NED COLLETTE US TOUR feat. Elisabeth Fuchsia w. Shane Justice McCord (Sham) at Shakey’s
– ALL AGES- AT SHAKEY’S (38 N FRENCH BROAD) – FREE / $10 SUGGESTED DONATION AT DOORNED COLLETTE Australian Ned Collette has long established himself as a songwriter whose literate, evocative songs are paired with music that’s both adventurous and eclectic. His early background in improvised and experimental guitar music has resulted in six albums of uncompromising vision, released on a variety of international labels. 2018’s double album Old Chestnut was released by Feeding Tube Records and was his introduction to a lot of US audiences—a deep and complex folk song-cycle featuring musicians such as The Necks’ Chris Abrahams amongst Ned’s regular collaborators. In addition to his song work, he has released works such as 2019’s Afternoon—Dusk, a trio record of long-form instrumental music with James Rushford and Joe Talia. 2022 saw the first ever vinyl reissue of his 2006 debut, Jokes & Trials, the liner notes for which describe “a rich velvet voice somewhere between fragile youth and aged sage”. Ned’s live performances drift between delicate, intimate folk and explorative jam-outs, both when performing solo or with his band. He is currently working on new material featuring Abrahams and Dirty Three’s Mick Turner, and over the years has performed with such artists as Joanna Newsom, Cat Power, Bill Callahan, St Vincent, Kurt Vile and Deerhoof, amongst many others.SHANE JUSTICE McCORD
COREY FELDMAN
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF VIP MEET & GREET TICKETS AVAILABLECOREY FELDMANFamed musician and actor Corey Feldman has announced the Love Retours (22 + A Few In 22) concert tour, his first US tour in five years. Featuring an all-new band, Feldman is hitting the road in support of his new album Love Left 2: Arm Me With Love which features the viral hit “Comeback King” ft. Curtis Young, as well as his new box set Love Left 2.1.“After five long years of dealing with the pandemic, being locked out of America for a year, stopping my last tour to produce a documentary, and then diving right into the production of my new album Love Left 2, as well as putting together this amazing box set, nothing sounds better to me than getting out of my studio and back on the road in front of live audiences where I’ve always felt most comfortable,” said Feldman.He continued, “We have a brand-new band and a brand-new album with 18 new songs to perform. This show will revisit much of my first Love Left album, making the show a combination of new and greatest hits, along with a potpourri of classics from my film catalogue. In short, it will be a spectacular theatrical extravaganza you won’t want to miss.”Feldman’s all-new box set titled Love Left 2.1 is a celebration of the early years of his music career (1986-1994). Showcased throughout four CDs, two DVDs, and more, the stunning box set features unreleased music, a remixed and remastered version of his debut album Love Left, and Love Left 2: Arm Me with Love, a sequel to his debut album and is his first full-length studio album of all new music in six years.Featuring musical guests Michael Damian, Lita Ford, Don Dokken, Mickey Thomas (Starship), Hunt Sales, Roberta Freeman (Pink Floyd), Curtis Young, and BLAZAR, the included DVDs contain unreleased home videos, film clips, and rare photos of Feldman alongside Dizzy Reed (Guns N’ Roses), Drew Barrymore, Corey Haim, Michael Jackson, Alfonso Ribiero, Wil Wheaton, Nicole Eggert, John Preston, Rick Springfield, Rain Pryor, Sean “Hollywood” Hamilton, and many more.
