Pony Bradshaw
– ALL AGES- STANDING ROOM ONLYPONY BRADSHAW On his new album North Georgia Rounder, Pony Bradshaw leads the listener on an exploration of the woods, rivers, and mountains of Appalachia, more specifically, the area for which the album is named and he’s called home for the past 15 years. “It’s got its hooks in me,” Bradshaw says of North Georgia, and it shows, with songs that quickly establish a setting, much like the one he initiated with the album’s predecessor, Calico Jim. The sonic excursion includes stops along the Conasauga River, visits to the holler, and a few diversions—nearby Knoxville plays a supporting role, as do Louisiana and Arkansas. It’s an impressionistic journey of introspection and connection all at once. Will Stewart’s tastefully-understated guitar leads and Philippe Bronchtein’s atmospheric pedal steel provide the perfect backdrop for Bradshaw’s impassioned vocals in lead-off track “Foxfire Wine.” Its swampy, bluesy intro makes way for an interesting amalgamation of Sturgill Simpson and The Grateful Dead, serving as the perfect aperitif for “a hell of a heaven and a hell of a show.” From that point on till the album wraps with the aptly titled “Notes on a River Town,” not only do you see and hear North Georgia, you even smell and taste it. Take, for example, “Safe in the Arms of Vernacular,” a pensive, melancholy track that delights all the senses and is reminiscent of Ray Lamontagne’s mellow side. When Bradshaw sings of the “bonafide gas mask” his Dad brought back from Desert Storm and describes the Saudi Arabian sand as turning to “glass sharp as a sultan’s sword,” one can almost see it. As quickly as it sets the ever-vivid stage, the track shifts its focus to a waitress downtown. “Draped in Bedouin gown, smoking Kent cigarettes in the underground” in an attempt to “escape all those voices,” she naturally drinks white wine—”Riesling room temp from a coffee cup,” to be exact. A voracious reader, Bradshaw credits his talent for expressing such rich details in his songs not so much to other songwriters but instead to books, fiction, short stories, essays, and literary criticism. With such colorful descriptions as “teeth stained red with Lebanese wine, long hair … in sweeps of oil blacker than a cypress pool,” one might assume he bases the subjects of his songs on real-life people he interacts with in North Georgia; instead, Bradshaw describes them as “nameless characters” compiled from “fragments” he’s collected, pieces that usually start with just a line or two. These fragments all add up to a remarkably cohesive 10-song collection, despite Bradshaw being a self-professed admirer of (and writer of) the non-sequitur. This is thanks in no small part to his own masterful vocal delivery and the expert musicianship of his backing band, one that includes the aforementioned Stewart and Bronchtein with Robert Green on bass, Ryan Moore on drums, and Jenna Mobley on fiddle. “The poet soon stops experimenting and innovating and starts his life’s work,” Bradshaw expounds, citing a quote from one of his favorite writers, Wendell Berry. A single album as a life’s work may seem like a grand, overambitious aspiration. But for Pony Bradshaw, North Georgia Rounder is just that – a life’s work, one that, as he describes it, is a culmination of “sweat and work and joy and pain and anger and patience and restraint.”RUSSELL COOK & THE SWEET TEETH
Caitlin Rose + The Kernal
– ALL AGES- STANDING ROOM ONLYCAITLIN ROSENashville-based Caitlin Rose’s new album CAZIMI finds itself released into the world at the exact right time. We’re not quite post-pandemic but we’re certainly post-vibe shift. Things are falling apart, systems are failing in front of us; chaos and danger await us the moment we step out our front doors. The perpetual mood is that of a constant hum of anxiety as we try to cope, with varying degrees of success, with the collective trauma that has consumed us unrelentingly for the past few years.THE KERNAL It all started with a red polyester suit. The western-style outfit belonged to Joe Garner’s father Charlie, who played bass on the Grand Ole Opry for thirty years, famously backing ‘doodle-doo-doo’ star Del Reeves. After his dad passed, Joe went into the attic of his family home, looking for a keepsake. What he found was an alter ego and the beginning of a rich, cathartic ten-year musical journey that culminates with his latest release, Listen to the Blood. “I thought, I’m going to put this old suit on and I’m going to be my own version of some of these country guys, like my dad and Del,” says Garner. “That’s how the project began. I thought of the name The Kernal in terms of ‘kerning,’ as in getting the letters straight in a design. Aligning myself is kind of the idea behind the name. I obviously had the love of country music that I got from my dad. But there were definitely some loose ends in our relationship that weren’t tied before he died. That part of it drove me to put myself into this world and try to iron out some demons. Listen to the Blood is the last of a three-album arc, which has been about me trying to prove myself worthy in some ways in a game that my dad had ostensibly mastered.” With a storyteller’s eye and sly sense of humor that echoes not only his “honorary uncle” Del Reeves, but Tom T. Hall and Roger Miller, Garner delves deep into everything from family dysfunction to road trips to matters of the heart. The music, which he describes with a laugh as “diet country,” embodies the spirit of that genre without any of the slavishness or self-seriousness of much modern Americana. Rolling Stone has called his style “sweetly subversive, intellectual and addictive,” while Lo-Down said “the songs have an air of nostalgia but they sound far from old – modern, yet timeless. ” “I think a lot of people can probably relate to the ideas I’ve been exploring,” Garner says. “Even if you come from a good family, you inherit these negative qualities that your parents hand down to you And then they die, and here you are, left dealing with them. I’ve enjoyed The Kernal project, because it reminds me of the good things in my family and the ways that I’m able to conquer some of the negative aspects. That part is sometimes hard to communicate, and I’m not even sure people are interested in that. Otherwise, the album can be appreciated in a pretty straightforward way – let’s play some music and have a good time.”
