Celebrating John Prine with The Knotty G’s
– ALL AGES- PARTIALLY SEATED SHOW THE KNOTTY G’S The Knotty G’s will be joined by some of the finest musicians from the “big ‘ole goofy” town of Asheville to celebrate the music and legacy of one of America’s most influential and beloved songwriters, John Prine, on his birthday, October 10th. This incredible lineup features Felix Pastorius on bass, Lyndsay Pruett on violin, Jackson Dulaney on pedal steel, Daniel Combs on organ and keyboards, Kent Spillman on drums as well as other special guests throughout the evening. The Knotty G’s- Gillian Francis H.E. Knott (vocals/guitar) and Charles Knott (vocals/guitar): The Knott’s goal is simple: to create music and an experience at their shows they feel is genuine. Gritty yet funky performances fuse with the band’s jovial nature and invite audiences to take part in the revelatory power of music while still managing to tap into plenty of fun. In the short time they’ve been a team, they have amassed an impressive list of stages and festivals, including: the Bonnaroo Music and Arts Festival, The Blue Ridge Pride Festival, Strangecreek Campout, Wormtown Music Festival, and The Ladybug Festival. In December 2021, they released “Set Sail,” their first full length studio album recorded with award winning producer Matt Williams at The Eagle Room located just outside of Asheville. The album showcases genre jumping compositions tied together with the same singular soul-soaked thread that weaves its way through all of their music.
Hannah Kaminer & The Wistfuls: “Heavy On The Vine” Album Release Show
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEHANNAH KAMINER Hannah Kaminer makes modern American roots music that blurs the boundaries between genre and generation. As a songwriter, storyteller, and producer, she nods to the Appalachian traditions of her native North Carolina while creating a contemporary sound that’s woozy, wistful, and evocative of the landscape where it was created. She turns a new page with her third record, Heavy On The Vine. Written and recorded in Kaminer’s adopted hometown of Asheville, it’s a reflective, resilient album that finds the artist making sense of her new world—a place where boutique hotels block the view of the Blue Ridge Mountains, childhood habits have given way to adulthood realities, and the Christian faith that once offered easy answers to life’s big questions has lost its magic. Heavy On The Vine isn’t just a soundtrack for Kaminer’s loss of faith; it’s a battle cry of hope and defiance, delivered by a songwriter who’s learned to live with uncertainty. “The idea of estrangement shows up everywhere,” says Kaminer, who kickstarted her career with 2015’s Acre By Acre and expanded her sound with 2018’s Heavy Magnolias. “These songs are about estrangement from myself, from family and old friends, from the Christian faith of my childhood, and from the world as I used to know it.” Kaminer’s world began taking shape in the small towns of western North Carolina, where she grew up singing hymns in church. Later, while living in central Texas as a college student, she heard a bluegrass song on the radio and found herself pining for the home she’d left behind. “I heard the banjo and thought, ‘That’s the sound of home!'” she remembers. “It took me moving halfway across the country to realize how much I gravitated toward those sounds.” Those sounds took her back to North Carolina, where Kaminer settled in Asheville and found a supportive musical community that prioritized collaboration over competition. “It was a great place to try something different,” she says. Inspired by Gillian Welch, Iris DeMent, and Patty Griffin—three artists who nodded to the old-school folk singers who came before them, yet still made modern music that balanced gorgeous melodies with grit, hard truths, and haunting arrangements—she started writing her own songs. The Grammy-winning audio engineer Julian Dreyer became one of her earliest champions, engineering her 2015 debut album and co-producing its 2018 follow-up. By the time Kaminer began writing material for Heavy On The Vine, though, she’d become more than a sharp songwriter. She’d started to think like a producer, too.THOMAS KOZAKThomas Kozak’s writing pulls myth and religion through the split-open skull of an obsessive-compulsive, anchoring the past to a new body and giving it voice through and beyond the conventions of folk and Americana.
The Dirty French Broads: Album Release Show
– ALL AGES- LIMITED SEATING AVAILABLETHE DIRTY FRENCH BROADSThe Dirty French Broads are an Americana Grass band from the mountains of Western North Carolina bringing you heart-stirring ballads and lively cut-a-rugs with the energy of a thousand golden retriever puppies in their first snowfall. Lead singer Kate Thomas draws the audience with her rich, smoky timbre and leaves them laughing beer up their noses, wishing they’d worn their dancing shoes. 
