New Dawn Starkestra: Space Bunny Apocalypse & Easter Egg Hunt
ALL AGES STANDING ROOM ONLY NEW DAWN STARKESTRA Join us for some Easter Sunday fun with some surprises and New Dawn Starkestra. New Dawn Starkestra is a new collaboration between four heavyweights of the Western North Carolina music scene: vocalist and songwriter Rebekah Todd, guitarist Isaac Hadden, bassist Quinn Sternberg, and drummer Jeff Sipe, a veteran of the jam and jazz worlds known for his work with Aquarium Rescue Unit and beyond. Together, they’ve formed something that feels less like a supergroup and more like a conversation — one that’s unfolding live, night after night. At its core, the band is rooted in trust: each member brings original songs to the table, but there’s no fixed destination. Their sets blend composed material with extended improvisation and unexpected detours. One moment might feel like Southern soul, the next like spacey fusion, and the next like something you’ve never quite heard before. It’s not genre-hopping — it’s just what happens when four players actually listen to one another. What separates New Dawn Starkestra is their ability to stretch out without losing the thread. The musicianship is airtight, but it never gets in the way of the emotional core. They’re not afraid of silence, or space, or slowness — and when the energy builds, it feels earned. Their shows aren’t about replication; they’re about discovery. In their short time together, they’ve already begun turning heads at venues and festivals throughout the Southeast, with performances that feel more like experiences than sets. There’s no spectacle here, no posturing. Just four artists showing up, tuning in, and chasing whatever spark happens to catch that night.
Martha Scanlan and Jon Neufeld
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE MARTHA SCANLAN AND JON NEUFELD While Martha Scanlan and Jon Neufeld’s collective accolades are impressive- they have shared the stage and collaborated with artists as diverse as Levon Helm, Jim James, Emmy Lou Harris and Peter Buck, and played festivals from Merlefest to Bonnaroo- it is their unique alchemy, a sense of adventure and improvisation on stage and in the studio, that most characterizes their work together and what has earned them a loyal cult following world wide. The 2024 release Save it For Later, their fourth album together, was listed among the year’s best albums by No Depression Magazine. They are currently at work on a new collection of original songs, traveling back and forth between Neufeld’s home in Portland, Oregon where he works as a mixing and mastering engineer and Scanlan’s in Western Montana. Scanlan’s songs have appeared in works by celebrated American authors Joyce Carol Oates and Rick Bass and have been covered by Sarah Jarosz, Solas, and Andrew Marlin of Watchhouse. Her song Higher Rock is featured on Robert Plant’s latest release, Saving Grace.
Buck Meek
ALL AGESSTANDING ROOM ONLY BUCK MEEK A gleaner of the forgotten, Buck Meek tips over the familiar and turns the unknown into a companion. On The Mirror, the artist’s fourth solo record and second album released by 4AD, there’s a tender power, countered by immutable vulnerability. With an uncanny curiosity, Meek conjures twin worlds to reveal the uniqueness in the mundane. Inviting in reflection as collaborator and demon as friend, The Mirror doesn’t seek to know but to ask, looking to the shape of a question rather than the illusion of its answer. Meek grew up in Wimberley, Texas, teenage protege to an old guard of mystic Texas songwriters and musicians. He later moved to New York where he met Adrianne Lenker. The two lived in a van while singing their songs across the country before forming Big Thief. The partnership of Meek and producer, James Krivchenia, emerged from a decade of work together in Big Thief. Conceptually, The Mirror emerged from the idea to combine Meek’s band’s live, kinetic energy with an oblique electronic world. The pair invited a collective atmosphere in which simultaneous experiment could occurr––the musicians responded to each other in real time, while their instruments triggered modular synthesizers and electronic magic boxes. The Mirror welcomed in friends, family, longtime collaborators from ranging musical eras of life as vital co-creators. New creative partners and longtime friends like composer and ambient musician Alex Somers joined in on synthesizer, toy microphone, and piano, and Mary Lattimore brought in the sounds of her prismatic harp. Lexical mirrors are handheld, tactile, and kept close throughout the record––each one holding up a new truth. The Mirror aptly embraces the unknown with an abiding curiosity and Meek continues to reveal his skill as translator of human feeling and its endless portals. The Mirror looks for duality, finding it in the weeds and overgrowth. “My demon is my darkness and my darkness is my angel / I taught him how to read, now I’m teaching him to write.”
St. Paddy’s Celebration with Lyndsay Pruett Express
ALL AGES STANDING ROOM ONLY 6:30PM DOORS / 7:30PM SHOW Lyndsay Pruett Express Lyndsay Pruett is a fiddle player/violinist who has been playing and teaching in Asheville since 2009. She is a member of the touring band, Jon Stickley Trio, as well as the swing outfit known as the John Henry’s, who, for 15 years, has played every Tuesday night at the 5 Walnut Wine Bar. She teaches fiddle at the Academy for the Arts and is the adjunct jazz violin teacher at UNCA. She has put together a group of long time local picker friends to play tunes from the worlds of bluegrass, swing, Irish and newgrass to form the Lyndsay Pruett Express. They are Drew Matulich on guitar, Jason Flournoy (Suns of Stars) on banjo, and Rick Cooper (Amanda Anne Platt and the Honeycutters) on bass.
