OUTPOST: Songs From the Road Band w/ special guests Red Clay Revival
– ALL AGES- STANDING ROOM ONLY- THE OUTPOST (521 AMBOY RD)Songs From The Road Band is an Asheville, North Carolina based bluegrass supergroup featuring Mark Schimick (mandolin), Charles Humphrey III (bass), Sam Wharton (guitar), James Schlender (fiddle), and Gabe Epstein (banjo). The band takes flight with virtuosic picking, singing, and grammy award winning songwriting. Several of their most recent singles have gone to the top of the Bluegrass Today Grassicana chart. They have 6 studio albums available at all musical outlets.Red Clay RevivalBorn in the soul-basted countryside of Alabama, and brought to the heart of the Blue Ridge mountains to marinade and mature, Red Clay Revival delivers an experience that reshapes the parameters of “roots music” as its known. Songsmith extraordinaire, Doug McElvy, lays a solid foundation at the epicenter of Red Clay’s musical magnitude. McElvy’s skillful, heart-driven compositions are orbitted by the most noteabble and virtuosic musicians in the industy today. For the 2012 full-length debut, “Barefoot,” McElvy teams with resophonic guitar guru, Billy Cardine, as creative consultant and coproducer. The album features collaborations with decorated pros, such as; Keller Williams, Larry and Jenny Keel, and Tim carbone of Rail Road Earth. “Barefoot” received stellar reviews and accolades from industry peers, and listeners alike. The title track earned a spot on Relix Magazine’s widely distributed July-August 2012 compilation disc. For the 2014 EP, “Chilly,” McElvy and Cardine again pair in production, recruiting the talents of world class violinist, Casey Driessen, and beat master Jeff Sipe for backing elements. “Chilly” delivers nothing short of pure musical gold. Red Clay Revival’s powerful live performance harnesses an energy that electrifies any room, leaving audiences with an embedded musical experience.
CANCELED: OUTPOST: Mile Twelve w/ Zoe and Cloyd
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINE Mile Twelve is back in motion. From the first manic, dissonant downbeat of their virtuosic new record, Close Enough to Hear, you’ll discover a band that is ready to explode from a restless pandemic-induced hiatus. The first track “Romulus,” glides and rages as the narrator wrestles with the ultimate impermanence of the empire he’s forged. Next comes the magical realism of “Johnny Oklahoma,” the youth who volunteers to be fired out of a cannon for the good of his community, in one big beautiful nihilistic burst. These musicians are clearly working through some hard questions posed by the last few years. You’ll hear the same warmth and innovation that earned the band IBMA’s 2019 Album of the Year nomination and 2020 New Artist of the Year Award, and that’s gained them an international reputation as one of the most dynamic groups in contemporary acoustic music. The title track “Close Enough to Hear,” is a stripped down dream of all that we missed so dearly in those early, terrifying months of lockdown. Something else is close enough to hear on this new album. You’ll notice the presence of two new members: fiddler and vocalist Ella Jordan and mandolinist Korey Brodsky. Take note of the new dimension they add to the band, and their ability to lock in with founding members Evan Murphy (guitar, vocals), Catherine Bowness (banjo), and Nate Sabat (bass, vocals). These aren’t session players; this album captures the formation of a new coherent unit. Zoe and Cloyd Klezgrass. This one word may best describe the vast musical world of Asheville, NC duo Zoe & Cloyd. Springing from rich and complementary traditions, the artistic stylings of fiddler/vocalist Natalya Zoe Weinstein and multi-instrumentalist/vocalist John Cloyd Miller fit together in a harmonic dovetail. In 2022, the band was an official showcase artist at the IBMA World of Bluegrass, featured guest artists for the Davidson College Holiday Gala, as well as hosts of A Swannanoa Solstice at the Wortham Center for the Performing Arts. Their fifth studio album, Songs of Our Grandfathers, is set to release in May of 2023 on Organic Records, just before their international debut in Northern Ireland.Zoe & Cloyd delight audiences with soaring harmonies and heartfelt songwriting, seamlessly combining original bluegrass, klezmer, old-time and folk with sincerity and zeal.
