars blends contemporary and traditional bluegrass with a high energy jam style. Suns Of Stars members are all hometown heroes in various musical projects around town which has led to great turnout at their shows. That, along with a massive song repertoire and growing list of original music make for a unique performance each time.
Billy Strings Pregame with Fee Fi PHaux fISH
ALL AGES STANDING ROOM ONLY Billy Strings Pregame with Fee Fi PHaux fISH After four years in the musical nursery of their weekly residency in Downtown Asheville, these phish are swimming out, and you can catch them at The Grey Eagle before Billy Strings! Alex Bazemore on Guitar, Hannah Ramsey on Keyboards, Ryan Crabtree on bass, and Benjamin Falcon on drums. Playing the music of Phish and other artist’s material they have covered, the band focuses on performing in their style. Fee Fi PHaux fISH recreates an experience like a live Phish show. Come share in the groove!
Billy Strings Pregame with Josh Blake’s Acoustic Band
ALL AGES STANDING ROOM ONLY Billy Strings Pregame with Josh Blake’s Acoustic Band Josh Blake is a Grammy nominated musician, producer, and engineer with over 30 years of experience. Born and raised in the San Francisco Bay Area, Josh now calls Asheville, North Carolina his home since setting roots there in 1997. As a musician and producer, Josh uses whatever toys are available, but on stage a guitar is his instrument of choice. He has recorded with and performed in a wide variety of bands over the past 30 years, whose styles include hip-hop, funk, reggae, bluegrass, acoustic and rock. In late 90’s and early aughts Josh toured the country from coast to coast playing 120+ shows a year with live hip-hop collective GFE. As a guitarist he has become a hired gun, playing with numerous projects both on the stage and in the studio when not playing with his passion project JBOT. Josh is also the guitar player in the house band for Asheville’s most notable and longest running weekly, The Tuesday Night Funk Jam. Having earned the respect of the city of Asheville for his musical efforts, He was selected by the city’s Downtown Association to organize and orchestrate an “Asheville All Stars” band for it’s annual summer concert series Downtown After Five. As a performer, Josh has has played clubs, theaters and festivals coast to coast, sharing the stage and playing with artists such as George Clinton and The P-Funk All Stars, Warren Haynes, STS9, Kevin Kinney, Marcus King, Lettuce, George Porter Jr., and Mike Gordon to name a few. His discography includes contributions from many notable musicians, such as Sharon Jones, Marcus King, Eric Krasno, Billy Cardine, and Grammy winner Secret Agent 23 Skidoo to name a few. In addition to performing, producing, and recording music, Josh is currently working to expand his business, Independent Arts and Music of Asheville. Based out of Echo Mountain Studios, IamAVL is a community web based channel focused on music and video production and live concert streaming, with an emphasis on promoting the vibrant music and arts community in Asheville as well as it’s musicians. Through that project, he has produced and engineered the iamavl original in studio concert series Echo Sessions. The show is also syndicated for rebroadcast on PBS. Through iamavl Josh has also produced video production for may large events, for clients like Widespread Panic, NPR, and The Warren Haynes Christmas Jam. As the company’s CEO Josh is not only a music industry visionary, but also continues to refine his craft as a recording and production specialist in this cutting edge platform for independent artists, and the community that supports them.