Holiday Liquor and Dance Party ft DJ Marley Carroll
– AGES 21+- STANDING ROOM ONLY- LIMITED NUMBER OF DISCOUNTED EARLY BIRD TICKETS AVAILABLE- FESTIVE ATTIRE ENCOURAGED HOLIDAY LIQUOR & DANCE PARTY Featuring DJ Marley Carroll on the main stage. Holiday drink specials + more! What started as an epic, ramshackle house party in a garage in west Asheville has become the city’s favorite holiday dance event, and local superstar DJ Marley Carroll has been at the helm for every year of its decade long run. At the aptly-named Holiday Liquor Dance Party, DJ Marley guides costumed partygoers through a marathon holiday DJ set that is frequently surprising and always satisfying. From classic hip-hop and soul to contemporary house and disco, DJ Marley shines by combining the inclusive energy of surefire party selections with an expert level of skill in mixing, sequencing and execution. Proceeds benefiting Warren Wilson College. DJ MARLEY CARROLL Marley Carroll’s unassuming origins as a classically-trained percussionist were shattered after he took top honors at a statewide DJ battle at the age of 17. The experience catapulted him into notoriety and catalyzed his path towards career musicianship. In the intervening years he evolved into a dynamic electronic music producer, world-class turntablist and captivating live performer with three full-length albums, multiple singles and remixes, and countless DJ sets in his cache. As a DJ, Marley guides packed audiences through expertly-mixed marathon sets that combine impeccable music curation with superb turntable skills. From classic hip-hop and R&B, to soulful house, Afrobeat and disco, to hidden gems of current pop, no era or genre is out-of-bounds. Guided by well-honed musical instincts and a deep love for craft, Marley creates dance music experiences that are frequently surprising and always satisfying.
Mama & The Ruckus w/ Melissa McKinney: International Blues Competition Send-off Party
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEMAMA AND THE RUCKUS W/ MELISSA McKINNEYMama & The Ruckus is a Blues & Soul band from Asheville, NC fronted by powerhouse vocalist Melissa McKinney. They recently won the honor through the Piedmont Blues Society to compete at the International Blues Competition in Memphis, TN on January 24th-28th. They will be joined by blues bands from all over the world, competing for the title previously won by acts such as Southern Avenue & Susan Tedeschi. With Patrick French and Owen Myers on guitar, Matt Guard on Keys, Michael Dunham on bass, Rob French on harmonica, and Hinton Edgerton on drums, this band is on fire. You can expect lots of special guests throughout this special evening of Blues that will support this band’s Journey to Memphis.
Pony Bradshaw
– ALL AGES- STANDING ROOM ONLYPONY BRADSHAW On his new album North Georgia Rounder, Pony Bradshaw leads the listener on an exploration of the woods, rivers, and mountains of Appalachia, more specifically, the area for which the album is named and he’s called home for the past 15 years. “It’s got its hooks in me,” Bradshaw says of North Georgia, and it shows, with songs that quickly establish a setting, much like the one he initiated with the album’s predecessor, Calico Jim. The sonic excursion includes stops along the Conasauga River, visits to the holler, and a few diversions—nearby Knoxville plays a supporting role, as do Louisiana and Arkansas. It’s an impressionistic journey of introspection and connection all at once. Will Stewart’s tastefully-understated guitar leads and Philippe Bronchtein’s atmospheric pedal steel provide the perfect backdrop for Bradshaw’s impassioned vocals in lead-off track “Foxfire Wine.” Its swampy, bluesy intro makes way for an interesting amalgamation of Sturgill Simpson and The Grateful Dead, serving as the perfect aperitif for “a hell of a heaven and a hell of a show.” From that point on till the album wraps with the aptly titled “Notes on a River Town,” not only do you see and hear North Georgia, you even smell and taste it. Take, for example, “Safe in the Arms of Vernacular,” a pensive, melancholy track that delights all the senses and is reminiscent of Ray Lamontagne’s mellow side. When Bradshaw sings of the “bonafide gas mask” his Dad brought back from Desert Storm and describes the Saudi Arabian sand as turning to “glass sharp as a sultan’s sword,” one can almost see it. As quickly as it sets the ever-vivid stage, the track shifts its focus to a waitress downtown. “Draped in Bedouin gown, smoking Kent cigarettes in the underground” in an attempt to “escape all those voices,” she naturally drinks white wine—”Riesling room temp from a coffee cup,” to be exact. A voracious reader, Bradshaw credits his talent for expressing such rich details in his songs not so much to other songwriters but instead to books, fiction, short stories, essays, and literary criticism. With such colorful descriptions as “teeth stained red with Lebanese wine, long hair … in sweeps of oil blacker than a cypress pool,” one might assume he bases the subjects of his songs on real-life people he interacts with in North Georgia; instead, Bradshaw describes them as “nameless characters” compiled from “fragments” he’s collected, pieces that usually start with just a line or two. These fragments all add up to a remarkably cohesive 10-song collection, despite Bradshaw being a self-professed admirer of (and writer of) the non-sequitur. This is thanks in no small part to his own masterful vocal delivery and the expert musicianship of his backing band, one that includes the aforementioned Stewart and Bronchtein with Robert Green on bass, Ryan Moore on drums, and Jenna Mobley on fiddle. “The poet soon stops experimenting and innovating and starts his life’s work,” Bradshaw expounds, citing a quote from one of his favorite writers, Wendell Berry. A single album as a life’s work may seem like a grand, overambitious aspiration. But for Pony Bradshaw, North Georgia Rounder is just that – a life’s work, one that, as he describes it, is a culmination of “sweat and work and joy and pain and anger and patience and restraint.”
