Foxing + The Hotelier
– ALL AGES- STANDING ROOM ONLYFOXING + HOTELIER People often ask what the most influential emo albums of November 2013 & February 2014 were. Somewhere on the deep web there is an algorithm processing, workshopping the perfect tour for the people that ponder that question. As it turns out, there are two records that stand out and those records happen to be by The Hotelier & Foxing. After this was brought to each band’s attention, they have decided to set out on a journey to give you the opportunity to see “Home Like Noplace Is There” & “The Albatross” in full as they celebrate their 10th anniversaries. Born in DIY spaces across the country, each of these records afforded their respective bands the opportunity to see the world. Now it is time for them to take the stage once again and bring these records back home, this time in some of our nations finest mid-sized venues, to celebrate these albums with you all.GLITTERER
Noah Gundersen
– ALL AGES- STANDING ROOM ONLY- LIMITED NUMBER OF “MOMENT LIKE THIS” VIP EXPERIENCES AVAILABLE, INCLUDING: One General Admission ticket to see Noah Gundersen live Private pre-show acoustic performance (2-3 songs) Moderated Q&A with Noah Signed photograph Exclusive VIP merch including tote bag, personalized journal and pen Commemorative VIP laminate Early entry to the venue NOAH GUNDERSENIn November of 2021, we started this record at Sage Arts Studio in Arlington, Washington. The south fork of the Stillaguamish River runs through the property – a rapid, churning force. There is a deep, smoldering green and gray that envelops the Pacific Northwest in the winter. The sun sets around 4:30 p.m. It’s the perfect time to make an album.Andy Park, Dave Dalton, Sean Lane, Harrison Whitford, Dave Dawda, and I learned and tracked 11 songs in five days. Most of it was done live, with all of us playing together in the same room. These guys are incredibly talented musicians and it was a privilege to make this record with them. This is the third record Andy and I have made together and I am continuously grateful for his guidance. My sister, Abby, contributed beautiful string arrangements and harmonies, once again playing an integral part as she has on all my records.These last several years have been ones of significant personal change. I got married to my lovely wife, Misha, taking a deeper step into the uncharted territory of building a life with another person, pushing past my former limits of commitment. We bought a little house in a small town in Washington with our two (now three) dogs and our cat. It’s a quiet life, but a good one.For a while, I stopped actively pursuing music and took a job working construction. I found myself disillusioned with the industry and no longer knew my place in it. The world around me has changed rapidly and I sometimes have difficulty grasping it. There were moments when I felt I had lost the wind from my sails – but I still love creating music and I love these songs. It’s been a challenging but rewarding period of my life, which I feel throughout this record. A lot of regret and failure, but also hope and the transformative power of love. Acceptance of the way things have been, and the way they are, and how little control we really have – acceptance that everything is transient. My hope is that these songs will find you in the ways you need. Here’s another message in a bottle – I hope it washed up on your shore at just the right time. – NoahCASEY DUBIE
SUPERCHUNK
– ALL AGES- STANDING ROOM ONLYSUPERCHUNKLike every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It’s a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me Up, Here’s to Shutting Up, and Majesty Shredding. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we’ve lost in these harrowing times and more about what we have to be thankful for. (I know something about gratitude. I’ve been a huge Superchunk fan since the 1990s, around the same time I first found my way to poetry, so the fact that I’m writing these words feels like a minor miracle.)On Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem—the “secret ingredient”—is surprise. Perhaps the same is true of songs. Like when the sax comes in on the title track, played by Wye Oak’s Andy Stack, adding a completely new texture to the song. Or when Owen Pallett’s strings come in on “This Night.” But my favorite surprise on Wild Loneliness is when the harmonies of Norman Blake and Raymond McGinley of Teenage Fanclub kick in on “Endless Summer.” It’s as perfect a pop song as you’ll ever hear—sweet, bright, flat-out gorgeous—and yet it grapples with the depressing reality of climate change: “Is this the year the leaves don’t lose their color / and hummingbirds, they don’t come back to hover / I don’t mean to be a giant bummer but / I’m not ready / for an endless summer, no / I’m not ready for an endless summer.” I love how the music acts as a kind of counterweight to the lyrics.Because of COVID, Mac, Laura, Jim, and Jon each recorded separately, but a silver lining is that this method made other long-distance contributions possible, from R.E.M.’s Mike Mills, Sharon Van Etten, Franklin Bruno, and Tracyanne Campbell of Camera Obscura, among others. Some of the songs for the record were written before the pandemic hit, but others, like “Wild Loneliness,” were written from and about isolation.Wild Loneliness is becoming part of my life, part of my memories, too. And it will be part of yours. I can picture people in 20, 50, or 100 years listening to this record and marveling at what these artists created together—beauty, possibility, surprise—during this alarming (and alarmingly isolated) time. But why wait? Let’s marvel now.SLUICESluice is the recording project of Durham based musician/engineer Justin Morris (Fust, Weirs, Aunt Sis). Radial Gate, the second release as Sluice, features a wide collection of local talent including Avery Sullivan (Fust, Indigo De Souza), Oliver Child-Lanning (Fust, Weirs), Luke Norton (HC McEntire), Frank Meadows (Fust, Tomberlin, Bellows) and Natalie King (Toss) to name a few. Radial Gate continues the Sluice theme of nature’s intersection with industry, and lyrically explores the ideas of isolation and depression giving way to community and personal growth. ‘Could you pass me a beer, oh no it fell in the river. Hey man that’s all right, goodnight.’
GUIDED BY VOICES
ALL AGES – STANDING ROOM ONLY GUIDED BY VOICES In 1994, 38-year-old school teacher Robert Pollard & his merry band recorded Bee Thousand in a Dayton, Ohio, basement on a 4-track cassette recorder. This improbable rock classic became an enormously influential album: Pitchfork and Spin have called it one of the best records of the ’90s, and Amazon picked Bee Thousand as #1 on their list of the 100 Greatest Indie Rock Albums Of All Time. A legendary live band with a rabid following, the Washington Post called GBV “the Grateful Dead equivalent for people who like Miller Lite instead of acid!” With 10 studio albums already under their belts in less than 5 years, the band’s present-day line-up is nothing less than a new Golden Age of GBV. PARK DOING
Tyler Ramsey at Asheville Masonic Temple
– ALL AGES- SEATED SHOW- AT ASHEVILLE MASONIC TEMPLE (80 BROADWAY ST) TYLER RAMSEY Praised by NPR, Stereogum, WNYC and The Huffington Post, Tyler Ramsey is a multi-instrumentalist equally at home playing guitar, piano, keyboards, bass and percussion, but is best known as a talented finger-style guitarist and singer-songwriter. In addition to having released three acclaimed solo albums, Ramsey is perhaps most immediately recognizable, until his recent departure, as the guitarist and a co-writer in Band Of Horses, having played with them since 2007, prior to the release of their breakthrough album, “Cease To Begin.” A well-established and acclaimed guitar player and singer in the burgeoning western North Carolina music scene, where he calls home, he first learned to play music on piano before moving to the guitar. Ramsey grew up listening to and studying country-blues guitar players like Mance Lipscomb and Mississippi John Hurt, and American finger pickers like John Fahey and Leo Kottke, absorbing their sound and making it all his own.