Sam Grisman Project presents the music of Garcia/Grisman
– ALL AGES- PARTIALLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLESAM GRISMAN PROJECT A Note From Sam– The music that my father David Grisman and his close friend, Jerry Garcia, made in the early 90s (in the house that I grew up in) is not only some of the most timeless acoustic music ever recorded, it also triggers my oldest and fondest musical memories. What I find most inspiring about this material is the way their camaraderie and their love and joy for the music, simply oozes out of each recording. It is also impressive how deeply they get beneath their favorite songs—whether they are originals, covers or traditional/old time tunes—and how expertly that material was curated. My goal in starting Sam Grisman Project is to build a platform for my friends and me to showcase our genuine passion and appreciation for the legacy of Dawg and Jerry’s music. By playing some of their beloved repertoire and sharing the original music that our own collective has to offer, we will also show the impact that this music has had on our own individual musical voices. Ultimately, there is nothing that makes me happier than playing great songs with my best friends and my hope is to share that happiness with audiences all over!”
The Gibson Brothers
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETHE GIBSON BROTHERSThere’s a reason why Ricky Skaggs pulled Eric and Leigh Gibson off the stage at the Ryman two decades ago and offered to produce their debut record. The same thing that led David Ferguson and Grammy Award winning producer and Black Keys frontman Dan Auerbach to co-write and produce their 14th album “Mockingbird” (2018) and release it on his own label Easy Eye Sound alongside cultural icons such as Hank Williams Jr. and Dr. John: the Gibson Brothers are the real deal. They can pick. They can sing. And they can write a damn good country song. They’ve won about every bluegrass award you can name and released albums on almost every premier Americana label you can think of including Sugar Hill and Rounder, and, if that’s not enough, their songs have been recorded by bluegrass legends no less than Del McCoury. It’s a resume almost anybody in country music would be proud to have. But despite all of this, the Gibson Brothers are not yet household names. Their latest album, “Darkest Hour,” produced by dobro master Jerry Douglas might just change that.As soon as you hear Leigh singing with Alison Krauss [“I Feel The Same Way As You”] on the new project you realize that his voice is as good as anyone in music today. Add the brother harmony to that and they have something truly unique. While “Mockingbird” featured gorgeous production, recreating the sound on stage was difficult. “We put together a little band to go out and try to recreate it,” Eric told me, but we couldn’t. We would have to have such a huge band to try to recreate that record, but we did the best we could.”Douglas—who has won 14 Grammy awards and backed up everyone from Ray Charles to Paul Simon and George Jones—wanted to make a record they could actually play on the road. So he picked the best songs (out of dozens) and squirreled them away in Sound Emporium’s Studio B.But then the pandemic hit. “We did our last shows in March of 2020,” Eric told me. “We were in Nashville the week everything was shutting down. It was surreal, but Jerry was like, ‘Guys, the world’s going crazy. Let’s let this be our little cocoon.’ And we did. We cut all of the acoustic stuff and then went home and didn’t play any more gigs until things started opening. Then we went back and finished the record with Jerry in February of 2021.”The result is arguably the strongest record The Gibson Brothers have ever made. The songs recorded in the first recording period featured Mike Barber (bass), Justin Moses (mandolin), Eamon McGloughlin (fiddle), and of course, Jerry Douglas, adding in John Gardner (drums), Guthrie Trapp (electric guitar), and Todd Parks (bass) for the final tracks, “Darkest Hour” showcases just how easily Eric and Leigh move from what Dan Auerbach dubbed “country soul” (“I Go Driving”) to high octane bluegrass (“What a Difference A Day Makes” and “Dust”) with Douglas always keeping the spotlight on the songs themselves. “That’s what I love about those guys,” Douglas told me, “they are just great songwriters.”
The Greenliners at The Outpost
– ALL AGES- FREE SHOW- $10 SUGGESTED DONATIONTHE GREENLINERS The Greenliners are a progressive bluegrass band from Asheville, NC featuring Richard Barrett on acoustic guitar, Jay Franck (of Sanctum Sully) on mandolin, Ben Saylor (of Brushfire Stankgrass) on banjo, and Christian Ferri on bass. They released their debut EP, “Never Looking Back” on May 30, 2020. Recorded over several sessions in 2019 at Indidog Studios with producer and dobro-extraordinaire Billy Cardine, “Never Looking Back” features six original songs that showcase the band’s unique songwriting, instrumental dexterity, and rich vocal harmonies.
