Anna Tivel w/ Alexa Rose
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE ANNA TIVEL Anna Tivel is a Portland, Oregon-based, internationally touring songwriter who is forever drawn to the quiet stories of ordinary life. The characters and imagery that populate her writing are full of breath and vivid color. With six full-length albums out and a seventh on the way, Anna has been likened to a short story writer and praised by NPR, Rolling Stone, Billboard, and others for her keen observations of the human condition. In fact, Ann Powers of NPR Music had this to say, “Anna Tivel is just one of my absolute favorite living songwriters. Her writing on [Outsiders] is at the same level as Paul Simon when he wrote ‘The Boxer’ and ‘American Tune.'” ALEXA ROSE “An enchanting new Appalachian voice wraps her rambling mind around a dream; it sounds like the soul child of Bob Dylan and Dolly Parton.” – NPR Music Alexa Rose was born in the Alleghany Highlands of western Virginia, raised in the tiny railroad town of Clifton Forge. Though no one in her immediate family played or sang, she inherited a deep musical legacy. “Growing up I would hear stories of my great-grandfather Alvie who, for a time, lived and played with [bluegrass great] Lester Flatt when they were both young men,” says Rose. “Apparently, Lester tried to get him to move to Nashville and pursue a career. But my great-grandfather decided to stay in the mountains with his wife on their farm.” That sense of place and storytelling spirit became woven into Rose’s voice and songwriting. In 2019, she released her debut album Medicine For Living, the title track of which won Merlefest’s revered Chris Austin Songwriting Contest. Her 2021 follow up Headwaters garnered national attention from American Songwriter and Rolling Stone, among others. Rose wrote most of the album in the early stages of the pandemic, which she astutely characterizes as having “that weird lucid feeling of not-time.” “Headwaters are the source of a river. The furthest point from where water merges with something else. They are not mighty. Just a network of small tributaries, like a creek, not necessarily picturesque, but they’re the most important part of the river. Water is fluid and inconsistent and sacred and indifferent. You can be miles down a river, but you’re still at the origin. And in that way, water feels like it has transcended time. That’s how these songs found me—the same way memories do, in that slivering, elusive water. As quickly as you come across them, you bend in another direction.” Perhaps following in the steps of her great grandfather, Rose’s songs feel like oil paint landscapes of her own life in the mountains, often wringing out the beauty in mundanity and exploring timeless topics. Her earnest, well crafted stylings are a multi-layered merger of old country music and traditional folk songs, colored by rock and roll and mountain soul.
Glen Phillips (of Toad the Wet Sprocket)
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS GLEN PHILLIPS During his almost 40 years as lead singer and main songwriter of Toad the Wet Sprocket, Glen Phillips has helped create the band’s elegant folk/pop sound with honest, introspective lyrics that forged a close bond with fans. Alongside his work with Toad, Glen has released acclaimed solo albums and collaborated on projects ranging from Mutual Admiration Society (with members of Nickel Creek) to the experimental Remote Tree Children. “I’ve been playing a songwriting game with Texas folk singer Matt The Electrician for about ten years,” Glen says. “Every Friday, he sends out a title. We have a week to write a song that includes it. The process allows me to write songs I wouldn’t write on my own. I’m always surprised at what comes out.” That sense of curiosity and play continues to fuel his creative life. Coming off a very full year of music, Glen played to packed solo shows across the US, toured the Rockies with John Craigie, and hit the road with Toad the Wet Sprocket for a massive summer tour that featured openers The Jayhawks, Sixpence None the Richer, KT Tunstall, and Vertical Horizon. This fall he heads overseas to tour the UK with Colin Hay, and in October he hosts his first-ever European river cruise on the Danube, traveling from Budapest to Nuremberg. Glen has also launched a new partnership with Volume, where he’ll be live streaming at least once a month. These shows give him the chance to connect with fans when he and Toad are off the road, offering a space for community, new songs, deep cuts, and the stories behind the music. “I have a long history of livestreaming, and am excited to start a new chapter with Volume. Their format allows me not just to do livestreams, but also post new material and host online get-togethers.” Looking