Bobcat Goldthwait
– AGES 18+- FULLY SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE BOBCAT GOLDTHWAITSince Bobcat Goldthwait’s first appearance on the David Letterman Show at the age of 20, he has gone on to maintain a thriving career as a writer, director, actor, voice actor and stand-up comedian. As a comedian, Bobcat has starred in numerous HBO/Showtime specials, performed in venues all over the world, and even went on tour as an opening act for the Band: Nirvana. Well known for his roles in “Scrooged” with Bill Murray and as Zed in the “Police Academy” franchise, Goldthwait has gone on to become a well-respected Award-Winning Director. His Directorial works include Television (Jimmy Kimmel, Chappell’s Show, Community, Maron, Those Who Can’t), feature films (World’s Greatest Dad starring Robin Williams, Willow Creek starring Bigfoot, God Bless America, Windy City Heat, and Sleeping Dogs Lie) and documentaries (Call Me Lucky and Joy Ride). In addition to being a 4x Sundance Alumni, Goldthwait’s films have played internationally including Deauville Film Festival and San Sebastian Film Festival. Bobcat has been honored with the German Independent Honorary Award at Oldenburg Film Festival for his collective works. Bobcat has also directed numerous standup comedy specials (Patton Oswalt, Marc Maron, Ron Funches, Iliza Shleshinger, Mo Willems, Gary Gulman, Hari Kondabolu, Eugene Mirman) and is currently working on converting his critically acclaimed documentary “Call Me Lucky” into a narrative film with Judd Apatow. Also in development, is an original Narative called “The Banishers” with QC Entertainment. After fleeing Los Angeles, he now lives somewhere in the woods in Illinois with his girlfriend, Nora Muhlenfeld, and their 5 cats: Anderson Coopurr, Alice Coopurr, Tina Sparkle, Bruce Wayne and Robert Smith.
Rock Academy – Hindsight Is 2023 Tour
-ALL AGES-STANDING ROOM ONLY- TICKETS AVAILABLE AT THE DOORRock Academy students perform rock songs of various genres, including blues, classic rock, hard rock, heavy metal, punk, and more.
OUTPOST: Lua Flora & Rockstead
– ALL AGES- STANDING ROOM ONLY- RAIN OR SHINELua FloraThe soundtrack of your favorite daydream. The Asheville, NC-based group’s sun-kissed melodies are rooted in the harmonies of Appalachia, rhythms of the West Indies, and lyricism of American folk. Releasing a collection of singles, Lua Flora has collaborated with Sons of Paradise, Richard Vagner, Victor Rice, and Karl Vincent Roth (of Satsang). With stellar reviews from publications such as Face the Current and Top Shelf Music, the outfit has established its unique yet home-like voice. RocksteadThe feeling of love. The power of unity. The essence of happiness. The strength of togetherness and positive vibrations. The highs of living life and the lows of dealing with its obstacles. All of these things encapsulate the music of Cincinnati, OH-born Rockstead, a four-piece, passion-driven rock/reggae group.StraightlinesPrepare to be electrified by the exhilarating force that is STRAIGHTLINES! Bursting onto the scene like a raging hurricane, this high-energy alt-rock n’ roll powerhouse hails from the heart of North Carolina. With their roots firmly planted in the musical hotbeds of Asheville and Greenville, STRAIGHTLINES is pushing the boundaries of alt-rock n’ roll and leaving a lasting impression wherever they go.
Victoria Victoria featuring Charlie Hunter
– ALL AGES- STANDING ROOM ONLYVICTORIA VICTORIA Tori Elliott’s deep love of harmony is the driving force that shapes her soul-pop musical endeavor, Victoria Victoria. Her craft in songwriting is the seedbed for intricate vocal arrangements, creating a layered, ethereal experience; one that translates dynamically from her albums to her live shows. 2022 saw the release of Victoria Victoria’s album, To the Wayside, which is a collaborative effort with guitarist and producer, Charlie Hunter. “Writing these songs with Charlie was an otherworldly experience,” says Elliott, who engineered and produced her lead and background vocals in her home studio. “Arranging these songs for our live show was even more incredible.” Hunter and Elliott teamed up to write glossy anthems of self acceptance such as Over My Shoulder and Move Right On, and enticing tunes of invitation like Really Really and Keep Up. January of 2023 marked Victoria Victoria’s debut tour with Charlie Hunter on hybrid guitar, her brother, Noah Elliott on keys and vocals, her dear friend and collaborator, Maia Kamil on vocals, and renowned Memphis drummer, George Sluppik. The rhythm section makes for a sturdy foundation for transcendent vocal performances and inviting banter. The charisma and kinship between the band members left listeners with the sense that each Victoria Victoria show is truly a family affair.CYNTHIA McDERMOTT Cynthia pushes the envelope of what is possible with the mandolin. While her diverse musical background spans many decades and genres, her debut album of original music, slated for release later this year, hones in on her love of jazz, bossa nova and R&B to deliver a collection of songs that both soothe and stir the soul. Cynthia has developed an impressive musical presence in Asheville in the 5 years she has called it home. Currently leading 3 bands — MOOD RING (90s/2000s pop, R&B), Para Gozar (Cuban son, bolero), and The Knockin Boots (honky tonk) — and a frequent contributor to many other local projects, she averages 250+ performances a year.
