PATIO SHOW: The Greybirds

– ALL AGES- PATIO SEATING IS FIRST COME, FIRST SERVEDTHE GREYBIRDSThe Greybirds is a band from Asheville, NC. What started as a songwriting partnership began to take on different forms: duo to five-piece, acoustic and/or electric, but the songs are the core of everything. The band formed in early 2022 after escaping to the mountains from big cities such as New York, Seattle & Atlanta. The sound is comprised of Wurlitzer, Upright Bass, two guitars, drums, and two lead harmony vocals. There are fingerprints of Rock & Roll, the common language of Folk, instrumentation of Early American Roots music, with a focus on vibe, dynamics, and lyricism.
PATIO SHOW: Mother Marrow

– ALL AGES- PATIO SEATING IS FIRST COME FIRST SERVEDMOTHER MARROW Hailing from the mountains outside of Asheville, NC, Mother Marrow is the musical project of Charity Cimarron (they/them). The sound is elemental, powerful, ritual folk music that can call up tears, or send shivers down your spine. Bewitching and poignant, Mother Marrow’s music and imagery capture the voices of the elements, and the creatures that dwell underground. A musical journey into the depths…these tunes have teeth and tenderness. Mother Marrow is born out of Cimarron’s deep love of the natural world, striving towards beauty and truth, and an understanding of the painful, and magical process of transformation.
An Evening With Enter The Haggis

ALL AGESPARTIALLY SEATED SHOWENTER THE HAGGIS”If other bands are putting out the equivalent of late-night cable-tv shows, Enter The Haggis is making IMAX films.” – Asheville Mountain Xpress For the better part of two decades, Toronto’s Enter The Haggis has combined bagpipes and fiddles with a rock rhythm section to create a distinctively eclectic sound, praised by The Boston Globe, The Washington Post and Canada’s Globe and Mail. Their songs offer singalong melodies and deep, meaningful lyrics which tell the stories of everyday hard working people, often faced with seemingly insurmountable challenges. Signature songs like “One Last Drink”, “Gasoline”, “Down With The Ship” and “Lancaster Gate” have had hundreds of thousands of plays on social media, appeared in Hollywood movies, and have been performed and recorded by artists around the world. Enter The Haggis is clearly comfortable on the stage and develops an easy rapport with audiences, sharing the stories behind their songs and laughing through tour anecdotes. The show is exciting and dynamic, featuring unpredictable and spontaneous moments. One song might feature drummer Bruce McCarthy taking a drum solo on Trevor Lewington’s guitar strings, while the next song breaks down into a fierce battle between fiddle and harmonica. Sometimes during an encore, the band will leave the stage entirely to perform acoustically standing on chairs in the audience. Rose Baldino has joined the band on fiddle, filling out the group’s Celtic instrumentation. No stranger to touring and the Celtic festival scene, Baldino grew up playing with her band Burning Bridget Cleary and currently tours extensively with House of Hamill. Enter The Haggis’ commitment to putting on a great show every single night has made them a favorite at festivals and performing arts centers across the US and Canada. As a result, ETH shows have become an annual tradition on some of the most prestigious stages on the continent. The band has also brought hundreds of fans on eight tours of Ireland, forging deeper friendships with their supporters while exploring ancient landmarks and natural wonders across the country. The next trip will be to Scotland in April, 2022. Enter The Haggis has appeared on “Live with Regis and Kelly” and “A&E’s Breakfast With The Arts”, and was the feature of an hour-long PBS concert special which aired for months on more than eighty affiliate stations across the US. The band’s legions of die-hard fans (the self-described “Haggis Heads”) have crowdfunded the last four ETH albums, and played a huge part in propelling the most recent full-length record to its debut at #9 on the national “Billboard Heatseekers” chart. The group’s friendly, welcoming attitude is responsible for the close relationship it has with its supporters, and all five band members truly enjoy taking time after every show to meet with people one on one. Enter The Haggis is currently touring in support of its latest album, The Archer’s Parade.
Madison Cunningham

