SPIRIT OF THE BEEHIVE
– ALL AGES- STANDING ROOM ONLYSPIRIT OF THE BEEHIVE Ever since SPIRIT OF THE BEEHIVE released their self-titled debut in 2014, they’ve developed a reputation for being your favorite band’s favorite band. Theirs is the music of immersion, of confrontation, the kind that makes a listener stop and wonder, “How are they even doing that?” And as the years wear on, that sense of bafflement has made room for SPIRIT OF THE BEEHIVE to quietly but steadily ascend, with their most recent album, 2018’s Hypnic Jerks, leaving them poised on the precipice of wider recognition. On April 9th, 2021 SPIRIT OF THE BEEHIVE released their fourth album and Saddle Creek debut, ENTERTAINMENT, DEATH. The album signals new chapters for the band on multiple fronts, being the first to feature their new three-piece lineup, as well as the first to be entirely self-recorded and produced. Guitarist/vocalist Zack Schwartz and bassist/vocalist Rivka Ravede are now joined by new member Corey Wichlin, a multi-instrumentalist who relocated from Chicago to the band’s home territory of Philadelphia last year. In the spring of 2020, the trio began to write their new album at a distance by emailing files back and forth. “The process of making this album was basically the exact opposite of our experience creating Hypnic Jerks,” Schwartz explains. “We had to record that in seven days, because that was the studio time we had, whereas ENTERTAINMENT, DEATH was made over the course of three, four months.” An abundance of time wasn’t the only difference. Recording remotely offered the band an incentive to experiment with new possibilities for their sound, resulting in an album that is unlike any SPIRIT OF THE BEEHIVE has released before. Once the band finished recording and mixing the album digitally, they mastered it to tape, lending the collection a textured, dimensional quality. “We knew we wanted to use some new instrumental elements on this album,” Wichlin says. “We’re not going fully electronic,” Schwartz adds, “But guitar, bass, drums just get kind of monotonous.” If there’s a song on ENTERTAINMENT, DEATH that best encapsulates what SPIRIT OF THE BEEHIVE is all about, it’s “THERE’S NOTHING YOU CAN’T DO,” a track that illuminates the growth that this band has undergone since their foundation to now. The song wrestles between the sublime and the monstrous as Ravede’s feather-light vocals are overtaken by Schwartz’s strained howl, underscored by shattering live drums that recall the band’s scrappy origins. “This song draws on some of the sonic aesthetic of SPIRIT OF THE BEEHIVE’s old records and aligns those sounds with the electronic instrumentation we’ve been exploring,” Wichlin says. ENTERTAINMENT, DEATH isn’t a metamorphosis, it’s simply the newest iteration of a longstanding project. “There’s a line in the Bee Gees documentary that I think applies to us. I’ll paraphrase: ‘We may not have always connected, but we always stuck around,’” Ravede says. Schwartz jumps in, “SPIRIT OF THE BEEHIVE: we’re still here.”TOMBSTONE POETRYTombstone Poetry hails from Asheville, NC – playing tunes that are sometimes shoegaze, sometimes noise rock, and sometimes folk. With influences ranging from Townes Van Zandt to Pavement, the 5-piece presents an eclectic set filled with “tear-in-my beer” anthems and noise rock chaos.
