Loretta Lynn Birthday Tribute (hosted by Cyndi Lou and The Want To)
– ALL AGES- PARTIALLY SEATED SHOW- SEATED AND STANDING ROOM ONLY TICKETS AVAILABLELORETTA LYNN BIRTHDAY TRIBUTE (HOSTED BY CYNDI LOU & THE WANT TO) CyndiLou & the Want To hosts our 4th annual birthday tribute to the legendary Loretta Lynn, and this year it’s bittersweet. Loretta left us last October at the age of 90. She also left a beloved catalog of songs that span a glorious and groundbreaking career. Come help us celebrate Loretta’s legacy with some of the region’s finest purveyors of country music.
PATIO: Keturah Allgood
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEKETURAH ALLGOODKeturah Allgood was born and raised in the mountains of Western North Carolina. She is a Soulful Americana artist who draws on her myriad of life experiences for inspiration. While traversing the dusty back roads and often forgotten places she taps into the heart and soul of our shared existence. Keturah believes that music has the power to bring all of us together and reminds us that love, kindness and compassion always shine through the darkness of these often trying times.
PATIO: The Whiskey Charmers
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVETHE WHISKEY CHARMERS The Whiskey Charmers are a Detroit-based band led by Carrie Shepard and Lawrence Daversa. Fans have often compared their sound to riding through the desert with the top down, or the feeling of being in some lonesome smoky bar off the side of an abandoned highway, or music from a Spaghetti Western. William P Davis (Former Deputy Director of the Country Music Hall of Fame and Museum in Nashville) says of the band, “I’ve heard a lot of good musicians. The Whiskey Charmers remind me of no one – and, to me, that is one of the best compliments an act can receive.” The Whiskey Charmers are currently touring to promote their fourth album “On The Run” which Ken Capobianco, Boston Globe Music Critic described as a “Sharply executed and evocative set of Americana rock filled with superbly arranged songs about the struggle to find connections, a sense of home, and a center in a ghost town of a world”. The rest of their discography includes a self titled album (2015) and “The Valley” (2017) which received a Detroit Music Award for Outstanding Country Recording, and “Lost on the Range” (2020), which received a Detroit Music Award for Outstanding Americana Recording. Many fans have found The Whiskey Charmers through the video game “Detroit: Become Human” which is set in their home city in the near future world of 2038 and has sold more then eight million copies worldwide. The band is working on their fifth full length record, set to release at the end of 2023.
PATIO: Highland Reverie
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVEHIGHLAND REVERIE Influenced by the rich musical heritage of Appalachia, Luke and Madison Morris’ sound is rooted in the folk traditions they grew up in. Nonetheless, they use folk tradition as a jumping-off point into new sonic landscapes and imaginative songwriting. After crossing paths at bluegrass festival, the duo began playing together regularly in 2018. Highland Reverie just released their self-titled debut album back in January. Their lead singles, “Real World” and “Father Time” were featured on Spotify’s editorial playlists, “Indie Bluegrass” and “Grassroots.”The first part of their name “Highland” simply refers to the area they call home. Old-time and bluegrass music from the Appalachian highlands is the foundation for everything they create. The second part of their name “Reverie” is a noun that describes a daydream or a trance. It is used in a musical context to describe music that provokes a dream-like, meditative state. Their lyrics and smooth harmonies take the front seat while soft arrangements help to tell the story of each song. Together, Luke and Madison Morris bring a modern take on tradition that continues to evolve while remaining rooted in the music of Appalachia.
PATIO: Cynthia McDermott
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVECYNTHIA McDERMOTTCynthia McDermott pushes the envelope of what is possible with the mandolin. While her diverse musical background spans many decades and genres, her latest album of original music, slated for release later this year, hones in on her love of jazz, bossa nova and R&B to deliver a collection of songs that both soothe and stir the soul.Cynthia has developed an impressive musical presence in Asheville in the 5 years she has called it home. Currently leading 3 bands — MOOD RING (90s/2000s pop, R&B), Para Gozar (Cuban son, bolero), and The Knockin Boots (honky tonk) — and a frequent contributor to many other local projects, she averages 250+ performances a year. She also surrounds herself with top-notch musicians from the Asheville scene. The band features Duane Simpson (Dirty Logic, Saint Disruption) on guitar, Eli Kahn (After Ours, Orange Moon) on bass, and Evan Martin (The Honeycutters, The Core) on drums.Presenting her original music is a dream come true for Cynthia, and has been a long time in the making. She spent most of her 20s rambling around the US, Spain and France, formative years that would inform her musical tastes and inspire many songs. Her band during that time would feature these songs occasionally, but only as a supplement to their repertoire of vintage jazz and eclectic covers. Once she settled in Asheville, the name of the game was getting as much work as possible, and again, her original music took a backseat to the development of her nowrobust gigging career. While she loves being able to connect with audiences through cover songs they know and love, she is beyond proud and excited to take this step into sharing an even deeper experience, and she hopes that one day her listeners will sing her own songs back to her.
