An Evening With Ron Sexsmith
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLERON SEXSMITHRon Sexsmith is a three time, Juno award winning singer songwriter from St Catharines Ontario. Born in 1964, Ron was drawn to music from an early age by the melodic songs of the era, which he heard on the radio and by his Mom’s record collection. His earliest musical heroes were Buddy Holly and Elton John. He always loved to sing, but didn’t start playing guitar until age 14 when he formed his first band “Paper Moon” (named after the film of the same name). Although he tried to write songs throughout his teens, it wasn’t until he was 21 and living in Quebec with his partner and first child, that he truly became a songwriter.Ron eventually moved his young family to Toronto in 1987 to further pursue a career in music. He worked as a courier by day, while performing in the clubs by night. He formed the band ‘Ron Sexsmith and The Uncool’ and started gaining attention from music label executives, though all passed on signing him. In 1991 he released his first full length album on cassette called “Grand Opera Lane” produced by Bob Wiseman. The album was rejected by the Canadian music industry, although it found its way to Los Angeles where Ron ultimately signed his first music publishing deal with Interscope Records followed by a recording contract.With producer Mitchell Froom, Sexsmith released his self-titled label debut album in 1995. The melancholic tone and sparse acoustic arrangements of the album were met with disapproval from Interscope. However an enthusiastic endorsement from Elvis Costello drew media attention and the album was declared a critical success. In his Sept 7, 1995 review for Rolling Stone, Bud Scoppa wrote: “He just may be the most fluent balladeer to come along since Tim Hardin or Harry Nilsson.”Sexsmith’s songwriting style evolved into a unique and timeless blend of classic pop, contemporary folk, and roots-rock idioms. He has built a steadfast reputation with critics and with some of his own songwriting hero’s (Elton John, Ray Davies, John Prine, Gordon Lightfoot, Leonard Cohen and Paul McCartney) for his characteristically honest, sensitive, and enduring approach to the songwriting craft. Ron has released albums on a consistent basis since 1995 and has recorded with noted producers Mitchell Froom, Daniel Lanois, Steve Earle, Jim Scott, Don Kerr, Brad Jones, Bob Rock, and Martin Terefe.His extensive song and album catalog has garnered Sexsmith a substantive cult following and an international touring career. His early years of touring included opening for established artists such as, John Hiatt, Elvis Costello, Sarah McLaughlin, Tori Amos, Squeeze, Aimee Mann, Coldplay, Nick Lowe, John Prine, Lucinda Williams and many others. His songs as well, have been covered by the likes of Rod Stewart, Nick Lowe, Emmy Lou Harris, Feist, and Michael Buble to name a few. In the past few decades as a headlining artist, Ron has performed at some of the most prestigious venues in the world, such as Massey Hall, Royal Albert Hall, and Carnegie Hall. In 2017, Ron penned his first novel ‘Deer Life, A Fairy Tale’ published worldwide by Dundurn Press Limited. Ron completed work on a brand new album which is scheduled to be released in early 2023 and is in keeping with his reputation for catchy but graceful melodies, drawing on love, and the trials of everyday life. He currently lives in Stratford, Ontario and continues to be inspired to write, record and perform live worldwide.