Master Musicians of Africa: A LEAF Global Arts Benefit Featuring Adama Dembele and Chinobay
– ALL AGES (kids 12 and under FREE)- PROCEEDS TO BENEFIT LEAF GLOBAL ARTS This is a very special show with two master musicians from Africa – Adama Dembele from the Ivory Coast, and Chinobay of Uganda – who have made WNC their home, and who are deeply connected with LEAF Global Art’s mission of connecting cultures and creating community through music, arts education and experiences, to cultivate curiosity, preserve cultures and promote global understanding. This year-end benefit show, which will also feature other talented local musicians from the Asheville area, is all about supporting this powerful work, and connecting our local and global communities as we celebrate the closing of one year, and the beginning of a new journey around the sun. Learn more about these amazing musicians below, and visit theleaf.org/give to hear more about the work that you’re helping to support by buying a ticket to this event, and becoming a LEAF Member. Chinobay is Uganda’s leading international world musician. He is a singer/songwriter, creative arts producer, educator, multi-instrumentalist and philanthropist whose work has been described as “some of the most exquisite music coming out of Africa today.” For more than 15 years, he has captivated audiences with his soothing rhythms and powerful world-roots-dance melodies that emanate from the diversity of the many traditional instruments he customized to develop his unique sound. His educational and outreach programs are the gateway into Africa through which he introduces Africa’s culture, arts, history and lifestyle rarely covered by mainstream media to global audiences most especially those in schools and colleges. Adama Dembele is a master djembéfola (djembe player) from Ivory Coast, West Africa and tailor of West African clothing, and for 12+ years Adama is a leading Master Teaching Artists with LEAF Global Arts! Adama come from a family of musicians for 33 generations, and has toured several continents with various major acts such Oumou Sangare, Salif Keita & many others. Adama has created and played in several drum and dance companies such as Yelemba d’Abidjan, Ensemble Koteba, Congoba and many more. You can play drums with Adama most Saturdays 12-2at his Yala! at LEAF Global Arts downtown Asheville. “When I share my culture, I am representing all of my family of drummers, storytellers and culture keepers in Ivory Coast and Mali. I am grateful to have a place to share my culture with so many great people. This means everything to me and the future.” – Adama
The JLloyd MashUp Presents: A Tribute to Paul Simon
ALL AGESSTANDING ROOM ONLYTHE JLLOYD MASHUP PRESENTS: A TRIBUTE TO PAUL SIMONOn Wednesday, January 31st, The JLloyd MashUp is paying tribute to Paul Simon with a full orchestration of his songs from various points in his career. Ben Falcon will be leading the Vocals along with Debrissa McKinney and Pam Jones. This 12 piece band consists of some of Asheville’s top musicians in the scene boasting a full rhythm section, horn section and vocal choir! Daniel Shearin (of River Whyless) starts the night off performing a solo/acoustic set of some classic Paul Simon songs.The full band for the night consists of:Ben Falcon – Vocals(The Lumpy Heads)Debrissa McKinney – Vocals(Empire Strikes Brass)Pam Jones – Vocals(Dirty Logic)Jonathan Lloyd – Vocals/Trombone(The JLloyd MashUp)Vic Stafford – Drums(Toubab Krewe/Donna The Buffalo)Duane Simpson – Guitar(Dirty Logic/Pimps of Pompe)Jonathan Pearlman – Guitar(Alien Music Club)Thommy Knoles – Keys(The Fritz/Felix Pastorius)Ben Bjorlie – Bass(Yo Mama’s Big Fat Booty Band)Tyler Housholder – Percussion(The Broadcast)Jonathan Cole – Saxophone(Dirty Logic/Electrolust)Justin Ray – Trumpet(Michael Bublé)The JLloyd MashUp explores different genres of music including Acid Jazz, Funk, Soul, Afro Beat, Reggae, Break Beat, Latin and world music. Led and curated by Jonathan Lloyd (Dubconscious/Cadillac Jones), the band is made up of some of Asheville’s busiest and hardest working musicians on the scene. The group features special guests with different material every show.DANIEL SHEARINDaniel Shearin is a singer, songwriter and producer living in Asheville, NC and a member of River Whyless. Growing up on a small town near the coast of North Carolina, he moved west to the mountains and now produces music from his studio, Sleeping Dogs. He experiments with looped harmonium drones and other textures, instruments, and “found sounds” to accompany his singing and finger-style guitar.