ahead, Glen plans to begin work on a new solo album in 2026. “I’ll be spending this year writing new material for both Toad and solo projects. There’s also an acoustic Toad album coming out, as well as a side project solo collection of songs. Between that and touring, I’ll be plenty busy.” MENDELEYEV Mendeleyev is a baritone Singer/Songwriter/ Producer based in NYC. Set to be Ben Harper’s opening act for his fall tour. Appearing on Season 17 of NBC’s The Voice on John Legend’s Team, his low booming voice got all 4 coaches to turn their chairs. Recently opening for/collaborating with Jackson Browne and Madison Cunningham, he also headlined the 4th of July at The Rose Bowl Stadium, singing for 30,000 people. Highly influenced by a variety of legends with a vocal combination of Johnny cash and Van Morrison, moving lyrical content of Bob Dylan, and the fingerpicking style of John Mayer, he has a fresh and folky yet funky take on music. Fun and full of energy, Mendeleyev is always taking the next step…
The Golden Hours (ft. David Wax Museum + Lowland Hum)
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE THE GOLDEN HOURS Catch the unveiling of The Golden Hours, a new Charlottesville-based band formed by the members of acclaimed indie-folk acts Lowland Hum and David Wax Museum. These musicians have been touring and recording for over 20 years, featured on CBS Saturday Morning and NPR’s Tiny Desk, and lauded by The New York Times, Washington Post, TIME and Rolling Stone, among others. The Golden Hours’ debut record Terra Nova (to be released in 2026) includes “Day Wheel,” an NPR Music Song of the Day. The forthcoming album brings together the power of these four songwriters in an artifact that is simultaneously lush and distilled, emotionally probing, and conceptually expansive. The two duos Lowland Hum and David Wax Museum will open the show.
The Dancing Fleas
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE THE DANCING FLEAS The Dancing Fleas, aka America’s Premier Ukulele Party Band, are a ten piece combo, heavy on the ukes but light on the attitude. Their uplifting originals and covers have been known to make even the most jaded hipsters smile unselfconsciously. The Fleas bring their high energy, big fun approach to a genre-bending set of tunes with styles ranging from classic country to sassy funky. Expect dueling ukuleles, blistering pedal steel licks, and big harmonies from the band’s six vocalists. The band’s debut album, The Dancing Fleas Play the Music of Don Gibson, is now available on all streaming platforms along with a handful of original singles. Once you’ve seen them live, you’ll join the ranks of the #fleabitten!
American Aquarium w/ River Shook
ALL AGESSTANDING ROOM ONLY CLICK HERE TO LEARN MORE ABOUT THE BAND’S VIP PACKAGE AMERICAN AQUARIUM For nearly two decades, American Aquarium has pushed toward that rare form of rock-and-roll that’s revelatory in every sense. “For us the sweet spot is when you’ve got a rock band that makes you scream along to every word, and it’s not until you’re coming down at 3 a.m. that you realize those words are saying something real about your life,” says frontman BJ Barham. “That’s what made us fall in love with music in the first place, and that’s the goal in everything we do.” On their new album The Fear of Standing Still, the North Carolina-bred band embodies that dynamic, balancing their gritty breed of country-rock with Barham’s bravest and most incisive songwriting to date. “In our live show the band’s like a freight train that never lets up, and for this record I really wanted to showcase how big and anthemic we can be,” notes Barham, whose bandmates include guitarist Shane Boeker, pedal-steel guitarist Neil Jones, keyboardist Rhett Huffman, drummer Ryan Van Fleet, and bassist Alden Hedges. RIVER SHOOK River Shook is an artist in constant evolution. After a decade spent making their mark on country music, River Shook is closing the door on their first project (Sarah Shook & the Disarmers) and entering an exciting new era, debuting as a solo artist. River’s reputation for writing galvanizing, strikingly honest lyrics, and their penchant for tapping elements of Indie rock and pop have forever cemented them as a country artist who energetically pushes the boundaries of their genre into a new frontier. River has delivered fiery fusions of country music and rock n’ roll all over the USA, Canada, and Europe, selling out headlining shows at home and abroad. Whether they’re backed by a full band or appearing as a duo, River Shook is hitting the road in 2026 with their unmistakable voice, a growing collection of brand new songs, smoking talent, and the promise of real, raw, unforgettable live shows. Onstage and off, River Shook isn’t just an artist – they’re a force of nature.