The Travis Book Happy Hour ft Jim Lauderdale
– SEATED SHOW- LIMITED RESERVED TABLES VIRTUAL TIP JAR : Paypal.me/TravisBook1VIEW LIVE STREAM HERE : facebook.com/greyeagleasheville*DONATIONS ENCOURAGED TRAVIS BOOK (of The Infamous Stringdusters) The Travis Book Happy Hour is a 90 minute variety show hosted by Travis Book; bassist, songwriter, and vocalist in the Grammy Award winning bluegrass band, The Infamous Stringdusters, streaming live from the historic Grey Eagle in Asheville, NC. Born from his desire to bring musicians and friends together for collaboration and conversation, Travis launched the series in the summer of 2020 amidst the uncertainty of the Covid-19 crisis and a country divided. Faced with a cascade of existential questions about the nature of life and of being, Travis sought an outlet for inquiry, and individuals to help him dig deeper into what it means to be a musician and a creative being in the context of an ever-changing world. Unique, spontaneous musical collaboration with friends and contemporaries leads to singular moments of harmony and the occasional musical train-wreck… The Travis Book Happy Hour is his attempt to shine light into the darkest corners of our lives; to dive deep into the nature of our being and emerge bathed in the love, happiness, grace, and gratitude that’s available to us all, and hopefully, to make some beautiful, meaningful music along the way.JIM LAUDERDALE At any given time, you’re likely to find Jim Lauderdale making music, whether he’s laying down a new track in the studio or working through a spontaneous melody at his home in Nashville. And if he’s not actively crafting new music, he’s certainly thinking about it. “It’s a constant challenge to try to keep making better and better records, write better and better songs. I still always feel like I’m a developing artist,” he says. This may be a surprising sentiment from a man who’s won two Grammys, released 34 full-length albums, and taken home the Americana Music Association’s coveted Wagonmaster Award. But forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft. Lauderdale has been a vital part of the country music ecosystem since 1991, when he released his debut album and began penning songs for an impressively long roster of country music greats. “When I was a teenager wanting to be a bluegrass banjo player, I never would have imagined that I would get to work with people like Ralph Stanley, Robert Hunter, Loretta Lynn, George Jones, Emmylou Harris, Elvis Costello, Lucinda Williams and John Oates ,” he muses.