This lively crew plays just about everything that has strings, but usually graces the stage with a guitar, mandolin, fiddle, banjo, bass, and when the weather’s right – the occasional kazoo. Authentic and endearing with a little spice, they’re a few shades apart from the established Americana scene, and you’ll definitely want to join their book club.BARRETT DAVISBarrett Davis is a Western North Carolina singer-songwriter/guitarist who chose the life of a ragged troubadour. That small, glowing ember of inspiration and creativity, which has always remained at the core of Davis, is now a burning, eternal fire — bringing forth an honest sense of self through the prism of his perceptive lyrics and heartfelt melodies. His latest album “The Ballad of Aesop Fin” is a vibrant tapestry, meandering from modern Americana to classic country, indie-folk to the “high, lonesome sound” of bluegrass.
Pedal Stroke Benefit Concert for Asheville on Bikes and the United Stroke Alliance
– ALL AGES- LIMITED SEATING AVAILABLE Pedal Stroke Benefit Concert for Asheville on Bikes and the United Stroke Alliance Proceeds to benefit Asheville on Bikes, cultivating urban & commuter cycling culture through advocacy & events, and the United Stroke Alliance, dedicated to uniting and educating people about the prevention, awareness, and recovery of stroke for survivors, caregivers and their families. Several Dudes got together to write and play groovin’ music for a loyal following in Atlanta while most of the Dudes were in law school and medical school. Now lawyers, doctors, and musicians on the back ends of productive careers, the band has reformed to honor founding lead guitarist Nick Stevens after his tragic death in a cycling accident. The band will be releasing its tribute album of new original material, “Our Brother Nick” for this show. We are excited to raise funds for cycling advocacy and Stroke awareness, and to once again gig with the Karma Dogs! You can learn more at severaldudes.com Come on out for great music for great causes!! The event is sponsored by ARA Health Specialists- Committed to improving lives, creating value, and staying on the cutting edge of science.
I See Hawks in L.A. featuring Alex Meixner
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEI SEE HAWKS IN L.A.I SEE HAWKS IN L.A. are Southern California’s leading Americana/folk rock band, with ten critically acclaimed releases and consistently high Americana radio charting. Countless miles and bars and festivals from the Mojave desert to the Carolinas to UK and Europe have earned an enduring global following. “We thrive in the margins,” say the Hawks. They’ve emerged from pan isolation with a stronger live show than ever, with a busy 2022 including a headliner slot at fall’s Kerrville Folk Festival. Their latest release “On Our Way” has perhaps the best reviews of the band’s career:“Glorious.” — Nigel Williamson, UNCUT”The quartet is all breathing as one, and the clear night sky full of stars is the limit. Listen and hear not only what has come before, but what is also right around the next bend. See the Hawks.” — Bill Bentley, Americana HighwaysFormed in 1999 by Rob Waller and brothers Paul and Anthony Lacques during a philosophical discussion and rock throwing session on an East Mojave desert trek, I See Hawks In L.A. first gathered on the front porch in Echo Park, Los Angeles, drank whiskey and wrote their first batch of songs. They sought advice from local country rock guru David Jackson (John Denver, Dillard & Clark, Emmylou Harris). Jackson promptly joined the Hawks for their first recording, featuring legendary fiddler Brantley Kearns (Dwight Yoakam, Dave Alvin). The CD established the Hawks signature sound: dense three part harmonies, innovative telecaster and steel, and also unadorned all acoustic songs, musing on mortality, whales, and the geography of preapocalyptic L.A.ALEX MEIXNER (sitting in with I See Hawks in L.A.)Alex Meixner is a nationally acclaimed musician, performer, bandleader, educator and a leading advocate of polka music. Formally trained in classical, jazz and ethnic music, Alex has cross-pollinated his versatile playing styles through pop music, funk, jazz and polka. He is an active ambassador for polka music, revitalizing interest coast to coast resulting in sold out shows, renewed cultural interest, and growing mainstream acceptance. For Alex, it’s more than playing energetic shows; it is a mission to provide a much needed positive experience that pulls communities together to celebrate history, culture and genuinely good times.THE HAWTTHORNS An Americana band whose sun-kissed songwriting, versatile guitar work, and lush vocal harmonies evoke the California coastline as much as the Bible Belt countryside, the HawtThorns are rooted in the collaborative chemistry of husband-and-wife duo KP and Johnny Hawthorn. Both have had celebrated solo careers and were members of LA based touring bands. That chemistry reaches a new peak with Tarot Cards and Shooting Stars, which marks the band’s second collection of hook-driven country-rock and amplified Americana. Recorded in both L.A. and Nashville, it nods to both sides of the group’s geographic and musical roots.
