Willi Carlisle: Winged Victory Tour
ALL AGESSTANDING ROOM ONLY WILLI CARLISLE Folksinger Willi Carlisle holds tight the conviction that love is bigger than hate, and no-one is expendable. Carlisle’s music has always been a dance between absurdity, spectacle, and philosophy. On his fourth studio album, Winged Victory, Carlisle returns with his signature blend of traditionally-rooted folk music and kaleidoscope of oddball characters to confer with his core tenets in more overt and provocative ways. Carlisle delivers Victory as the next chapter in his long-running direct address to the hope that by understanding our collective suffering we might be free of it. He’s intent on creating art and a well-rounded life in a broken world. The idea began with 2022’s Peculiar, Missouri when Carlisle proclaimed “your heart’s a big tent, everybody gets in.” After gathering together all the world’s weirdos and misfits under the big tent, with 2024’s Critterland, Carlisle let them loose into the world. Now, on Winged Victory, they speak for themselves, unencumbered by social expectations. Victory, Carlisle’s first self-produced album, will be released June 27 via Signature Sounds. It both indulges a few of his wildest dreams (including a version of Richard Thompson’s “Beeswing,” among several traditional folk song covers), and feels like the inevitable sequel to Critterland’s charismatic menagerie of chaos. Though occasionally raunchy, and routinely provocative, Victory is not afraid to make a spectacle for the sake of a point. Victory should be understood as a reflection. It revels in the beauty of tiny, monetarily-worthless moments and things, offering with them a consideration of our innate humanity. CLOVER COUNTY Clover County is the music of A.G. Schiano, who mixes themes of modern love with playful chord structures to define a new but familiar sound that is all her own. Currently based in Athens, Georgia where she is a senior at the University of Georgia. Her well-crafted, witty lyrics and soft vocal style are complimented by her white Gretsch electric (which she calls her Cadillac). Clover County’s sound is equally charming and heartbreaking in all the best ways: she smoothly delivers longing lines with devastatingly beautiful eloquence, and can just as effortlessly move to a more upbeat tempo while maintaining her trademark intimate feel.
PATIO: Whitehall w/ Cal in Red
ALL AGES LIMITED PATIO SEATING IS FIRST COME FIRST SERVEWHITEHALLWhitehall is an indie rock four-piece band based in Brooklyn, NY originally from Charleston, SC. Paddy McKiernan (vocals, guitar), Brennan Clark (bass), Davis Rowe (drums), and Avery Greeson (guitar) met in college, and got their start writing songs in a dorm room. After four years spent in the South Carolina DIY scene playing house shows throughout the state, the band recorded their debut album, Ocean Fiction, and embarked on their first tour on the East coast with a live show that is at once frenetic and introspective. In the years that followed, Whitehall recorded and released their sophomore effort Swordfish Catcher and received praise and playlist placement from national publications like NPR, Alternative Press, and American Songwriter. This album saw their sound shift from bouncy, melody-laden indie, to something grittier, with distorted guitars and imaginative lyricism that more closely resembles acts like Pavement and Car Seat Headrest. After touring extensively between 2021 and 2023 with acts such as Goo Goo Dolls, Arlie, and Carver Commodore, the band released their 3rd LP, Maizy, a collection of tracks written mostly over a period of two weeks in isolation in the Appalachian Mountains. The record came to life with help from legendary producer Kevin Ratterman (My Morning Jacket, White Reaper). Whitehall continues to tour North America and will be in a city near you soon! CAL IN RED Cal in Red is an indie pop project by brothers Connor and Kendall Wright (Grand Rapids, MI). They have released 2 EP’s + a flurry of singles, toured nationally, and opened for artists like Karl Blau and Bastille.
