Brent Cobb & Hayes Carll Gettin’ Together
– 7PM DOORS / 8PM SHOW – ALL AGES- STANDING ROOM ONLYBRENT COBB and HAYES CARLL Acclaimed alt-country artists Brent Cobb and Hayes Carll are set to hit the road for a co-headlining tour kicking off at The Basement East in Nashville, touring throughout the Southeast and Northeast, and wrapping up in New York City at City Winery – Pier 57. The two road warriors are bringing a special edge to this run, though, as each artist will hit the stage to perform their own songs, before uniting after both sets to perform a one-of-a-kind collaborative concert during which they’ll swap stories about inspiration and life on the road. For Cobb, the run signifies a chance to link up with one of his favorite musicians on the planet. “Hayes is everything a true artist/songwriter ought to be in my book. Somehow, I’ve had the privilege of playing shows with him here and there over the years, but I’ve always hoped we’d be able to do something a little longer lasting. We’re gettin’ together to give ourselves as well as the crowds something that I believe we’ll all talk about for a while.” Carll concurs, adding, “Every time I listen to Brent, I’m reminded that there’s still some groove, soul, and sanity in this world. His songs hit their mark with a laid-back confidence and invite us to celebrate the good and shake hands after we work through the hard. He’s an extraordinary everyman, and that’s the kind of friend I like gettin’ together with.” Cobb is touring in support of his January 2022 release, And Now, Let’s Turn to Page…, which was made with legendary producer Dave Cobb in RCA Studio A in Nashville. Carll will be performing songs from his whole discography and, in particular, from 2021’s You Get It All. You Get It All — produced by Allison Moorer and guitar legend Kenny Greenberg. Together, the duo will showcase their singular country styles before uniting to prove the unending power of collaboration. Catch them in a city near you.
Ty Segall Solo Acoustic
ALL AGESSTANDING ROOM ONLYTY SEGALL The man in the tree has a guitar, he’s gonna sing. But the sun shining through the branches— are those rays yellow or hazy gray? What day is today? When are you not going to feel this way again? “Hello, Hi”: welcome in to a new room to play the styles and feels that lie under Ty Segall’s fingers, easing fresh air into acoustic space with an assortment of love songs flowering in righteous unconsciousness. Plaintive and wistful, but unafraid. Like rain washing away yesterday, “Hello, Hi” pushes open the door, inviting the new to pass through all the old shades and degrees of hot and cold. Dark paths turn off abruptly into absurd darkness, then wind back through the broken rocks, ecstatic again. Absurdity again. It happens everyday. “Hello, Hi” is expansively rendered by Ty, mostly by himself, at home. The isolation suits the songs: you’re only ever as “at home” as you are with yourself in the mirror. Ty’s acoustic and electric guitars and vocal harmonies layer self upon self, forming a spiny backbone for the album. Textures at once gentle and dissonant root the songs as they make their move: melodic arcs convulsing in doubt and bliss and rage. Busting out of the endless gridlock into open space, these spirits pass on through. “Hello, Hi”’s flickering awakening to this trip: the opening three tracks’ train of sweet and salty reflections, before the abrupt crunch of the title track electrifies the senses. Good morning’s turned to good mourning in nothing flat, but there’s still a way up from the doldrums, to try again. Why can’t it be just as simple as “Hello, Hi”? What to do with yourself when love triggers loathing? How many more times do you have to go back there again? Pulling at the scratchy wool threads of an old sweater favored for warmth, comfort, protection, rejection, denial, blindness etc, Ty Segall dives from a clear, open sky, down through the marine layer and the shimmering waves of all the years. Radiating from the same mind fields as Goodbye Bread and Sleeper, mixed with shard edges of contrast and contradiction from things like Freedom’s Goblin, Manipulator, and First Taste, “Hello, Hi” is Ty’s most relaxed and complete production to date, an ebb-and flow fusion of words and music offering abstraction and acceptance as it wrestles itself through a fucked-up time. Your life and what you make of it — throughout “Hello, Hi,” Ty Segall charts a passage through its enduring tangles honestly, with clarity and confusion. CHARLES MOOTHART Charles Moothart is an American multi-instrumentalist, singer and songwriter. He is best known for his collaborations with the garage rock musicians Ty Segall and Mikal Cronin. Moothart is the drummer for Segall’s current backing band, The Freedom Band. He was previously the guitarist for Segall’s backing band, the Ty Segall Band, and is the guitarist and vocalist in the pair’s hard rock project, Fuzz. Additionally, he is a member of Segall’s collaborative project with Ex-Cult’s Chris Shaw, GØGGS.