JP Harris
– ALL AGES- STANDING ROOM ONLYJP HARRISIn today’s musical culture, the word “authenticity” has pretty much lost all meaning. What used to represent something bona fide and true is now just watered-down marketing speak, stamped onto press releases without a second thought. Born in Montgomery, Alabama in 1983, JP Harris doesn’t fancy himself so much a musician as he does a carpenter who writes country songs. After finishing the eight grade, he boarded a Greyhound in the middle of an early summer night, and scarcely looked back.He traveled the country, often alone, hitchhiking and hopping freight trains while making his living as a farm laborer, shepherd, woodsman, and carpenter, among many other titles.Still an in-demand carpenter to this day, Harris has been writing and performing country music for nearly a decade now, releasing his debut album, I’ll Keep Calling, in 2012. He followed that album with Home Is Where the Hurt Is in 2014, which only saw his star rise both among country fans and critics at major outlets like Rolling Stone. JP was also referenced by Eagles frontman Don Henley in a 2015 interview with Hey Reverb as making “thoughtful, authentic music.”With his forthcoming album “Sometimes Dogs Bark at Nothing,” he’s back after a four year hiatus to remind folks what a lifetime dedicated to country music really looks and sounds like. Sure to please fans of his hardscrabble earlier work, this new release also finds the acclaimed songwriter and vocalist stretching himself musically and personally.In just about every way, Sometimes Dogs Bark at Nothing is a recorded manifestation of Harris’ growth over the last four years. He’s become more comfortable in his singing, more confident in his artistic direction, and more adventurous in his sonic palette. He’s letting listeners in to some of his most difficult struggles and turning a compassionate eye to the struggles of others.ELIZA THORNEliza Thorn is a artist from the North country who currently resides in Nashville, TN. She has travelled across the states with her guitar, collecting the rambling sounds of soul, blues, and jazz along the way. Her sultry sound will take you to a place unknown, yet warm and familiar.
SHAWN JAMES w/ CHRISTIAN LOPEZ
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF VIP MEET & GREET PACKAGES AVAILABLESHAWN JAMES Hey there, this is Shawn James. I’ve had way too many writers think they could sum me up & relay what I’m about from an hour long conversation so they could write my “bio” but I’ve had it. Screw that. I’ll tell it in my own words. I was born & raised In Chicago, Illinois. I grew up on the south side of the city where I attended a gospel church. I was always around a lot of heartfelt soulful music & hardworking, real, down to earth people. Although I no longer abide by any religion, I value the times I had and how they shaped me to be what I am now. I’ve moved around quite a bit living in all different parts of the US. While absorbing all sorts of different cultures from here & around the world, I’ve developed my own sound. I started releasing my own music in 2012 and haven’t stopped since. I play a wide range of music from folk to blues, r&b, Gospel to rock, metal & alotta things in between. The main constant amongst all the genres would be that it’s all done with emotion, feeling, heart & a lotta soul. I mean what I say & deeply feel what I play. I play covers of songs I dig sometimes and although some people may only know me because of those, I’m hardly just a cover artist. If you come see me play live and expect just one style or aspect of what I do, you may be disappointed to learn that our shows are a roller coaster of emotions, musical styles, intensity & energy. I get bored easily & love to mix things up. Be ready & bring your ear plugs just in case.. I’ve always been the underdog so to speak since I’ve never had the backing of a large record label, big marketing firm or massive PR company & I truly like it that way. I feel as though I’ve earned what I have through hard work, determination, a good bit of luck & the great relationships with people I’ve made along the way. I’ve learned a lot of lessons the hard way being in this “music business industry” and that’s alright by me. I’ve seen that with your support (the listeners out there) I can make my wildest dreams come true. If you want to listen to an artist that’s authentic, genuine & original then you’ve come to the right place. I hope you enjoy the music & will join me on this journey that I’m so extremely grateful to be on. Thank you all so very much. Love, Shawn James CHRISTIAN LOPEZ Christian Lopez isn’t merely riding the wave of Americana, the West Virginian native is bending it to its knees. As the son of a music teacher, he was learning piano and guitar by the time he was in kindergarten, and he recorded his debut album, produced by Americana super-producer Dave Cobb (Jason Isbell, Chris Stapleton), when he was just 18. But on his new album The Other Side, Lopez transcends all of those hot-shot titles to emerge a well-rounded and experienced artist.
