CANCELED: DEVASTATION ON THE NATION TOUR
Rotting Christ, Borknagar, Wolfheart, Abigail Williams, Imperial Triumphant
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- ALL AGES
- 6:30PM SHOW, 5:30PM DOORS
- STANDING ROOM ONLY
NOTE FROM THE BANDS:
Official Statement from Metal Festival Tours in regards to Devastation On The Nation Tour:
Due to the COVID-19 pandemic, there are numerous states and cities on the Devastation On The Nation Tour that are putting bans on gatherings anywhere between 100-1000 people. On top of that, the President of the United States of America has put a travel ban in place for anyone coming from Europe to America for the next 30 days which starts Friday. Three out of the five bands on this tour are from Europe which are Rotting Christ, Borknagar, and Wolfheart. They were scheduled to fly here on March 18th. Unfortunately, as you can see, our hands are tied and we have no other choice than to postpone the Devastation On The Nation Tour.
The tour will now be rescheduled to February 11th - March 14th, 2021 and will have the same route in place. The tour will still feature Rotting Christ, Borknagar, Wolfheart, Abigail Williams, and Imperial Triumphant.
To everyone who has purchased tickets already. If you would like a refund, you are able to get one by contacting the company you purchased it from. If you would like to hold onto your current ticket, it will be honored at the rescheduled date. We hope many of you will keep your tickets and join us in February/March of 2021.
Please stay tuned for our next announcement which will come very soon
ROTTING CHRIST have reached another peak in their long career that now spans over more than three decades. The Greeks have literally stood the test of time. With a steady core line-up and their well-honed live delivery, ROTTING CHRIST are filling concert halls and reap enthusiastic crowd reactions wherever they go. This demonstration of love from their followers is not just driven by nostalgia as the band has managed to evolve and grow, while staying relevant beyond the classics with their highly acclaimed latest albums such as 'Aealo' (2010), 'Κατά τον δαίμονα εαυτού’ (2013), and 'Rituals' (2016).
With the new offering 'The Heretics', ROTTING CHRIST are opening a brand new chapter. With confidence and skills derived from experience, each song represents its own sonic universe. Guitarist and vocalist Sakis Tolis in collaboration with his brother Themis on drums achieve a perfect balance of amalgamating their classic and unique style of riffing and rhythm with exciting new elements sprinkled in to keep their material exciting and fresh. The experience is enhanced by Jens Bogren's equally clear and transparent yet also massive as well as sombre mix and mastering at his widely renowned Fascination Street Studios (AMORPHIS, BORKNAGAR, MOONSPELL, DEVIN TOWNSEND, and many more).
ROTTING CHRIST were founded by Sakis Tolis and his brother Themis in the year 1987. Starting out on a basis of death and grind, the Greeks had already embarked on a darker musical journey by the time their debut full-length ‘Thy Mighty Contract’ (1993) was revealed. On the following seven albums covering a ten-year period from 'Non Serviam' (1994) to 'Sanctus Diavolos' (2004), ROTTING CHRIST steadily defined their own distinct style by experimenting with elements from death, heavy, and gothic metal without betraying their black roots. At the same time, the band went from underground heroes to headliner status. With the highly acclaimed ninth album, 'Theogonia' (2007), the Greek stalwarts added an unmistakable native element to their sound, which has remained with them as a signature trademark ever since. Exploring the mythical legacy of cultures around the globe let to ROTTING CHRIST's massively successful latest release, 'Rituals' (2016). With more than 30 years, 13 studio albums, a dozen EPs, singles and split releases, as well as more than 1.250 shows under their belt, 2018 marked the year of 'Their Greatest Spells' (2018), where they musically revisited their exciting legacy to connect their past with the present.
Now 'The Heretics' marks another step in the evolution of the Greek masters. Buckle up for a fascinating musical ride through the woes of religious wars, Zoroastrianism and the eternal war between good and evil. Metal at its best!
Intrepid black metallers Borknagar, in partnership with Century Media, mark their return with resplendent new album, True North. The Norwegians spent the better part of three years writing and rebuilding the lineup—Borknagar are now Øystein G. Brun (guitars), Simen “I.C.S. Vortex” Hestnæs (bass/vocals), Lars A. Nedland (keyboards/vocals), Bjørn Dugstad Rønnow (drums), and Jostein Thomassen (guitars)—to make their 11th studio album a reality. The reasons are plenty but the main driver for space between and change within Borknagar’s repertoire and membership was calibration. Chief songman Brun needed to refocus his labor of love after the assiduous Winter Thrice album cycle. Indeed, that’s exactly what he’s done on True North. While Winter Thrice was a celebration of time spent and bonds made, True North is the vanguard forward, clear-sighted, refined, and full of power. Truly, there’s no holding back now, but with year 25—the band’s silver anniversary—approaching next year, small wonder that Brun and Borknagar are still with us. Fortuitous, or part of the plan all along…
“Absolutely not,” Øystein G. Brun says [of the plan]. “Back in the day when I starting to play around with the ideas about the band I had no goal aside from making music I love myself. At that time, the whole concept of making money, doing big festivals and traveling around the world was so far off that I wasn’t even thinking along those lines. But that said, I have always had the belief that genuinely good music can move mountains.”