CANCELED: PATIO SHOW: Drunken Prayer
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEDDRUNKEN PRAYER Drunken Prayer transcends the bounds of Americana music. Morgan Geer writes songs that could emerge from a highly blissed-out biker bar or a swampy ashram. The newest Drunken Prayer album is 2022’s The Name Of The Ghost Is Home. For the last year Morgan Geer has been working from his home studio in Asheville, NC with Paul Oldham (Bonnie “Prince” Billy, Royal Trux), building on tracks initially recorded in New Mexico at Empty House Studios, home of doom metal bands like OM and Sleep. The end result evokes an ominous Acid Western feedback-and-driftwood aesthetic. The latest Drunken Prayer releases have been 2019’s acclaimed LP Cordelia Elsewhere mixed by Mitch Easter (Let’s Active, REM) and the ambitious 17 minute long death-raga, Electric Daddyland from 2021. Over the past two years, before the pandemic, Drunken Prayer played hundreds of shows across 18 countries and across the US at venues such as the Newport Folk Festival, Pickathon and San Francisco’s Great American Music Hall. Geer’s music has been featured on AMC, NPR, WFMU and SiriusXM. On the side Geer is the lead guitar player for alt-country goths Freakwater and writes for different artists including the Brooklyn rock and soul phenom Bette Smith. Morgan has also been touring internationally, opening for and often joining the eccentric Handsome Family. Morgan Geer lives in Asheville, NC.
PATIO SHOW: Night Teacher
ALL AGESLIMITED PATIO SEATINGNIGHT TEACHERNight Teacher is the project of lead singer-songwriter Lilly Bechtel, whose haunting voice and poignant lyrics have combined with the sensibilities of producer and multi-instrumentalist Matt Wyatt to create a world that orbits between experimental folk, electro-pop, and alternative rock. Music writer Robb Donker writes of the group’s most recent single: “Wyatt’s percussive tones sort of feel like they are improvised, as if the group found things around the house to play with, which is what (for me) persists in making their texture so organic and interesting… Bechtel’s vocal aesthetic works perfectly as a storyteller; there is at once a sage presence in her powerful lilt, but it is also one that feels broken- as hopelessness and hope play a fierce game of tug of war.” Since the 2020 release of their debut record Night Teacher, the group has won the Music With a Conscience Series, been featured onWomen of Substance Radio, and noted by the music magazine Relix as an “artist to pay attention to.”
PATIO SHOW: AC Sapphire w/ Andy Dale Petty
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEDAC SAPPHIRESapphire’s serpentine songs weave their way through dreamy desert landscapes. Simple subjects become complex observations in her poetic songwriting style. Reverb laden, densely layered rock ‘n’ roll -droning intricate guitar play and percussive drums make the album Desert Car as sensitive as it is exciting. Sapphire has been heralded in Pop Matters, Glide Magazine, Audiofemme, American Songwriter. She’s toured with Lauren Ruth Ward, recorded with Kyle Craft, and is always championing other women and non binary folks in the music industry. Her long awaited album Desert Car will be released July 16th on American Standard Time Records.ANDY DALE PETTY
[CANCELED] PATIO SHOW: Aaron “Woody” Wood
Due to circumstances beyond our control, this show has been canceled and the refund process is already underway via ETix. – ALL AGES- LIMITED PATIO SEATING (FIRST COME FIRST SERVED) AARON “WOODY” WOODAaron “Woody” Wood is quite the renaissance man, embodying the energy and mystique of American music. Carved from the foothills of the Piedmont, rolled and tumbled through the Delta mud and washed in The Mississippi, Aaron “Woody” Wood is straight up Cosmic Appalachian Soul. With a background as diverse as his music he consistently delivers the soul, power and energy that have gained him renown as a musician’s musician. Aaron ”Woody” Wood continues to carry his art farther by giving attention and respect to the artists that have influenced and shaped his music, allowing him to keep that Spirit burning forward. Focusing on songwriting and new styles of guitar playing, Aaron ”Woody” Wood’s inventive approach to musical style and the raw emotion he delivers in his songwriting creates a cohesive sound that is hard to find but heavily sought ought by music lovers everywhere.
