LIVE! ON STAGE: JONATHAN RICHMAN featuring TOMMY LARKINS on the drums!
ALL AGESSTANDING ROOM ONLY LIVE! ON STAGE: JONATHAN RICHMAN featuring TOMMY LARKINS on the drums! “Richman is one of America’s most unique and dynamic songwriters…” – Nashville Scene “Richman didn’t need much else besides a beat to work his magic.” – New York Daily News “Buy tickets early. Buy tickets often. This is just good general life advice, but even more so when you’re talking about Jonathan Richman. Don’t get denied at the door, don’t leave things up to chance: You will regret it.” – Nashville Scene “Rhymes worthy of Ogden Nash.” – The New York Times “Richman has spent decades removing barriers between himself and his audience, cultivating an intimacy that is almost extinct in modern music.”- Nashville Scene “As of a few years ago, I was going to just play theaters, cabarets and such, but we ended up by mistake at the Zebulon in Los Angeles and had such a fine time that those kind of shows have to happen too. So, you might see us nowadays in theaters, cabaret-style places, or the right club or bar. The theaters have the best sound, usually, and under-21s can get in, but in the clubs people can dance and get close in to ya, like we like. We’ll keep trying things.”
DANCE WITH THE DEAD + MAGIC SWORD: The Face Off Tour 2026
ALL AGESSTANDING ROOM ONLY DANCE WITH THE DEAD Drawing inspiration from the dystopian and chilling worlds of cult classic horror and science-fiction films, duo Justin Pointer and Tony Kim have spent over a decade crafting a signature fusion of dark electronic music and metal-fueled synth anthems. Hailing from Irvine, California (USA), DANCE WITH THE DEAD continue to push the boundaries of retro-futuristic soundscapes and cinematic storytelling. The project first emerged on Halloween night in 2013 with their debut release, setting the tone for a career defined by innovation and an ever-evolving sonic identity. Their early work—spanning atmospheric orchestral-leaning pieces and aggressive synth metal—solidified their presence with fan-favorite releases such as Into the Abyss (EP), Near Dark, and crossover hits like “Andromeda” and “Invader.” Their influence within the synthwave world earned them a featured appearance in the acclaimed documentary The Rise of the Synths, narrated by filmmaker John Carpenter. DANCE WITH THE DEAD’s distinctive sound merges analog synth textures with the raw grit of early heavy metal guitars—a combination shaped by influences such as Hans Zimmer, Justice, Daft Punk, The Misfits, White Zombie, Ozzy Osbourne, Alice Cooper, Kavinsky, Metallica, and John Carpenter. Their catalog has featured notable collaborations as well, including guest contributions from John Carpenter and Cody Carpenter (Driven to Madness), as well as Nick Hipa and professional skateboarder Elliot Sloan (Loved to Death). MAGIC SWORD Magic Sword is an ageless tale of good and evil told through an ever expanding graphic novel with each volume accompanied by an original, synth-heavy soundtrack as well as immersive live performances. With the three mediums intertwined from conception, together they create an epic experience for those bold enough to bear witness and come away with a deeper understanding of the ultimate hero’s journey. Armed with a musical and visual aesthetic that has its roots unabashedly buried deep in the golden era of ‘70s and ‘80s fantasy and sci-fi, Magic Sword’s followers are called to another plane of existence where the struggle between light and shadow becomes all too real. The multiverse has aligned to bring the people of the land together for the birth of their album Endless, followed by a tour of the realm searching for the greater good. MEGAN MCDUFFEE Megan McDuffee is a Seattle-based award-winning music producer, composer, and recording artist. She grew up in the San Francisco Bay Area of California, and always had something musical going on, from taking private lessons to 11 years of participating in world-traveling choirs. Megan graduated from the University of California Santa Cruz with a Bachelor of Arts in Film Scoring and a minor in Electronic Music. With a desire to further her education, she went on to the Berklee College of Music, earning a Master’s Certificate in Orchestration for Film and TV. By day Megan scores video games, TV shows, and movie trailers, and by night she produces dark, moody, edgy electronica and rock that rides the line between dreams and nightmares.