Metaphorically, Borknagar’s storied catalog of albums—starting with their coveted self-titled in 1996 through to 2016’s chart-smashing Winter Thrice—have moved mountains, starting with the Seven Mountains that surround Brun and crew’s hometown of Bergen, for if they hadn’t bravely traversed their proverbial peaks as young men and modern-day Vikings extreme metal history would’ve been far less eventful. And so, True North will continue the tradition of moving mountains with its sweeping dimensions of all things Borknagar. Intelligently crafted and panoramically gifted, the album will see the Norwegians reconnecting with their long past and forging ahead into new worlds. This starts with the many moods of 8-minute opener “Thunderous” and ends with the bare brilliance of the Nedland-led “Voices”, a contemporary folk song about our internal compass. When Brun called True North “the most diverse, powerful and grandiose album,” he wasn’t joking. He had the music to back it up.
“Yes, I stand behind my words,” says Brun. “In fact, I would argue that True North is more diverse than anything we have done before from an objective point of view. There is, in general, more variation and interesting dynamics going on throughout the album, from song to song. Even though we wanted to preserve a solid consistency throughout the album, we worked a lot to make each and every song stick out with its own personality and vibe.”
Written without longstanding vocalist Andreas “Vintersorg” Hedlund, veteran guitarist Jens F. Ryland, and drummer Baard Kolstad, True North is still defiantly Borknagar, largely because primary songwriter Brun remains at the helm. While the True North lineup shift may feel like the second coming of Quintessence, it’s not. Almost two decades separate the two albums, and Borknagar’s latest is a veritable showcase of musicians in their prime, aiming for the sun, the moon, and the stars. True North embodies the epic and valorous—as heard on “Up North”, “The Fire that Burns”, and “Mount Rapture”—but it also a portent of Borknagar’s next chapter. The promise of Hestnæs and Nedland as vocalists, Rønnow on drums, and Thomassen as Brun’s new sideman is unconditional, the beginnings of which can be experienced on “Wild Father’s Heart”, “Into the White,” and the aforementioned album closer “Voices.” Importantly, True North represents a unified—sonically, aesthetically, and personally—Borknagar.
“I guess it’s fair to still call me the primary songwriter,” Brun says. “Or the ‘grand old man,’ if you prefer that. But that said, yet another dimension to the production of True North was the fact that we worked much closer as a band with this album. For Winter Thrice, we worked more independently in our respective studios, sending files back and forth, but with True North we, for the most part, teamed up when recording various bits and pieces. A natural consequence of this was that we had a much more dynamic process, where various ideas entwined more. But of course, this is also because Lars wrote three songs and Simen one. Altogether, we had 12-13 songs written for this album, but in the end of the day we landed on nine songs.”
Thematically, True North continues where Winter Thrice left off. Unlike on past Borknagar albums, the lyrics aren’t as philosophical though. Rather, Brun and his team have opted for a more direct approach, leaving less room for fanciful interpretation. As for the title, True North, it was Hestnæs who came up with it. As usual, discussions around the title were had. Was True North the right title? Did it capture group’s new-found range and explorative spirit? How did it correlate to the nine songs Borknagar were offering? Even the cover, with the mighty Årbostadtinden mountain in the center, by photographer Thor Erik Dullum played into the overall direction (and meaning) of the title.
“It’s tough to wrap up a whole album in a few words,” says Brun. “But in the end of the day we felt True North captured the essence of the album. To me, an album title should hold various layers of meaning rather than being some sort of traffic sign. Actually, true north is a very basic term in the field of navigation/orientation. True north differs slightly from the grid and magnetic north as an example, which are somewhat relative depending on the scope and position of things. True north, on the other hand, is the constant in all this, sort of the baseline for all other directions. If you get completely lost at sea, you would need to find true north in order to pin out your orientation. I guess, that is the fundamental idea we want to flag with this album title.”
True North—like all predecessors through Empiricism—was recorded across several studios in Norway. Borknagar tracked Rønnow’s drums at Strand Studio in Oslo, while the foundational aspects of the album were laid down at Brun’s Crosound Studio in the Hordaland countryside. The keyboard and bass lines were cut at Nedland and Hestnæs’ private studios, respectively, for convenience purposes. But of the many key factors in recording True North under largely personal roofs—like Crosound Studio—was that Borknagar were able to control the quality of the final output without the crushing pressure of budget and time. For True North, the focus was getting studio guru Jens Bogren (Winter Thrice, Urd) audio in such a condition that the only job left was the mixing and mastering.