Jackie Venson
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEJACKIE VENSONJackie Venson is a multi-instrumentalist, singer/songwriter known far and wide for her complexly beautiful music and blazing guitar skills. Born and raised in Austin, Texas, Jackie has traveled the world playing to massive crowds both as a headliner and as support for major acts such as Gary Clark Jr, Melissa Etheridge, Aloe Blacc, Citizen Cope to name a few. With the disruption of the COVID-19 pandemic, the cancellation of her entire tour schedule and the wave of social change sweeping across the country in 2020, Jackie committed herself to releasing more music than ever before, connecting with her fans directly and speaking up about the change she wanted to see in her city and country. Since then, Jackie has released 2 studio albums, 2 live albums under her name and several electronic albums under her side project titled jackie the robot. During the pandemic, Jackie Venson also made her National TV Performance Debut on Austin City Limits 46th season, a huge honor for the native Austinite. Venson’s most recent release, “Love Transcends”, Venson firmly established herself as a sonic force to be reckoned with out of Austin, Texas.CYNTHIA McDERMOTTCynthia McDermott pushes the envelope of what is possible with the mandolin. While her diverse musical background spans many decades and genres, her latest album of original music, slated for release later this year, hones in on her love of jazz, bossa nova and R&B to deliver a collection of songs that both soothe and stir the soul.Cynthia has developed an impressive musical presence in Asheville in the 5 years she has called it home. Currently leading 3 bands — MOOD RING (90s/2000s pop, R&B), Para Gozar (Cuban son, bolero), and The Knockin Boots (honky tonk) — and a frequent contributor to many other local projects, she averages 250+ performances a year. She is honored to bring her music to life with the support of local heavy hitters Duane Simpson (Dirty Logic, J Lloyd Mashup) on guitar, Eli Kahn (After Ours, Orange Moon) on bass, and Joe Enright (Orange Moon) on drums.Presenting her original music is a dream come true for Cynthia, and has been a long time in the making. She spent most of her 20s rambling around the US, Spain and France, formative years that would inform her musical tastes and inspire many songs. Her band during that time would feature these songs occasionally, but only as a supplement to their repertoire of vintage jazz and eclectic covers. Once she settled in Asheville, the name of the game was getting as much work as possible, and again, her original music took a backseat to the development of her nowrobust gigging career. While she loves being able to connect with audiences through cover songs they know and love, she is beyond proud and excited to take this step into sharing an even deeper experience, and she hopes that eventually she’ll be performing to listeners will sing her own songs right back to her.
The Greenliners at The Outpost
– ALL AGES- FREE SHOW- $10 SUGGESTED DONATIONTHE GREENLINERS The Greenliners are a progressive bluegrass band from Asheville, NC featuring Richard Barrett on acoustic guitar, Jay Franck (of Sanctum Sully) on mandolin, Ben Saylor (of Brushfire Stankgrass) on banjo, and Christian Ferri on bass. They released their debut EP, “Never Looking Back” on May 30, 2020. Recorded over several sessions in 2019 at Indidog Studios with producer and dobro-extraordinaire Billy Cardine, “Never Looking Back” features six original songs that showcase the band’s unique songwriting, instrumental dexterity, and rich vocal harmonies.
The Collection
– ALL AGES- STANDING ROOM ONLYTHE COLLECTION When we lean on one another, we don’t fall. The Collection derives an inimitable musical language from the unbreakable bond between its members. Fronted by David Wimbish, the Saxapahaw, NC-based band places just as much emphasis on interpersonal community and relationships as it does on the music itself.On their new EP How To Survive An Ending (Nettwerk Music Group, January 2023), The Collection emanates positivity from a place of pure love encoded in a pastiche of alternative, pop, folk, and roots. This isn’t an overnight success story. This is generating tens of millions of streams across various releases, logging tens of thousands of miles on the road, earning praise from American Songwriter, Glide, Parade, and more, and landing on NPR Tiny Desk Judges’ Picks – all before signing their first record deal. Over the years, the group has fine-tuned their approach to making music and being together on the road to the point of codifying a signature set of “rules for how to be a band.” Wimbish notes these rules maintain “good boundaries and foster better relationships, better shows, and overall better conditions amongst the crew.” He reveals, “The first rule is a strict ‘No Sarcasm Rule’. We don’t put each other down or act passive aggressively.” Instead, they’re honest, direct, and open. They take time for therapy and mental health as another rule. “We’re always supportive of each other. We’re listening, we’re trying our best to show up for one another.” It’s clear when you speak to Wimbish about his bandmates that they are real friends. It isn’t just about music or the shows. They really do care for one another. “We try to give each other constant encouragement, especially on the road” notes