PATIO: The Krickets
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME, FIRST SERVEDTHE KRICKETS What happens when the world turns upside down and a quarantine benches a band’s tour? Something magical. They learn to write and record remotely, self-produce some music and then….release it – bells and whistles be damned. With new single, These Games, The Krickets offer a raw, Americana harmony bath with a retro feel. Described as “powerful and emotive” by American Songwriter, the release is a small part of a big message from a beloved musical community that nothing’s gonna stop the music. The Krickets are a female Americana group from the gulf coast who’s music is what Paste Magazine called a “a truly stunning, one-of-a-kind sound.” Two-time winner of a 2016 and 2019 Independent Music Award for Song of the Year in both Folk and Alt Country categories, the band’s music is a genre-bending Americana cocktail steeped in their signature folk harmony. Muscles Shaols producer Ben Tanner of Single Lock Records helped them find this sound on their 2016 debut Spanish Moss Sirens and Nashville’s Sam Ashworth (Joy Williams, Lone Bellow), helped them dive further into it on their 2018 sophomore LP, Redbird. New single, These Games, is a true first for them, fully self-produced and dropped June 5th, 2020. A portion of proceeds from every album sale benefits the Sacred heart Hospital Guild’s “Cricket Fund” in honor of Cricket Russell (namesake of the band) providing screenings to the uninsured in rural north Florida. The “K” was interchanged to give space to Buddy Holly’s fabulous Crickets. “The Krickets send chills down your spine and lift you sky high…” No Depression
James McMurtry
– ALL AGES- STANDING ROOM ONLYJAMES McMURTRY In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, out August 20, 2021 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.” The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica, California, a world class studio that has housed such legends as Bob Dylan (2012’s Tempest) and David Crosby (2016’s Lighthouse) as well as Browne himself for I’m Alive (1993) and New Found Glory, Coming Home (2006). McMurtry and Hogarth first worked together 30 years ago, when Hogarth was a recording engineer in the employ of John Mellencamp at Mellencamp’s own Belmont Studios near Bloomington, Indiana. Hogarth recorded McMurtry’s first two albums, Too Long in the Wasteland and Candyland, for Columbia Records and later mixed McMurtry’s first self-produced album, Saint Mary of the Woods, for Sugar Hill Records. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work. Accordingly, the new collection marks another upward trajectory: The Horses and the Hounds will be McMurtry’s debut album on genre-defining Americana record label New West Records (Steve Earle, Rodney Crowell, Lucinda Williams, John Hiatt, Aaron Lee Tasjan, Buddy Miller, dozens more). BETTYSOOBettySoo’s vocal prowess is a thing of wonder. A world-class instrument of deft phrasing and purity, a voice that knows when to hold back and when to dive in. At her own live shows, taking a verse onstage with friends or singing harmonies in sessions with Austin’s finest, BettySoo sings with consummate loveliness and self-assurance. A voice that knows the roots of American music inside and out; coming from a most unexpected place – a diminutive Korean-American with a deceptively girl-next-door demeanor. Touring the unforgiving circuit of listening rooms, clubs and festivals, BettySoo has mastered the art of performance. A funny anecdote sets up a song of heartbreak and need; a witty rejoinder belies the dark truths that underpin much of her work.
