Grace Potter: Drive-In at Maggie Valley Festival Grounds
May 7 @ 7:30 pm$120.00 - $280.00
- SOCIALLY DISTANCED, DRIVE-IN STYLE CONCERT
- YOU ARE PURCHASING A SPACE THAT IS TO ONLY BE USED BY THE OCCUPANTS OF YOUR VEHICLE
- THE CONCERT WILL ALSO BE TRANSMITTED TO YOUR FM CAR RADIOS
- 6PM GATES / 7:30PM SHOW
- ALL AGES
- MAXIMUM OCCUPANCY PER VEHICLE IS 4
- NO CAMPERS, RVS, OR SPRINTERS ALLOWED. MAX VEHICLE HEIGHT CLEARANCE IS 8 FEET. PLEASE KEEP YOUR HATCHES/TAILGATES CLOSED ONCE YOU’RE SETTLED IN YOUR PARKING SPOT, TO ENSURE OPTIMAL SIGHT LINES FOR EVERYONE
- NO PUBLIC DISPLAY OF ALCOHOL
- NO ON-SITE ALCOHOL SALES. $20 FEE APPLIES TO ALL COOLERS, OUTSIDE BEVERAGES, AND/OR FOOD REGARDLESS OF SIZE DUE AT CHECK-IN — CASH ONLY
- NO PETS, NO GRILLS, NO OPEN FLAMES, NO TENTS, NO CAMPING
- VIP – $ 280 // Level 1 – $230 // Level 2 – $180 // Level 3 – $120
Described by Spin as “one of the greatest living voices in rock today,” Grace Potter has not only played every major music festival from Coachella and Lollapalooza to Bonnaroo and Rock in Rio, she’s created her own thriving music festival, Burlington, VT’s Grand Point North. Additionally, she’s shared a stage with artists such as The Rolling Stones, Willie Nelson, Robert Plant, the Allman Brothers, Neil Young, Jackson Browne, Mavis Staples, and The Roots to name just a few. A three-time GRAMMY-nominated artist (two for 2019’s Daylight, one for her multiplatinum duet with Kenny Chesney), Potter has also collaborated with the Flaming Lips for a Tim Burton film, and written and produced music for film and TV, including Disney’s animated feature Tangled and the ABC animated holiday special Prep & Landing: Naughty vs. Nice.
In October 2019, Grace released Daylight, her second solo LP and first for Fantasy Records. Daylight arrives after a turbulent, life-altering 4-year hiatus from music that had the acclaimed singer-songwriter contemplating whether she would ever record another album. Cathartic and emotionally raw, Daylight is the result of that arduous journey, the most emotionally revealing, musically daring work of her career.
“I’ve always aimed to write songs from a universal perspective; so that anyone who heard my music could relate, but that actually made it harder for me to take ownership of my own perspective. These songs were written so I could process – and be accountable for – my own life experience,” Potter says. “I had just pulled the ripcord on my whole life. It was an incredibly jarring, private experience. When the dust settled a bit, the last thing I wanted to do was tell the whole world about it through song. It was a very gradual process of re-framing music and its purpose in my life. So, when I finally started writing songs again – it had to be for myself and myself alone.”
Produced by her husband Eric Valentine, Daylight took shape in the Topanga Canyon home they’d recently settled into. Unsigned and entirely free of any pressure to appease, Potter slowly carved out ideas and the two began laying down tracks. Moving to Valentine’s Hollywood studio, Barefoot Recording, the songs came to life with the help of longtime Potter collaborators including guitarist Benny Yurco and drummer Matt Musty, friends Benmont Tench and Larry Goldings on keys and supreme vocalists, Jess Wolfe and Holly Laessig of the indie band Lucius.