Wimbish. “If someone needs a cheerleading session, we pitch in and encourage that person. Before we get on stage, we’ll do breathing exercises together and get everyone in the same place mentally. In general, we try to implement healthy practices—whether we’re on tour or at home. It’s part of who we are and it’s part of our community.” And that community has only continued to blossom. Following 2014’s full-length debut Ars Morendi, the band attracted a devout fanbase with Listen To The River [2017] and Entropy [2018]. Among many highlights from the latter, standout single “Beautiful Life” has gathered 6.5 million Spotify streams and counting. At the same time, they became renowned for raucous and rowdy performances. The group has lit up festival stages and crisscrossed the country with The Oh Hellos, RIPE, Tall Heights, and Sammy Rae & The Friends, to name a few. Of “Blue Day,” the first of the bunch, Parade proclaimed, “Breezy acoustic guitar and a sweet melancholy sentiment help paint this pristine vocal landscape,” and American Songwriter noted, “The raw track evokes a sense of serenity with lofty vocals that eloquently deliver a timely reminder of kindness.” “GET LOST” came along next, which Alfitude hailed as “a song with deeply meaningful lyricism, emotive vocals and a beautifully constructed melody.”MOM ROCKDISSIMILAR SOUTH
The Sadies
– ALL AGES- STANDING ROOM ONLYTHE SADIES Without doubt or qualification, The Sadies are one of this continent’s greatest extant rock ’n’ roll bands — just as they have been for the last quarter-century. Versatile and imaginative, they skip from astral psychedelia to shuffling bucolics and leap from puckish pop to righteous garage-rock without losing momentum or mastery. Their albums deliver masterclasses on pointed songwriting, lockstep harmonies, and a devil-may-care attitude to expectations and past successes. With their new album – Colder Streams – out now, check out what Shindig Magazine calls “a stone-cold masterpiece”. JULIANNA RIOLINO Julianna Riolino knows how to capture and highlight beauty before it fades. On her debut LP, ‘All Blue,’ Riolino reflects on her own past, the memories of pain, healing, and love strewn through it. The songs focus morality and the stretch of time, seeping naturally into Riolino’s Americana-indebted songwriting, resulting in a golden and fluid debut. Blending past and present musically represents Riolino’s own experience as well, the songs written over a period of years, their meanings picking beyond that stretch and pulling lessons forward. And in that process, her philosophical lyrics bring that complexity forward to the listener in surreally sweet melodies, pouring growth and healing directly through the ear and into the heart. ‘All Blue’ is out now on You’ve Changed Records.
NIGHT ONE: Watchhouse (Special Duo Set) at Asheville Masonic Temple
– ALL AGES- SEATED SHOW- AT ASHEVILLE MASONIC TEMPLEWATCHHOUSE Over a year after Andrew Marlin and Emily Frantz of Watchhouse (formerly known as Mandolin Orange) reintroduced themselves on their 2021 self-titled LP, the pair shared a special surprise release: Watchhouse (Duo), a self-produced recording of Marlin and Frantz performing the most elemental possible arrangements of all nine songs from Watchhouse. It’s a project that captures the fundamental power of Watchhouse: Two singers and musicians with profound chemistry, performing earnest yet masterfully crafted songs that encompass the unknowable mysteries, existential heartbreak, and communal joys of modern life. Starting over a decade ago playing coffee shops and local restaurants around North Carolina, Watchhouse is a grassroots success story that’s been driven by Marlin’s poignant songwriting. They’ve sold out iconic venues (Red Rocks, Ryman Auditorium) and attract hundreds of millions of streams while producing exploratory music that “redefines roots music for a younger generation” (Washington Post). 2022 was filled with many endeavors including the American Acoustic Tour with Punch Brothers, headlining shows across the US, collaborating with Planet Bluegrass on Mabon, an autumn equinox concert series, and of course Watchhouse (Duo). In 2023, Marlin and Frantz will celebrate the release of Watchhouse (Duo) with a short run of shows that will feature just the two of them, harkening back to their earliest days of performing.SAMANTHA CRAINSamantha Crain is a Choctaw singer, songwriter, poet, producer, and musician from Oklahoma. She is a two-time Native American Music Award winner and winner of an Indigenous Music Award. Her genre spanning discography has been critically acclaimed by media outlets such as Rolling Stone, SPIN, Paste, No Depression, NPR, PRI, The Guardian, NME, Uncut, and others. She has toured extensively over the past 15 yearsnationally and internationally, presenting ambitious orchestrated shows with a band and intimate folk leaning solo performances. She has toured with First Aid Kit, Neutral Milk Hotel, Gregory Alan Isakov, The Avett Brothers, The Mountain Goats, Brandi Carlile, Langhorne Slim, The Staves, and many other bands and artists. With her new album, “A Small Death”, and newer EP, “I Guess We Live Here Now”, she continues her traditionof keeping things close to the heart and the ground by leaning into the fulfillment of affinity with an audience and the satisfaction of a song with a memorable melody and an honest story.