James McMurtry
ALL AGESSTANDING ROOM ONLY JAMES McMURTRY “James McMurtry may be the truest, fiercest songwriter of his generation” – Stephen King James McMurtry will release The Black Dog and the Wandering Boy on June 20 via New West Records. The 10-song collection was co-produced by McMurtry & Don Dixon (R.E.M., The Smithereens) and is his first album in four years. It follows his 2021 acclaimed New West debut, The Horses and the Hounds, which Uncut Magazine said “lifts storytelling-in-song to meticulous new levels” and Pitchfork awarded an 8.0, saying “James McMurtry stands out even among the Lone Star State’s finest songwriters…” The Black Dog and the Wandering Boy features appearances by Sarah Jarosz, Charlie Sexton, Bonnie Whitmore, Bukka Allen, and more alongside his trusted backing band—BettySoo on accordion & backing vocals, Cornbread on bass, Tim Holt on guitar, and Daren Hess on drums. As varied as they are, McMurtry’s new story-songs find inspiration in scraps from his family’s past: a rough pencil sketch by Ken Kesey that serves as the album cover, the hallucinations experienced by his father, the legendary writer Larry McMurtry, an old poem by a family friend. A supremely insightful and inventive storyteller, McMurtry teases vivid worlds out of small details, setting them to arrangements that have the elements of Americana but sound too sly and smart for such a general category. Funny and sad often in the same breath, The Black Dog and the Wandering Boy adds a new chapter to a long career that has enjoyed a resurgence as young songwriters like Sarah Jarosz and Jason Isbell (who is namechecked on the new album) cite him as a formative influence. BettySoo It’s the voice that gets you first. “BettySoo may well have the most gorgeous voice in Texas …if not in all contemporary folk – its purity and strength can be downright devastating.” – ACOUSTIC GUITAR BettySoo’s vocal prowess is a thing of wonder. A world-class instrument of deft phrasing and purity, a voice that knows when to hold back and when to dive in. At her own live shows, taking a verse onstage with friends or singing harmonies in sessions with Austin’s finest, BettySoo sings with consummate loveliness and self-assurance. A voice that knows the roots of American music inside and out; coming from a most unexpected place – a diminutive Korean-American with a deceptively girl-next-door demeanor. Then the performance reels you in. “Truly remarkable. BettySoo’s sharp, often self-deprecating humor skillfully wove the songs together. Her clear, evocative voice and poignant lyrics recall Patty Griffin and Joni Mitchell, and did I mention she’s a hell of a guitar player?” – NO DEPRESSION, live concert review
Grayson Capps & Corky Hughes
– ALL AGES- SEATED SHOW- PREMIUM SEATING AVAILABLEGrayson Capps is relaxed. You can hear it in the tone of his voice when he speaks, in the thoughtful, laconic way he reflects on the sometimes-tumultuous course of his life and work. It’s not the sound of complacency or comfort, but rather of personal growth and understanding. Capps is not without worry or darkness in his life, but he’s reached a kind of peace with it, an unhurried acceptance that enables him to write with unflinching honesty and remarkable humanity. His long-awaited new solo album, ‘Scarlett Roses,’ is his first in six years, and it showcases the kind of understated brilliance that can blossom when creativity is detached from expectation, when songs are truly given the space and time to find their writer. Grayson Capps is relaxed, but it wasn’t always this way.“Up until 2011, I was expecting myself to come up with a new record every year,” says Capps, “but then something just clicked. I told myself, ‘Man, you don’t need to worry about the timing. Just let these songs and your career catch up with you.’”——–Corky Hughes began his professional career playing throughout the South in the 70’s with R&B artist Theodore Arthur Jr. and then later with his own rock group, Excalibur.In 1984, he became lead guitarist for legendary rockers, Black Oak Arkansas and toured throughout the U.S. After moving to Atlanta Georgia the next year, he played and recorded with Tone Poets, Chris Edmonds, and Darryl Rhoades and the Mighty Men From Glad (with whom he appears on the Brendan O’Brien produced album No Glove, No Love).Since returning in 1992 to his home in Mobile, Alabama, Corky has played guitar for a diverse group of artists including Kung Fu Mama, Carlos Washington’s Giant People, Star Cullars, Molly Thomas, Jimmy Hall and Wet Willie, and Bo Diddley.Corky can also be heard on Beverly Jo Scott’s Coming Home CD, Lisa Mills’ I’m Changing, and violinist Tom Morley’s recent release, Raven’s Wing (A Curious Collection of Fiddle Tunes), as well as various projects with former Kung Fu Mama band mates, the Lost Cause Minstrels.