Ginger Root
ALL AGESSTANDING ROOM ONLY GINGER ROOT A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Cameron Lew has crafted his Ginger Root project steadily since 2017, inviting a fervent and growing legion of fans into storylines drawn across mediums: captivating albums with accompanying films and globe-spanning tours. The Ginger Root sound — handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul — takes shape through Lew’s lens as an Asian-American growing up enamored by 1970s and ’80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney. SHINBANGUMI, his long-awaited third LP, and Ghostly International debut set for physical release in 2024 with a visual album component, translates roughly to a new season of a show. It finds Lew more poised, idiosyncratic, and intentional than ever in a new chapter of life, unlocking “exactly what Ginger Root should sound and feel like,” he says. “In terms of instrumentation and musicality, it’s the first time that I felt very confident and comfortable with what everything should be comprised of. On the more personal side, I’m coming out of the last four years of writing, touring, and living as a different person; SHINBANGUMI is a platform to showcase my new self.” Since his first release of “aggressive elevator soul” music and dispatch from his beloved weekly YouTube cover series during college, Lew has captained the ship of Ginger Root, able to write, record, and mix the music while creating the art and videos from scratch. What makes Ginger Root special is the project’s ability to weave influence beyond pastiche into a bigger picture, exploring that rarified pop pleasure center where referential meets refreshing. With much of Rikki’s release feeling lost to the moments of that year, Lew decided to take a step back and try to write a succinct project to engage listeners for as long as possible. His redirected energy, paired with the newfound influence of Japanese art and culture from his experience learning to speak the language, yielded City Slicker in 2021. On the strength of breakout songs like “Juban District” and “Loretta,” the project connected with a massive audience on the internet, with his YouTube amassing 160,000 subscribers and his Spotify nearly hitting 1 million monthly listeners. Ginger Root released the Nisemono EP in 2022 and has since played sold-out shows across North America, Europe, and Asia as fans await new music. In 2024, Ginger Root presented SHINBANGUMI across a sequential music video series, resuming the conceptual narrative from his 2022 EP Nisemono, which follows Ginger Root as a newly-fired music supervisor in 1987 starting his own media conglomerate, Ginger Root Productions. “If you watch music videos one through eight, you’ll be presented with a story that’s comparable to a traditional movie; something I’ve always wanted to do.” MINORCAN MINORCAN stands distinct in presence, character, rock ‘n’ roll spirit and creates songs that come from an intimate heart, embracing the world and all within. These are songs bred in the aligning differences of intuition and instinct, music that merges impassioned energy with creative guile.
D.R.I.
ALL AGESSTANDING ROOM ONLY D.R.I. Dirty Rotten Imbeciles (often abbreviated and referred to as D.R.I.) are an American crossover thrash band that formed in Houston, Texas in 1982 and would later relocate to San Francisco, California. The band is currently composed of two of its founding members, lead vocalist Kurt Brecht and guitarist Spike Cassidy, as well as bassist Greg Orr and drummer Rob Rampy. D.R.I. never gained a mainstream audience, but the integration of their hardcore punk roots with thrash metal influences was a stylistic catalyst for their contemporaries – most notably Suicidal Tendencies, Corrosion of Conformity, Stormtroopers of Death, the Cro-Mags, Nuclear Assault, Adrenalin O.D., and Cryptic Slaughter – alongside whom they are considered to be one of the major pioneers of what would later be called “crossover thrash”. These bands had a heavy influence on modern thrash metal. As of 2025, D.R.I. has released seven full-length studio albums. Other than three new songs on the 2016 EP But Wait… There’s More! they have not released a full-length studio album since Full Speed Ahead in 1995. Despite this, the band has continued to tour almost every year, and gone on hiatus intermittently, notably between 2004 and 2009, when Cassidy was diagnosed with colon cancer. Since the late 1990s, D.R.I. has been working on their eighth full-length studio album, which remains unreleased. PARALYSIS Thrash metal band from New Jersey.