Emerson Woolf & the Wishbones
– ALL AGES- STANDING ROOM ONLY Genre-defying Emerson Woolf & the Wishbones have been categorized as many things: Indie Alternative, Folk Rock, Dark Country, and Pop Americana, to name a few. Their music forms itself around Emerson’s songwriting, and the raw lyrics and visual storytelling pull listeners in from all walks of musical appreciation. Her songs are often a collage of autobiographical and completely fantastical elements, creating a unique space that is so relatably human while also seeming otherworldly and cinematic. The band has been capturing attention in the indie music space since the release of their debut EP Not a Good Woman, and they’ve certainly managed to keep it with their recent release Too Easy to Kill, featuring Thia Kane. Since taking the leap into full-time music, Emerson Woolf & the Wishbones have released several well-received records, including their debut full-length album “Everything Must Go,” which earned them the 2023 Makin Waves Best New Artist Award. Their catalog features notable songs like “Not a Good Woman,” “Wouldn’t it Be Funny,” and “Like Louisiana Sky,” showcasing their evolving sound and emotional depth. The band’s passionate approach and connection with their audience continue to build their reputation as rising stars in the indie and Americana music scenes.
Golden Folk Sessions
ALL AGES 6PM DOORS / 7PM SHOW FULLY SEATED SHOW GOLDEN FOLK SESSIONS Golden Folk Sessions (formerly Open Folk AVL) offers an intimate, carefully curated listening experience that celebrates the art of original music. Each event showcases six handpicked artists, performing three-song sets in a quiet, seated environment where the music takes center stage. To add a sense of surprise and discovery, the lineup is revealed only when the show begins. Running from 7–9 PM, these early shows create the perfect evening for music lovers who value live performances and a good night’s rest. With over 100 shows hosted and extraordinary artists from around the globe gracing our stage, Golden Folk Sessions is entering an exciting new chapter. Under a new name and with a new home at The Grey Eagle—one of the Southeast’s most iconic venues—we’re thrilled to continue fostering community through music. Staying true to our values of accessibility, we aim to make music available to everyone. Presale tickets guarantee your seat and support both Golden Folk Sessions and The Grey Eagle. For those attending on the day of the show, our “pay what you can, if you can” option ensures that all are welcome to be part of this unique and meaningful experience. • $10 General Admission (presale) • $0-$25 Day-of-Show (no minimum) We can’t wait to see y’all there.
Golden Folk Sessions
ALL AGES 6PM DOORS / 7PM SHOW FULLY SEATED SHOW GOLDEN FOLK SESSIONS Golden Folk Sessions (formerly Open Folk AVL) offers an intimate, carefully curated listening experience that celebrates the art of original music. Each event showcases six handpicked artists, performing three-song sets in a quiet, seated environment where the music takes center stage. To add a sense of surprise and discovery, the lineup is revealed only when the show begins. Running from 7–9 PM, these early shows create the perfect evening for music lovers who value live performances and a good night’s rest. With over 100 shows hosted and extraordinary artists from around the globe gracing our stage, Golden Folk Sessions is entering an exciting new chapter. Under a new name and with a new home at The Grey Eagle—one of the Southeast’s most iconic venues—we’re thrilled to continue fostering community through music. Staying true to our values of accessibility, we aim to make music available to everyone. Presale tickets guarantee your seat and support both Golden Folk Sessions and The Grey Eagle. For those attending on the day of the show, our “pay what you can, if you can” option ensures that all are welcome to be part of this unique and meaningful experience. • $10 General Admission (presale) • $0-$25 Day-of-Show (no minimum) We can’t wait to see y’all there.