Tommy Prine
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETOMMY PRINETommy Prine’s debut album “This Far South” coming June 23, 2023 is not only a long awaited introduction but a testimony to Prine’s 20’s and the loss, love, and growth that has defined them. Co-produced by close friend and kindred musical spirit, Ruston Kelly, and beloved Nashville engineer and producer, Gena Johnson, the album is rich and dynamic from cathartic jams to nostalgic storytelling.The son of late songwriting legend, John Prine, Tommy Prine grew up in Nashville surrounded by music, art and writing. As a child, he thought all parents were musicians, as his father “going to work” meant performing shows for adoring fans and writing songs. Tommy learned to play guitar by watching his father play, copying the ways his fingers moved and inadvertently developing his own singular style. Summers in Ireland lent their own inspiration, as did 10 straight years camping at Bonnaroo. Prine’s musical tastes grew to become decidedly eclectic, spanning John Mayer, Outkast, Bon Iver, the Strokes and more.It wasn’t until Prine reached his mid-twenties, though, that he considered a career of his own in music and began to share with others the songs he wrote in private. His songs were quickly met with excitement and enthusiasm, which sonically brings together a colorful patchwork of musical influences and lyrically explores existential questions and emotional experiences.JORDAN SMART Jordan Smart is a singer-songwriter currently based in Ludlow, KY. His songs echo between the prominent fingerpicking patterns of John Fahey and the Dylanesque vocal style of The Tallest Man on Earth. He flows with the current of the folk revival movement, which continues to course through the mainstream and underground channels today. But below the superficial labels lay the heart of the matter that distinguishes Smart from the bulk of other aspiring folk musicians. Smart, 31, is a father. He grew up with humble beginnings, hitchhiked across the United States and slept under bridges. His life flashed before his eyes on a few occasions, but lives to tell the tale by the grace of good luck. Smart even found himself as a musical guest for Bernie Sanders during his presidential race in 2016. Through it all, Smart offers a remarkable level of sincerity and clarity that is few and far between.
Dawn Landes Bluebird 10th Anniversary Tour
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDAWN LANDES Dawn Landes is the North Carolina based singer-songwriter whose music you might have heard if you watch The Good Wife, House or Gossip Girl. Along with releasing six albums since 2005 (and an EP inspired by yé-yé, ‘60s French pop music), she’s a frequent collaborator with contemporaries such as Sufjan Stevens, Norah Jones and composer Nico Muhly. She has appeared with the Boston Pops, the NYC Ballet and on the TED main stage performing songs from her musical ROW about fellow Louisville native Tori Murden McClure’s quest to become the first woman to row across the Atlantic Ocean. Her latest release is a 10th Anniversary Reissue of her album Bluebird of which Spin described as “..refreshing..” NPR “…compelling…” and Blackbook described it as “…haunting…”DOSS CHURCH & THE UNHOLY NOISE (DUO)Doss Church is an Asheville-based songwriter whose unique brand of ‘Americana’ draws influences from 80’s glam, indie folk and early country, fusing soulful vocals with deeply storied, personal lyrics filled with hope found and love lost. Jay Moye, of The Unholy Noise, will join Doss on keys and guitar for this special duo performance
Clem Snide
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLECLEM SNIDE“The last ten years have been a rollercoaster of deep despair and amazing opportunities that somehow present themselves at the last possible second,” says Eef Barzelay. “That this record even exists, as far as I’m concerned, is a genuine miracle.”Indeed, the road to ‘Forever Just Beyond,’ Barzelay’s stunning new album under the Clem Snide moniker, was an unlikely one, to say the least. Produced by Scott Avett of The Avett Brothers, the record is a work of exquisite beauty and profound questioning, a reckoning with faith and reality that rushes headlong into the unknown and the unknowable. The songs here grapple with hope and depression, identity and perception, God and the afterlife, all captured through Barzelay’s uniquely off-kilter lens and rendered with an intimate, understated air that suggests the tender comfort of a late-night conversation between old friends. Avett’s production is similarly warm and inviting, and the careful, spacious arrangement of gentle guitars and spare percussion carves a wide path for Barzelay’s insightful lyrics and idiosyncratic delivery. Listening to the album now, Avett and Barzelay sound like an obvious pairing, but the truth is that there was nothing obvious about the survival of Clem Snide, and the series of cosmic coincidences that led to ‘Forever Just Beyond’ remains inexplicable even to Barzelay himself. “About ten years ago, everything just seemed to fall apart,” he explains. “The band bottomed out, I lost my house, and I had to declare bankruptcy. That