An Evening With Willis Alan Ramsey
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE WILLIS ALAN RAMSEY Over 50 years after the release of his wildly influential self-titled album on Leon Russell’s Shelter Records, Willis Alan Ramsey returns to touring. Ramsey’s debut in 1972 earned scores of accolades from arti-sts ranging from The Allman Brothers to Lyle Lovett. The album was mined by many artists for their o_wn recordings including Jimmy Buffett’s “The Ballad of Spider John”, Jimmie Dale Gilmore’s “Goodbye Old Missoula”, Shawn Colvin’s “Satin Sheets”, Captain & Tennille’s “Muskrat Candlelight/Love”, Jerry Jeff Walker’s “Northeast Texas Women”, Waylon Jennings’ “Satin Sheets”, New Grass Revival’s “Watermelon Man”, and many more. Since that landmark first release, Ramsey has toured only occasionally, spending time instead with his family, honing his craft in Austin, Nashville and London, educating himself in the science of audio recording and composing new songs. His new material has received critical acclaim, including Lyle Lovett’s recordings of “Sleepwalkin”‘, “North Dakota” and “That’s Right (You’re Not From Texas”), as well as Eric Clapton’s recording of”Positively”. Ramsey’s infrequent personal appearances always gamer excitement among some of the top critics in the country as well as from his fellow artists: “His cozy, orderly, tiny-detail songs express a willful turnabout from hippie chaos, a visceral reaction particular to the early 1970’s. His songs are sweet, emotionally guarded and often musically complex, fitting strains of melody together that seem as if they ought not connect, expertly using rhythmic displacement as the words and chords unspool …. Perfection is terrifying, and some of these songs felt spooky.” – Ben Ratliff, The New York Times “You might have not seen him lately, but if you’ve listened to Shawn, Lyle or Jimmie Dale, you’ve heard him.” – John T. Davis, The Austin American Statesman “Even if Ramsey had made a dozen more albums, this would still be the record that no home should be without.” – No Depression “When I got his record, I loved everything on it. I heard some Flannery O’Connor and William Faulkner in there. It was a little more literary than most of the Texas stuff.” -Jimmy Buffett “Everybody owned his record when I lived in Austin. That’s because it’s great and them Texans knew it. I think Lyle’s great, but tell me he didn’t learn something from Willis.” – Shawn Colvin “I learned every song off his record. I went to see him every time he played, got tennis shoes like his. I wanted to be Willis Alan Ramsey.” -Lyle Lovett
John Craigie: Spring 2026 w/ Anthony da Costa
ALL AGESSTANDING ROOM ONLY JOHN CRAIGIE For over a decade, John Craigie has made music that brings people in, not with spectacle but with sincerity and songs that feel like conversations. His new album I Swam Here, out February 6, 2026 on Zabriskie Point Records, was written and produced by Craigie and recorded between New Orleans and Astoria. Seven tracks were cut at Deslonde St Studios with musicians handpicked by Sam Doores of The Deslondes, including Howe Pearson, Max Bien Khan, Jonny Campos, and a guest appearance from Desiree Cannon. Longtime collaborator Anna Moss appears across much of the record. The remaining tracks were finished at the Rope Room in Astoria, carrying over the same spirit and palette. The cover art, painted by Brittany Schall, nods to the design of mid century samba and jazz records. The album’s singles trace the path of its making. “Fire Season,” engineered by Bart Budwig, was one of the first songs written and features Cooper Trail, Nevada Sowle, Luke Ydstie, and Jamie Greenan. “Dry Land” was reworked in Astoria after early New Orleans sessions didn’t feel right. “Edna Strange,” inspired by Marty Robbins, is the only track where Craigie plays steel string acoustic, with Max Bien Khan on nylon string leads and a trio