Hank, Pattie and The Current + Brek
– ALL AGES- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEHANK, PATTIE AND THE CURRENT Bluegrass visionaries Hank Smith (banjo) and Pattie Hopkins Kinlaw’s (fiddle) innovative twist on traditional bluegrass music is a soulful brew flavored with classical, Motown, jazz, and pop influences. Joined by Billie Feather on guitar and Stevie Martinez on bass, this dynamic, North Carolina based group is performing in support of their fifth album, LETTERS, out now on Robust Records. BREK Brek is an acoustic band from Iceland that mainly plays original, folky music with influences from various sources. The band members focus on creating an interesting but cozy atmosphere in their playing. In addition there is a focus on the multifaceted use of the Icelandic language in the band’s lyrics. Brek released its self-titled debut album in the summer of 2021 and received the Icelandic Music Awards for Folk album of the year as well as being featured as Album of the week on Iceland National Radio – Rás 2 in early 2022.
Steep Canyon Rangers w/ members of Town Mountain: One Love Fundraiser for Christopher Holt
– ALL AGES- STANDING ROOM ONLY- 100% OF TICKET PROCEEDS TO BENEFIT CHRISTOPHER HOLT AND FAMILYUNABLE TO ATTEND, OR WANT TO GIVE MORE? PLEASE CLICK HERE TO DONATE STEEP CANYON RANGERS & MEMBERS OF TOWN MOUNTAIN: ONE LOVE FUNDRAISER FOR CHRISTOPHER HOLT Join in supporting dear friend and beloved community member Christopher Holt as he and his family navigate cancer, the accompanying financial burden and the healing process that lies ahead. For those that know Christopher, you know how much he lifts those up around him and how much he gives to our community and beyond. Now it’s our turn to lift him up and support Christopher Holt and Family.
Yonder Mountain String Band 2-NIGHT PACKAGE
2-NIGHT PACKAGE ***LIMITED QUANTITY***- ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF DISCOUNTED TWO NIGHT PACKAGES AVAILABLE YONDER MOUNTAIN STRING BAND With their latest album, “Get Yourself Outside,” Colorado-based Yonder Mountain String Band once again echoes out into the universe its place as not only a pioneering jam-grass act, but also one of the most innovative groups in the live music scene — something the groundbreaking ensemble has proudly held high for the better part of a quarter-century. “The whole thing has always been about the energy and the connection between all of us onstage and everyone out in the audience,” says guitarist Adam Aijala. “And with this iteration of Yonder Mountain, we’re really tapping into that onstage connection once again.” Aside from the obvious nature of the new album, it’s a complete restart for the live music industry. Internally, it’s also a fresh start for the group in welcoming its newest member, mandolinist Nick Piccininni. “Nick is an incredibly talented multi-instrumentalist. He’s brought a whole new vibe and dynamic to the band,” Aijala says. “But, at the same time, he’s such a natural fit. Recorded during the shutdown at Cinder Sound Studio (Gunbarrel, Colorado) co-produced by Yonder Mountain and John McVey, “Get Yourself Outside” (Frog Pad Records) is a musical odyssey of string instruments and sonic textures. There’s the usual foot-stomping melodies and sorrowful ballads that reside at the core of the Yonder Mountain signature tone. But, there’s also a deep, honest sense of renewal and rejuvenation running through the heart of the record. And, by being back on the road, Yonder Mountain has been taking note of its long, bountiful journey from its foundation in 1998 to the here and now — with its 25th anniversary just around the corner. Looking back on those early days, the members of Yonder Mountain can’t help but shake their heads in awe — of where it all originated from, and what the live music landscape looked like at that time. “When we started, we were the only example of what we were trying to do,” Kaufmann notes. “You can see a bluegrass band at a rock festival now. But, there was a time where something like that was incomprehensible.”And it’s the fearlessness of youth — of being present within the serendipitous whirlwind of artistic collaboration and musical discovery — that remains a thick thread of inspiration and ambition within Yonder Mountain. “I’ve never doubted for a second that this band wouldn’t work,” Kaufmann says. “That’s a wonderful experience to have known that early on — to not have fear or doubt in the creative experience. And when you think of it, how unlikely of a journey has this been?