started this process of ego death for me, where I realized the only way to survive would be to transcend myself and to try to find some kind of deeper, spiritual relationship with life and with being. Once I committed myself to that, miraculous things started to happen.” Some miracles were financial (a superfan in Spain, for instance, sent Barzelay an unsolicited thank-you-for-the-music donation that covered the exact amount he desperately owed his bankruptcy lawyer); other miracles were more intangible. Roughly four or five years ago, as Barzelay struggled with how and if to carry on, a fan sent him a video of Scott Avett singing a Clem Snide song in front of a massive audience. Shortly after that, another fan sent an interview in which Avett raved about Clem Snide’s music. It seemed like a sign from the universe. “I had just hit this low point where I realized I couldn’t do it alone anymore,” says Barzelay. “I passed along a little message and a new song I wrote to The Avett Brothers’ manager, and Scott wrote me right back to say what a fan he was.”Avett was far from alone in his love for Clem Snide. Named for a William S. Borroughs character, the project first emerged from Boston as a three-piece in the early 1990’s and would go on to become a cult and critical favorite, picking up high profile fans from Bon Iver to Ben Folds over the course of three decades and more than a dozen albums. NPR highlighted the Israeli-born Barzelay as “the most underrated songwriter in the business today, with a sneakily firm grasp on poignancy and humor,” while Rolling Stone hailed his songwriting as “soulful and incisive,” and The New Yorker praised the music’s “soothing melodies and candid wit.”
Tony Furtado
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLETONY FURTADO Americana Roots via a multi-instrumentalist with a dizzying musical toolbox… Tony is an evocative and soulful singer, a wide-ranging songwriter and a virtuoso multi-instrumentalist adept on banjo, cello-banjo, slide guitar and baritone ukulele who mixes and matches sounds and styles with the flair of a master chef (he’s also an accomplished sculptor, but that’s another story). “…true talent doesn’t need categories.”-Relix Magazine “…a major musical force without doubt. He has his black belt in voice, bottleneck guitar and his banjo playing scares the crap out of me.”-David Lindley
Cruz Contreras (of The Black Lillies) Album Release Show
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLECRUZ CONTRERASMulti-instrumentalist, vocalist, songwriter, and producer Cruz Contreras has roots in Tennessee and Michigan, but has impacted Americana music worldwide.The frontman, founder, and driving force behind The Black Lillies’ raw and rootsy sound also co-founded Robinella and the CCstringband, and has collaborated with musicians ranging from John Oates to Langhorne Slim. His projects have topped both the Billboard and Americana radio charts, won Independent Music Awards, and earned him a nomination for the Americana Music Association’s Emerging Artist of the Year award. After over a decade touring and five studio albums as The Black Lillies, Contreras wrapped up the band in 2019 and is performing under his own name.Over the years, Cruz has appeared on nationally broadcasted television including Late Night with Conan O’Brien, CMT, VH-1, and more. His music has been lauded by outlets as diverse as American Songwriter Magazine, Rolling Stone, NPR’s Morning Edition and Vanity Fair, among others.As an independent artist, Cruz has played Nashville’s Grand Ole Opry 40 times over the years. Contreras is currently at work on his debut solo album, ‘Cosmico’.SAMUEL QUINN’S CARTWRIGHT BROTHERS”somewhere between an endlessly, inaudible sigh and the blurred fingers of a years-long morning, samuel quinn fell in love with music again. it was all around, moving, speaking, exciting and regretfully inescapable. the cartwright brothers took shape both backwardly and without an urgency, giving sonic foundation and contour to this chapter of quinn’s songwriting. quiet but ugly. pretty and too loud. honest while joking. personal yet selfishly universal. “it is difficult to say what it is i do, but if you are into it, you might also like this,” quinn explicates.”
PATIO: Peggy Ratusz & Kelly Jones
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME, FIRST SERVEDPEGGY RATUSZ & KELLY JONES Local faves Kelly Jones (guitar & vocals), praised as one of the best and most versatile players on the scene and 10 times best in Blues award winner Peggy Ratusz (singer songwriter & percussionist), combine their exceptional talents for an intimate early evening 2-set showcase of their favorite acoustic Blues, Classic Country and Pop Rock covers and originals. Expect to hear a heaping helping of Bonnie Raitt’s early classics as well as scaled down and evocative arrangements from the superb library of the late, great Piedmont guitarist and songwriter, Sean Costello. They call themselves Downtown Duo Delux, and together they’ve been seducing new and faithful fans for nearly two years. You’ll not want to miss a chance to hear them in this cozy and rustic setting out on the Grey Eagle patio stage.