Oliver Wood Trio
– ALL AGES- STANDING ROOM ONLYOLIVER WOOD TRIOOliver Wood is a mainstay of modern-day American roots music. The frontman of the Wood Brothers since 2004, he’s spent the 21st century blurring the boundaries between folk, gospel, country-soul, and Americana, earning an international audience and a Grammy Award-nomination along the way. Always Smilin,’ his debut as a solo artist, continues that tradition while also shining new light on Oliver’s sharp songwriting, savvy guitar chops, and a voice that evokes the swagger of a Saturday evening picking party one moment and the solemnity of a Sunday morning gospel service the next.Always Smilin’ is an album of bridges, mixing a wide range of collaborations with a uniquely personal touch. Guests include bandmates from Oliver’s musical past and present, from mentor and co-writer Chris Long (who performed alongside Oliver in King Johnson, the roots-rock band that dominated Atlanta’s music scene around the turn of the millennium) to percussionist Jano Rix (Oliver’s partner in The Wood Brothers). Blues heroine Susan Tedeschi, Hiss Golden Messenger’s Phil Cook, Medeski Martin & Wood’s John Medeski, Tedeschi Trucks Band’s Tyler Greenwell, Nashville staple Phil Madeira, and singer/songwriter Carsie Blanton also make appearances, with Rebecca Wood — Oliver’s wife — handling the album’s handmade linocut cover art. For Oliver, the goal was simple: to collaborate freely with a mix of old friends and new partners, embracing a new level of independence.Longtime fans don’t need to worry; Oliver remains fully committed to the Wood Brothers. When the Covid-19 pandemic forced the band to clear its touring schedule and spend most of 2020 at home, though, he began gathering together the solo material he’d been writing with other musicians. Gradually, almost surprisingly, an album began taking shape.”People would come through Nashville during the year before the pandemic, and I’d set up a co-write or a jam in our studio, just to do some stuff outside of my own band,” he explains. “There wasn’t an album in mind. I just wanted to be creative. But when the pandemic happened, the songs started building up.”There was plenty of stress to go around in 2020, but Always Smilin’ — like its title suggests — is mostly an album of celebration. While “Get the Blues” addresses the struggles of the modern moment, songs like “Roots” and “Molasses” focus on brighter topics, from finding one’s center to embracing a simpler way of living. That diversity is reflected throughout the track list: on gospel covers like “The Battle is Over (But the War Goes On)” and “Climbing High Mountains (Tryin’ To Get Home)”; on country-soul standouts like “Soul of This Town”; on the tongue-twisting craft of “Kindness.” Oliver even makes room for an unlikely percussion instrument — the chicken coop — that once played a major role in his pre-Wood Brothers projects.Always Smilin’ celebrates the full range of Oliver Wood’s musical heritage, from the blues and gospel sounds he explored long before the Wood Brothers’ formation to the American roots music he’s been making during the past two decades. It’s an album of collaborations and communal recordings, spearheaded by a longtime team player who, for the first time ever, is making the final decisions himself. There will be more Wood Brothers music in the future, but this is an album about the present. An album about right now. And right now, Oliver Wood is smiling.
Sarah Shook & The Disarmers
– WITH SPECIAL GUEST SUNNY WAR- ALL AGES- STANDING ROOM ONLYSARAH SHOOK & THE DISARMERSNorth Carolina’s Sarah Shook sings with a conviction and hard honesty sorely lacking in much of today’s Americana landscape. Always passionate, at times profane, Sarah stalks/walks the line between vulnerable and menacing, their voice strong and uneasy, country classic but with contemporary, earthy tension. You can hear in their voice what they’ve seen; world weary, lessons learned—or not—but always defiant. They level-steady mean what they say. Writing with a blunt urgency—so refreshing these days it’s almost startling—Sarah’s lyrics are in turn smart, funny, mean, and above all, uncompromising. The Disarmers hit all the sweet spots from Nashville’s Lower Broad to Bakersfield and take Sarah’s unflinching tales out for some late-night kicks. At times, it’s as simple and muscular as Luther Perkins’ boom-chicka-boom, or as downtown as Johnny Thunders. The Disarmers keep in the pocket, tight and tough.The Disarmers line-up is currently Jack Foster on drums, Blake Tallent on guitar, Andrew Lambie on bass, and Nick Larimore on pedal steel.SUNNY WARSunny War has crafted a set of songs that draw on a range of ideas and styles as though she’s marshalling all her forces to get her ideas across: ecstatic gospel, dusty country blues, thoughtful folk, rip-roaring rock and roll, even avant-garde studio experiments. She melds them together into a powerful statement of survival revealing a probing songwriter who indulges no comforting platitudes and a highly innovative guitarist who deploys spidery riffs throughout every song. “I feel like there are two sides of me” says the Nashville-based singer-songwriter and guitar virtuoso. “One of them is very self-destructive and the other is trying to work with that other half to keep things balanced.” That’s the central conflict on her upcoming fourth album, the eclectic and innovative Anarchist Gospel, which documents a time when it looked like the self-destructive side might win out. “Everybody is a beast just trying their hardest to be good. That’s what it is to be human. You’re not really good or bad. You’re just trying to stay in the middle of those two things all the time and you’re probably doing a shitty job of it. That’s okay because we’re all just monsters.”
