The Steel Woods

The Grey Eagle and Worthwhile Sounds Present

The Steel Woods

Jive Mother Mary

Thu, May 17, 2018

Doors: 8:00 pm / Show: 9:00 pm

$12.00 - $15.00

This event is all ages

STANDING ROOM ONLY

The Steel Woods
The Steel Woods
Like their name, The Steel Woods are a hybrid musical force, part hard-edged, part Americana roots country folk, man-made, yet organic, rock but also bluegrass, R&B, blues, gospel, soul and heavy metal, “the materials which America is built on” according to co-founder Wes Bayliss. The Nashville-based band is also steeped in the ethos of Southern rock, with the music on its debut Woods Music/Thirty Tigers release, Straw in the Wind, both timeless and indefinable, sounding like it could’ve been recorded at any point during the past half-century. “That’s kinda the idea,” nods Bayliss.

The Steel Woods trace an unbroken line from Jimmie Rodgers and Hank Williams through Willie and Waylon, then the Allmans, Blackfoot, The Band and Tom Petty up through contemporaries like Kings of Leon and the Avett Brothers.

“I grew up on Willie Nelson, Waylon Jennings and Led Zeppelin,” says Jason “Rowdy” Cope, who was born in Asheville, NC, in the shadow of the Blue Ridge Mountains, where he heard some pretty impressive pickers, which inspired him as a kid. “Our music is like good bluegrass, with the electric guitars turned up to 11,” he says.

There is a biblical, hellfire-and-brimstone morality at work on songs like the good-and evil parable, “Axe”, the first song they ever wrote together -- which takes off on cofounder Rowdy’s ominous, rumbling bluegrass guitar line -- or the galloping country rhythms of “Della Jane’s Heart”, a murder ballad about a spurned woman taking her revenge on a fickle lover, and immediately regrets her actions. “The Secret” goes back to the Garden and Adam’s original heartbreak, equating the duplicitous Eve with the Devil himself. The musical melting pot ranges from the stark acoustic strumming of “Whatever It Means to You” and the thunderstruck drone of their speeded-up Black Sabbath cover, “Hole in the Sky”.

The band’s founders are two native sons of the south who both hail from small-town, Bible Belt backgrounds. The Alabama-born Bayliss played harmonica from the age of eight in his family’s gospel band, eventually teaching himself piano, bass and drums.

Rowdy turned his love of Jimmy Page and Jimi Hendrix into a career as a session guitarist/songwriter and producer, moving to Los Angeles then playing in Jamey Johnson’s band for nine years. The two met in Nashville during a one-off gig, and immediately felt a connection. “We decided we were pretty much on the same page and wanted to do our own thing,” says Wes. “We had an idea and a vision.”

The pair spent a month fishing together, eventually bringing guitars along with their poles to the tiny hole and discovered an affinity. It was then they began to make music together. “It just worked, his voice and me doing my thing on guitar,” says Rowdy.

The result was an EP, which, because they hadn’t written anything together except for “Axe”, included covers by hot Nashville writers like Rowdy’s frequent collaborator singer/songwriter Brent Cobb (“Better in the Fall,” “The Well,” “If We Never Go”, “Let the Rain Come Down”) and revered artist Darrell Scott (“Uncle Lloyd”).

With originals such as the acoustic ballad, “I’m Gonna Love You”, the narrative title track, the philosophical “Whatever It Means to You” and the cathartic closer, “Let the Rain Come Down”, the songwriting/production team of Bayliss and Cope is proving quite a formidable duo. The two, who co-produced their debut album, are committed to doing things their way.

“We’re not murderers, we’re just the messengers,” says Bayliss about some of the songs’ more gruesome scenarios. “We don’t preach. We just want to play good songs with good stories. As long as they come back to hear us again, I’m happy.”

“We’re into this to heal people’s hearts,” explains Rowdy. “If you’re given a talent that can shake plates in the earth, that can really change the world, you have a responsibility to use that for good. Music is the most powerful, emotion-driven art form in the universe because it transcends language. It’s like a sharp blade. It can be used to kill, or in the hands of a surgeon, to heal someone.”

The Steel Woods aren’t in this for the money, the fame or the awards. For them, music is a matter of life and death, right and wrong, bad and good, with the sinners punished for their transgressions, and the noble achieving the kind of transcendence the man dying of thirst in “Let the Rain Come Down” receives.

“Everything has its price,” says Rowdy. “You reap what you sow…We’ve poured so much into this band. I know how little sleep we’ve had, how many bad meals we’ve eaten. I just hope these songs can help people get things off their chest.”

“We want to get good songs out to a bunch of people who need them,” adds Wes. “We just want to make a living making music because it’s the greatest job in the world. I don’t mind working, but I prefer loving what I do.”
Jive Mother Mary
Jive Mother Mary
The first time you see Jive Mother Mary live it’s like a musical breath of fresh air— a gust of excellent songwriting and skilled musicianship. Hailing from Burlington, NC, Mason Keck (guitar, vocals), Tyler Schulz (guitar, vocals), Seth Aldridge (drums, vocals) and William Sanders (bass, vocals) bring to the table qualities rarely found in today’s music: four guys playing instruments and singing harmonies. Firmly rooted in American music with a tinge of it’s British brethren, seeing the band in-person truly allows you to appreciate the intensity of their performance.

JMM was originally formed as a three-piece in 2005 by Mason Keck and Seth Aldridge. With this line-up they recorded two releases with Grammy-nominated producer/engineer John Custer (DAG, Corrosion of Conformity, Dave Grohl): an EP, Jive Mother Mary in 2008 and an LP, All Fall Down in 2009. Their first few years allowed them to travel all over the country, and at age 15 they were the youngest band ever to play the Sturgis Motorcycle Rally. In 2011 the band became a four piece, adding Tyler Schulz and Will Sanders to the lineup. Later that year they headed West to attend Musician’s Institute in Hollywood, CA. With new-found energy, this lineup hit the ground running in L.A., writing new music and playing places like The Viper Room, The House of Blues on Sunset Blvd, and The Mint to name a few. Over the next two years the band sharpened their skills and stage presence and began work on their third release at Blue Forest Studios in Sherman Oaks, California and Dark Pines Studios in Graham, NC. The result was the band’s 2013 EP Big City Blues. It features guest spots from their talented friends Rhett Huffman (b3 & keys) and Al Bonhomme (guitar, Dwight Yoakam). Riding that creative momentum and already working on new material, the band decided to trek back across the country to one of the southeast’s hotspots for up-and-coming bands: Athens, GA.

After two years of practicing every day in the house that they all shared and shows all up and down the east coast, the band headed back home in 2015 to begin work on their then-untitled fourth release. The resulting EP, Home Is Where The Heart Is, is a testament to their continued growth as songwriters with a unique voice and authenticity all their own. JMM is proving one show at a time that there is still life and new ground to cover in rock n’ roll.
Venue Information:
The Grey Eagle
185 Clingman Ave
Asheville, NC, 28801
http://www.thegreyeagle.com/