vocal arrangement in place of Moss’s harmonies. Following 2024’s Pagan Church with TK & The Holy Know-Nothings, which spent six weeks at #1 on the Americana Albums chart, I Swam Here feels both expansive and intimate, shaped by the musical history of the Gulf Coast and the stillness of the Pacific Northwest. Craigie remains a tireless live performer, touring throughout the U.S., Europe, and Australia, appearing at festivals like Newport Folk, Pickathon, Edmonton Folk Festival, and High Sierra, and sharing the stage with artists such as Langhorne Slim, Sierra Hull, Gregory Alan Isakov, Brett Dennen, and Jack Johnson. I Swam Here is a grounded, collaborative step forward, blending New Orleans grit with Pacific Northwest quiet, and showing a songwriter still widening the world of his music. ANTHONY DA COSTA Anthony da Costa played his first paid gig at 14 in Pleasantville, NY, and by 16 was the youngest-ever winner of the Kerrville and Falcon Ridge Folk Festival songwriting competitions. As a teenager, he toured widely, sharing stages with artists like Loretta Lynn, Judy Collins, Big Thief, and The Milk Carton Kids.Over the years, he’s become a sought-after guitarist and harmony singer, supporting Sarah Jarosz, Aoife O’Donovan, Molly Tuttle, Yola, and Joy Williams (The Civil Wars). His work has brought him to major stages including the Hollywood Bowl, Bonnaroo, and Newport Folk Festival, plus appearances on Conan and Jimmy Kimmel Live. He has released about a dozen albums and several EPs of his own.His upcoming album, The No Send Letter, is his 12th and his most personal. Self-produced and recorded between Pleasantville Recording and a barn studio in Virginia, it documents a difficult and transformative breakup. Captured across digital, reel-to-reel, and cassette formats, the album reflects a period of deep healing and renewed connection with his Nashville community, resulting in some of his most emotionally direct and sonically adventurous work.
Jake Xerxes Fussell w/ Dougie Poole
ALL AGESSTANDING ROOM ONLY JAKE XERXES FUSSELL Reared in Georgia and now settled in North Carolina, Jake Xerxes Fussell has established himself as a devoted listener and contemplative interpreter of a vast array of so-called folk songs, lovingly sourced from a personal store of favorites. On his latest album, When I’m Called—his first LP for Fat Possum, and his first as a parent—Fussell returns to a well of music that holds lifelong sentimental meaning, loosely contemplating the passage of time and the procession of life’s unexpected offerings. The album was produced by James Elkington and mixed by Tucker Martine. In addition to Elkington, it features the playing of Ben Whiteley (The Weather Station), Joe Westerlund (Bon Iver, Califone), and others. Blake Mills contributes guitars on several tracks. Joan Shelley and Robin Holcomb provide backing vocals. “…Fussell is the rare contemporary to approach folk in its pure form, shunning self-penned compositions about bummer relationships to concentrate on material handed down from bygone, hardened times.” – The New Yorker “(Fussell) is one of the great magpies of American song, collecting forgotten, tarnished gems with a folklorist’s zeal… his renditions aren’t so much cover versions as composites…” – The Guardian “…maybe the leading interpreter of American folk music right now.” – Ann Powers, NPR DOUGIE POOLE Dougie Poole is a musician and songwriter living in Los Angeles. Coming of age in Providence, Rhode Island’s DIY scene in the early 2010’s, he dabbled in heavier and more experimental music before maturing into a country auteur. On The Rainbow Wheel of Death, Poole’s 3rd release via Wharf Cat Records, he breathes new life into country music, retaining the acclaimed elements of his previous work — drum machines, acoustic guitars, synthesizers, and his deep-set voice — while pushing toward something warm, organic, and prismatic.