[CANCELED] PATIO SHOW: William Matheny
– ALL AGES- LIMITED PATIO SEATING (FIRST COME FIRST SERVED) WILLIAM MATHENYLet me tell you an anecdote about William Matheny. And no, this is not the 5:15 AM drive to the Albany Airport when we both were drinking Genesee beer and black coffee because we were both thinking correctly at that hour. More on that later. It was before I really knew William, but the moment when I knew that he was great. Envision: A punk rock club in Washington, DC, its inhabitants and paid customers. Who knows why and how he had been booked? A songwriter from Mannington, West Virginia stepping into the lair of upper-crust, judgment-packed DC punks with their Fugazi-leftover orthodoxies in their wildly provincial scene. He had fifteen minutes, a Vox amp, a telecaster and no one interested in the audience. I live in DC and I would have fled. There was a 10,000% chance that the next band up was going to have a spiel about gentrification and then play “angular riffs.” Billy — I can call him that, you can’t — played a solo set. He played loud. He played “Out For Revenge” and “29 Candles” and “Teenage Bones” and the other great songs which you may not have heard on his debut LP. Over the course of that short set he first brought that crowd to heel and then brought the crowd around. By the end the applause was thick and the appreciation unmistakable. He did it in DC. He can do it anywhere.But let’s talk about the other thing with the beers and the coffee and Albany. You need to know that William Matheny and I have been through some things together. We’ve seen parts of the world that I was sure existed only in Elmore Leonard novels. When I needed to pull over on the Cross-Bronx Expressway to throw up in a plastic trash bag, he was my driver and bag provider. We made it to the Bowery Ballroom an hour later for soundcheck and everything went great. William Matheny is the lead guitarist in my band the Paranoid Style, in addition to his other obligations. William Matheny is a man that makes things happen.William Matheny may be the best songwriter working, and is at a minimum the best songwriter you might have never heard of. For those who haven’t had that good fortune, let’s go, as Warner Wolfe used to say, to the videotape. Consider his 2018 standout single “Christian Name,” which is like Tom Petty’s “Runnin’ Down A Dream” if it had been “Runnin’ Down A Nightmare.”Over the past four years, he has assembled a wondrous catalog which situates itself amongst the indelible tradition of roots-rock misfits like Guy Clark and Lowell George, with just enough Jackson Browne-craft and Springsteen-triumphalism to make the thing potentially huge. You can’t talk about Matheny without talking about West Virginia, although it is sometimes true that he would prefer not to discuss it. Matheny is from Mannington, population smaller than your average small town. Like most of the state, Mannington fought on the side of the Union in the Civil War and represented a crucial strategic stronghold as one of the stops on the B&O Railroad. The correct side, not that it helped all that much. They say history is written by the winners, but in spite of upholding the Union, history was not written by Mannington. Heavy industry: logging and coal. An oil boom in the 1910s. Comfortable lives and then the Great Depression. Bankers and foreclosures. History was written by Mannington and then history was written on Mannington. That grand old feeling, indeed.
PATIO SHOW: Todd Baker
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEDTODD BAKERTodd Baker is a singer-songwriter, producer, multi-instrumentalist, writer and actor based in Brooklyn, NY. Writing and performing steadily since the late 1990’s, Baker has served as either front-man, bassist, guitarist or drummer for multiple bands including, most notably, Fountain Project, the Wicked Hemlocks, Featherweight and his own eponymously named solo project. He has also scored commercial projects for companies such as Condé Nast and Big Star NYC. With six studio albums to his credit, Baker will be releasing a new E.P. entitled Vampires in the Fall of 2022. This will be his third solo release, the follow up to The Disaster Handbook (2010) and When I Die (2015).
PATIO SHOW: The Greybirds
– ALL AGES- PATIO SEATING IS FIRST COME, FIRST SERVEDTHE GREYBIRDSThe Greybirds is a band from Asheville, NC. What started as a songwriting partnership began to take on different forms: duo to five-piece, acoustic and/or electric, but the songs are the core of everything. The band formed in early 2022 after escaping to the mountains from big cities such as New York, Seattle & Atlanta. The sound is comprised of Wurlitzer, Upright Bass, two guitars, drums, and two lead harmony vocals. There are fingerprints of Rock & Roll, the common language of Folk, instrumentation of Early American Roots music, with a focus on vibe, dynamics, and lyricism.
PATIO SHOW: Mother Marrow
– ALL AGES- PATIO SEATING IS FIRST COME FIRST SERVEDMOTHER MARROW Hailing from the mountains outside of Asheville, NC, Mother Marrow is the musical project of Charity Cimarron (they/them). The sound is elemental, powerful, ritual folk music that can call up tears, or send shivers down your spine. Bewitching and poignant, Mother Marrow’s music and imagery capture the voices of the elements, and the creatures that dwell underground. A musical journey into the depths…these tunes have teeth and tenderness. Mother Marrow is born out of Cimarron’s deep love of the natural world, striving towards beauty and truth, and an understanding of the painful, and magical process of transformation.
