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COVID-19 POLICY: The Grey Eagle requires all patrons attending performances to provide proof of vaccination or negative test within 48 hours prior to the event. Currently Buncombe Co. mandates that masks be worn indoors. THIS MEANS YOU NEED TO MASK UP. Patrons will need to provide physical or digital documentation of COVID-19 vaccination or negative test. Professional negative test results must be dated no more than 48 hours prior to the event. At-home testing will not be accepted.
– 7PM DOORS / 8PM SHOW
– ALL AGES
– STANDING ROOM ONLY
Singer-guitarist and Atlanta native Joey Plunkett left NYC for Nashville 10 years ago, after making a name for himself in that city’s rock and roll underground as the leader of Brooklyn legends The Weight and hustling bass for Gentleman Jesse.
Nashville drummer and songwriter Brian Kotzur was the star of Harmony Korine’s “Trash Humpers”. Kotzur also wrote the film’s score. He was a member of the Silver Jews.
Country Westerns started as an outlet for Plunkett and Kotzur to play music almost in spite of being in the middle of Nashville’s hungry music scene. Their idea was to make “depressing songs with fun drums”.
Over a year they met up twice a week, made up songs that they liked, and played them to an audience of David Berman in Kotzur’s garage. They played parties sometimes.
This period was a kind of a state of grace – they liked writing and playing; they liked hearing Joey sing. Pressure was off. Still is, I guess. But anyway, everyone won. Sometimes they even played shows with a sax player. This is around when I saw them at Soft Junk, Nashville’s premier DIY party performance art space.
In Spring 2019, their esteemed colleague Sabrina Rush joined as a bass player because she’d never played bass before. She plays violin in State Champion and managed tours for bands you like. Her melodic approach to bass elevated the Country Westerns sound.
So David Berman encouraged them to leave the unmusical climate of Nashville to record a couple of songs with me at Strangeweather Studios in New York City (aka Music City) without a label, on their own dime. The idea was to capture the urgency of their live show. We all liked how it sounded so we dug into our pockets and did another session there a little while later.
Fat Possum heard the results, found our efforts “casually profound” and gave them a record deal.
I don’t know how to tell you about what it sounds or feels like, cuz that’s why it’s music. I’d say people who like raw and well written rock and roll songs along the lines of stuff by Dwight Twilley, Dead Moon, Wipers, The Saints, Replacements, Green On Red and that whole vibe should love this band.
There’s a rare emotional weight and poetry to Country Westerns’ music that hits the spot so hard for me. Hope you dig.
Michael Jordan “MJ” Lenderman is from Asheville, NC. He writes songs under his own name and is involved in various music outfits including Wednesday, Jail, Cheap Studs, and Slugly. His latest solo release, 'Boat Songs', arrives April 29 via Dear Life Records.
Based out of Asheville, NC, Axxa / Abraxas is the longstanding art-psych project of songwriter/ artist Ben Asbury. Hitting on a wide sonic array from psych-pop to post punk to shoegaze, the band has currently released 3 LPs, Axxa/ Abraxas (2014), Family Altar (2017), and Get Weird or Die Boring (2019), and has a new 7” single out as of September 3rd, 2020. Over the years Ben has been accompanied live by a revolving cast of characters with several long-standing iterations.
The Grey Eagle
185 Clingman Ave
Asheville, NC, 28801