Della Mae
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE DELLA MAE Each generation, perhaps once a decade, bluegrass experiences a band or an artist that redefines and recenters the genre itself. Della Mae is one such band. The GRAMMY-nominated string band was founded in 2010 and over the next decade and a half they’ve demonstrated to the roots music world, once and for all, that a band of all women is not, nor has ever been, a mere novelty. They remain at the forefront of the explosion of women instrumentalists and all-women acts in roots music and their impact is striking and measurable – not just in North America, but around the globe. Now 15 years since their origin, Della Mae can boast their strongest lineup yet. Founders Kimber Ludiker and Celia Woodsmith are joined by guitarist and songwriter Avril Smith and vocalist and two-time IBMA Bass Player of the Year Vickie Vaughn. There has never been a band like Della Mae in roots music before, but thanks to Kimber Ludiker, Celia Woodsmith, Avril Smith, Vickie Vaughn – and all of the women who have been part of this band over its long life – we know there will be many more bands, singers, songwriters, and pickers just like Della Mae in the future.
Darrell Scott + Will Hoge
ALL AGES PARTIALLY SEATED SHOW (guaranteed seating AND standing room only tickets are available at checkout) DARRELL SCOTT Multi-Instrumentalist and Singer-Songwriter Darrell Scott mines and cultivates the everyday moment, taking the rote, menial, mundane, and allowing it to be surreal, ever poignant, and candidly honest, lilting, blooming, and resonating. The words he fosters allow us to make sense of the world, what is at stake here, and our place in it. And ultimately, Darrell knows the sole truth of life is that love is all that matters, that we don’t always get it right, but that’s the instinctive and requisite circuitous allure of things, why we forever chase it, and why it is held sacred. Darrell Scott comes from a musical family with a father who had him smitten with guitars by the age of 4, alongside a brother who played Jerry Reed style as well. From there, things only ramped up with literature and poetry endeavors while a student at Tufts University, along with playing his way through life. This would never change. After recently touring with Robert Plant and the Zac Brown Band (2 years with each), and producing albums for Malcolm Holcomb and Guy Clark and being named “songwriter of the year” for both ASCAP and NSAI, these days find him roaming his Tennessee wilderness acreage hiking along the small river, creating delicious meals with food raised on his property and playing music. He often leads songwriting workshops to help people tell their own truths with their stories, and is as busy as always writing, producing, performing, and just plain fully immersing himself in life. WILL HOGE Will Hoge will release Sweet Misery, the Grammy-nominated artist’s 15th studio album on Friday, August 22.On Sweet Misery, Hoge reminds listeners that he isn’t afraid to break new ground – all while giving a keen nod to his rock and roll roots with the kind of grace and purpose that only comes with experience – without the baggage of predictability.In Will’s own words – “Following the re-recording and re-releases of Carousel and Blackbird On A Lonely Wire I found myself really wanting to make a louder, hooky, rock-n-roll band record again. Good stories, big choruses, shit to make you play it loud and drive fast with the windows down. I was without a band so I enlisted a crew of folks who I love – folks that I believed could really help bring out the bigger ideas in the songs. I hope folks will find some headphones and give it a good, loud listen. Top to bottom, the way albums should be listened to.” Will Hoge has a career whose milestones include Number One hits, Grammy nods, major-label record deals, and hard-won independence. Years before Americana music received its own category at the Grammy Awards, Hoge was on the frontlines, helping to pilot and popularize the genre’s blend of American roots music. In the current digital era dominated by influencers seeking shortcuts to stardom, Will Hoge proudly treads the scenic route, immersing himself in the journey rather than fixating on the destination.