Bonnie “Prince” Billy
ALL AGESSTANDING ROOM ONLY BONNIE “PRINCE” BILLY The human who sings and composes under the name Bonnie “Prince” Billy and acts under the name Will Oldham has, over the past three-plus decades, made an idiosyncratic journey through, and an indelible mark on, the worlds of independent music and cinema. With his highly individualistic approach to music making and the music industry, one that cherishes intimacy, community, mystery, and spontaneity; his brilliance has captivated fans and made Bonny one of our most influential and beloved songsmiths.Bonnie “Prince” Billy’s latest offerings include 2023’s Keeping Secrets Will Destroy You and 2024’s Hear the Children Sing the Evidence (with Nathan Salsburg and Tyler Trotter). He had a cameo role in Jeff Nichols’ The Bikeriders. BPB’s newest record is The Purple Bird (produced by David Ferguson), and features such giants of American music as John Anderson and Tim O’Brien. MATT KIVEL Matt Kivel is a songwriter based in Austin, Texas. He has released 7 full length albums. His music has received acclaim from “critics” and audiences all over the world. Not that long ago he played a sold out concert in Tokyo and couldn’t believe that people showed up. It was incredible. His music plays with form and the songs take on many different shapes. Sometimes they are loud and distorted, echoing into a mesmerizing drone; other times they are extremely quiet—like the deathbed confession of an old tycoon who’s got one last secret to share before the buzzards pick his bones clean. And other times, they are fun, warm, and warped: insular transmissions that bring to mind the tunes of slick songwriters like Ric Ocasek and Jackson Brown. Regardless, you’ll get the hang of it once you hear it. Trust me.
The Antlers & Okkervil River
ALL AGESSTANDING ROOM ONLY IMPORTANT UPDATE :: From The Antlers: “Hi Friends. I’m very sorry to say that I’ve lost my voice and unfortunately can’t play the show tonight at @thegreyeagle in Asheville. I’ve got some meds and am going to make every effort to be ready for tomorrow’s show in Atlanta. Okkervil River is still playing! Will Sheff is going to play a request-heavy solo set and will be joined by founding Okkervil River member Zachary Thomas. Julie Odell has also just been added to the bill. 7pm Doors 8pm @juliekodell 8:45pm Okkervil River All tickets will be honored at the door. Anyone who would like a refund can request one via [email protected]” THE ANTLERS The Antlers are Peter Silberman and Michael Lerner. In 2021 the band released their first album in seven years titled Green to Gold, a bucolic record which Pitchfork described as “a post-rock orchestra playing around a campfire… the sound of hard-won peace of mind, rendered in the lightest brushstrokes.” The release was followed by the Losing Light EP, a reimagining of four tracks from Green to Gold. Peter Silberman has also co-produced the recent Wild Pink album ILYSM, marking Silberman’s first foray into producing a record for another artist outside of the context of The Antlers or his solo work. Since 2021, The Antlers have been releasing stand-alone singles “I Was Not There,” “Ahimsa” and a Brett Arnold reworking of “Green to Gold”. OKKERVIL RIVER Over the course of his career, Will Sheff has released ten albums that have given the front man of esteemed indie rock band Okkervil River a reputation as one of the greatest working songwriters in the country. As Sheff and his shifting lineup of players have traveled the world many times over, they’ve made fans ranging from Lou Reed to Barack Obama. Praised as “One of indie rock’s most ambitious thinkers” (Pitchfork), Sheff released his debut solo album ‘Nothing Special’ in 2022 to critical acclaim from The New Yorker, NPR, Uncut, Pitchfork and more…with The New York Times saying it “Harnesses both the glow of poetry and the gravity of hymns.”