Dom Flemons
ALL AGES SEATED SHOW DOM FLEMONS DR Dom Flemons “The American Songster” is also a 2 time Emmy nominee and grand prize winner of The International Acoustic Awad.He is the co-founder of the Carolina Chocolate Drops.DrDr. Dom Flemons “The American Songster” received an Honorary Doctorate from Northern Arizona University and he’s a GRAMMY Award Winner with four GRAMMY nominations, Two-Time EMMY Nominee, International Acoustic Music Award Grand Prize Winner, and was a United States Artists Fellow. He is a musician based in the Chicago area and he is famously known as “The American Songster®” since his repertoire covers over one hundred years of American roots music; including country, folk, bluegrass, Americana, and the blues. Flemons is a songwriter, multi-instrumentalist, music scholar, historian, actor, narrator, host, slam poet, record collector, podcaster, and the creator, host, and producer of the American Songster Radio Show on WSM in Nashville, TN. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. He is the Co-Founder of the Carolina Chocolate Drops and the Founder of American Songster Productions. . Dom Flemons “The American Songster” received an Honorary Doctorate from Northern Arizona University and he’s a GRAMMY Award Winner with four GRAMMY nominations, Two-Time EMMY Nominee, International Acoustic Music Award Grand Prize Winner, and was a United States Artists Fellow. He is a musician based in the Chicago area and he is famously known as “The American Songster®” since his repertoire covers over one hundred years of American roots music; including country, folk, bluegrass, Americana, and the blues. Flemons is a songwriter, multi-instrumentalist, music scholar, historian, actor, narrator, host, slam poet, record collector, podcaster, and the creator, host, and producer of the American Songster Radio Show on WSM in Nashville, TN. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. He is the Co-Founder of the Carolina Chocolate Drops and the Founder of American Songster Productions.
Fust & Merce Lemon w/ Thomas Dollbaum
ALL AGESSTANDING ROOM ONLY FUST Fust — the Durham, North Carolina-based band — announce their new album, Big Ugly, out March 7th via Dear Life Records. Big Ugly arrives after the release of 2024’s Songs of the Rail––“one of the best alt-country compilations…in a long, long time” (Paste) –– and 2023’s standout Genevieve, which unassumingly introduced new listeners to Fust’s unmistakable blend of “small-town poetry” (Mojo) with a familiar yet probing “country-tinged folk-rock” (KEXP) that made it “one of the most fun rock records of the year” (Pitchfork).Big Ugly finds Fust taking its “gutsy, blue-collar Americana” (New Commute) further than it has before. Songwriter Aaron Dowdy pushes his obsessions with country-storytelling to more mystifying places, telling stories of Southern life teeming with utopian possibility that arises uniquely from the contradictions for which the south is infamously known. In this way, it is a record that could easily be filed on the record shelf alongside lyric-forward indie or Southern rock, as well as on the bookshelf amongst the throngs of Southern literature hellbent on proving the elegance of grittiness. Big Ugly is also Fust––above all a group of close friends––uncovering a freedom within their sincere form of loose and fried guitar rock, emboldened to deliver both their most intimate songwriting and biggest sound to date.While perhaps “few voices can write a song quite like Aaron Dowdy” (Paste), it is clear upon listening that Big Ugly is an album of fully recognizable voices. One hears in the music the years of interplay between Avery Sullivan (Sluice) on Drums, Justin Morris (Sluice, Weirs) on guitar and vocals, Oliver Child-Lanning (Sluice, Weirs) on bass and vocals, Frank Meadows on piano, John Wallace (Colamo) on guitar and vocals, and Libby Rodenbough (Mipso) on fiddle and vocals. Big Ugly is also the second collaboration with the Asheville-based engineer Alex Farrar, recorded together throughout the summer of 2024 at Drop of Sun Studio. And with the help of many friends including Merce Lemon, Dave Hartley (The War on Drugs), and John James Tourville (The Deslondes), Big Ugly is exactly what one feels it to be: a huge group of people gathered together, stumbling upon songs amidst long days and even longer nights. MERCE LEMON “I could not be alive alone,” a longtime family friend says with a smile. “None of us could be alive alone.” Within the quiet, cascading corners of Pittsburgh lies a community – nothing short of one large family – that spans zip codes, histories, occupations, and generations, always tumbling inwardly into itself, propped up by steadfast pillars of conviction toward spiritual and emotional mutual aid. The kind of earnest community scaffolding that gets bandied about, wielded as conjecture, particularly in an age of increasing fracture through digital sublimation, is alive and quite well within the universe surrounding Merce Lemon. THOMAS DOLLBAUM
Friendship w/ Natalie Jane Hill