Matt Heckler w/ Vaden Landers
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEMATT HECKLERMATT HECKLER is a solo multi-instrumentalist that barely fits into any ordinary musical category. He tends to keep to the darker side of Appalachian mountain music and early bluegrass but listen long enough and you’ll soon be transported to the mountains of Eastern Europe or a dimly lit bar in Ireland where they honor those who have passed with a gently swaying a cappella ballad.After touring almost nonstop for years in support of bands like Devil Makes Three, Lost Dog Street Band, Flogging Molly, and others, HECKLER, like the rest of us, got sidelined by the ongoing global pandemic. With the newfound time off, he set to pushing creative boundaries in his home recording studio as far as his mind would allow. Each fiddle, banjo, and guitar track carefully put in place all the while retaining the grit and energy reflected in his live shows. Paired perfectly as the sequel to After The Flood, the Blood, Water, Coal album is a defining release in his career.Blood, Water, Coal was performed and recorded by MATT HECKLER with upright bass and backing vocals provided by Jeff Loops (Lost Dog Street Band). While recording Blood, Water, Coal, MATT HECKLER released The Magnolia Sessions outdoor live set – the maiden release for the now popular series – which made it to #9 on the Bluegrass Billboard Charts. The Magnolia Sessions was still charting upon the release of Blood, Water, Coal, which debuted at #3, leaving HECKLER with two albums running on the Billboard Charts simultaneously.HECKLER writes, “I started working on this album over a year ago in my home. Ran into a lot of snags and problems inherent in self-recording, but being alone, just a mic and my instruments, was the only way to capture the raw emotions this collection of songs holds for me. Some of these tunes were written over a decade ago, most of them in more recent years. Others took years to write. But now that it’s done, I can confidently say this album is the perfect sequel to After The Flood.”VADEN LANDERSVaden Landers is a 28-yr-old emerging artist from East Tennessee, penning songs that evoke the golden era of country music. With a voice often compared to Hank Sr, this former train-hopper/street-busker has gained a reputation in Asheville NC as one of the city’s finest performers. Billed as “The Yodeling Country Bluesman”, he possesses a rare authenticity that carries on the classic tradition.