Chatham Rabbits: Album Release Show
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLECHATHAM RABBITS As one of North Carolina’s most beloved roots music outfits, Chatham Rabbits has swiftly emerged from the fertile Americana scene in the Triangle. The husband-and-wife duo of Sarah and Austin McCombie favors rustic, minimalist acoustic arrangements—mainly clawhammer-style banjo and guitar that showcase deftness and maturity with their songwriting. The duo has a way of connecting with their audiences that is warm and universal. Chatham Rabbits’ first album All I Want From You (2019) was recorded with the help of Watchhouse’s Andrew Marlin, and their sophomore album, The Yoke is Easy, The Burden is Full, released May 1, 2020. Their song “Oxen” was named one of the “Top Folk Songs of 2020″ by Paste Magazine and the band has been covered by Garden & Gun Magazine, American Songwriter, and No Depression. Their ingenuity during the Covid-19 crisis led to the building of their own venue, The Burrow, and the creation of their mobile concert experience, The Stay at Home Tour which took Chatham Rabbits to 194 neighborhoods in 2020-21. The duo starred in a television show for PBS NC, On the Road with Chatham Rabbits that premiered in Spring 2022. If You See Me Riding By, their highly anticipated third full-length studio album. Co-written during the height of the pandemic and honed through the reflection and challenges the crisis demanded, this album is absolutely a piece of pandemic art. If You See Me Riding By was recorded at both Bedtown Studios (Watchhouse, Libby Rodenbough) and Betty’s (Sylvan Esso, Dead Tongues) with producer Saman Khoujinian.JORDAN TICEJordan Tice is a singer, songwriter and guitarist who combines witty, well-crafted songs with deft fingerstyle and flatpick guitar playing. His performances have been compared to those of legends like Leo Kottke, John Hartford, and David Bromberg for their mix of virtuosity and playfulness and his songs have been compared to those of writers, Bob Dylan and John Prine for their humor, introspection and philosophical nature.
Yonder Mountain String Band (NIGHT ONE)
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF DISCOUNTED TWO NIGHT PACKAGES AVAILABLE CLICK HERE TO PURCHASE “2-NIGHT PACKAGE” INSTEAD!YONDER MOUNTAIN STRING BAND With their latest album, “Get Yourself Outside,” Colorado-based Yonder Mountain String Band once again echoes out into the universe its place as not only a pioneering jam-grass act, but also one of the most innovative groups in the live music scene — something the groundbreaking ensemble has proudly held high for the better part of a quarter-century. “The whole thing has always been about the energy and the connection between all of us onstage and everyone out in the audience,” says guitarist Adam Aijala. “And with this iteration of Yonder Mountain, we’re really tapping into that onstage connection once again.” Aside from the obvious nature of the new album, it’s a complete restart for the live music industry. Internally, it’s also a fresh start for the group in welcoming its newest member, mandolinist Nick Piccininni. “Nick is an incredibly talented multi-instrumentalist. He’s brought a whole new vibe and dynamic to the band,” Aijala says. “But, at the same time, he’s such a natural fit. Recorded during the shutdown at Cinder Sound Studio (Gunbarrel, Colorado) co-produced by Yonder Mountain and John McVey, “Get Yourself Outside” (Frog Pad Records) is a musical odyssey of string instruments and sonic textures. There’s the usual foot-stomping melodies and sorrowful ballads that reside at the core of the Yonder Mountain signature tone. But, there’s also a deep, honest sense of renewal and rejuvenation running through the heart of the record. And, by being back on the road, Yonder Mountain has been taking note of its long, bountiful journey from its foundation in 1998 to the here and now — with its 25th anniversary just around the corner. Looking back on those early days, the members of Yonder Mountain can’t help but shake their heads in awe — of where it all originated from, and what the live music landscape looked like at that time. “When we started, we were the only example of what we were trying to do,” Kaufmann notes. “You can see a bluegrass band at a rock festival now. But, there was a time where something like that was incomprehensible.”And it’s the fearlessness of youth — of being present within the serendipitous whirlwind of artistic collaboration and musical discovery — that remains a thick thread of inspiration and ambition within Yonder Mountain. “I’ve never doubted for a second that this band wouldn’t work,” Kaufmann says. “That’s a wonderful experience to have known that early on — to not have fear or doubt in the creative experience. And when you think of it, how unlikely of a journey has this been?