LATE SHOW: tu-NER featuring Trey Gunn, Pat Mastelotto, Markus Reuter
– ALL AGES- SEATED SHOW- LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE tu-NER TREY GUNN – Warr guitar (ex King Crimson, David Sylvian) PAT MASTELOTTO – drums, electronics (Stick Men, King Crimson) MARKUS REUTER – touch guitar (Stick Men, Devin Townsend) From the kitchen of the original King Crimson R&D fraKctal units, please let us welcome the new incarnation of tu:NER. tu:NER, in its most recent incarnation, is a musical trio comprised of Trey Gunn, Markus Reuter, and Pat Mastelotto, that celebrates the music of the Double Duo era (1998 to 2003) of King Crimson, and the bands TU (Mastelotto and Gunn), KTU (Mastelotto, Gunn, and accordionist Kimmo Pohjonnen), TUNER (Mastelotto and Reuter), TUNISIA (Mastelotto and thereminist Pamelia Stickney), The ProjeKcts (featuring Gunn and Mastelotto as well as other KC members) and Stick Men (Mastelotto, Reuter and King Crimson’s stickist Tony Levin).tu:NER will perform their original music, improvs and honor as well their King Crimson/ProjeKcts DNA, as well as also bring to the stage some of the material produced by TU and TUNER during the past two decades. The music of those projects is known for being innovative yet accessible in nature, drawing on elements of rock, jazz, prog, funk, and other genres.All the different influences coming together through these three artists are notable for their endlessly creative approach to music, and for the highly skilled musicianship of the players involved. The music produced by all these precedent projects is highly rewarding for those who are willing to listen with an open mind. After three decades of partial collaborations in pairs, and two decades since Trey introduced Pat to Markus, they have created pieces like Face, Absinthe, Pole, Műűt, Untamed Chicken, Flinch, Fandango, and Deception of the Thrush, all having become part of the classic neo-progressive rock catalogue of the 21st century. Together with staples from the King Crimson songbook such as EleKtriK, Level Five, Vrooom Vrooom, and FraKctured, all co-written by members of this outfit, these three amazingly talented friends guarantee an evening of mind-expanding music of the highest standards of virtuosity, innovation, and melodicity. Of course, the creative impulse of these three musos would never be fully satisfied by simply revisiting their back catalogues, as if it were a mere trip down memory lane. Far from it, audiences will be treated to new pieces, as well as their characteristic improvisations, which, instead of consisting of simply jamming and noodling, in their case always comprise “instant compositions,” where the three musicians are constantly listening to each other with their ears and with their souls, in the telepathic fashion of a true R&D small intelligent unit. Because Trey, Pat and Markus are the best musicians at creating magic musical concoctions on the spot, away from the rock or jazz traditional rules of improvisation. Listeners who are fans of King Crimson, and progressive music in general, will soon realize this new trio incarnation of TUNER is the musical collaboration of the decade. Twenty years since the disbanding of the Double Duo, the spirit of the ProjeKcts is finally back on the road with Gunn, Reuter and Mastelotto.