Hudson Freeman + lots of hands
ALL AGESSTANDING ROOM ONLY HUDSON FREEMAN Hudson Freeman is a brooklyn-based Lofi-folk artist, inspired and forged by the DIY midwest. The 27-year-old Freeman continues to record and perform songs equal-parts resonant, reflective, and poignant. He has quickly emerged as one of indie’s most enthralling new voices. His recent full-length, is a Folk Artist, helped solidify his presence as the kind of songwriter unafraid to tackle life’s most draining contradictions: modern identity, digital disconnection, and faith. Born to Evangelical missionaries, Hudson started writing songs upon a radical break at the age of thirteen when his family suddenly moved from the suburbs of Dallas to The Kingdom of Eswatini. The profound influence of indie big-hitters like Sufjan Stevens and Bon Iver as well as college years spent in Springfield, Missouri made a do-it-yourself midwesterner out of Hudson. Now, his new song “If You Know Me” has recently started drawing in attention from the masses, catapulting Freeman into a wider spotlight than ever. It’s a moody blend of bedroom pop, folk, slowcore, and post-emo, stitched together by a singular guitar riff and mantra-style lyrics, confirming Hudson’s undeniable knack for melody. lots of hands into a pretty room — lots of hands’ debut on Fire Talk Records — exists in the tear-stained early mornings of adolescence, just as the sun makes its first appearance over the horizon and thoughts of the night before begin to subside. A collage of reworked demos, freewheeling session standouts, and swatches of instrumental electronics, into a pretty room offers a touching rumination of grief and loss, growing up and letting go. Billy Woodhouse and Elliot Dryden, the core duo behind lots of hands, first connected in a Newcastle school music program at age 16. Following years of cultivating a dedicated fanbase across 3 self-released records, into a pretty room marks the duo’s first truly collaborative effort, with Dryden often trekking the vast northern English countryside to write and record in Woodhouse’s bedroom studio. Between pints of beer and rounds of Fortnite, the two slowly chipped away at into a pretty room. TORRI WEIDINGER
Sonida Gallo Negro
ALL AGESSTANDING ROOM ONLY SONIDO GALLO NEGRO Sonido Gallo Negro is a band from Mexico City going back to the roots of psychedelic tropical music with guitars, eccentric organs, analog synthesizers, theremin… they mix exotic rarity and esoterism which will alter your perception and force you to dance until you get exhausted. Add to it visual hypnotics and live performance by Dr. Alderete. Since 2010, they have had multiple tours around Europe and America, visited 20 countries and more than 50 cities. Five studio albums later, they became one of the most recognized bands of Mexico City.
Trousdale: Growing Pains (Deluxe) Tour
ALL AGESSTANDING ROOM ONLY Troufriends Ball VIP Experience includes: ● One (1) GA ticket ● Invitation to the Troufriends Ball, including: ● Meet & greet and photo opp with the band ● 2-song acoustic set ● Rehearsal for VIP in-show performance participation (from the audience) ● Exclusive VIP merch gifts ● 10% discount merch booth coupon, redeemable at this show only ● Commemorative VIP laminate & lanyard ● Early entry into the venue ● Hassle-free merch shopping before doors open ● Limited availability TROUSDALE For Trousdale—the trio of Quinn D’Andrea, Georgia Greene, and Lauren Jones—the ache of growing through change, of facing down existential anxiety, and matters of the heart are all intimately familiar. “We can acknowledge the strides we’ve made and be grateful, but we’ve talked a lot about how tired we are,” Jones says with a laugh. “We’ve been thinking a lot about the tension that comes with change, wanting it, fighting it, embracing it, but learning to thrive in that moment.” On Trousdale’s upcoming LP, Growing Pains (due April 11th), the band works through those struggles to find strength, courage, and growth in each other. “From what was, something new can always grow,” D’Andrea says. Opening on a ripping electric guitar and bolstered by their trademark harmonies, the title track and lead single perfectly encapsulates those feelings in the life of Trousdale. “I’m making it through the tough times when it feels like I’ve been burning out/ Trying to build up the muscle so the hustle doesn’t pull me down,” they sing, a limber bass line drawing each new syllable forward. The album was recorded largely live in the room and co-produced by the band and John Mark Nelson, a songwriter who has also co-written and produced songs for Suki Waterhouse and Shaboozey, as well as engineered tracks for the likes of Taylor Swift and Mitski. “This song was about what we feel every day in this band,” Greene says. “Being exhausted but finding beauty together.” Trousdale’s debut album, 2023’s Out of My Mind, earned raves from the likes of the Boston Globe, Consequence, and Atwood Magazine for its powerful songwriting, immaculate harmonies, and ability to bridge gaps between country and indie pop. On Growing Pains, the three songwriters evolved their style, writing rough ideas on their own, then refining and finishing them in the room together. “We’re all adding to each other’s ideas, drawing from personal experiences and then expanding them into something more people can connect with,” D’Andrea explains. To that end, second single “Secondhand Smoke” lives deeply in the story of an abusive relationship, but elevates into something far more haunting. There’s an icy chill to the acoustic guitar, the pain ringing softly into the night as the trio take on the perspective of a woman struggling to find hope. Across 12 remarkable tracks, Growing Pains stares down all the weight of its title, a trio of strong, independent women facing the threats of loneliness, broken hearts, loss, and more, and converting it into transformative, uplifting music. And as the album closes on the dazzling “Last Bloom”, Trousdale basks in the light at the end of every tunnel. “What it was will grow into something new,” they sing, radiating at the end of the journey. “It’s a reminder that even in the coldest moments, renewal is always possible,” D’Andrea explains.