OUTPOST: Garcia Peoples & Chris Forsyth
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINEGARCIA PEOPLES Formed in New Jersey by guitarists Tom Malach and Danny Arakaki, the band took a few years to find their flying shape, solidifying into a lineup with Danny’s brother Cesar on drums and Derek Spaldo on bass by mid-2016. Ramping up their acceleration around the time of their 2018 Cosmic Cash debut on Beyond Beyond Is Beyond Records, they’ve blasted through residencies and new songs and sessions and collaborations, relocating to New York, picking up two new members in keyboardist/multi-instrumentalist Pat Gubler and bassist Andy Cush, and leaving a trail of live tapes in their wake. This year, they’ve delivered not one but two new albums for BBiB: the sleek and song-oriented Natural Facts and the sprawling improvisatory opus of One Step Behind. 2019 also saw the first performances by the full Garcia Peoples lineup, a six-person behemoth with Spaldo on third guitar. With a stash of live recordings accumulating at the Live Music Archive, Garcia Peoples’ music is very much a living entity. Since the release of their previous two albums, songs have started to expand, jam suites have grown, and experiments have been undertaken. The first part of 2019 has seen Garcia Peoples back Philadelphia guitarist Chris Forsyth (an expanded Solar Peoples Band has hit double-drummer overdrive several times now), and joined with guitarist Ryley Walker. They’ve improvised on WFMU, and jammed with the sounds of ocean waves and falling rain at strange late night happenings. Probably something else new and wonderful and weird has happened in the Garciaverse since I wrote this. Whether or not you thought you knew Garcia Peoples’ music, One Step Behind is something new and beautiful, for new heads and old. No matter where you stand–behind, beyond, or another plane altogether–One Step Behind is ready. For those about to get on the Bus, we salute you. Chris ForsythChris Forsyth connects the dots between between anthemic art rock, chiming atmospherics, and motorik precision in taut compositions and mercurial improvisations that have earned the Philadelphia-based guitarist a unique reputation as a leading guitar stylist for jam and non-jam band fans alike.
OUTPOST: The Resilience Festival
– ALL AGES- RAIN OR SHINE- 2PM-9PM- $35 TIX FOR THOSE WHO BIKE TO THE EVENTKUF KNOTZ & CHRISTINE ELISEAMANDA ANNE PLATT • THE MOON & YOUDIDGERIDOO BREATHWORK JOURNEYVALORIE MILLER • CAROLINA DIVA DIAMONDZRYAN FURSTENBERG • TAI CHI • ZUMBASONGWRITER EMPOWERMENT SERIESSTANDUP YOGA W/ LIVE MUSICA wellness festival with national music acts, live hip hop from Philly, stand-up yoga w/ live music, kids hip hop, breath work, tai chi, zumba, on-site wellness practitioners giving demos & services, local craft arts, food trucks & happy times! 100% of profits goes to Resilient Voices: an organization doing amazing things to support victims of sexual trauma.Our FABULOUS sponsors include: Winter Magnolia Designs, Quility, Laurel OB/GYN, People’s Community Acupuncture, Leeroy Palmer, The Fred Project, West Village Market, Celtic Sea Salt, & Gray Line Asheville.WE LOVE YOU & THANK YOU FOR SUPPORTING SURVIVORS!
[CANCELED] PATIO: Liz Hopkins (of Delta Rae) + Azul Zapata
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME, FIRST SERVEDLIZ HOPKINS (of DELTA RAE) Liz Hopkins has been singing since she could talk, and probably sings more than she talks–.in choirs of all kinds, musical theater productions, open jams, sitting in with all kinds of bands, and as a proud member of North Carolina born DELTA RAE. She started harmonizing with Ian Eric and Brittany Holljes during her highschool years — and they are still harmonizing today. DR has played the Eagle many times! But now, Liz is coming at you with her own distinct flavor. As a vocalist with Delta Rae has toured all over the US, and internationally, released 4 full length albums, played music festivals including Bonnaroo, Hardly Strictly Bluegrass, Austin City Limits, Lollapalooza and more- performed on National TV (Jay Leno, Conan O’Brien, Seth Meyers), and had the honor of meeting Michelle Obama, and shared the stage and had a sign off with Melissa Etheridge. She was real nervous. After 2 rounds with labels. In 2019, Delta Rae left the label they were on (again) and set out on their own and became the most funded independent band until the history of Kickstarter. It has been a wild ride and 13 years into full time musician life, she hasn’t slowed down. She remains proud to be part of Delta Rae, who just released 2 albums in 2020 and 2021 – and is back on tour this year!When Liz is not on the road or in the studio with Delta Rae, she is singing in professional musical theater productions, leading shows of her own around North Carolina, and practicing piano, teaching kids and adults to sing and now finally starting to write her own songs and put together plans for an album of her own. We’ve only just begun… AZUL ZAPATA Azul is a queer Latinx musician that oscillates from tender moments of grief and love to disco dance, music numbers on betrayal and the stress of living in our modern world. Oh and sometimes it is in Spanish. She sings and plays trumpet with her best friends and her goal is connect with her listeners. After releasing her debut original EP in 2021 “The View From Here,” Azul played all over NC and opened for several nationally touring acts. You can hear released music here. You can watch some of the performances here. And the website with everything and socials is here.