ALL AGESSTANDING ROOM ONLY FRIENDSHIP Music for sleeping and waking, walking and driving, hunting and fishing, for loitering outside a roadhouse on the haunted tundra. Okay in elevators, not great for dinner. On Caveman Wakes Up Friendship’s new album and second for Merge Records, the band’s historically capacious definition of country music grows wider still. Shambolic guitars are offset by flute pads, bleary poetry is set against a Motown rhythm section, a song about Jerry Garcia and First Lady Betty Ford fades out with a drum solo, like if Talk Talk came from a dingy Philadelphia basement, and was fronted by James Tate. Songwriter Dan Wriggins’ ragged baritone cuts through eleven murky, swirling country-rock songs with profound lyrical substance and sincerity. Like an alarm clock incorporated into the edge of a dream, Caveman Wakes Up belongs equally to the conscious and subconscious mind, fraught with background, steeped in reference and experimentation, delivered casually and as a dire warning, dedicated, above all, to music’s creative soul. Over the years, dedication has paid off. Friendship has become a kind of reverse supergroup, wherein the band itself and each individual member is located centrally in an increasingly prominent scene of young folk and country musicians and songwriters. Drummer Michael Cormier O’Leary leads the instrumental collective Hour and, along with bassist Jon Samuels, run Dear Life Records, home to friends and peers who count Friendship as a major influence, including MJ Lenderman, Florry, and Fust. (Samuels also plays lead guitar in MJ Lenderman and the Wind). Guitarist Peter Gill’s band 2nd Grade records prolifically. Wriggins began writing the songs of Caveman Wakes Up on a downtuned classical guitar of Lenderman’s, and finished on a barely-tuned piano in an apartment he shared with Sadurn’s G DeGroot. In the summer of 2023, Wriggins had just left the Iowa Writers’ Workshop, where his love for poetry and mistrust for the academic poetry world grew in tandem. A relationship fell apart, and Wriggins crashed for several weeks at Lenderman’s and Wednesday’s Karly Hartzman’s home in North Carolina, where he recorded the first demos of “Resident Evil,” “All Over the World,” and “Love Vape.” Wriggins returned to Philadelphia, and the band got to work on new ideas, finally tracking the album in five days with engineer Jeff Ziegler (Mary Lattimore, War on Drugs). NATALIE JANE HILL Natalie Jane Hill’s new record, Hopeful Woman, is composed of slender songs, life-sized, in which humans endeavor to reconcile themselves to wildernesses and cities; rearrange their rooms and open windows to be closer to the world outside and its choruses of frogs and crickets; attempt and fail to reach one another across a kitchen table; weather natural disaster. If something we might deign to call self-discovery emerges over the course of these narratives, it owes in no small part to the scale of their scenes, to the modesty of their ambitions, in which tumult and adaptation and growth are metabolized through a body’s gentle actions and reactions, its moments of quietude and observation and reflection. “Into the current of life I will fly,” Hill sings on Oranges, a song that would serve her well as a mission statement. “Changing and loving and growing and trying.”
LowDown Brass Band
ALL AGESSTANDING ROOM ONLY LOWDOWN BRASS BAND Embodying the vibrant Chicago music culture, LowDown Brass Band is a one-of-a-kind horn ensemble weaving the rhythm of the streets with conscious hip hop, reggae, and soul. Rigorously touring, LowDown has performed on the most unique stages, from the Montreal Jazz Fest to the Cotai Jazz Fest. Despite the last four years, LowDown has stayed busy, releasing Three albums, “The Reel Sessions, LowDown Nights and $itizens of the World”, which showcase their unique sound and further push the boundaries of their genre. Leaning on their talent and unconventional style, LowDown Brass Band continues to carve out a path, defying convention and charting their own course in the ever-evolving landscape of music.
Asheville Crankie Fest
ALL AGES SEATED SHOWS ASHEVILLE CRANKIE FEST Asheville Crankie Fest is a celebration of artists, musicians, and makers who gather to awaken the ancient art of the crankie — a moving scroll where image and melody weave together to form a tapestry. This is an art form with historical roots in cultures from around the world, but is near and dear to our Appalachian musicians sharing heartfelt ballads as they travel through the valleys. Painted, printed, cut, and sewn scrolls show these stories as the cranker tells and sings them, inviting the audience along on the journey. The handmade meets the heartfelt, and the simple act of cranking becomes a spell — winding time, memory, and imagination together.
Della Mae
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE DELLA MAE Each generation, perhaps once a decade, bluegrass experiences a band or an artist that redefines and recenters the genre itself. Della Mae is one such band. The GRAMMY-nominated string band was founded in 2010 and over the next decade and a half they’ve demonstrated to the roots music world, once and for all, that a band of all women is not, nor has ever been, a mere novelty. They remain at the forefront of the explosion of women instrumentalists and all-women acts in roots music and their impact is striking and measurable – not just in North America, but around the globe. Now 15 years since their origin, Della Mae can boast their strongest lineup yet. Founders Kimber Ludiker and Celia Woodsmith are joined by guitarist and songwriter Avril Smith and vocalist and two-time IBMA Bass Player of the Year Vickie Vaughn. There has never been a band like Della Mae in roots music before, but thanks to Kimber Ludiker, Celia Woodsmith, Avril Smith, Vickie Vaughn – and all of the women who have been part of this band over its long life – we know there will be many more bands, singers, songwriters, and pickers just like Della Mae in the future.
