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Pierce Edens w/ Rachel Baiman

May 13 @ 9:00 pm

Tickets
Pierce Edens and Rachel Baiman hit The Grey Eagle stage in Asheville NC on Friday May 13th! It’s an ALL AGES, 9pm show and doors open at 8pm

– 8PM DOORS / 9PM SHOW

– ALL AGES

– STANDING ROOM ONLY

PIERCE EDENS

As those who have seen him live can attest, Pierce Edens absorbed the songwriting, storytelling and musical styling of the surrounding Appalachian Mountains, where he spent his childhood. This history takes the form of old time, folk and bluegrass music as well as spoken words of storytellers from his North Carolina home; this has earned him the moniker of “Appalachicana.”

Over the last ten years, Edens has been drawing on those roots and blending them with the grungy rock and roll sounds that took him in his teenage years. The result is a haunting and fiery mixture that is notoriously hard to pin down. Allmusic.com classifies Edens as both “Folk-Rock” and “psychedelic-grunge,” and No Depression writer Bill Kopp says “ could just as easily- and accurately- be tagged with the singer/songwriter label; He’s a gritty troubadour who takes what he needs from each style, blending and bending it to suit the needs of his songs.”

Through relentless touring, independently producing 4 albums (with one on the way), one full length concert film, and sharing the stage with musical heroes such as: Jim Lauderdale, Todd Snider, Will Kimbrough, and Sturgill Simpson, Edens has garnered a dedicated following of fans across the nation. And as Fred Mills of Blurt magazine says… “Edens is the R.F.D. (Real effin’ Deal), and when he and his band have their collective back against the wall, there’s trouble in store.”

RACHEL BAIMAN

With her 2017 debut Shame, Americana songwriter and multi-instrumentalist Rachel Baiman emerged as a fearless voice of the American female experience. “Shame” was featured on NPR’s “Songs We Love”, called a “Rootsy Wake-up Call” by Folk Alley, and described by Vice’s “Noisey” as “flipping off authority one song at a time.” On her new full-length album Cycles, Baiman has found a grittier musical medium for her signature unabashed and defiant songwriting, employing a majority-female team including co-producer Olivia Hally, known as the front woman of Indie-pop band Oh Pep!

Cycles is a collection of songs encompassing the many ways that we destroy and rebuild as people, as families, and as a country. Songs about the cycle of life inspired by the birth of a nephew and the loss of a grandmother, songs about internal mental cycles of ambition and self-doubt, the cycle of progress and regression in our country’s political journey, and the cycles of growth and reinvention that relationships take on. At times heartbreaking, at times celebratory, the album is a reflection of a lot of life experienced in a relatively short amount of time, a desire to hold fast to the people we love in the wake of so much uncertainty, and an exploration of the immense and unique strength of women in the face of adversity.

Originally from Chicago, Baiman moved to Nashville at eighteen, and has spent the last decade working as a musician in a wide variety of roles, from session musician (Molly Tuttle, Kelsey Waldon, Caroline Spence), to live sidewoman (Kacey Musgraves, Amy Ray), to bandmate and producer. Fiddle music was her first love, and she is known in the bluegrass and old time world for her work with progressive acoustic duo 10 String Symphony with fiddle player Christian Sedelmyer. Her first solo album Shame, was produced by Andrew Marlin of Mandolin Orange, and established her role as part of a new generation of political songwriters. Since 2017, Baiman has toured her solo project internationally with appearances at the Kilkenny Roots Festival in Ireland, the Mullum Music Festival in Australia, and the Kennedy Center Millenium Stage in Washington, DC. She has also released a variety of small scale projects; her 2018 Free Dirt EP Thanksgiving, which read as a sort of epilogue to Shame, a duet project with singer Mike Wheeler, which is a more stripped down nod to her acoustic roots, and a 2020 single, Wrong Way Round, which shows more sonic experimentation and hints at musical direction of Cycles.

Inspired by the burgeoning grunge rock scene in Melbourne, Cycles was recorded in Australia in the glorified storage unit known as Purple Wayne Studios (Big Smoke) with engineer Alex O’Gorman (Angie McMahon). In addition to Hally on bass, piano and guitar, and Baiman on guitar, strings and banjo, other musicians include Melbourne drummer Bree Hartley, guitar players Cy Winstanley (Brandy Clarke) and Josh Oliver (Mandolin Orange), and guest vocalists Dan Parsons, Dan Watkins and Maggie Rigby (The Maes). The album was mixed by GRAMMY winning engineer Shani Gandhi, who is based in Nashville but originally from Australia as well.

Tickets

Venue

The Grey Eagle
185 Clingman Ave
Asheville, NC 28801 United States

Organizer

The Grey Eagle
View Organizer Website
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