Black Moth Super Rainbow
ALL AGESSTANDING ROOM ONLY BLACK MOTH SUPER RAINBOW Black Moth Super Rainbow – now two decades into their candied up career – emerges from the technicolor pollen puckered Pennsylvania landscape with a new and reformulated fructose-blasted seventh album. Soft New Magic Dream is here and with it comes that familiar rush of flavors that pump directly from the BMSR soda fountain; that signature blend of strange neon nostalgia, sweetly melancholic synth pop wizardry, hip hop head bobbing, and citric acid tinged freak out flourish. It’s been seven years since the more sinister Panic Blooms, and in that time plenty has happened in the house of Rad Cult, but with Soft New Magic Dream, we are invited to bask in the analog sweet and sour embrace of that classic and here notably chilled out and snoozled up BMSR sensibility. Soft New Magic Dream has a nuanced flavor profile; these are freaky love songs, they funk up crunchy and rattle the speakers here and there, they melt down gelatinous at the right temperatures, and even go full ballad in a few extra-soft spots. The album balances sugar kinked romance with their distinctive and here notably downtempo funky production. Never fully eschewing BMSR’s signature strange liquid centers, these songs still flirt with the uncanny while honing in on the deeply melodic and approachably groovy tendencies they’ve have been exploring in their twenty years of lid flipping. Soaring synth leads ribbon through taffy colored chord changes and highly tactile and fractured drum programming and breaks. Tobacco’s classic vocoder vocals, puckish as ever, burble fawning tenderness and body horror quasi erotic double dares in the fizzy saturated mist. These gummy serenades will leave you blissed out with a cavity-crumbled ear to ear grin. As the BMSR project has evolved, from the scuzzier and folk-tinged backwoods leaf worship of the first albums into the more anthemic roller disco fog machine scenes of their mid-career, and then darker turns in the last few recent albums, Soft New Magic Dream feels like another subtle and surprisingly tender twist on that now-classic sound you’ve come to expect from BMSR. A turn towards something more serene, more direct, playfully wooing us without totally ditching that enigmatic crooked smile. Lose your toothbrush in the clouds and get ready to guzzle down this potent marshmallow cloudscape concoction optimized for falling into face first. GIANT DAY
Melissa McKinney & Datrian Johnson: Campfire Sessions (An Acoustic Song Share)
ALL AGES FULLY SEATED SHOW, GA SEATING CAMPFIRE SESSIONS: Bringing Light to the Darkness (An Acoustic Song Share) Featuring: Melissa McKinney and Datrian Johnson with special guests: JP Furnas, Jamie Hendrickson, Adama Dembele
PATIO: Phuncle Sam
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE PHUNCLE SAM Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
PATIO: Phuncle Sam
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE PHUNCLE SAM Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
PATIO: Phuncle Sam
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE PHUNCLE SAM Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
PATIO: Dirty Dead
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE DIRTY DEAD The guys who keep breaking boundaries with their grungy-rock boogie versions of the Grateful Dead songbook. Fronted by flautist Paul DeCirce, “the Pied Piper of Asheville” (Mountain Xpress), The Grey Eagle are pleased to host these legends of the local jam scene.
PATIO: Dirty Dead
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE DIRTY DEAD The guys who keep breaking boundaries with their grungy-rock boogie versions of the Grateful Dead songbook. Fronted by flautist Paul DeCirce, “the Pied Piper of Asheville” (Mountain Xpress), The Grey Eagle are pleased to host these legends of the local jam scene.
PATIO: Laurel Canyon East
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE LAUREL CANYON EAST Laurel Canyon East brings their trademark folk rock vibe. Come on out and experience the best of the Laurel Canyon sound from the 60’s and 70s. The Byrds, SCN, Eagles, Joni Mitchell, and so much more. Capturing the spirit of collective creativity and spreading the love, we hope you will join us to celebrate, enjoy friendship, and live music on The Grey Eagle Patio!
PATIO: Moon Water
– ALL AGES- LIMITED PATIO SEATING IS FIRST COME FIRST SERVE MOON WATER The mother/daughter duo whose tight blood harmonies drive the music, came to be during the covid-19 pandemic when Jenny Bradley, a single mom, moved her two kids, Blu Belle and Bud, to The Appalachian Mountains from Manhattan, New York. Having grown up in the south, Jen got reconnected to her roots and started playing old hymns and mountain music with her kids. Without much work due to the pandemic and being free of the bustle that is NYC, Jen had time on her hands to write more music and contemplate what’s important in life. As a cancer survivor, she found new joy and appreciation for life and nature on the mountain top and began singing about it. Blu started experimenting with fiddle, lap steel and bass and Moon Water was born. Bud sits in occasionally on drums as well. Why Moon Water? A month after arriving in Western North Carolina, Blu collected rain water before the Flower Moon and then sat it out the night of the full moon. There, the water became moon water and they keep it in a mason jar as their positive energy force for musical inspiration.
Richard Shindell
ALL AGES SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE RICHARD SHINDELL Richard Shindell lives as both an immigrant and emigrant, crossing thresholds, that informs his illumination of the human experience through narrative song. Shindell has inhabited a Zen Buddhist monastery and busked in the streets of Paris. Originally from New York, now living in Buenos Aires, Argentina, Shindell is a writer whose songs paint pictures, tell stories, juxtapose ideas and images, inhabit characters, vividly evoking entire worlds along the way and expanding our sense of just what it is a song may be. Meticulously recorded over three years in New York and Buenos Aires, his most recent release, Careless, offered an ambitious, luxurious, full- length statement. Shindell immersed himself in the studio, allowing the time and latitude to explore, experiment, take risks—to play—as each of these eleven songs was given form and substance. While his signature acoustic guitar style is used to good effect, Careless also found Shindell plugging in more. “The wider sonic and dynamic range of the electric has been a real inspiration. Rejuvenating.” During the pandemic, Shindell stayed in Argentina, out on the wide open Pampa, reading, writing, taking walks, doing a little experimental recording, and tending the garden. He now returns to the road for a limited number of performances. Innovative, original and occasionally spiritual, Shindell’s songs weave tales that interchangeably champion the downtrodden, exalt the disaffected or wax empathetic to those lost to society’s fringes. From lighthearted ballads and adulterous love songs, to dirges and diatribes that skillfully skewer politics, prejudice, war and religion, to the comic point-of-view of a cow stuck in a barbed wire fence, he has a unique ability to morph into the soul of the many and varied personalities he casts as narrators in certain songs—veritable novellas framed in haunting acoustic melodies. MANY A SHIP Many a Ship is an indie-folk-rock band deeply rooted in the mountains of Western North Carolina. Formed in 2017, this group of musical friends was drawn together by Vickie Burick (Warm the Bell, Nevada), united to craft a new sound, drenched in inspiration from nature, humanity, frailty, nostalgia and love. Burick serves as the anchor to this ever changing crew of shipmates that harbor in each performance— her original songs taking on new life and energy with each configuration, just like the ebb and flow of the tides. Original members included Burick on vocals, songwriting, guitar; Josh Gibbs (Dave Desmelik, Camp David, Velvet Truckstop) on lap steel, Andy Gibbon (Dave Desmelik,Why Why) on bass, and Sam Brinkley (Raif Hollister) on drums/vocals. Additional crew include Elizabeth Terry (violin), Stevie Lee Combs (guitar), Sarah McCoy (keys, harmonium, vocals) and William Drake (guitar). Collectively their music is a sea of stories about life, love, heartache, truth and hope.