Darrell Scott + Will Hoge
ALL AGES PARTIALLY SEATED SHOW (guaranteed seating AND standing room only tickets are available at checkout) DARRELL SCOTT Multi-Instrumentalist and Singer-Songwriter Darrell Scott mines and cultivates the everyday moment, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating. The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred. Darrell Scott comes from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well. From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life. This would never change. After recently touring with Robert Plant and the Zac Brown Band (2 years with each), and producing albums for Malcolm Holcomb and Guy Clark and being named “songwriter of the year” for both ASCAP and NSAI, these days find him roaming his Tennessee wilderness acreage hiking along the small river, creating delicious meals with food raised on his property and playing music. He often leads songwriting workshops to help people tell their own truths with their stories, and is as busy as always writing, producing, performing, and just plain fully immersing himself in life. WILL HOGE Will Hoge will release Sweet Misery, the Grammy-nominated artist’s 15th studio album on Friday, August 22.On Sweet Misery, Hoge reminds listeners that he isn’t afraid to break new ground – all while giving a keen nod to his rock and roll roots with the kind of grace and purpose that only comes with experience – without the baggage of predictability.In Will’s own words – “Following the re-recording and re-releases of Carousel and Blackbird On A Lonely Wire I found myself really wanting to make a louder, hooky, rock-n-roll band record again. Good stories, big choruses, shit to make you play it loud and drive fast with the windows down. I was without a band so I enlisted a crew of folks who I love – folks that I believed could really help bring out the bigger ideas in the songs. I hope folks will find some headphones and give it a good, loud listen. Top to bottom, the way albums should be listened to.” Will Hoge has a career whose milestones include Number One hits, Grammy nods, major-label record deals, and hard-won independence. Years before Americana music received its own category at the Grammy Awards, Hoge was on the frontlines, helping to pilot and popularize the genre’s blend of American roots music. In the current digital era dominated by influencers seeking shortcuts to stardom, Will Hoge proudly treads the scenic route, immersing himself in the journey rather than fixating on the destination.
Satsang (solo): The Story of You 10 Year Anniversary Tour
ALL AGESSTANDING ROOM ONLY **PRE-SHOW VIP EXPERIENCE TICKETS AVAILABLE** **PRE-SHOW VIP EXPERIENCE TICKETS INCLUDE: One general admission ticket, Early venue entry, Intimate soundcheck performance by Satsang (Solo), Q&A session with Satsang, Collectible tour poster, signed by Satsang, Commemorative pre-show tour laminate SATSANG Drawing inspiration from a diverse array of musical traditions, Satsang’s sound is characterized by rich harmonies, infectious rhythms, and thought-provoking lyrics that resonate with audiences across the globe. With roots in the mountains of Montana, Satsang’s music reflects the natural beauty and spiritual depth of his surroundings, while also addressing contemporary issues and themes. At the heart of Satsang’s music is a message of unity, self work, and mindfulness. Through the uplifting melodies and introspective lyrics, the music encourages listeners to reflect on their own experiences, cultivate positive change, and embrace the interconnectedness of all beings. With a reputation for captivating live performances and a dedicated fan base, Satsang continues to inspire audiences with his soul-stirring music and heartfelt lyrics. Whether performing at intimate venues or large festivals, the show’s infectious energy and profound message leave a lasting impression on all who hear it. In a world that often feels divided, Satsang offers a beacon of hope and positivity. Reminding us all of the transformative power of music, intention, and community. JOEY HARKUM For his entire life Joey Harkum has been strumming a guitar and after a decade of touring as the lead singer and songwriter of Baltimore-based band Pasadena, he released his debut solo album, Love and Labor, to critical acclaim in 2016. Along with a relentless touring schedule Joey has most recently been working on his 5th studio album One Foot In The Grave’ which released on August 22nd 2025. The album saw a cross country tour to support the release extending from fall into winter. Known for his deep and poignant lyrics telling stories of joy, love, loss and sadness, Joey brings the human experience to life through his relentless tour schedule that culminated in the release of Live at Buffalo Iron Works in 2018. 2020 brought new challenges but Joey responded with writing and recording new music and released his album Storyboard in March of 2021. Immediately following the release of Storyboard, he started work on his follow up album Salt and Tar which was released in spring 2022 and followed by his 4th studio album The Art Of Revenge which was released in March of 2024. Catch him on tour now or online at joeyharkummusic.com.