Murder By Death: Farewell Tour 2025 w/ BJ Barham
ALL AGESSTANDING ROOM ONLY MURDER BY DEATH Farewell Tour Messaging:This band has always been a jumble of contradictions. On the one hand, we’ve had a long-running career where we got to make art for a living. But on the other hand, we have always eluded any kind of traditional success. We weren’t covered much in the press, we never had a song that had a lot of radio play, nothing ever went viral, we didn’t have a big social media presence, we never played a good festival spot where there was a sea of people in the audience, not once opened an arena or even a big shell auditorium show or tour. We constantly lost opportunities because of the band name and were somehow always treated like nobodies or yesterday’s news by most of the industry. But you, you gosh dang wonderful audience, managed to keep us growing, and we never had a career slump. When we were our busiest — playing over 200 shows a year — we were chronically underpaid and always barely scraping by. But people kept writing to us or telling us how much we mattered and kept showing up, and we started to believe it a little. And then over the years, we grew to a more manageable place and it seemed possible to carve out a niche in this massive, mean world of entertainment. When I reflect on how good our career was and how lucky we were, I’m left with just gratitude for the small team of folks who have worked with the band and this grassroots fan following that has lifted us up the entire time. I feel like we owe any and all our success to you. I never called us DIY — despite taking on much of the work ourselves — because there are always people behind the scenes helping: it takes a village. Thank you to the promoters, clubs, bands, managers, agents, artists, publishers, lawyers, publicists, crews, etc. etc. etc. who believed in us and everyone who made this work for so long. An enormous thank you to those of you who helped us through the many difficult periods. Thank you for your relentless support, your passionate listening, and your generosity. It’s been the honor of my life to write, record, sing and perform for you. We are currently in the studio pouring ourselves into a new album — stay tuned for it. After this tour, we plan to continue to do our cave shows so we can have a way to meet up once a year, but that’s it. Excited to see you all on this last trip out. —Adam Turla & Murder By Death BJ BARHAM (of AMERICAN AQUARIUM) For nearly two decades, American Aquarium have pushed toward that rare form of rock-and-roll that’s revelatory in every sense. “For us the sweet spot is when you’ve got a rock band that makes you scream along to every word, and it’s not until you’re coming down at three a.m. that you realize those words are saying something real about your life,” says frontman BJ Barham. “That’s what made us fall in love with music in the first place, and that’s the goal in everything we do.”
Sam Holt Band presents Remembering Mikey & Todd
ALL AGESSTANDING ROOM ONLY SAM HOLT BAND PRESENTS REMEMBERING MIKEY & TODD Michael Houser was the founding guitarist and Nance the founding drummer for Widespread Panic. Houser succumbed to pancreatic cancer in August, 2002. Todd Nance passed away in August of 2020 at age 57. Sam Holt was Houser’s guitar tech and friend. Holt performed with Widespread Panic many times after Michael’s departure and went on to form the band Outformation. Holt also played with Todd Nance in several bands from 2014 – 2018. The show will feature tunes from Houser’s posthumous album Sandbox, as well as classic songs he and Nance wrote for Widespread Panic. Sam Holt Band will perform original material that was inspired by and written for the late Michael Houser. Sharing the stage with Holt is Adam Grace, keyboardist for Truth & Salvage Co., Ross Parker on bass, and Jeremy Ward on drums. “These shows will be a unique experience for Panic fans. I am a huge fan of Widespread Panic and Michael Houser’s music. It is an honor to be a part of this Celebration. He had one of the greatest musical minds of our time.” – Adam Grace “I think about Mike & Todd all the time. Playing these shows is my way to feel close to them.” – Sam Holt ——- Sweet, lowdown, and introspective, Sam Holt writes rock songs that are heartfelt and poignant expressions of life experiences that reflect his southern roots. Holt is well known for his guitar tech skills for the late Michael Houser of Widespread Panic, and for his own national touring band Outformation. Sam Holt put his own name front and center with the newly assembled Sam Holt Band, which is anchored by Holt’s distinguished guitar technique – no pick, all thumb! Sam Holt Band brings a hypnotic amalgam of outlaw twang, southern power pop, and face-melting hard rock riff-age. “I really just write from my heart. The music is out there, if I can get out of my own way it’s easier for a song to form,” says Sam. Born in Nashville, TN, Holt spent his youth surrounded by southern rock. The first bands Sam remembers liking were The Charlie Daniels Band and Elvis Presley. Once his mom brought home KISS Alive II, he knew music would be a major part of his life. Graduating from Middle Tennessee State University with a degree in recording engineering Sam went to work at Soundcheck in Nashville. In 2000, Holt became the guitar tech for Michael Houser of the wildly popular Athens, GA band Widespread Panic. Houser was impressed with Sam’s skills and told him should be playing his own music. Sadly, Houser passed away in August of 2002 after a courageous struggle with pancreatic cancer. Sam continued to tech for Widespread Panic, and made frequent onstage appearances playing lead guitar on the Summer 2006 tour. These shows were highly valued by Panic’s die-hard fan base. Armed with that experience and Mike’s encouraging words, Sam started the Atlanta, GA based band Outformation with Lee Schwartz on drums and Grady Upchurch on bass. Outformation toured for five years and recorded three albums: Tennessee Before Daylight (2005), Traveler’s Rest (2007) and Fastburn (2009).