ALL AGESSTANDING ROOM ONLYMADISON CUNNINGHAM Two-time Grammy nominated artist Madison Cunningham is set to release her highly anticipated new album, Revealer, September 9 on Verve Forecast. The Los Angeles-based singer-songwriter-guitarist recently received her second Grammy nomination for Wednesday (Extended Edition) in the “Best Folk Album” category, previously having her debut album Who Are You Now nominated for “Best Americana Album” in 2020. Cunningham is fresh off the heels of a successful 2021, having opened for Harry Styles at his sold-out Madison Square Garden shows, toured with the likes of Andrew Bird, Bahamas and My Morning Jacket, and joined the touring band for “Live from Here.” She performed on “The Late Late Show with James Corden” and “The Late Show with Stephen Colbert” (alongside Courtney Marie Andrews) and penned an original song “Broken Harvest” for the NPR “Morning Edition” Song Project. Her forthcoming album Revealer finds Cunningham working once again with longtime producer and collaborator Tyler Chester, as well as Mike Elizondo (Fiona Apple, Regina Spektor, Mastodon) and Tucker Martine (Neko Case, Sufjan Stevens). The album is full of confessions, intimations, and hard truths — a self-portrait of a young artist who is full of doubt and uncertainty, yet bursting with exciting ideas about music and life. “There’s a sense of conflict about revealing anything about yourself; not just what to reveal, but whether you should reveal anything at all,” Cunningham explains. “This record is a product of me trying to find myself and my interests again. I felt like somewhere along the way I had lost the big picture of my own life.” BENDIGO FLETCHERHailing from Louisville, Kentucky, Bendigo Fletcher are a band that blend the organic sound of folk music with a melodic sense that owes more to indie rock, making music that’s dreamlike and firmly grounded at the same time.
Greg Ruby, Sam Farthing, Gary Rodberg, and Kevin Kehrberg
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE Join us for a captivating evening of hot jazz, Django swing, and vintage acoustic sounds as four exceptional musicians unite for a rare performance: Greg Ruby, Sam Farthing, Gary Rodberg, and Kevin Kehrberg. Greg Ruby – “Greg Ruby lives and breathes jazz guitar,” says Fretboard Journal. A New York-based guitarist and composer, Greg’s playing spans acoustic swing, jazz Manouche, and even surf guitar. A co-founder of the influential group Hot Club Sandwich and former member of Pearl Django, he’s performed at major Django festivals and shared the stage with legends like Howard Alden, Frank Vignola, and John Jorgensen. His 2010 release Look Both Ways hit #1 on the Roots Music Review radio chart, and his archival project Syncopated Classic won “Northwest Jazz Recording of the Year” from Earshot Jazz. His latest album Corner Café, co-written with accordionist Steve Rice, channels mid-century Parisian swing. Greg directs Guitar Week at the Swannanoa Gathering and writes for Acoustic Guitar magazine. Sam Farthing – A rising star at just 22, Baltimore-based guitarist and songwriter Sam Farthing is making waves in the world of jazz Manouche. Mentored by masters Fapy Lafertin and Paulus Schäfer, Sam has already performed with icons like Stochelo Rosenberg, Angelo Debarre, and Samson Schmitt, gracing international stages including the Festival Django Reinhardt (France) and Djangofest Northwest. His playing is rooted in deep tradition, elevated by a clear, authentic voice and inspiring dedication to the music. Gary Rodberg – A master of the reeds, Gary brings the golden age of jazz to life on clarinet and saxophone with warmth, wit, and virtuosity. His expressive phrasing and spontaneous interplay bring swing-era tunes and spirited improvisations into sharp, joyful focus. Kevin Kehrberg – On upright bass, Kevin provides the heartbeat of the group with his grounded, groove-rich playing. With a background that spans jazz, bluegrass, and old-time traditions, Kevin’s musicianship blends rhythmic power with refined musicality — anchoring the ensemble with taste and soul. Expect fiery solos, tight ensemble work, and spontaneous magic as these four powerhouse players explore the timeless spirit of swing and early jazz. This is live acoustic music at its most engaging — joyful, expressive, and rooted in tradition.
Western Carolina Writers’ Showcase
– ALL AGES- SEATED SHOWWESTERN CAROLINA WRITERSEstablished in 2019 with the purpose of showcasing local, up and coming artists in venues all around WNC, Western Carolina Writers presents this Songwriters in the Round showcase that features 9 singer-songwriters from all over the Western Carolinas. This show puts the spotlight on local songwriting and original music with a touch of tasteful collaboration between some of the most talented performers in the area. With 3 rounds of 3 different writers taking turns playing their songs, the night promises some exciting eclectic music with some beautiful, unique and spontaneous collaboration.Featuring: Dulci Ellenberger Galen Holland Troy Crossley Scott Stetson Carey Leigh Billy Litz Lillie Syracuse Melanie Ida Chopko Andrew Thelston
JigJam

– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEJIGJAMWhen virtuoso Irish playing jumps the pond running naked through the wide open fields of bluegrass/Americana JigJam is born. Bluegrass and American Folk music originated from their homes and now JigJam are here to take it back!This Offaly and Tipperary born band have started The first wave of attack in the new Irish invasion of Americana! ‘Foot stomping’, ‘high energy’ and lots of badass is what you’re in for when you see this musical powerhouse live in concert.Founding members from Offaly Jamie McKeogh (Lead singer and guitar) and Daithi Melia (5 String Banjo and Dobro) were joined by Tipperary born Gavin Strappe (Mandolin and Tenor Banjo) in 2016. Scottish man Danny Hunter (Fiddle) joined JigJam in 2021 to make up this iGrass (Irish Bluegrass) Quartet.Described as ‘The best Irish band in bluegrass’ and ‘sparkling, infectious’ these lads have been hailed as ‘Ireland’s answer to New Grass Revival’ Bluegrass has it’s roots in Irish music and Irish immigration. iGrass and JigJam is what happens when the Irish find their prodigal son.
Bob Dylan’s 82nd Birthday Celebration: Hosted by George Trouble and The Zealots

– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEGEORGE TROUBLE AND THE ZEALOTS CELEBRATE BOB DYLAN’S 82ND BIRTHDAYThe Zealots and friends will pay tribute to Bob Dylan ahead of his 82nd birthday at the Grey Eagle, Sunday, May 21st at 7pm. To salute the work of one of the most influential and complex artists of our times, the Zealots are drawing from their roots. Asheville based singer/songwriters and rockers George Trouble and The Zealots, with special guests, bring their exuberance, strong craft and diverse range of styles to the Dylan songbook, promising a night of celebration. Wear your leopard skin pill box hat!
David Childers & The Serpents + Tin Roof Echo

– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDAVID CHILDERSSinger-songwriter David Childers is the proverbial study in contradictions. A resident of Mount Holly, North Carolina, he’s a former high-school football player with the aw-shucks demeanor of a good ol’ Southern boy. But he’s also a well-read poet and painter who cites Chaucer and Kerouac as influences, fell in love with folk as a teen, listens to jazz and opera, and fed his family by practicing law before turning in his license to concentrate on his creative passions.The legal profession’s loss is certainly the music world’s gain. Childers’ new album, Run Skeleton Run, releasing May 5, 2017 on Ramseur Records, is filled with the kinds of songs that have made him a favorite of fans and fellow artists including neighbors the Avett Brothers. Scott Avett contributes to four tracks, and Avetts bassist Bob Crawford co-executive-produced the effort with label head Dolph Ramseur. (Crawford and Childers, both history buffs, have recorded and performed together in the Overmountain Men).In fact, it was Crawford who kickstarted this album, Childers’ sixth solo effort, by suggesting he reunite with Don Dixon (R.E.M., the Smithereens), who’d produced Crawford’s favorite Childers album, Room 23 (done with his band the Modern Don Juans). Crawford also suggested tracking at Mitch Easter’s Fidelitorium Recordings.“I’ve made records in my living room and been perfectly happy with it. But I think ol’ Bob wanted to give it one more shot,” Childers says. “It’s kind of like the Wild Bunch at the end of the movie, on their last train robbery.”Not that he’s suggesting this is his “last train robbery.” Not with songs as rich as these. Sounding like literature and playing like little movies — several are under three minutes long — they’re populated by sailors, hermits, lovers and killers, facing off against fate, skeletons, good, evil, or simply the trials of everyday existence. Lust, virtue, guilt, innocence; alienation, desperation, sorrow, gratitude … he examines these conditions with such precision — combined with music that draws on folk, rock, rockabilly, country and Cajun influences — he doesn’t need lengthy exposition.TIN ROOF ECHOAlthough originally hailing from the musically rich city of Macon, GA, Joe Hooten has called Asheville, NC home for many years. Since his 2014 debut, “The Original Plan”, seven albums (six LPs and one EP) have been released under the Tin Roof Echo moniker-each album demonstrating the DIY recording style that ultimately allows his uniquely introspective songwriting & production style to be highlighted along with his varied influences. He’s shared the stage with a diverse range of talents such as alt-country hero Scott Miller (The V-Roys) and punk pioneers Agent Orange. His solo shows- whether in a festival setting, radio show, or intimate listening room- are not to be missed.He also makes a lot of noise with Asheville’s all-star punk band PINKEYE & the legendary outlaw Americana-tinged Dark City Kings.
Hannah Kaminer & The Wistfuls: “Heavy On The Vine” Album Release Show

– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEHANNAH KAMINER Hannah Kaminer makes modern American roots music that blurs the boundaries between genre and generation. As a songwriter, storyteller, and producer, she nods to the Appalachian traditions of her native North Carolina while creating a contemporary sound that’s woozy, wistful, and evocative of the landscape where it was created. She turns a new page with her third record, Heavy On The Vine. Written and recorded in Kaminer’s adopted hometown of Asheville, it’s a reflective, resilient album that finds the artist making sense of her new world—a place where boutique hotels block the view of the Blue Ridge Mountains, childhood habits have given way to adulthood realities, and the Christian faith that once offered easy answers to life’s big questions has lost its magic. Heavy On The Vine isn’t just a soundtrack for Kaminer’s loss of faith; it’s a battle cry of hope and defiance, delivered by a songwriter who’s learned to live with uncertainty. “The idea of estrangement shows up everywhere,” says Kaminer, who kickstarted her career with 2015’s Acre By Acre and expanded her sound with 2018’s Heavy Magnolias. “These songs are about estrangement from myself, from family and old friends, from the Christian faith of my childhood, and from the world as I used to know it.” Kaminer’s world began taking shape in the small towns of western North Carolina, where she grew up singing hymns in church. Later, while living in central Texas as a college student, she heard a bluegrass song on the radio and found herself pining for the home she’d left behind. “I heard the banjo and thought, ‘That’s the sound of home!'” she remembers. “It took me moving halfway across the country to realize how much I gravitated toward those sounds.” Those sounds took her back to North Carolina, where Kaminer settled in Asheville and found a supportive musical community that prioritized collaboration over competition. “It was a great place to try something different,” she says. Inspired by Gillian Welch, Iris DeMent, and Patty Griffin—three artists who nodded to the old-school folk singers who came before them, yet still made modern music that balanced gorgeous melodies with grit, hard truths, and haunting arrangements—she started writing her own songs. The Grammy-winning audio engineer Julian Dreyer became one of her earliest champions, engineering her 2015 debut album and co-producing its 2018 follow-up. By the time Kaminer began writing material for Heavy On The Vine, though, she’d become more than a sharp songwriter. She’d started to think like a producer, too.THOMAS KOZAKThomas Kozak’s writing pulls myth and religion through the split-open skull of an obsessive-compulsive, anchoring the past to a new body and giving it voice through and beyond the conventions of folk and Americana.