“We [Borknagar] teamed up here several times,” says Brun. “Locked ourselves in for a couple of days and did nothing but recording and producing. It was intense. Of natural causes, I did most of the engineering and producing, as all material went through my studio in order to prepare files. For every step, I processed the mixes so that we were able to lean back and get an impression of where all this was heading production-wise. So, guess I was in the forefront in terms of engineering and producing, but in the end of the day it was really all about teamwork. [As for Jens], he is the very best in what he does, quite simply. There are a lot of great mixers out there, but in my opinion, Jens is just a head above everyone else when it comes to mixing metal. His way of understanding our music and how he approaches the material given is close to god-like. And that’s coming from a hardcore atheist.”
As for what Brun wants Borknagar’s ardent fans to think after hearing True North, the cards are not in his hands. Rather, true to the band’s mandate, he wants the hordes of free thinkers to arrive at their own conclusions while on Borknagar’s newest musical adventure. Indeed, Brun offers, “listen and let your mind fly!” But for those in need of a little guidance, it’s true north of Winter Thrice, Empiricism, and The Olden Domain, an encapsulation of 25 years of work in a single, forward-moving entity. It’s the start of something new, the next stage yet it’s patently familiar. And as for the near term, Borknagar are preparing their indomitable vessel for a jaunt across Europe in late 2019, with possible ventures into the Americas throughout 2020.
The time to wonder at and find direction in the sonic spectacle that is Borknagar’s True North is now!
Biography written by Christopher Dick
Tuomas Saukkonen shocked everyone in 2012 with his announcement that he will bury all of his metal music projects at the same time to start anew. Before The Dawn, Black Sun Aeon, Dawn Of Solace and RoutaSielu received their coup de grâce February 23rd, 2013.
After years of pouring his creative juices to projects too numerous to count, since the end of 2012 Saukkonen has focused on just one labour of love, WOLFHEART.
Be the approach melodic and hopeful, acoustic and fragile, harsh black/death metal or atmospheric doom, 'WINTERBORN' has it all, in a mix like of which you haven't heard before.
Saukkonen recorded and released 'WINTERBORN' entirely by himself playing all the instruments and doing all the vocals, with Mika Lammassaari (Eternal Tears Of Sorrow, Mors Subita) as his only guest, playing guitar solos.
'WINTERBORN' proved a roaring critical success scoring high ratings in reviews left and right. To cap off a great year for his project, 'WINTERBORN' was elected the best debut album of 2013 in the annual Record Store Äx customers’ poll. WOLFHEART deserved to be a fully operating band.
2014 / 2015 took the band on the road to the national stages with Shade Empire and Finntroll, into the international stages with the first European tour with Swallow The Sun and even to Tokyo with Sonata Arctica etc.
Also big european / scandinavian festivals were targeted and the climax of the 2015 was the 2nd album 'SHADOW WORLD' which continued the path of critical praises and was the first product from the co-operation with Spinefarm records (Universal).
After a rapid ride since the release of the debut and second album the band cleared the calender in the beginning of 2016 and started the pre-production of the 3rd album in the legendary Petrax studios (CoB, HIM, Korpiklaani etc). Only few selected festival shows were booked to break the studio cycle but the focus has been intense and the scheduled release of the 'TYHJYYS' -album was set to the march of 2017.
January 2017 Wolfheart headed back to tour in Europe with Insomnium and Barren Earth for 19 concerts.
March 2017 started with the release 'TYHJYYS' (finnish meaning emptiness) -album via Spinefarm Records. The album received dozens of high-rated reviews across the globe. March 2017 continued with a headliner tour in Spain and with two concerts with Dark Tranquillity in Finland and with autumn tour in Europe with Ensiferum and Skyclad.
Festivals 2017: Dark Troll Festival (GER), Nummirock (FIN), Rock Harz (GER), John Smith (FIN), Gothoom (SVK), Wacken Open Air (GER), Rockstadt Extreme Fest (RO), Brutal Assault (CZ), Bloodstock (UK), Summer Dying Loud (PL), Iberian Warriors (ESP)
At the beginning of 2018 the band performed in the legendary 70000tons of metal cruise (US) and Nordic Metal Cruise (SWE) and soon the band will hit the stage in Ragnarök festival in Germany. The band has also announced so far their headlining tour in Canada and summer festivals; Rock Fest Barcelona (ESP), Gefle Metal Festival (SWE), Party San Open Air (GER) and Summer Breeze festival (GER).
At the beginning of 2018 Wolfheart signed to Napalm Records. The band released their 4th album CONSTELLATION OF THE BLACK LIGHT at the of end september 2018 and started their north-american tour. Tour across the Europe will follow the Americas.
New album ‘Walk Beyond The Dark’ was released on November 15th, 2019.
New York's nebulous avant-garde metal outfit Imperial Triumphant redefine sonic darkness on their ambitious new album, "Vile Luxury". A turbulent, frenetic take on experimental noise and progressive black metal, Imperial Triumphant embody the most austere side of the New York underground. Chaos, menagerie, and the perils of the city clash with its reputation for majesty and extravagance. The band aim to portray the juxtaposition between high society and urban decay.
'Vile Luxury' combines the various musical elements that follow well within the tradition of music in New York, a monolith of the Western world, of constant experimentation and appropriation of all things that enter it, never leaving the same as it came.
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