Erick Baker
ALL AGES FULLY SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE ERICK BAKER Erick Baker is an Emmy Award-winning writer, children’s book author, and heart-on-his-sleeve troubadour from Knoxville, TN. His music is a distinctive blend of folk, rock, and Americana-soul that isn’t just heard, it’s felt. For over a decade he’s made a life in music, sharing the stage with artists like John Legend, Brandi Carlisle, Grace Potter, Heart, Gavin DeGraw, Chris Isaak, and the Goo Goo Dolls. “His songwriting is of two worlds: The storytelling tradition of Americana (think Townes Van Zandt) and the radio-savvy world of cross-over country (think Keith Urban)…his acoustic guitar serving as rhythm and background to the swell of his voice — a smoke and whiskey tenor with plenty of range and emotion”. – Alli Marshall of the Mountain Express “Baker has built a career out of peeling back the skin and bones that surround his beating heart…watching Baker hunched over a guitar, leaning into a microphone and shining a spotlight on his soul through his R&B-tinged brand of indie folk is to witness a man who truly believes in what he’s doing.” – Steve Wildsmith of The Daily Times
Hatch Amphitheater Soft Opening with Phuncle Sam
– ALL AGES- STANDING ROOM ONLY- FREE SHOW HATCH AMPHITHEATER SOFT OPENING WITH PHUNCLE SAM We’ve been working hard over at The Grey Eagle to bring you a brand new outdoor space to enjoy live music—filling the void left by the sad loss of The Outpost. Join us for a Free Show on Sunday, March 30, 2025, from 4:00PM to 7:00PM at The Hatch Amphitheater (42 South French Broad). This is our soft opening, and we’d love for you to come out, show your support, and help us break in the new space with good vibes and great music from Phuncle Sam: Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix. Stay tuned—there’s a lot more live music coming your way at The Hatch Amphitheater. See you there!
PATIO: Old Sap
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE OLD SAP Poet from Chicago, rambled out to Montana, cut a banjo from a tamarack, strings across the country, foot like a freight train, voice rushing down over lush Appalachia, sings a thrush tune through the rush hour and into your long-forgotten prairie dreams. Folk. Folk Rock. Americana.
Stephen Kellogg + Pat McGee
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE On June 28th, the Grey Eagle will present Stephen Kellogg’s Old Friends Tour. This one-of-a-kind touring concept features SK and a different friend in each city. Drawing on relationships and history from his 25 year career, the pair will share the stage, swapping songs and stories, for a one night only, limited engagement event. We are thrilled to be welcoming Stephen Kellogg and Pat McGee! STEPHEN KELLOGG A Stephen Kellogg performance is like watching Ted Lasso live. Whether he’s playing music or doing stand-up, his shows leave people inspired and restored. For more than two decades, this wordsmith, Tedx speaker, stand-up comic, author and troubadour, has delighted audiences around the world. Planet Bluegrass calls him “a first class songwriter with a poet’s gift for fresh imagery,” and Counting Crows frontman Adam Duritz says of Kellogg, “there are few people in rock n’ roll who are just so great.” He has received the Armed Forces Entertainer of the Year award and has had his work nominated for a Grammy. Rolling Stone magazine describes his sound as “John Prine fronting the Heartbreakers.” The recent “Sit Down & Stand Up” Tour was a one man show that opened to rave reviews from fans and critics alike, culminating in a two-night filming for a forthcoming one-hour comedy special. A mix of music, humor and storytelling, each performance paints a unique canvas that covers the full spectrum of human emotions. You’ll laugh, you’ll cry, and you’ll go home with a full heart. PAT McGEE The Pat McGee Band is what is commonly referred to as a band of journeyman musicians. In the 25 years since their initial formation, they’ve acquired a fanatical popular following, one that was so determined that it produced sales of over 100,000 copies of their first three albums and eventually caused Warner Bros. Records to take notice and sign the group to an exclusive contract at the end of the ‘90s. The band’s dedication to working the road was so steadfast that at one point in their ten year touring stint, they played a remarkable 98 concerts in a period of 103 days. They shared stages with the Who, the Allman Brothers, James Taylor, and many more, and also achieved the ultimate honors — performing for president Bill Clinton, touring with the USO and sharing their songs onboard the USS Eisenhower with 5,000 servicemen and servicewomen serving a tour of duty in the Arabian Sea. “There was no plan B,” McGee says in retrospect. “We sold 12,000 copies of our first album out of the trunk of our car. We had a rabid fanbase that supported us every step of the way. We never had that huge pop hit, but in a way that helped assure our success. We never had to count on replaying a single song in order to move forward. It was our diligence and devotion, our steadfast approach to making music that was honest and expressive that became the backbone of our sound.” Sadly, the band’s progress came to a tragic end in October 2006 when drummer Chris Williams succumbed to a heart condition. McGee struck out on his own, adding five solo albums to the half dozen efforts recorded under the band’s own banner.