Tredici Bacci
ALL AGESSTANDING ROOM ONLYTREDICI BACCINew York-based large ensembleTredici Bacci was formed by composer Simon Hanes as a vehicle to bring his unique musical vision to the stage, and to seduce the ears and minds of audiences around the country. The instrumentation of vocals, string quartet, horns, accordion and rhythm section is specifically designed to capture the musical qualities of Hanes’ initial inspiration – the music of Italian films from the 1960s-70s. From giallo to spaghetti-western, Morricone to Rota to Cipriani, Hanes has made it his duty to absorb it all, and allow it to inform his original, very personal compositions.Since its impetus, Tredici Bacci has performed in bars, galleries, warehouses, and concert halls, leaving a trail of Campari bottles, confetti, and whipped cream in their wake. Each performance is a celebration – the audience revels as the band deftly performs technically demanding and cinematic music.SHAMSongs of Shane Justice McCord expanded in collaboration with Mikey Powers, other friends & magnetic tape.YES SELMA
The Minks + Future Crib + The Medium
ALL AGESSTANDING ROOM ONLYTHE MINKS The Minks are Nashville’s “psychedelic-blues” band, heavy on the rock and roll. We’re talking low-down, all the way, purse-lipped, eyes-shut, head-whirling kind of groove. In 2015, on a search for creative community, Nikki Barber started the band based on the idea that “if you don’t create, you’ll combust”. Just like a rock and roll circus, you never know what you’re going to get, but you know it’ll be good. The band’s palpable sound has roots in every music fan’s top ten—from Lou to Patti to Creedence to Hank – but blends them into something totally original and current. Mixed with raw, jangly instrumentation and soulful saccharine vocals, it’s as much a throwback as it is an answer to the often overlooked underbelly of Nashville’s rock and roll scene. Look for them, on tour forever, spreading the gospel of letting your hair down and having a good time. The Minks are here. Let’s boogie. FUTURE CRIB A five-piece band of creatives based in Nashville, TN, Future Crib delivers dynamic performances that bounce between poppy make-you-wanna-dance tunes and experimental yet engaging tracks that prod at life’s shared realities. There’s a clear preference for good songs and exciting sounds over genre bounds and expectations, and this is evident on their upcoming album, Full Time Smile, set for release in September 2021. Over all, Future Crib creates music for everyone, inviting all to a fun, welcoming show where you can feel free to get down.THE MEDIUM Shane Perry, who plays guitar, sings, and writes songs for the Nashville rock band The Medium, says the group’s new album, For Horses, “is about leaving home.” As such, the record moves deftly among in-between spaces: between vintage sounds and modern ones, humor and sincerity, old stomping grounds and whatever lies down the road. “I’m having trouble adjusting to the world,” singer-bassist and songwriter Sam Silva admits on “Same Boat,” a woozy cut that encapsulates the band’s knack for channeling classic pop and psych-rock. “Nightmares, daydreams — what does it mean?” The Medium’s first album, 2019’s Get It While It’s Hot, was bright and breezy and showed how well the band — Perry, Silva, guitarist-vocalist Michael Brudi and percussionist Jared Hicks — knew their way around a pop song. For Horses is recognizably the work of the same band, but one that’s now more confident, more ambitious, and more comfortable in the studio (Jake Davis, who produced Get It While It’s Hot, returns here). Opening track “Don’t Stay Out” wastes no time signaling the shift, as a dazzling four-part a capella verse gives way to a piano-rock tune punctuated by filigrees of saxophone. Midway through the album, “Let’s Get Together” and “Space Force” form a sort of two-song suite, mirroring each others’ lyrics while showcasing the band’s stylistic breadth: lo-fi southern soul and a serrated, Motown-inspired rave-up.
Grayson Capps & Corky Hughes
– ALL AGES- SEATED SHOW- PREMIUM SEATING AVAILABLEGrayson Capps is relaxed. You can hear it in the tone of his voice when he speaks, in the thoughtful, laconic way he reflects on the sometimes-tumultuous course of his life and work. It’s not the sound of complacency or comfort, but rather of personal growth and understanding. Capps is not without worry or darkness in his life, but he’s reached a kind of peace with it, an unhurried acceptance that enables him to write with unflinching honesty and remarkable humanity. His long-awaited new solo album, ‘Scarlett Roses,’ is his first in six years, and it showcases the kind of understated brilliance that can blossom when creativity is detached from expectation, when songs are truly given the space and time to find their writer. Grayson Capps is relaxed, but it wasn’t always this way.“Up until 2011, I was expecting myself to come up with a new record every year,” says Capps, “but then something just clicked. I told myself, ‘Man, you don’t need to worry about the timing. Just let these songs and your career catch up with you.’”——–Corky Hughes began his professional career playing throughout the South in the 70’s with R&B artist Theodore Arthur Jr. and then later with his own rock group, Excalibur.In 1984, he became lead guitarist for legendary rockers, Black Oak Arkansas and toured throughout the U.S. After moving to Atlanta Georgia the next year, he played and recorded with Tone Poets, Chris Edmonds, and Darryl Rhoades and the Mighty Men From Glad (with whom he appears on the Brendan O’Brien produced album No Glove, No Love).Since returning in 1992 to his home in Mobile, Alabama, Corky has played guitar for a diverse group of artists including Kung Fu Mama, Carlos Washington’s Giant People, Star Cullars, Molly Thomas, Jimmy Hall and Wet Willie, and Bo Diddley.Corky can also be heard on Beverly Jo Scott’s Coming Home CD, Lisa Mills’ I’m Changing, and violinist Tom Morley’s recent release, Raven’s Wing (A Curious Collection of Fiddle Tunes), as well as various projects with former Kung Fu Mama band mates, the Lost Cause Minstrels.