C.Shreve the Professor and ILe Flottante
– ALL AGES- STANDING ROOM ONLYC SHREVE THE PROFESSOR & ILE FLOTTANTE Back in 2020, longtime collaborators C.Shreve the Professor and ILe Flottante decided to make an album together with plans of touring their work throughout both the U.S. and Europe. Despite being unable to tour properly, the duo forged ahead and made the album anyway—releasing ILE.Pro in late December 2020. After both resuming with live performances and touring in 2022, ILe Flo decided to make the leap and book a flight for a U.S. tour. The pair are delighted to bring their work to The Grey Eagle on 11/28!C.Shreve the Professor (Boone, North Carolina)Chris Shreve is a North Carolina based MC/producer & founder of the hip-hop collective Free The Optimus. The Asheville based, 2-time Carolina Music Award winners (2015 & 2016 Best Hip Hop Group) developed their following & relevance through an unrelenting tour & release schedule, driven primarily by Shreve’s vision. The Professor moniker references his 12 year career at Appalachian State University teaching biostatistics, which he left to pursue music full-time. He defines Free The Optimus as “a call to action—to set free our optimal ability & our optimistic perspective & to transform the world around us.”From the writers at Earmilk: “C.Shreve’s lyrical prowess is undeniable. FTO is known for bringing positive & poetic lyrics that flow over jazz influenced hip hop beats that bring in a hint of soul. Their lyrical talent goes above & beyond what is expected in rap music these days.” Since 2009, FTO has helped to define Carolina music & continues to set the bar for hip hop in the live space.Shreve has toured & shared stages with The Pharcyde, Big Boi, The Hieroglyphics, Lupe Fiasco, Raekwon, Gift of Gab, Cannibal Ox, Camp Lo, Nappy Roots, Talib Kweli, Guilty Simpson, Lespecial, Planet Asia, Jarv, Tanya Morgan, Spose, Zion I, Rapper Big Pooh & many more. He’s performed at Hopscotch, Blue Plum, LAAF, Beats & Bars, Boone in Blossom, Drink Durham, Spring in the City, Harvest Boone, Brooklyn Wildlife & GURP Fest. His work has been featured on Shade 45, Hip Hop DX, Earmilk, Revolt TV, I Still Love HER, INDYweek, & has been spun by both DJ Premier & Chuck D.ILe Flottante (Bristol, England)While growing up in a small Welsh town called Aberystwyth, ILe Flottante (aka ILe.Flo) immersed himself in music and skating, followed by relocating to Leeds at the age of 10. From there he became involved in alternative music scenes where he went on to develop and burnish his sound at the Leeds College of Music. He then moved to Bristol, ensconcing himself in the city’s energetic hip-hop scene. Releasing music on labels like Soulful Chemistry, Vinyl Digital, Hip-Dozer, Yogocop Records, and X3i Records, he promptly amassed more than 2 million streams. He probes the potential of the MPC & the SP 404 — as well as other music production centers — amalgamations of drum machines and samplers, which enable artists to manipulate sounds and rhythm. Blending elements of jazz, old-school hip-hop, Phonk, and soul, Ile Flottante delivers deliciously low-slung beats topped by melancholic savors of jazz invested with lush sonic blemishes — authentic and tantalizing, especially in live form.MIKE MARTINEZHOUSEPLANTZ
Dixon’s Violin
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDIXON’S VIOLIN You’ve never heard violin like this! The world’s premier visionary violinist, Dixon’s life mission is to inspire people – and he has done so at over 1,000 concerts across North America, including giving four TED talks/performances, over ten years at Burning Man and Electric Forest, plus radio, TV, and film appearances. A former technology leader and symphony violinist, Dixon walked away from a distinguished career to follow his dream full-time, and invented a whole new music genre. Dixon now improvises on a 5-string electric violin with a looping system he developed to create an all-live one-man symphony, guided by his remarkable personal story of life transformation.ELI KAHNEli Kahn is a guitarist, producer, & improviser from South Bend, IN, now living in Asheville, NC. After graduating from Indiana University of South Bend in 2010 with degrees in both classical guitar performance & music theory, he transitioned into jazz/fusion & improvisatory music & discovered his love for production.