SUSTO
– ALL AGES- STANDING ROOM ONLYSUSTOMuch like stars across the night sky, our souls dot this plane of existence, flaring brighter over time. As one fades out, another flickers into focus—and so the cycle continues into eternity and beyond.For SUSTO, the joy of birth, the closure of death, the warmth of true friendship, and the promise of the future rotate on the axis of the band’s fourth full-length and debut for New West Records, Time In The Sun. Frontman Justin Osborne distills this ebb and flow into eleven tracks underpinned by lyrical eloquence, unpredictable dynamics, and a thoroughly alive rock ‘n’ roll spirit. “We’re all just products of the sunlight, revolving around a big ball of fire,” observes Justin. “I was thinking of the meaning of life as I’m sure many of us were in 2020. I’ve come to believe life is all one big chance happening with no deeper meaning other than what we make of it. Every album is like a timestamp, and Time In The Sun was about trying to express this moment in my life. I was stuck in the middle of losing my father and also becoming a father myself. Through these songs, I’m expressing what it felt like and how it’s changed me.”Along the way, the collective opened up for everyone from The Lumineers and Band of Horses to The Head and The Heart in addition to gracing the bills of festivals such as Hangout, Stagecoach, Austin City Limits, and more. SUSTO also made their television debut on CBS This Morning: Saturday. In the middle of this whirlwind, Justin became a father in the summer of 2019 as he started compiling ideas. He officially entered the studio with producer and engineer Wolfgang Zimmerman [Band of Horses] at the top of 2020. After a February tour, the world shutdown and Justin retreated into his next body of work. A revolving cast of collaborators, friends, and members of the Charleston musical community rolled through and contributed to the recording. “It takes a village to make a record,” he smiles.In the end, SUSTO launches a new cycle in their journey, and it’s bolder and brighter than ever. “I was exorcising a lot of emotions,” he leaves off. “I hope people connect to Time In The Sun enough that I can keep doing this again and again. I’m just excited to make another record and keep going. Maybe it will help someone work through their emotions. This was my dream at 12-years-old. It’s still what I want to do.”THE HOLLER CHOIRClint Roberts is the founder and lead singer of Holler Choir, a string band known for their tight harmonies and heartfelt songs. Roberts, whose songs often explore themes of heartbreak and existential query, started the band in Asheville, North Carolina. With their blend of folk, Appalachian, and Americana influences, Holler Choir is turning heads quickly in the roots music scene. Following well received performances at IBMA and Americana Fest, Holler Choir is performing throughout the south East in 2023.
Love Bubble Meets The Beatles
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLELOVE BUBBLE Love Bubble Meets the Beatles “Love Bubble” is the name of the freshest harmony-driven trio in WNC! Made up of 3 of our areas finest and most sought after singers, you’re in for a dreamy, nostalgic, heartwarming and whimsical time! Debuting in December 2018 at the Eagle and selling out their freshman CD release show (Love Revolution) here in 2021 as well, you’re in for another uplifting ride into the throwback pop vibe of this delightful trio. Hank Bones who is affectionately referred to as “the man of 1000 songs” is also a master on guitar, arranging and songwriting. Peggy ‘Blues Chanteuse’ Ratusz has been a staple in WNC for nearly 20 years. In 2016 she swept the Mountain Express Readers poll with honors in Best in Blues, Best Vocalist and Artist that Gives Back. Along with the brilliant and scintillating vocal abilities of performance and session’s singer to the stars, Paula Hanke, these 3 create a quintessential musical ménage e trois! Your favorite harmony driven psychedelic rock, soul, jazz and pop trio will be performing a mix of Beatles hits and their own captivating originals at the Grey Eagle!
An Evening With The Dancing Fleas
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETHE DANCING FLEAS The Dancing Fleas, aka America’s Premier Ukulele Party Band, are a ten piece combo, heavy on the ukes but light on the attitude. Their uplifting originals and covers have been known to make even the most jaded hipsters smile unselfconsciously. The Fleas bring their high energy, big fun approach to a genre-bending set of tunes with styles ranging from classic country to sassy funky. Expect dueling ukuleles, blistering pedal steel licks, and big harmonies from the band’s five vocalists. The band’s debut album, The Dancing Fleas Play the Music of Don Gibson, is streaming on all platforms along with a handful of tasty original singles. Once you’ve seen them live, you’ll join the ranks of the #fleabitten! “Sometimes the only thing standing between you and a good time are your own reservations. These are the times when the jaded music critic in you should just let your hair down, get up out of your seat and shake your groove thing. These are the times for The Dancing Fleas to liberate your inner geek and let you remember what it was like to not be so dang self conscious about what people might think. Music fans often use the term “guilty pleasure” to refer to music that they keep to themselves even though it makes them smile. The Dancing Fleas are here to relieve you of this guilt. Go ahead, lay that burden down, brothers and sisters. Jump up out of that pew and come down front where we all can shout and sing! But here’s the other thing: The Fleas are actually very good. Like, tasty licks. Original songs that are instantly memorable. And an unlimited supply of that joyous, nerdy charisma. If you don’t believe me, just drop in on their set and you will understand. No reservations necessary. “ -Joe Kendrick, WNCW
